Joey Ryan
Fracture
Angela Macari O’Looney
Joey Ryan hails from Enniscorthy, Co. Wexford and has worked hard to develop his acoustic based songs. His influences include Bruce Springsteen, Clive Barnes, Willie Nelson, Django Reinhardt and Lynyrd Skynyrd. Previously a member of South-East Metal band Cronus, Joey has been pursuing a new independent songwriting career.
Fracture is his second album, with a rock/roots and blues feel, while his earlier CD Hope in Razorbeams reflected his major influences and sold well locally.
This newer collection of songs is performed with conviction and passion. His guitar playing ability alone commands the ear of the listener!
what’s left
It’s the instrumental intro and the interesting kaleidoscope of sounds such as crazy bass, mayhem of discords and Joey’s jazzy vocals that get you in this number.
Complex but quite impressive, it wakes up the senses for the rest of the album!
If you cared
Beginning with a slow acoustic guitar intro, this is a song about going ‘away from love’
or making a fresh start.
The sweet guitar notes dominate here, drum input creating the backdrop. Further on in the song things pick up, then it goes back to the trickling intro and Joey singing the mournful chorus.
Side
In this number you have yet again some delightful acoustic guitar in the intro, carefully blended with electric background sounds. It has a haunting melody line which is helped by an electric guitar which does snatches here and there. I like the chorus, even though it is quite a moody song.
Fracture
The title track is full of energy with eclectic guitar throughout, lots of cymbal crashing for drama and a splash of harmony, which lends to the big complex cacophony of sound!
A catchy riff gives this song an edge, making it the most memorable piece on the album. Bass is exquisite, plus that electric guitar solo which his very elaborate!
5 Times
The Spanish guitar intro in this song is totally riveting. I particularly like the way that later on the electric guitar takes over, doing complex lead and creating a sense of tragedy.
It returns to the classical/flamenco acoustic guitar notes.
Falling away
The chorus in this song is quite catchy. However I feel that Joey’s vocals take on a tuneless quality at times, which I don’t like.
The musical arrangement and guitars are so nice and make up for this to a certain extent.
The next song Knives pretty much takes on the same tone, with impressive guitars and lots of dramatic drums. A lead solo that is astounding and haunting scream effects create interest too. But I can’t feel comfortable with his vocal style at all. It needs some kind of redirection or perhaps a female backing voice to enhance these beautiful pieces.
Shore is a song with lots of trickling acoustic guitar. I feel that here Joey’s voice tends to pick up. It suits his range better and things definitely improve from here to the end of the album. I commend him as a guitarist, songwriter and performer in general. If you like moody, pouring out your soul music, this album has it all!
Joey keeps the best till last. The second last track This cold wind has a lovely chorus, with guitar that takes my breath away.
Finally Lost Open Road is probably my second favourite song on this album. A big orchestra, those fluently played guitar notes and a truly sweet melody line lift this to a different level than the other tracks.
Daniel Henderson performed drums on this album, except on the last track where Joey himself plays drums. All guitars, bass and vocals are performed by Joey.
I believe that Joey is more of a musician and songwriter, than a singer. But if you look around at acts such as R.S.A.G., this is the type of alternative style that appeals to the current music market.
With such a remarkable talent for producing his own original sound and his flawless guitar finesse, I give him top marks and hope to see his star rise in the near future.
Thursday, December 24, 2009
Tuesday, December 15, 2009
Monday, December 14, 2009
Lynda Lucas singer/songwriter
Eva Harrison, Lynda Lucas and Spirit Riders
D.C.C. Club
10/12/’09
By Angela Macari O’Looney
Lynda Lucas and I go back a long way. I met her many years ago when we were both involved with Tops of the Town in an amateur Variety Show. I bumped into her again at a charity gig last summer and discovered she had an act which might be worth checking out.
So on hearing that she was performing at a Christmas night in the D.C.C. Club in Camden Row, I ventured down.
Lynda’s singer/songwriter career began in 1994. In 2000 she joined Dublin Bluegrass band The Cherry Pickers and has since played many major venues, including Vicar Street and last year featured at The Midlands Festival. I personally have admired her voice since first hearing her over 20 years ago and was confident this would be an interesting night. I wasn’t wrong!
Kicking off the show was a female singer/songwriter Eva Harrison, who possesses a crisp voice and excellent guitar playing ability. I liked the sense of movement in her first number and the easy to sing along to refrain; every soul passes my way.
Her second number Mozart mentions an Argentinean tango and to add a dramatic feel to it, she plays lots of minor chords. Her vocals have a soulful quality a little reminiscent of American songwriter Janis Ian. Guitar plucking in this song is intricate. I like the line you too were born in minor but we could walk out in major.
Eva’s performance was inspiring and the small crowd now gathering gave her a positive reaction.
Lynda Lucas
I looked around and felt really at home in this cosy hideaway among like minded music lovers. I could hear an excited buzz around me while the audience awaited the appearance of my friend Lynda and I myself felt intrigued, when so much time has passed since I actually heard her sing.
From the little snippets of information I picked up, this lady has come a long way, developing her style and refining her act, having broken out of the Chrysalis that lay beneath during her spate with The Cherry Pickers. Now arriving on the Dublin circuit as an independent singer/songwriter, she takes something fresh and combines a touch of the old and a splash of the new with influences from Gram Parsons, Emmie Lou Harris, Hank Williams, and The Carter Family.
She appeared on Balcony T.V. with the Lisa Janes performing Wayfaring Stranger. With their harmony and her powerful vocals it’s an impressive piece of online footage. She can also be seen on You Tube performing Ode to Someone.
With beauty to match her talent, Lynda took to the small stage accompanied by Brendan Priestly on guitar. A delicious guitar intro was followed by a heartfelt rendition of The Lord’s burning rain. A sad three four time number, it involves delightful close harmony sung by Brendan behind Lynda’s fluent country vocals.
Make me down a palette
This song has a real Blue grass style to it. It’s a laid back piece with Brendan taking a solo on his acoustic guitar. Here, Lynda’s vocals have real clarity as she effortlessly glides up and down tricky octaves.
The Dimming of the day
This ballad with lovely lyrics has a sweet melody line and involves trickling guitar notes. Here Lynda’s own guitar prowess comes to the fore and my earlier faith in the fact I’d not be disappointed in what she has to offer, was rewarded a hundredfold!
A pretty song by Gillian Welch called Valley of Tears was next.
Then Lynda went on to perform a song written for her by a friend with sad lyrics, but a wonderful combination of sevenths and major to minor chords that lifted the number up.
As she sang the poignant lyrics there was a lot of emotion, the audience hanging on every line!
Hank Williams cover Long gone lonesome blues followed, with delicious harmony and a tricky chorus which involves going from higher notes to a lower octave and is really effective.
River boat gambling song
In a three four tempo this song paints a scene on a Mississippi river boat that’s a casino. You picture cowboys around a poker table, chewing tobacco. Brendan takes the lead for the verse of this number, Lynda doing the chorus.
I got a lump in my throat when I heard the intro to the next song, since it’s a number I’ve often sung in my own harmony act with my sisters.
Jambalaya went down a treat with its lively beat and cheerful chorus.
Lynda and Brendan got a huge applause and were asked to do an encore. They did a pretty number called Motherland.
Spirit Riders
With lots of pluck, this act consists of six members who with their music take you from Camden Row, Dublin to Nashville U.S.A. as each note is sung. They are a big change from the style of band I usually review, playing Alternative Country with an urban twang, but definitely are the best at what they do. Totally committed to their songs, each is sung with conviction and is top standard.
Band members are Satch Wright – Electric lead guitar/Vox, Alan Begley – Acoustic guitar/ Vox, Colin Griffith- Bass, Arty Lorigan- Drums, Joe Ryan – Pedal Steel/Mandolin and Kevin Strong – Keyboards/Vox.
They did a long set beginning with a Richard Thompson cover. They have a big sound and after a long day of Christmas shopping, I sat back and truly enjoyed myself. This band is easy on the ears, with lovely harmonies and a mix of half original songs and half covers.They included Jambalaya in their set and I sang along as did all the folk present.
Lynda is only recently back from Nashville after doing some recording there and with a vocal talent to match her beauty and a calm charismatic style that’s soothing to the soul, I hope this is the beginning of a successful journey for her!
D.C.C. Club
10/12/’09
By Angela Macari O’Looney
Lynda Lucas and I go back a long way. I met her many years ago when we were both involved with Tops of the Town in an amateur Variety Show. I bumped into her again at a charity gig last summer and discovered she had an act which might be worth checking out.
So on hearing that she was performing at a Christmas night in the D.C.C. Club in Camden Row, I ventured down.
Lynda’s singer/songwriter career began in 1994. In 2000 she joined Dublin Bluegrass band The Cherry Pickers and has since played many major venues, including Vicar Street and last year featured at The Midlands Festival. I personally have admired her voice since first hearing her over 20 years ago and was confident this would be an interesting night. I wasn’t wrong!
Kicking off the show was a female singer/songwriter Eva Harrison, who possesses a crisp voice and excellent guitar playing ability. I liked the sense of movement in her first number and the easy to sing along to refrain; every soul passes my way.
Her second number Mozart mentions an Argentinean tango and to add a dramatic feel to it, she plays lots of minor chords. Her vocals have a soulful quality a little reminiscent of American songwriter Janis Ian. Guitar plucking in this song is intricate. I like the line you too were born in minor but we could walk out in major.
Eva’s performance was inspiring and the small crowd now gathering gave her a positive reaction.
Lynda Lucas
I looked around and felt really at home in this cosy hideaway among like minded music lovers. I could hear an excited buzz around me while the audience awaited the appearance of my friend Lynda and I myself felt intrigued, when so much time has passed since I actually heard her sing.
From the little snippets of information I picked up, this lady has come a long way, developing her style and refining her act, having broken out of the Chrysalis that lay beneath during her spate with The Cherry Pickers. Now arriving on the Dublin circuit as an independent singer/songwriter, she takes something fresh and combines a touch of the old and a splash of the new with influences from Gram Parsons, Emmie Lou Harris, Hank Williams, and The Carter Family.
She appeared on Balcony T.V. with the Lisa Janes performing Wayfaring Stranger. With their harmony and her powerful vocals it’s an impressive piece of online footage. She can also be seen on You Tube performing Ode to Someone.
With beauty to match her talent, Lynda took to the small stage accompanied by Brendan Priestly on guitar. A delicious guitar intro was followed by a heartfelt rendition of The Lord’s burning rain. A sad three four time number, it involves delightful close harmony sung by Brendan behind Lynda’s fluent country vocals.
Make me down a palette
This song has a real Blue grass style to it. It’s a laid back piece with Brendan taking a solo on his acoustic guitar. Here, Lynda’s vocals have real clarity as she effortlessly glides up and down tricky octaves.
The Dimming of the day
This ballad with lovely lyrics has a sweet melody line and involves trickling guitar notes. Here Lynda’s own guitar prowess comes to the fore and my earlier faith in the fact I’d not be disappointed in what she has to offer, was rewarded a hundredfold!
A pretty song by Gillian Welch called Valley of Tears was next.
Then Lynda went on to perform a song written for her by a friend with sad lyrics, but a wonderful combination of sevenths and major to minor chords that lifted the number up.
As she sang the poignant lyrics there was a lot of emotion, the audience hanging on every line!
Hank Williams cover Long gone lonesome blues followed, with delicious harmony and a tricky chorus which involves going from higher notes to a lower octave and is really effective.
River boat gambling song
In a three four tempo this song paints a scene on a Mississippi river boat that’s a casino. You picture cowboys around a poker table, chewing tobacco. Brendan takes the lead for the verse of this number, Lynda doing the chorus.
I got a lump in my throat when I heard the intro to the next song, since it’s a number I’ve often sung in my own harmony act with my sisters.
Jambalaya went down a treat with its lively beat and cheerful chorus.
Lynda and Brendan got a huge applause and were asked to do an encore. They did a pretty number called Motherland.
Spirit Riders
With lots of pluck, this act consists of six members who with their music take you from Camden Row, Dublin to Nashville U.S.A. as each note is sung. They are a big change from the style of band I usually review, playing Alternative Country with an urban twang, but definitely are the best at what they do. Totally committed to their songs, each is sung with conviction and is top standard.
Band members are Satch Wright – Electric lead guitar/Vox, Alan Begley – Acoustic guitar/ Vox, Colin Griffith- Bass, Arty Lorigan- Drums, Joe Ryan – Pedal Steel/Mandolin and Kevin Strong – Keyboards/Vox.
They did a long set beginning with a Richard Thompson cover. They have a big sound and after a long day of Christmas shopping, I sat back and truly enjoyed myself. This band is easy on the ears, with lovely harmonies and a mix of half original songs and half covers.They included Jambalaya in their set and I sang along as did all the folk present.
Lynda is only recently back from Nashville after doing some recording there and with a vocal talent to match her beauty and a calm charismatic style that’s soothing to the soul, I hope this is the beginning of a successful journey for her!
Saturday, December 12, 2009
Friday, November 20, 2009
I've Fallen So Far
Stewart Kenny
I’ve Fallen So Far
Angela Macari O’Looney
This enjoyable collection of songs, all original compositions are well written with simple but memorable melody lines.
Stewart Kenny is a young singer/songwriter who hails from Dublin. He began composing songs with his father at the tender age of fourteen. He later formed a band called The Noonday Guns, gigging in Whelan’s and The Sugar Club.
Deciding to go solo, he released this debut album in April ’09. It has had airplay on Country Mix 106 FM, where it received high praise. I recently saw a few of his songs performed live, when he played support to Grades of Shade at Crawdaddy, Harcourt St. His tongue-in-cheek lyrics and catchy melodies attracted me and I particularly noticed that although sweet and cheerful, his music involves serious guitar chords and expert lead throughout.
Influences include a variety of styles such as Prince, Michael Jackson, KT Tunstall, Bob Dylan and Ray Lamontagne to name but a few.
In certain numbers I hear a hint of a resemblance to Garth Brookes and Don MacLean. However, this guy has a real knack for unique, imaginative pieces, where his vocal range is demonstrated to great effect. His ability to sing falsetto is exceptional and adds interest, yet he can perform the moodier songs from his set in a lower key.
There are thirteen tracks in all, each telling a story or laden with colourful descriptive lyrics. I have a few favourites among them and the first song on the album Midnight Sun is top of the list.
This reminds me of line dancing with its country feel and choppy beat. It has a catchy chorus, with close harmony that augments its charm. The lyrics are cheerful as is the lovely melody. The lead solo is sweet with sliding notes and my favourite line in it is Well their gonna have to shoot me, or tie me to a tree cause I’m never ever gonna act my age. I like this sentiment!
The second song Seize the moment begins with a pretty acoustic intro. A vibrant baseline framing it, this number has a beautiful chorus where Stewart’s vocals are excellent, trickling guitar riffs adding to the magic.
The Prom Queen is a bouncy number and has a tricky tempo. It’s a real fun sing-along piece, with a lively melody and includes splashes of harmony here and there plus a key change for the last chorus, which gives it an extra bit of oomph. I like the sarcastic tone of the lyrics; Can you finally understand why no one’s gathered round to share your sorrow? You’re just like Scarlet in the wind, hoping there will be a bright tomorrow.
The theme song I’ve fallen so far has a three four tempo and is a slow country song with a mournful feel to it. Violin and piano add to the mood and backing vocals are lovely here too. The change from minors in the verse, to majors for the chorus gives things a sense of hopefulness and the guitar solo, joined by a trickling mandolin create a perfect arrangement.
Under the Moon
In this number Stewart sings the verse in falsetto. Intricate electric guitar riffs are noticeable, as is the melody of this love song. Backing singers do angelic ‘oohs’ for this slow ballad.
Of the remaining tracks there is only one I find a little monotonous. This would be Your Lonely room.
Lovers has dramatic piano and although it has a sense of gloom in it, is an enjoyable song.
Strange
Catchy with a choppy beat and appealing chord combinations. I adore the melody and how Stewart performs it. It’s one of those songs that haunt you so that you find you are humming it everywhere you go!
Over the Edge is a soft ballad with delicious piano accompaniment and was recorded live in the studio. Stewarts excellent delivery of this number makes me think perhaps it’s one of his own favourites. You can feel his love for every note and lyric.
Only Still Fool
This number involves a plucky rhythm and is yet another philosophical piece. Harmony in the chorus gives it lots of dynamic.
All Boats will Rise
I loved this song when I saw it performed in Crawdaddy. It involves harmonic oohs for the intro and in the chorus. Guitar throughout is sweet, especially the rhythmic break. Lyrics reflect the current economic downturn and are cynical; Will they even bother searching for a drowning soul or are they too far up their own sweet ass, they won’t save a soul. I feel that the mood in the lyrics expresses what a lot of people think but don’t say about how the big wigs handle the threat of financial devastation.
Tremble has a jazzy feel to it, even though Stewart’s style is described as Acoustic/Country/Pop. I adore this moody number where chord combos are a treat, the melody line seductive, bass is divine, the lead solo to die for. There’s a sudden stop!
It resumes with rhythmic chords taking things to a close. I commend the clever use of a backing vocal singing the chorus in a high octave, while Stewart sings in the lower.
Jenny
This is a sad ballad about the loss of a lover to death. That’s what I gather from the lyrics anyway. The melody is pretty, but guitar is the high point in it for me, with a perfect solo that takes it to completion.
An unexpected surprise at the end of the album is a magical song called Just add ‘em to the rain. Maybe he’s superstitious, but whatever his reason for not mentioning it and just throwing it in as an afterthought makes it a nicer treat. It’s about a guy with a broken heart who is given advice from his cruel hearted ex. Lovely distortion laden guitar chords give this slow piece fullness and I like the last line ‘Baby blue is laughing in the rain.’
Stewart and his father Tommy seem to have put a lot into this project and the result is thirteen beautiful tracks and one bonus, each with rich guitar and piano input and the superb voice of Stewart leading each. How he could top this compilation with a better one I don’t know. I have only seen him once live and it was an acoustic set. But having heard his music at its best I would definitely be watching out for a chance to see him headlining some day soon.
I’ve Fallen So Far
Angela Macari O’Looney
This enjoyable collection of songs, all original compositions are well written with simple but memorable melody lines.
Stewart Kenny is a young singer/songwriter who hails from Dublin. He began composing songs with his father at the tender age of fourteen. He later formed a band called The Noonday Guns, gigging in Whelan’s and The Sugar Club.
Deciding to go solo, he released this debut album in April ’09. It has had airplay on Country Mix 106 FM, where it received high praise. I recently saw a few of his songs performed live, when he played support to Grades of Shade at Crawdaddy, Harcourt St. His tongue-in-cheek lyrics and catchy melodies attracted me and I particularly noticed that although sweet and cheerful, his music involves serious guitar chords and expert lead throughout.
Influences include a variety of styles such as Prince, Michael Jackson, KT Tunstall, Bob Dylan and Ray Lamontagne to name but a few.
In certain numbers I hear a hint of a resemblance to Garth Brookes and Don MacLean. However, this guy has a real knack for unique, imaginative pieces, where his vocal range is demonstrated to great effect. His ability to sing falsetto is exceptional and adds interest, yet he can perform the moodier songs from his set in a lower key.
There are thirteen tracks in all, each telling a story or laden with colourful descriptive lyrics. I have a few favourites among them and the first song on the album Midnight Sun is top of the list.
This reminds me of line dancing with its country feel and choppy beat. It has a catchy chorus, with close harmony that augments its charm. The lyrics are cheerful as is the lovely melody. The lead solo is sweet with sliding notes and my favourite line in it is Well their gonna have to shoot me, or tie me to a tree cause I’m never ever gonna act my age. I like this sentiment!
The second song Seize the moment begins with a pretty acoustic intro. A vibrant baseline framing it, this number has a beautiful chorus where Stewart’s vocals are excellent, trickling guitar riffs adding to the magic.
The Prom Queen is a bouncy number and has a tricky tempo. It’s a real fun sing-along piece, with a lively melody and includes splashes of harmony here and there plus a key change for the last chorus, which gives it an extra bit of oomph. I like the sarcastic tone of the lyrics; Can you finally understand why no one’s gathered round to share your sorrow? You’re just like Scarlet in the wind, hoping there will be a bright tomorrow.
The theme song I’ve fallen so far has a three four tempo and is a slow country song with a mournful feel to it. Violin and piano add to the mood and backing vocals are lovely here too. The change from minors in the verse, to majors for the chorus gives things a sense of hopefulness and the guitar solo, joined by a trickling mandolin create a perfect arrangement.
Under the Moon
In this number Stewart sings the verse in falsetto. Intricate electric guitar riffs are noticeable, as is the melody of this love song. Backing singers do angelic ‘oohs’ for this slow ballad.
Of the remaining tracks there is only one I find a little monotonous. This would be Your Lonely room.
Lovers has dramatic piano and although it has a sense of gloom in it, is an enjoyable song.
Strange
Catchy with a choppy beat and appealing chord combinations. I adore the melody and how Stewart performs it. It’s one of those songs that haunt you so that you find you are humming it everywhere you go!
Over the Edge is a soft ballad with delicious piano accompaniment and was recorded live in the studio. Stewarts excellent delivery of this number makes me think perhaps it’s one of his own favourites. You can feel his love for every note and lyric.
Only Still Fool
This number involves a plucky rhythm and is yet another philosophical piece. Harmony in the chorus gives it lots of dynamic.
All Boats will Rise
I loved this song when I saw it performed in Crawdaddy. It involves harmonic oohs for the intro and in the chorus. Guitar throughout is sweet, especially the rhythmic break. Lyrics reflect the current economic downturn and are cynical; Will they even bother searching for a drowning soul or are they too far up their own sweet ass, they won’t save a soul. I feel that the mood in the lyrics expresses what a lot of people think but don’t say about how the big wigs handle the threat of financial devastation.
Tremble has a jazzy feel to it, even though Stewart’s style is described as Acoustic/Country/Pop. I adore this moody number where chord combos are a treat, the melody line seductive, bass is divine, the lead solo to die for. There’s a sudden stop!
It resumes with rhythmic chords taking things to a close. I commend the clever use of a backing vocal singing the chorus in a high octave, while Stewart sings in the lower.
Jenny
This is a sad ballad about the loss of a lover to death. That’s what I gather from the lyrics anyway. The melody is pretty, but guitar is the high point in it for me, with a perfect solo that takes it to completion.
An unexpected surprise at the end of the album is a magical song called Just add ‘em to the rain. Maybe he’s superstitious, but whatever his reason for not mentioning it and just throwing it in as an afterthought makes it a nicer treat. It’s about a guy with a broken heart who is given advice from his cruel hearted ex. Lovely distortion laden guitar chords give this slow piece fullness and I like the last line ‘Baby blue is laughing in the rain.’
Stewart and his father Tommy seem to have put a lot into this project and the result is thirteen beautiful tracks and one bonus, each with rich guitar and piano input and the superb voice of Stewart leading each. How he could top this compilation with a better one I don’t know. I have only seen him once live and it was an acoustic set. But having heard his music at its best I would definitely be watching out for a chance to see him headlining some day soon.
Wednesday, November 18, 2009
A great night's entertainment
On Sunday evening November 15th, I and my Mum went to see a concert starring The C.I.E. Male voice Choir. My friend Joe is a member of this longstanding and interesting act.It involves a lot of rehearsing and enormous commitment, since they get quite a lot of work.
I'm not surprised they are so popular, having heard the beautiful blend of harmonies and clever arrangements that create their sound.
Each year a concert is put on in Liberty Hall, Dublin with lots of guests joining the show. This year the show included Noel V Ginnity, a hilarious comedian who dresses a bit like a leprochaun and is the right size for his choice of costume. This guy can somehow manage to be really funny and entertaining, without being in any way offensive. I'd call him a classy comedy act.
Compare that night was Brian Hoey, a veteran of music and theatre and a really excellent MC. He performed a show stopping version of O Sole Mio. He did a fun number where people joined in; Are you right there Michael. This man has one of the nicest male voices I've ever heard.My mother mentioned that she saw him star in the opera Aida once.
Also on that night were a Soul band called Mr. Average. I enjoyed some but not all of their set. They would be a great band to see in a different type of setting. Eimear Carbone a gorgeous soprano singer participated in a lot of the numbers which the choir performed, but also sang a lovely song alone. It was an old Irish song about 'A dear little girl with a bit of a brogue'. It got some of the oder members of the audience singing along.
Accompanists for the show were Linda Costelloe and Geraldine McGann. Also on that night was another member of the McGann clann,Judy. This pretty blonde singer did a delightful set, which finished with a favourite song of mine Hallelujia which was in the charts last year. She later joined the choir for the finale.
A great act too was Folk/Ballad band Abhainn Dubh, which I have to say I thoroughly enjoyed. This act is made up of two really nice lads, one playing mandolin and the other on guitar who knew exactly the right songs to sing to liven the place up. Everyone sang with them and they got the second half of the show off to a brilliant start.
UK Instrummentalist Peadar Long performed a set on his saxophone and was joined later by Eimear for The fields of Athenry. This was a lovely rendition of the sorrowful ballad.
Boy soprano Dylan Caffrey performed the Christmas song Oh Holy Night. He did the verse and was joined for the chorus by Eimear and the choir.
I have heard the choir on occasion, but have never seen them do a full concert before. This was my first attendance to one of their gigs, but I promise it won't be my last!
With the wonderful musical director Ernie Long at the helm, they performed some absolute dynamite songs such as Rhythm of Life, Softly, Stout hearted Men and one or two lovely Christms pieces. They did a number which was composed by the MD about the baby Jesus, where the audience had to sing a refrain after each verse. This was a really appealing song. Looking accross the rows of ex-busmen and inspectors, it was nice seeing one or two familiar faces, most now retired.
Being a driver in Donnybrook garage, I of course knew almost all of these guys to see. I felt quite emotional when they took to the stage for the finale, to sing my all time favourite Abba song, Thank you for the music. The rest of the performers were all present for this. The final song of the evening was Somewhere over the rainbow, from the Wizard of Oz.
Describing this choir isn't easy. With close and precise harmonies, they are almost like a human orchestra. I also get the feeling while observing them, that they are a little like a family too. The overall impact is full and is a delight, but you can also appreciate as you watch them, that each link in the chain is vital, each voice trained to memorise it's own unique contribution.
As I and my Mum left, I met a few of the lads in the foyer of Liberty Hall. All were in great form and the atmosphere about was cheerful.
Always busy, the choir have built up a widespread reputation and long may their uplifting contribution to the Irish music world continue.
Angela Macari O'Looney
I'm not surprised they are so popular, having heard the beautiful blend of harmonies and clever arrangements that create their sound.
Each year a concert is put on in Liberty Hall, Dublin with lots of guests joining the show. This year the show included Noel V Ginnity, a hilarious comedian who dresses a bit like a leprochaun and is the right size for his choice of costume. This guy can somehow manage to be really funny and entertaining, without being in any way offensive. I'd call him a classy comedy act.
Compare that night was Brian Hoey, a veteran of music and theatre and a really excellent MC. He performed a show stopping version of O Sole Mio. He did a fun number where people joined in; Are you right there Michael. This man has one of the nicest male voices I've ever heard.My mother mentioned that she saw him star in the opera Aida once.
Also on that night were a Soul band called Mr. Average. I enjoyed some but not all of their set. They would be a great band to see in a different type of setting. Eimear Carbone a gorgeous soprano singer participated in a lot of the numbers which the choir performed, but also sang a lovely song alone. It was an old Irish song about 'A dear little girl with a bit of a brogue'. It got some of the oder members of the audience singing along.
Accompanists for the show were Linda Costelloe and Geraldine McGann. Also on that night was another member of the McGann clann,Judy. This pretty blonde singer did a delightful set, which finished with a favourite song of mine Hallelujia which was in the charts last year. She later joined the choir for the finale.
A great act too was Folk/Ballad band Abhainn Dubh, which I have to say I thoroughly enjoyed. This act is made up of two really nice lads, one playing mandolin and the other on guitar who knew exactly the right songs to sing to liven the place up. Everyone sang with them and they got the second half of the show off to a brilliant start.
UK Instrummentalist Peadar Long performed a set on his saxophone and was joined later by Eimear for The fields of Athenry. This was a lovely rendition of the sorrowful ballad.
Boy soprano Dylan Caffrey performed the Christmas song Oh Holy Night. He did the verse and was joined for the chorus by Eimear and the choir.
I have heard the choir on occasion, but have never seen them do a full concert before. This was my first attendance to one of their gigs, but I promise it won't be my last!
With the wonderful musical director Ernie Long at the helm, they performed some absolute dynamite songs such as Rhythm of Life, Softly, Stout hearted Men and one or two lovely Christms pieces. They did a number which was composed by the MD about the baby Jesus, where the audience had to sing a refrain after each verse. This was a really appealing song. Looking accross the rows of ex-busmen and inspectors, it was nice seeing one or two familiar faces, most now retired.
Being a driver in Donnybrook garage, I of course knew almost all of these guys to see. I felt quite emotional when they took to the stage for the finale, to sing my all time favourite Abba song, Thank you for the music. The rest of the performers were all present for this. The final song of the evening was Somewhere over the rainbow, from the Wizard of Oz.
Describing this choir isn't easy. With close and precise harmonies, they are almost like a human orchestra. I also get the feeling while observing them, that they are a little like a family too. The overall impact is full and is a delight, but you can also appreciate as you watch them, that each link in the chain is vital, each voice trained to memorise it's own unique contribution.
As I and my Mum left, I met a few of the lads in the foyer of Liberty Hall. All were in great form and the atmosphere about was cheerful.
Always busy, the choir have built up a widespread reputation and long may their uplifting contribution to the Irish music world continue.
Angela Macari O'Looney
Gin
When I was only days away from the birth of my son Oisin, a ginger kitten strayed into my back garden. I was out putting clothes on the line and I heard a squeak coming from underneath our barna shed.
I told my husband, who followed me outside. The squeaking had stopped. He said maybe I was imagining it and needed a rest.
Later on that evening I went out to take the clothes back in from the clothesline and heard it again. I ventured over to the shed, which is perched on concrete blocks and beneath it just enough space for a small animal to hide. Looking underneath I spotted the source of the squeaking and there, crouched shyly was a tiny giner tabby kitten. I always fancied a cat this colour but could never find one. I had two black males already and wondered would they be hostile to this baby.
I took a saucer of milk out and left it for him. He scampered up to it and lapped happily, but as soon as I tried to approach him, he ran back to his hiding place. I felt wary of taking on a cat when I was so close to the birth of a baby. I called the vet and asked him for guidance.He said if I could catch ginger he'd take him off my hands and try to find a home for him.
Lots of drama followed. The kitten went into a neighbour's garden and although she like him, they had a dog who didn't.
My time came sooner than I expected and my baby was born three weeks prematurely, by emergency caesarian. This meant I was whisked into the world of motherhood and was also not allowed home from hospital for five days. I was quite weak from morphine and had a hard time adapting to the sooner than expected surprise. What I didn't know was that another surprise awaited me at home.
My husband had been a little lonely when I was away and left the double doors of the kitchen open on fine evenings while he had dinner. And when he wasn't looking, the kitten joined the two bigger cats one evening at their dinner bowls. Stephen was shocked that both large moggies not only accepted the tiny mite, but allowed him to share their basket too where he slept between them.
It was only after my first day home from hospital, that I got the strength to come downstairs to organise my bottle steriliser etc.
Stephen warned me there was a surprise for me. There all three cats sat, gazing up adoringly as I entered the kitchen and little ginger came over for a welcome.
Little ginger(Gin) is now big ginger and sadly the oldest cat Fluffy died of old age in 2008.The name Gin was my idea. My mother already had a white and ginger cat named Ginger and I thought it would be nice to think of another name. Stephen's favourite tipple is Gin and Tonic, after Heineken. We couldn't call him Heineken, but 'Gin' seemed to stick.
He's a force to be reckoned with where rodents and vermin are concerned. I regularly recieve presents on the doorstep or even sometimes on my kitchen floor. He even managed to kidnap a magpie one evening, but we set it free.
Life is never dull, with my husband and my now five year old son Oisin, Sparkie the remaining black cat and last but not least Gin. He's playful, affectionate and seems to have an endless apetite. He has a few favourite places. One is under my husband's recliner (he's banned from the sitting room). The other places would be up in our spare room on the sofa bed and just at the side of our bed when the duvet is spilling over onto the floor(he's banned from the bedroom too). But he still fits under that shed and now and then if he's missing I head out to where I first heard his sweet little squeak!
Angela Macari O'Looney
Sixteen Layers at the Think Tank
Sixteen Layers
The Think Tank
6/11/09
Angela Macari O’Looney
Take a pinch of Queens of the Stoneage, a soupcon of U2 meets Radiohead and add a slice of Zeppelin. Simmer for an hour. Once you taste, you’ll be back for more!
This is how I felt on hearing this vibrant quartet, who are home from a successful tour in Toronto, Canada.
Sixteen Layers, fronted by Niall Donnelly-Vocals and rhythm guitar are a band full to the brim with energy and confidence. Don Muldoon on lead guitar and John Colbert Bass/Vox/Lead ooze genius with well blended chords and riffs. Last but not least is the rhythm behind the sound and is performed by Drummer percussionist Tim McGrath.
Having heard their music on CD I couldn’t resist a chance to see their live show. So off I headed to the Think Tank, where they were doing a late gig.
When I arrived in the cosy basement venue a fair sized crowd was building up. Without too much delay, Niall and the lads began with Torch, a dramatic number with a memorable melody line.
From the get go they were alive and kicking. Impressed by the wonderful explosive guitar riffs, powerful baseline plus fluent lead vocals I pushed my way up to the front, despite knowing that my ears would suffer later on from my proximity to the speakers.
Into the Sun with its bassy intro was next. This has a delightful riff throughout and harmonic oohs for the chorus. The songs were even better live than on CD. I could feel adrenaline pumping through me as I listened to this number, which is on their single ‘Exile/Into the Sun’.
For the third number Hurt Me Niall had some help from the audience for the chorus. Trickling guitar takes you to a sweet moody verse for this soulful piece.
I adore the way the instruments pull back, leaving him to sing the last verse with only a baseline behind him. Then the whole band come back, bursting into a loud crescendo for the last chorus.
Eight Miles Down, one of my favourite songs was next. This is a dramatic number that builds up in dynamics. Superb harmony, trickling riffs going on throughout and Don performing a short but sweet solo, it’s a feel good song.
No Strings involves a catchy chorus which everyone sang with Niall. The atmosphere was electric as he and Don shared a guitar solo, facing each other down.
The theme song from their album I am no one was next. A delectable choppy intro was tapped out by Tim McGrath. Then distortion packed guitars took over. A key change for the chorus in this song lifts the mood and adds interest. Screaming lead is exciting as Don gives it loads.
Don changed guitars for the next song Exile. When I saw his Fender I knew we were in for a treat. Niall sang this lovely slower song, with bass notes accompanying him. His vocal ability is well demonstrated here as he goes from a low to a higher octave.
He has a way of performing slow, mournful songs very similar to singer/songwriter Mick Flannery, using such emotion he draws you in. I wasn’t wrong about the fender as Don laid into an elaborate, show stopping solo and harmony in the chorus created a full and magical sound.
For Over and Out I noticed how the lighting flashed in sync with the beat. I liked this. And I particularly enjoyed Don’s lead solo in Trouble Spot, which is my favourite of all of their songs. Here he really played to the Gallery with a riveting solo.
Setting Fires has a choppy rock beat. They did yet another song I like called Former You.
Sit awhile is a slow love song in which Niall sings like he’s serenading each female in the place. It has a gorgeous melody and sweet lead guitar in it.
Encores were called and the lads obliged. They performed two songs; Set Alight and Another Story. Both of these songs were excellent and all the stops were pulled out.
My ears were throbbing a little when I got home, but I was still grinning from ear to ear. Those songs are addictive and the guys are loaded with talent. I felt a sense of elation and I will definitely be watching their star rise, which it will!
The Think Tank
6/11/09
Angela Macari O’Looney
Take a pinch of Queens of the Stoneage, a soupcon of U2 meets Radiohead and add a slice of Zeppelin. Simmer for an hour. Once you taste, you’ll be back for more!
This is how I felt on hearing this vibrant quartet, who are home from a successful tour in Toronto, Canada.
Sixteen Layers, fronted by Niall Donnelly-Vocals and rhythm guitar are a band full to the brim with energy and confidence. Don Muldoon on lead guitar and John Colbert Bass/Vox/Lead ooze genius with well blended chords and riffs. Last but not least is the rhythm behind the sound and is performed by Drummer percussionist Tim McGrath.
Having heard their music on CD I couldn’t resist a chance to see their live show. So off I headed to the Think Tank, where they were doing a late gig.
When I arrived in the cosy basement venue a fair sized crowd was building up. Without too much delay, Niall and the lads began with Torch, a dramatic number with a memorable melody line.
From the get go they were alive and kicking. Impressed by the wonderful explosive guitar riffs, powerful baseline plus fluent lead vocals I pushed my way up to the front, despite knowing that my ears would suffer later on from my proximity to the speakers.
Into the Sun with its bassy intro was next. This has a delightful riff throughout and harmonic oohs for the chorus. The songs were even better live than on CD. I could feel adrenaline pumping through me as I listened to this number, which is on their single ‘Exile/Into the Sun’.
For the third number Hurt Me Niall had some help from the audience for the chorus. Trickling guitar takes you to a sweet moody verse for this soulful piece.
I adore the way the instruments pull back, leaving him to sing the last verse with only a baseline behind him. Then the whole band come back, bursting into a loud crescendo for the last chorus.
Eight Miles Down, one of my favourite songs was next. This is a dramatic number that builds up in dynamics. Superb harmony, trickling riffs going on throughout and Don performing a short but sweet solo, it’s a feel good song.
No Strings involves a catchy chorus which everyone sang with Niall. The atmosphere was electric as he and Don shared a guitar solo, facing each other down.
The theme song from their album I am no one was next. A delectable choppy intro was tapped out by Tim McGrath. Then distortion packed guitars took over. A key change for the chorus in this song lifts the mood and adds interest. Screaming lead is exciting as Don gives it loads.
Don changed guitars for the next song Exile. When I saw his Fender I knew we were in for a treat. Niall sang this lovely slower song, with bass notes accompanying him. His vocal ability is well demonstrated here as he goes from a low to a higher octave.
He has a way of performing slow, mournful songs very similar to singer/songwriter Mick Flannery, using such emotion he draws you in. I wasn’t wrong about the fender as Don laid into an elaborate, show stopping solo and harmony in the chorus created a full and magical sound.
For Over and Out I noticed how the lighting flashed in sync with the beat. I liked this. And I particularly enjoyed Don’s lead solo in Trouble Spot, which is my favourite of all of their songs. Here he really played to the Gallery with a riveting solo.
Setting Fires has a choppy rock beat. They did yet another song I like called Former You.
Sit awhile is a slow love song in which Niall sings like he’s serenading each female in the place. It has a gorgeous melody and sweet lead guitar in it.
Encores were called and the lads obliged. They performed two songs; Set Alight and Another Story. Both of these songs were excellent and all the stops were pulled out.
My ears were throbbing a little when I got home, but I was still grinning from ear to ear. Those songs are addictive and the guys are loaded with talent. I felt a sense of elation and I will definitely be watching their star rise, which it will!
Thursday, November 5, 2009
Blue Syndrome album launch
Blue Syndrome
‘Over and Out’ album launch gig
The Village
28/10/09
Angela Macari O’Looney
Earlier this year I was at the launch of Blue Syndrome’s debut single Kiss the girl. They have come a long way in a short time and invited me to the launch of their debut album Over and Out. Certain of a good night’s entertainment, I and a guest headed to Wexford St.
This young bunch of lads have put a lot into forming their own dynamic sound and have definitely earned the large fan base they now have, which includes both young and old.
The first act on this night was Indie/Pop band BriBry is Sky High, who hail from Malahide, Dublin.
Garry White – Guitars and Brian O’Reilly – Drums/Percussion/Vox took to the stage in make shift fancy dress costumes, Brian dressed as Noddy!
The first song Black Magic had a laid back beat and a sweet melody line.
Harmony in the second number This is the way we’ll be forever was close and Brian sang some falsetto in certain parts of this song, which he performed really well. I feel that apart from the fact that they are a little rough around the edges, they have real entertainment value.
After this they did a great version of Boy Better (Dandy Warhols cover).
Brian came up to the front of the stage for the fourth song A poem I’ll sing out loud from their debut E.P. ‘Swings’. Garry played trickling acoustic notes and they performed this relaxed piece beautifully.
Finishing up with something a little more cheerful where Garry sang backing vocals, the two guys did a lovely song called Mira and got a great applause from the small audience.
We are Contenders
Jason Branagan is the lead singer of this acoustic/Rock/Pop act. His band are Jen, Kev H, Kev B. His vocals are not my cuppa, but his original songs involve sweet guitar, catchy melodies and although the style of his songs are a tad repetitive at times, they are well written!
He performed songs from his EP ‘Melodies’ which included This could be home, This old room, Emma Jane, Not for the World, No Hero and Three years.
My favourites were This could be home which has delicious guitar chords and Emma Jane, both slow songs.
This Old Room was a little faster and lifted the mood.
All of the songs were enjoyable, but definitely need a strong backing vocalist and perhaps better projection on Jason’s own part!
Vic
With an explosive start, this band won me over big time!
Beginning with Losing my Senses, impressive vocalist Dan Fox and the fabulous musicians behind him perform a tight set and really know how to get the crowd going. They are a Rock/Pop/Alternative outfit and have already won high acclaim from critics. Band members are Dan Fox-Vocals, Billy Campbell-Keyboards, Rich Margetson- Lead guitar, Bassist- Peter Wallace, Rob Meredith- Drums.
Echo was their second number, with a fun line ‘Is you in, is you out’ and has a bashing beat, choppy guitar riffs and a great melody.
The rest of their set were Black-eyed Peas cover I got a feeling which had everyone up on the floor and dancing about. Also a number with a thundering anthemic feel to it called Atlantis. I really enjoyed the piano in this song.
Chasing nothing
The vocals in this one are lovely, with Dan going up into falsetto. Sweet lead guitar and a big dramatic drumbeat give this song dynamic, piano framing everything perfectly!
Hangers on and Downfall completed the set by Vic, who were the last of the three delightful support acts before Blue Syndrome.
Blue Syndrome
The first thing that caught my eye as the stage was being set for the stars of the show was a beautiful red semi solid guitar being tuned up. It of course belonged to the fun and extremely talented vocalist/guitarist Colm O’Laughlin.
As each instrument was lined up, there was a sense of anticipation. Other members of the band are Thomas Lamude-Drums/Percussion, Stephen O’Loughlin-Guitar/Vocals and Daniel Cummins-Bass/Vocals.
Out they came and I admired the way that the slow piano intro for To Be God created such drama while the guys faced the back of the stage before the song began, then each chord was struck dramatically, strobe lighting and spots flashing to the beat as they faced the now huge audience, yours truly right up front!
Chorus is absolutely brilliant in this with a memorable melody line, loads of ahs and close harmony behind Colm, plus distortion laden guitars and clashing cymbals for the dramatic bits. What an entrance!
Everything Eventually
I was delighted when I heard the catchy guitar intro to this, my own personal favourite Blue Syndrome number.
Fast moving with a really melodic chorus and fab harmony, exciting riffs and a refrain throughout Keep living before you die, keep living before you die, this song is just bursting with NRG!
A rhythmic intro started Come Alive, song number three. This has a dynamic chorus and Colm seemed unstoppable and in top form.
When this number ended, he thanked the audience and expressed his pleasure at the enormous turnout. He said it must be the biggest audience he’d ever seen at The Village.
The party mood continued for the remainder of the night, as the guys played familiar songs with one or two surprises thrown in. They effuse happy vibes and as a unit, are loaded with charisma!
Just another Day
You showed me the rest of the world tonight was the intro sung by Colm, in yet another great song. Delicious riffs and a fast tempo alternating to choppy, this was one everyone was singing it’s so catchy!
Lead solo by Stephen is show-stopping as his fingers fly at lightening speed across the frets of the guitar Zeppelin-style. I Kissed a girl and I liked it is infused into the last chorus which spices things up.
For Tomorrow I’ll be gone Colm had his acoustic guitar. It involves an interesting tempo change in the chorus and a sung middle eight that I adore. Harmony is in splashes but is sweet.
A rhythmic riff between verses is so appealing and Stephen does magical lead. People sung the last chorus with Colm and the instruments pulled back. This was a special moment!
They did Sign in which Colm sings the first line alone, to be joined by revving guitars and a thumping beat. It involves a sliding note that he sings in the line This is my life which is very effective. He plays a plucky bit on his own guitar which I like.
After this they performed Concerned which is a tribute to Bob Marley, with a line I’m going to Africa on the fourth of July. The lads went crazy for this one as did the crowd.
Machines is a fusion of noisy guitars with a heavy rock feel to it. It’s a powerful song, with well placed harmony, a fast pace and lots of interesting chops and changes.
A U2 cover Sunday Bloody Sunday was outstanding. It was just vocals and one guitar and here, Colm’s vocal range was shown off as he put his all into every note.
Just a dream, a slow and soulful ballad where Colm got the audience to sing with him and Over and out with its bashing anthemic chorus and a fab melody, took the show to a close.
They wouldn’t have gotten out of The Village alive had they not did an encore and what better choice of song than the first single they released Kiss the Girl!
As Colm and the lads began with the ‘Wo oh’ intro, the crowd went wild. Screaming lead riffs and the wonderful way they build things up from a verse to the chorus and then suddenly there’s an alter melody going on behind both. This is absolutely tremendous arrangement wise!
I could listen to this band forever. How such young people can start off busking in Grafton Street and manage to grow and develop to this level astounds me. But they have done it and I congratulate Blue Syndrome and the people who have invested their faith and time into them because their music is Irish Rock/Indie at its best!
‘Over and Out’ album launch gig
The Village
28/10/09
Angela Macari O’Looney
Earlier this year I was at the launch of Blue Syndrome’s debut single Kiss the girl. They have come a long way in a short time and invited me to the launch of their debut album Over and Out. Certain of a good night’s entertainment, I and a guest headed to Wexford St.
This young bunch of lads have put a lot into forming their own dynamic sound and have definitely earned the large fan base they now have, which includes both young and old.
The first act on this night was Indie/Pop band BriBry is Sky High, who hail from Malahide, Dublin.
Garry White – Guitars and Brian O’Reilly – Drums/Percussion/Vox took to the stage in make shift fancy dress costumes, Brian dressed as Noddy!
The first song Black Magic had a laid back beat and a sweet melody line.
Harmony in the second number This is the way we’ll be forever was close and Brian sang some falsetto in certain parts of this song, which he performed really well. I feel that apart from the fact that they are a little rough around the edges, they have real entertainment value.
After this they did a great version of Boy Better (Dandy Warhols cover).
Brian came up to the front of the stage for the fourth song A poem I’ll sing out loud from their debut E.P. ‘Swings’. Garry played trickling acoustic notes and they performed this relaxed piece beautifully.
Finishing up with something a little more cheerful where Garry sang backing vocals, the two guys did a lovely song called Mira and got a great applause from the small audience.
We are Contenders
Jason Branagan is the lead singer of this acoustic/Rock/Pop act. His band are Jen, Kev H, Kev B. His vocals are not my cuppa, but his original songs involve sweet guitar, catchy melodies and although the style of his songs are a tad repetitive at times, they are well written!
He performed songs from his EP ‘Melodies’ which included This could be home, This old room, Emma Jane, Not for the World, No Hero and Three years.
My favourites were This could be home which has delicious guitar chords and Emma Jane, both slow songs.
This Old Room was a little faster and lifted the mood.
All of the songs were enjoyable, but definitely need a strong backing vocalist and perhaps better projection on Jason’s own part!
Vic
With an explosive start, this band won me over big time!
Beginning with Losing my Senses, impressive vocalist Dan Fox and the fabulous musicians behind him perform a tight set and really know how to get the crowd going. They are a Rock/Pop/Alternative outfit and have already won high acclaim from critics. Band members are Dan Fox-Vocals, Billy Campbell-Keyboards, Rich Margetson- Lead guitar, Bassist- Peter Wallace, Rob Meredith- Drums.
Echo was their second number, with a fun line ‘Is you in, is you out’ and has a bashing beat, choppy guitar riffs and a great melody.
The rest of their set were Black-eyed Peas cover I got a feeling which had everyone up on the floor and dancing about. Also a number with a thundering anthemic feel to it called Atlantis. I really enjoyed the piano in this song.
Chasing nothing
The vocals in this one are lovely, with Dan going up into falsetto. Sweet lead guitar and a big dramatic drumbeat give this song dynamic, piano framing everything perfectly!
Hangers on and Downfall completed the set by Vic, who were the last of the three delightful support acts before Blue Syndrome.
Blue Syndrome
The first thing that caught my eye as the stage was being set for the stars of the show was a beautiful red semi solid guitar being tuned up. It of course belonged to the fun and extremely talented vocalist/guitarist Colm O’Laughlin.
As each instrument was lined up, there was a sense of anticipation. Other members of the band are Thomas Lamude-Drums/Percussion, Stephen O’Loughlin-Guitar/Vocals and Daniel Cummins-Bass/Vocals.
Out they came and I admired the way that the slow piano intro for To Be God created such drama while the guys faced the back of the stage before the song began, then each chord was struck dramatically, strobe lighting and spots flashing to the beat as they faced the now huge audience, yours truly right up front!
Chorus is absolutely brilliant in this with a memorable melody line, loads of ahs and close harmony behind Colm, plus distortion laden guitars and clashing cymbals for the dramatic bits. What an entrance!
Everything Eventually
I was delighted when I heard the catchy guitar intro to this, my own personal favourite Blue Syndrome number.
Fast moving with a really melodic chorus and fab harmony, exciting riffs and a refrain throughout Keep living before you die, keep living before you die, this song is just bursting with NRG!
A rhythmic intro started Come Alive, song number three. This has a dynamic chorus and Colm seemed unstoppable and in top form.
When this number ended, he thanked the audience and expressed his pleasure at the enormous turnout. He said it must be the biggest audience he’d ever seen at The Village.
The party mood continued for the remainder of the night, as the guys played familiar songs with one or two surprises thrown in. They effuse happy vibes and as a unit, are loaded with charisma!
Just another Day
You showed me the rest of the world tonight was the intro sung by Colm, in yet another great song. Delicious riffs and a fast tempo alternating to choppy, this was one everyone was singing it’s so catchy!
Lead solo by Stephen is show-stopping as his fingers fly at lightening speed across the frets of the guitar Zeppelin-style. I Kissed a girl and I liked it is infused into the last chorus which spices things up.
For Tomorrow I’ll be gone Colm had his acoustic guitar. It involves an interesting tempo change in the chorus and a sung middle eight that I adore. Harmony is in splashes but is sweet.
A rhythmic riff between verses is so appealing and Stephen does magical lead. People sung the last chorus with Colm and the instruments pulled back. This was a special moment!
They did Sign in which Colm sings the first line alone, to be joined by revving guitars and a thumping beat. It involves a sliding note that he sings in the line This is my life which is very effective. He plays a plucky bit on his own guitar which I like.
After this they performed Concerned which is a tribute to Bob Marley, with a line I’m going to Africa on the fourth of July. The lads went crazy for this one as did the crowd.
Machines is a fusion of noisy guitars with a heavy rock feel to it. It’s a powerful song, with well placed harmony, a fast pace and lots of interesting chops and changes.
A U2 cover Sunday Bloody Sunday was outstanding. It was just vocals and one guitar and here, Colm’s vocal range was shown off as he put his all into every note.
Just a dream, a slow and soulful ballad where Colm got the audience to sing with him and Over and out with its bashing anthemic chorus and a fab melody, took the show to a close.
They wouldn’t have gotten out of The Village alive had they not did an encore and what better choice of song than the first single they released Kiss the Girl!
As Colm and the lads began with the ‘Wo oh’ intro, the crowd went wild. Screaming lead riffs and the wonderful way they build things up from a verse to the chorus and then suddenly there’s an alter melody going on behind both. This is absolutely tremendous arrangement wise!
I could listen to this band forever. How such young people can start off busking in Grafton Street and manage to grow and develop to this level astounds me. But they have done it and I congratulate Blue Syndrome and the people who have invested their faith and time into them because their music is Irish Rock/Indie at its best!
Saturday, October 31, 2009
Sixteen Layers
Sixteen Layers
I am no one
Angela Macari O’Looney
Alterative Rock band Sixteen Layers have just returned from a successful trip to Canada, where they partook in the coveted Indie Week festival.
It’s not surprising to hear they received rave reviews and encores for their performances at venues such as ‘The Hideout’ and ‘The Bovine Sex Club’ in Toronto.
This well blended group of musicians fronted by the excellent rock voice of Niall Donnelly, seem to be taking the world by storm and have secured a distribution with Sunrise Records in Toronto, proving they not only enjoyed their trip but didn’t come back empty handed. Can it get any better than this?
I have only listened to this album a couple of times, but already I’ve picked out my favourite numbers, which wasn’t easy since each track involves memorable guitars, sweet vocals and an appealing melody line.
Sixteen Layer’s influences include the best of the best rock bands such as Soundgarden, Queens of The Stoneage, Pearl Jam, The Beatles, Nine Inch Nails, Interpol, Thin Lizzy and AC/DC, to name but a few.
Band members are Niall Donnelly vox/Guitar, Dom Muldoon Lead Guitar, John Colbert Bass/ Vox/ Keys and Tim McGrath Drums/Percussion.
Two of the eleven tracks have already been released as a double A sided single; Exile/Into the Sun.
No Strings
Trickling guitar notes, followed by a sliding twin riff involving one guitar playing harmony, take you into this lovely number that is the opening track.
The chorus is particularly memorable, where vocals are done by Donnelly and Colbert, one in a higher octave and the other in a lower. I love this as it emphasises the emotion.
Powerful drums, bass and guitars plus that hauntingly beautiful opening riff complete this awe inspiring song.
I am No One
The title track is an effective combination of percussion and fast moving rhythm, distortion packed guitars, a superb baseline and a totally delicious chorus!
A well placed keychange lifts this whole number and seems to give it more impact on the listener and in the chorus the refrain of I am no one is sung behind the lead voice as he sings Say your name and stake your claim. Things will never be the same.
The Lizzyesque style twin guitar break is a delight, where the pace alters and then returns to the original beat for the last chorus, which leads to an explosive screaming finale.
Into the Sun
There’s a sustained guitar note at the outset of this track followed by a bass intro, which in turn is followed by a sensational in sync riff that is so catchy, it makes it by far my favourite piece on the album.
There’s a U2 quality to this song with memorable hooks throughout, close harmony to die for and a melody line which for me has the makings of a true classic!
This exciting and fast moving number has just about every thing a rock song should, with Niall and John going into falsetto in the chorus for the oohs. A short but fab lead break captures your attention!
Middle eight is sung and alters to a choppier pace for Niall’s powerful delivery of the line; Catch yourself again. I hope you didn’t find yourself alone.
The singability of the chorus in Don’t let it die appeals to me. Busy bass throughout this explosive number is outstanding, plus yet another blast of in sync guitars. This would be leaning towards heavier rock bands such as AC/DC or Nine Inch Nails.
Head banging air guitar music at its best!
I get the impression by how alive and well blended the guys are here, that this is one of their own favourites. It’s definitely my second favourite song.
A slower song, but a great showcase for all instruments and Niall’s adaptable vocals is track five; Exile.
A plucked acoustic intro and a beat take you into the verse which is softly sung, piano accompaniment adding to the easy mood. Harmony comes in at just the right spot.
Here, electric guitars get to shine as they perform a gorgeous instrumental.
The sentiment in the lyrics is philosophical and very poignant; I don’t need oxygen to breathe. I have everything that I need. Thanks but no thanks I will swim in my own stream.
Eight miles down
This is a dramatic composition made for performing to a big crowd at an open air concert. Chord combinations, melody line and harmonies are really catchy.
As this album progresses the songs get richer and each track is like a new experience after the last. This particular song is guaranteed to get the thumbs up from anyone who hears it.
Hurt Me
Trickling guitars begin this sad love song, with two voices harmonizing. It builds up and becomes quite dynamic for the last chorus, which is performed with passion.
Torch, Trouble Spot, Former You and Sit a while are the remaining tracks. All have excellent melodies, delicious lyrics and exhilarating lead bits. I love the craziness of Trouble Spot, which is in a three four tempo and involves flanger in the lead solo. Superbly performed, this has plenty of thundering drum rolls to add to the atmosphere.
Former You has some intricate guitar and a beautiful melody. It’s yet another song that haunts you and you find yourself singing the chorus. Lyrics tell of how changed a person can become and are sorrowful; Struck by how you sound tonight, like somebody else somebody new. I think that I prefer the former you.
Sit a While begins as an acoustic number where Niall’s vocals are amazing.
His range is really something!
This last wonderful track takes off and suddenly a full orchestra joins in for the chorus, while the simple trickling acoustic guitar continues. It’s like a winding down after the faster stuff earlier and brings everything to a soft, sleepy close!
The band produced and mixed most of these songs at their own studio in James’ St. Dublin, but also had a little help from Andy Colbert at Grouse Lodge Studios.
I enjoy the way Sixteen Layers can take no nonsense heavy rock and put such sweet melodies with it.
The album art is a fingerprint and the words Sixteen Layers in Bold white letters on a black background. This to me is a message that they have their very own unique and original style, which only holds traces of their influences. They certainly leave no holds barred when it comes to musical arrangements, plus well written songs which give each band member a chance to shine. Hearing this CD has given me a taste to go and see Sixteen Layers perform live and it will take pride of place in my collection.
I am no one
Angela Macari O’Looney
Alterative Rock band Sixteen Layers have just returned from a successful trip to Canada, where they partook in the coveted Indie Week festival.
It’s not surprising to hear they received rave reviews and encores for their performances at venues such as ‘The Hideout’ and ‘The Bovine Sex Club’ in Toronto.
This well blended group of musicians fronted by the excellent rock voice of Niall Donnelly, seem to be taking the world by storm and have secured a distribution with Sunrise Records in Toronto, proving they not only enjoyed their trip but didn’t come back empty handed. Can it get any better than this?
I have only listened to this album a couple of times, but already I’ve picked out my favourite numbers, which wasn’t easy since each track involves memorable guitars, sweet vocals and an appealing melody line.
Sixteen Layer’s influences include the best of the best rock bands such as Soundgarden, Queens of The Stoneage, Pearl Jam, The Beatles, Nine Inch Nails, Interpol, Thin Lizzy and AC/DC, to name but a few.
Band members are Niall Donnelly vox/Guitar, Dom Muldoon Lead Guitar, John Colbert Bass/ Vox/ Keys and Tim McGrath Drums/Percussion.
Two of the eleven tracks have already been released as a double A sided single; Exile/Into the Sun.
No Strings
Trickling guitar notes, followed by a sliding twin riff involving one guitar playing harmony, take you into this lovely number that is the opening track.
The chorus is particularly memorable, where vocals are done by Donnelly and Colbert, one in a higher octave and the other in a lower. I love this as it emphasises the emotion.
Powerful drums, bass and guitars plus that hauntingly beautiful opening riff complete this awe inspiring song.
I am No One
The title track is an effective combination of percussion and fast moving rhythm, distortion packed guitars, a superb baseline and a totally delicious chorus!
A well placed keychange lifts this whole number and seems to give it more impact on the listener and in the chorus the refrain of I am no one is sung behind the lead voice as he sings Say your name and stake your claim. Things will never be the same.
The Lizzyesque style twin guitar break is a delight, where the pace alters and then returns to the original beat for the last chorus, which leads to an explosive screaming finale.
Into the Sun
There’s a sustained guitar note at the outset of this track followed by a bass intro, which in turn is followed by a sensational in sync riff that is so catchy, it makes it by far my favourite piece on the album.
There’s a U2 quality to this song with memorable hooks throughout, close harmony to die for and a melody line which for me has the makings of a true classic!
This exciting and fast moving number has just about every thing a rock song should, with Niall and John going into falsetto in the chorus for the oohs. A short but fab lead break captures your attention!
Middle eight is sung and alters to a choppier pace for Niall’s powerful delivery of the line; Catch yourself again. I hope you didn’t find yourself alone.
The singability of the chorus in Don’t let it die appeals to me. Busy bass throughout this explosive number is outstanding, plus yet another blast of in sync guitars. This would be leaning towards heavier rock bands such as AC/DC or Nine Inch Nails.
Head banging air guitar music at its best!
I get the impression by how alive and well blended the guys are here, that this is one of their own favourites. It’s definitely my second favourite song.
A slower song, but a great showcase for all instruments and Niall’s adaptable vocals is track five; Exile.
A plucked acoustic intro and a beat take you into the verse which is softly sung, piano accompaniment adding to the easy mood. Harmony comes in at just the right spot.
Here, electric guitars get to shine as they perform a gorgeous instrumental.
The sentiment in the lyrics is philosophical and very poignant; I don’t need oxygen to breathe. I have everything that I need. Thanks but no thanks I will swim in my own stream.
Eight miles down
This is a dramatic composition made for performing to a big crowd at an open air concert. Chord combinations, melody line and harmonies are really catchy.
As this album progresses the songs get richer and each track is like a new experience after the last. This particular song is guaranteed to get the thumbs up from anyone who hears it.
Hurt Me
Trickling guitars begin this sad love song, with two voices harmonizing. It builds up and becomes quite dynamic for the last chorus, which is performed with passion.
Torch, Trouble Spot, Former You and Sit a while are the remaining tracks. All have excellent melodies, delicious lyrics and exhilarating lead bits. I love the craziness of Trouble Spot, which is in a three four tempo and involves flanger in the lead solo. Superbly performed, this has plenty of thundering drum rolls to add to the atmosphere.
Former You has some intricate guitar and a beautiful melody. It’s yet another song that haunts you and you find yourself singing the chorus. Lyrics tell of how changed a person can become and are sorrowful; Struck by how you sound tonight, like somebody else somebody new. I think that I prefer the former you.
Sit a While begins as an acoustic number where Niall’s vocals are amazing.
His range is really something!
This last wonderful track takes off and suddenly a full orchestra joins in for the chorus, while the simple trickling acoustic guitar continues. It’s like a winding down after the faster stuff earlier and brings everything to a soft, sleepy close!
The band produced and mixed most of these songs at their own studio in James’ St. Dublin, but also had a little help from Andy Colbert at Grouse Lodge Studios.
I enjoy the way Sixteen Layers can take no nonsense heavy rock and put such sweet melodies with it.
The album art is a fingerprint and the words Sixteen Layers in Bold white letters on a black background. This to me is a message that they have their very own unique and original style, which only holds traces of their influences. They certainly leave no holds barred when it comes to musical arrangements, plus well written songs which give each band member a chance to shine. Hearing this CD has given me a taste to go and see Sixteen Layers perform live and it will take pride of place in my collection.
Wednesday, October 28, 2009
Friday, October 23, 2009
Personality Crash, Chucky's River
Chucky’s River
Personality Crash
Angela Macari O’Looney
Chucky’s River, an interesting trio of musicians are excited about the launch of their debut album, which will be released next month, followed by a nationwide tour.
Diarmuid Comerford – Vocals, Cupie – Bass/ Vocals and Conor Stafford – Drums have worked intensely since forming, to produce an original sound, with excellently structured songs and a driving ambition to find willing ears and gather a following.
This album which is a short and sweet collection of Indie /Alternative rock songs, was produced by Pete Meighan (Dave Couse and the Impossible The Monkey Pole - Hybrasil), mastered by Jon Astley (Led Zeppelin, Ash, Damien Dempsey).
I feel that these songs require more than one listen, to really appreciate the skilful guitars, complex rhythms and powerful delivery of deep thinking lyrics. But for a band that are only a short time around, they do each number justice and certainly have something new to offer.
Personality Crash – The title song of this album explodes into being, with a strange beat.
This song is aptly named, with its choppy defunct impact. Energetic guitar chords and riffs take you into an array of discords in the melody line for the verse which works well. Harmony is splashed here and there, with impressive twin guitars, distortion infused chord combinations and barely noticeable keychanges. Diarmuid’s exciting outburst of vocals I really like. He has fire in his belly for sure!
A sax solo (James McCafferty) lifts the mood a little for the middle eight and adds spice to the overall track, along with Cowbell and tambourine supplied by Spud Murphy.
My favourite number on this album is track 2, This Ship. Guitars are absolute magic, particularly the bit in the chorus, where one guitar seems to answer the other with a refrain. In general, lead guitar is really catchy.
The baseline is superb a la Cupie, harmonies sweet even though they are never overpowering and lyrics as in all songs have a message. I feel the mood in there reflects the current social and financial climate, with the lyrics I know this ship it is going down!
The Town Warp
Choppy rhythm, gorgeous chords and melody line, harmony delicious and Diarmuid’s lead vocals punchy and loaded with conviction.
I love the way the intro consists of trickling acoustic guitar in a slow ballad like tempo, to suddenly change for the verse. There’s a hint of keyboards (Pete Meighan) for only a short spell, combined with what sounds like clarinet, creating a wonderful combination of instruments. As the song winds down the trickling intro returns and I feel it gives the song a sense of completion. This is one brilliantly composed, cheerful piece!
Johnny Finance
Typical of the mindset of most eighteen year old males are the lyrics in this song I just turned 18. All I want is a fast car. I just can’t believe the power beneath my feet.
I love the sliding guitar riff in the intro, the baseline and very effective spurts of distortion laden grunge guitar in the chorus and throughout. This emphasizes the mood of bravado expressed by Diarmuid who puts the song across so well. He has quite a range too, going from a lower octave right up to a higher one.
The Very Same
Sporadic, distortion packed intro!
Bass delicious and harmony yet again excellently placed. I adore the way they fool the listener once again, with a complete change of pace later on in this song. Not quite sure what to make of the lyrics, but the guitars and most especially the lead speak volumes to me. Stop start style chords for the verse are cool.
Is it Zeppelin, Bowie, Rollin’ Stones or just a little bit of everything that’s rock?
Well whatever sound Chucky’s River set out to accomplish, they undoubtedly make you sit up and take notice. I did!
Cover art depicts the head of a doll being caught in a fishing hook, dripping water pouring from the startlingly detached neck. She has an evil looking black symbol painted beneath her right eye. Like the music on the CD, she combines the sweet and beautiful with a twist of irony and a touch of mayhem!
Personality Crash
Angela Macari O’Looney
Chucky’s River, an interesting trio of musicians are excited about the launch of their debut album, which will be released next month, followed by a nationwide tour.
Diarmuid Comerford – Vocals, Cupie – Bass/ Vocals and Conor Stafford – Drums have worked intensely since forming, to produce an original sound, with excellently structured songs and a driving ambition to find willing ears and gather a following.
This album which is a short and sweet collection of Indie /Alternative rock songs, was produced by Pete Meighan (Dave Couse and the Impossible The Monkey Pole - Hybrasil), mastered by Jon Astley (Led Zeppelin, Ash, Damien Dempsey).
I feel that these songs require more than one listen, to really appreciate the skilful guitars, complex rhythms and powerful delivery of deep thinking lyrics. But for a band that are only a short time around, they do each number justice and certainly have something new to offer.
Personality Crash – The title song of this album explodes into being, with a strange beat.
This song is aptly named, with its choppy defunct impact. Energetic guitar chords and riffs take you into an array of discords in the melody line for the verse which works well. Harmony is splashed here and there, with impressive twin guitars, distortion infused chord combinations and barely noticeable keychanges. Diarmuid’s exciting outburst of vocals I really like. He has fire in his belly for sure!
A sax solo (James McCafferty) lifts the mood a little for the middle eight and adds spice to the overall track, along with Cowbell and tambourine supplied by Spud Murphy.
My favourite number on this album is track 2, This Ship. Guitars are absolute magic, particularly the bit in the chorus, where one guitar seems to answer the other with a refrain. In general, lead guitar is really catchy.
The baseline is superb a la Cupie, harmonies sweet even though they are never overpowering and lyrics as in all songs have a message. I feel the mood in there reflects the current social and financial climate, with the lyrics I know this ship it is going down!
The Town Warp
Choppy rhythm, gorgeous chords and melody line, harmony delicious and Diarmuid’s lead vocals punchy and loaded with conviction.
I love the way the intro consists of trickling acoustic guitar in a slow ballad like tempo, to suddenly change for the verse. There’s a hint of keyboards (Pete Meighan) for only a short spell, combined with what sounds like clarinet, creating a wonderful combination of instruments. As the song winds down the trickling intro returns and I feel it gives the song a sense of completion. This is one brilliantly composed, cheerful piece!
Johnny Finance
Typical of the mindset of most eighteen year old males are the lyrics in this song I just turned 18. All I want is a fast car. I just can’t believe the power beneath my feet.
I love the sliding guitar riff in the intro, the baseline and very effective spurts of distortion laden grunge guitar in the chorus and throughout. This emphasizes the mood of bravado expressed by Diarmuid who puts the song across so well. He has quite a range too, going from a lower octave right up to a higher one.
The Very Same
Sporadic, distortion packed intro!
Bass delicious and harmony yet again excellently placed. I adore the way they fool the listener once again, with a complete change of pace later on in this song. Not quite sure what to make of the lyrics, but the guitars and most especially the lead speak volumes to me. Stop start style chords for the verse are cool.
Is it Zeppelin, Bowie, Rollin’ Stones or just a little bit of everything that’s rock?
Well whatever sound Chucky’s River set out to accomplish, they undoubtedly make you sit up and take notice. I did!
Cover art depicts the head of a doll being caught in a fishing hook, dripping water pouring from the startlingly detached neck. She has an evil looking black symbol painted beneath her right eye. Like the music on the CD, she combines the sweet and beautiful with a twist of irony and a touch of mayhem!
Wednesday, October 21, 2009
Jaded Sun and Latitude
Jaded Sun and Latitude
The Village
09/10/09
Recently I reviewed rock band Latitude out in The Bloody Stream in Howth. They were quite new to me then, but I was blown away with their sound. In the small venue they were a little cramped, but proved to be a talented bunch of young musicians, headed by Ian O’Reilly who has a distinctive rock voice and a personality that is ideal for a front man. They reminded me of Jaded Sun, whom I’ve reviewed a few times.
When I said this to Drummer Mick Verling, he was delighted and mentioned a gig coming up soon, where they’d be playing support to none other than Jaded Sun. What a coincidence!
I marked October 9th on my calendar, because I just knew this was going to be a special night and I wasn’t wrong.
Latitude
A young band with five members; Ian O’Reilly-Vocals, Chris McDonnell- Guitars, Danny McAleese- Guitars, Philip Doyle- Bass and Mick Verling- Drums, Latitude have built up a large fan base and have a unique quality. They have the look and perform their own numbers which are a mix of classic Rock, tinged with more modern aspects. They also throw in the odd cover, but do it justice.
Opening the show they did a fab set which included Highs and Lows, Bloody Mary, Get Back(Beatles Cover), Blackout, Lifeline and Tigers. I particularly enjoyed their version of Get Back and admired the full sound they achieved for their set and in particular, the fab in sync riffs Danny and Chris performed.
In this big venue with the right lighting and sound, the lads were excellent. Bassist Phil got to shine with lots of riveting baselines. Guitarists played out of their skins and in general Latitude came across very well.
Sadly it was announced that this was the last performance these guys would be doing as a band, since some were moving on to other things. I was sorry to hear this, because I’ve become very fond of them. But I believe this won’t be the last we’ll hear from each of these excellent musicians and of course Mr. Personality himself, singer Ian.
Jaded Sun
The increasing audience moved closer to the stage for the main event. A barefoot John Maher and his crew took to the stage, launching into the intro for Breaking through, an explosive number involving excellent riffs and hooks. This tends to always open up the show at Jaded Sun gigs and is a great choice.
Lots of songs from Gypsy Trip their debut album were included in the set. These numbers I know word for word and riff for riff since this dynamic medley of songs is a permanent fixture in my car stereo.
Crazyman and Can’t Stop followed. Then they did one that I’m not familiar with called Sweet Mary. This was refreshing and had a memorable chorus.
Sean Gosker performed his show stopping solos throughout each and every number and he and Eorrann Stafford on 2nd guitar performed perfectly synchronized twin guitar breaks in some. They compliment each other’s styles with contrasting riffs that enrich the overall sound.
Damien Kelly on bass is probably the finest there is and also performs harmony behind John Maher for most of the set. Of course Gavin on drums manages to provide the essential backdrop, whether it’s for a sleazy seductive number like Hey You! or for fast moving, lively pieces like Higher.
Crave is a wonderfully soulful number with a sweet guitar intro and the mood was amazing as you could hear the crowd singing it with John. He’s a brilliant showman and like each member of Jaded, ups his game for every gig. He can be passionate in a song like this, or can jump into the air with the agility of an athlete for the more upbeat songs. They continued with Sting me (Black Crowes). I’m not familiar with this song but enjoyed this version.
A couple of newer songs were included in the show. All included some sensational solos. Fire and Breakdown Easy each involved memorable melody lines and the unique Jaded Sun stamp. These are from the new EP which was recently recorded in Paris. I like them but I’d have to hear them a few times to really judge if they are as special as the outstanding pieces on their debut album.
They also did Running down a Dream (Tom Petty cover). Gosker came up to the front and indulged us with an intricate piece of lead that would make any guitar aficionado drool!
Also I noticed some interesting key changes in a couple of the newer numbers. These were very effective indeed!
Fever A guitar plays a trickling riff, baseline ever present taking you into this really involved rock song. Then some screaming, sliding notes are played that would make your hair stand on end. It goes from a sleazy verse, changing pace throughout from dramatic faster bits to slow down, becoming more passionate. Then it speeds up again as John’s powerful voice belts out the chorus I don’t want your pity, don’t need your lovin’, don’t want your money. This song is something of a rhapsody and towards the end one of my favourite guitar solos is performed and finally, in comes that big rolling drum finish to build up to the big stop!
She’s got Class A Cajun riff intro, strut style beat and dizzying guitar behind the chorus, plus Damien and the other guys providing close harmony made this number extra special!
I had been shouting up to John to do one of my favourites, Positive all night. And just as I was about to run to the ladies, he announced he was going to do it for me. Back I went and there was a big cheer as I decided to hold on in order not to miss it.
I’m glad I didn’t. I love this head banging, classic rock song with a fab riff and a sing along quality that is so irresistible. I must add that once again, the three guitarists excelled beyond all expectations here.
The guys went off but the usual shouts of ‘One more song’ forced them to do two extra songs; Whiskey drinker and the piece de resistance Thunderstruck (AC/DC)!
The reaction from the audience spoke for itself as Sean Gosker executed the tricky intro to perfection, fingers flying across the frets of his guitar. Total mayhem as everyone shouted ‘Thunder’ with John, punching the air or playing their air guitars. Note for note they performed the number, big bashing riffs and all, which isn’t an easy task although Brian Johnson and Angus Young would have been proud listening.
In a nutshell this has to have been the most exciting gig I’ve been to for some time. Jaded Sun extended themselves and sent their audience home with the memory of a lifetime.
They only hit Dublin occasionally because of their busy touring schedule, but each time they return, you can hear how they hone and refine their music, reminding us they are simply the best in the business!
Angela Macari O’Looney
The Village
09/10/09
Recently I reviewed rock band Latitude out in The Bloody Stream in Howth. They were quite new to me then, but I was blown away with their sound. In the small venue they were a little cramped, but proved to be a talented bunch of young musicians, headed by Ian O’Reilly who has a distinctive rock voice and a personality that is ideal for a front man. They reminded me of Jaded Sun, whom I’ve reviewed a few times.
When I said this to Drummer Mick Verling, he was delighted and mentioned a gig coming up soon, where they’d be playing support to none other than Jaded Sun. What a coincidence!
I marked October 9th on my calendar, because I just knew this was going to be a special night and I wasn’t wrong.
Latitude
A young band with five members; Ian O’Reilly-Vocals, Chris McDonnell- Guitars, Danny McAleese- Guitars, Philip Doyle- Bass and Mick Verling- Drums, Latitude have built up a large fan base and have a unique quality. They have the look and perform their own numbers which are a mix of classic Rock, tinged with more modern aspects. They also throw in the odd cover, but do it justice.
Opening the show they did a fab set which included Highs and Lows, Bloody Mary, Get Back(Beatles Cover), Blackout, Lifeline and Tigers. I particularly enjoyed their version of Get Back and admired the full sound they achieved for their set and in particular, the fab in sync riffs Danny and Chris performed.
In this big venue with the right lighting and sound, the lads were excellent. Bassist Phil got to shine with lots of riveting baselines. Guitarists played out of their skins and in general Latitude came across very well.
Sadly it was announced that this was the last performance these guys would be doing as a band, since some were moving on to other things. I was sorry to hear this, because I’ve become very fond of them. But I believe this won’t be the last we’ll hear from each of these excellent musicians and of course Mr. Personality himself, singer Ian.
Jaded Sun
The increasing audience moved closer to the stage for the main event. A barefoot John Maher and his crew took to the stage, launching into the intro for Breaking through, an explosive number involving excellent riffs and hooks. This tends to always open up the show at Jaded Sun gigs and is a great choice.
Lots of songs from Gypsy Trip their debut album were included in the set. These numbers I know word for word and riff for riff since this dynamic medley of songs is a permanent fixture in my car stereo.
Crazyman and Can’t Stop followed. Then they did one that I’m not familiar with called Sweet Mary. This was refreshing and had a memorable chorus.
Sean Gosker performed his show stopping solos throughout each and every number and he and Eorrann Stafford on 2nd guitar performed perfectly synchronized twin guitar breaks in some. They compliment each other’s styles with contrasting riffs that enrich the overall sound.
Damien Kelly on bass is probably the finest there is and also performs harmony behind John Maher for most of the set. Of course Gavin on drums manages to provide the essential backdrop, whether it’s for a sleazy seductive number like Hey You! or for fast moving, lively pieces like Higher.
Crave is a wonderfully soulful number with a sweet guitar intro and the mood was amazing as you could hear the crowd singing it with John. He’s a brilliant showman and like each member of Jaded, ups his game for every gig. He can be passionate in a song like this, or can jump into the air with the agility of an athlete for the more upbeat songs. They continued with Sting me (Black Crowes). I’m not familiar with this song but enjoyed this version.
A couple of newer songs were included in the show. All included some sensational solos. Fire and Breakdown Easy each involved memorable melody lines and the unique Jaded Sun stamp. These are from the new EP which was recently recorded in Paris. I like them but I’d have to hear them a few times to really judge if they are as special as the outstanding pieces on their debut album.
They also did Running down a Dream (Tom Petty cover). Gosker came up to the front and indulged us with an intricate piece of lead that would make any guitar aficionado drool!
Also I noticed some interesting key changes in a couple of the newer numbers. These were very effective indeed!
Fever A guitar plays a trickling riff, baseline ever present taking you into this really involved rock song. Then some screaming, sliding notes are played that would make your hair stand on end. It goes from a sleazy verse, changing pace throughout from dramatic faster bits to slow down, becoming more passionate. Then it speeds up again as John’s powerful voice belts out the chorus I don’t want your pity, don’t need your lovin’, don’t want your money. This song is something of a rhapsody and towards the end one of my favourite guitar solos is performed and finally, in comes that big rolling drum finish to build up to the big stop!
She’s got Class A Cajun riff intro, strut style beat and dizzying guitar behind the chorus, plus Damien and the other guys providing close harmony made this number extra special!
I had been shouting up to John to do one of my favourites, Positive all night. And just as I was about to run to the ladies, he announced he was going to do it for me. Back I went and there was a big cheer as I decided to hold on in order not to miss it.
I’m glad I didn’t. I love this head banging, classic rock song with a fab riff and a sing along quality that is so irresistible. I must add that once again, the three guitarists excelled beyond all expectations here.
The guys went off but the usual shouts of ‘One more song’ forced them to do two extra songs; Whiskey drinker and the piece de resistance Thunderstruck (AC/DC)!
The reaction from the audience spoke for itself as Sean Gosker executed the tricky intro to perfection, fingers flying across the frets of his guitar. Total mayhem as everyone shouted ‘Thunder’ with John, punching the air or playing their air guitars. Note for note they performed the number, big bashing riffs and all, which isn’t an easy task although Brian Johnson and Angus Young would have been proud listening.
In a nutshell this has to have been the most exciting gig I’ve been to for some time. Jaded Sun extended themselves and sent their audience home with the memory of a lifetime.
They only hit Dublin occasionally because of their busy touring schedule, but each time they return, you can hear how they hone and refine their music, reminding us they are simply the best in the business!
Angela Macari O’Looney
Tuesday, October 20, 2009
Crawdaddy 10/10/09
Grades of Shade
OK 4 U Album launch,
Crawdaddy 10/10/09
Angela Macari O’Looney
Experimental outfit Grades of Shade celebrated the launch of their new album O.K. 4 U in one of my favourite haunts on Saturday October 10th. A week or two before this, it was suggested to me to give them a listen on My Space.
I was impressed with their sound, despite the fact that I’m not a big fan of anything involving rap and sometimes find electronic music monotonous. I expected to tire of this band after a couple of songs, but instead was dancing around my kitchen as I listened to Hazel’s exciting vocals, which blend excellently with JMC (rapper extraordinaire), who has real charisma. This band’s music has been described as a cross between Massive Attack and Groove Armada.
I decided then and there that I was going to see them and experience this new and sensational act live. Hazel Peters – Vox, JMC – MC/ Percussion, Paul Maguire – Guitars/Backing Vox, Robbie Stanley – Electronic Bass/Microkorg and Eugene Somers – Programming/Drums/Percussion are the team behind the sound and they gave me a warm welcome as I arrived and introduced myself. I made sure to explain that I am not usually into the style of music they do, but added that they definitely have touched a nerve and I’m slowly becoming addicted.
After my meeting with these friendly people, I headed into the gig venue to hear the two support acts.
Stewart Kenny
Stewart provided us with a pleasant acoustic set, accompanied by a female guitarist. He started his short programme, which included songs from his album I’ve fallen so far.
The Prom Queen – With his crisp voice, Stewart sang this upbeat song with its catchy melody line and a nice keychange for the last chorus.
He continued with Seize the moment. This has great chords, lyrics and involves lovely bits of guitar throughout.
Thousand Miles has close harmony and the intricate guitar played here by his companion was impressive.
He did Over the Edge, Strange, plus another song called The Blood on the Wall’s still wet , finishing with Midnight Sun. Robbie and Eugene joined in with bass and drums for the last two songs and you could definitely hear the difference, with the full sound which brought things to life!
Tiny Magnetic Pets
With a very attractive front woman in Paula Gilmer, this act performed a cheerful dance set. I wasn’t here reminds me a little of the style of O.M.D. , a band I danced to years ago.
Described as Live Electronics/Ambient/Electro acoustic, this music involves lots of space age sound effects. Sean Quinn is behind all of this on E Piano, Melotron, Guitar and Pre set drums. James is the acoustic drummer.
Paula’s vocals have an angelic quality, but become more dynamic for the chorus of a song. The combination of this and the throbbing electronic sound is interesting and you can’t help but move to it. She also has a nice personality and interacted with the audience well.
Love is a Stranger – I like the bassy sound that continues throughout this cover. I particularly enjoyed the chorus and it got a very positive response from the growing audience.
Girl in a White Dress – This song was by far my favourite from this band. At times I felt that there’s a resemblance in Paula to Debbie Harry, although she has a softer sound. This band has a way of maintaining simplicity where melodies are concerned. I like this soothing style. I truly enjoyed all of their set and by now was really looking forward to the stars of the show.
Grades of Shade
Opening with Hot from O.K. 4 U, Hazel and the gang arrived onstage. Males and females alike in the audience connected with this gorgeous lady, leather clad with tumbling tresses of mahogany hair and a voice that seems to have an unequivocal range. Behind her, the band were alive from the get go, lots of exciting electronic stuff going on, a great beat from Eugene with plenty of drum rolls and JMC throwing in his short narrative. Soulful and seductive, this was a fab choice to get the party started!
Dirty – This has a rhythmic intro, a sexy baseline and a choppy beat and as Hazel sings the verse, lots of dirty distortion packed riffs from Paul and bass a la Robbie help create the mood. They have a big sound and as Hazel does her sexy moves the crowd go wild.
Reality – This riveting piece of music is for me, one of their best. Lots of distortion packed guitar, lively percussion and beats, not forgetting the wonderful sounds created by JMC, adding to this sleazy but haunting number. Bongos are played by Gary O’Brien, Republic of Loose percussionist who performs live with GOS for this type of song.
This song was recorded as a double A sided single with another song – Ejector seat.
Impossible is nothing
JMC leads this number, which has wistful lyrics. Lots of plucked rhythmic notes and super chords are played on guitar with a divine baseline, there’s a choppy beat and Hazel comes in for the chorus. I love this and the lyrics are great Take it to the limits, in any f..ng weather and only rip it up if you can stick it back together. It goes on in this philosophical vein and I must admit, I became a convert to rap watching the two perform this so well!
Hazel talked to the audience, thanking them for coming to the gig when most people were glued to the Ireland v Italy match. Producer Cormac Moore gave updates as the night was progressing. I found myself admiring the plethora of fancy guitars lined up for both Paul and Robbie, ready for action.
Sore – This begins with a lone baseline, Hazel coming in with the verse. The beat alternates in the chorus each time she sings ‘Sore’. This I love!
Middle eight is sung and is funky and appealing.
Some very effective sampling is used for certain numbers and I particularly enjoyed the intro in the next song which was It’s over.
This is a sad love song, sung with a lot of emotion by Hazel, beautiful trickling guitar in the background and wonderful sound effects throughout.
Come home begins slow but builds up. A catchy riff is continuously played throughout, with sampling very effective. The melody line is sweet and some pretty harmony is included too.
Grades of Shade did a lengthy set, which included most of their songs from the fab new album. Tizwas, Ejector Seat, Higher and GOSOK4U all included hair raising electro stuff, promo lyrics you can forgive when sung by Hazel’s powerful dynamic voice, plenty of audience participation for the words ‘Grades of Shade O.K. 4 U’ and what I also noticed was the way that each musician seemed to be really lost in the music and enjoying himself.
They of course got an encore and did three pieces. One was JMC performing alone, with Bongos played by two people accompanying him. He had this shaker percussion instrument for the short, sweet rap.
Then they did a slow number called Live on air with lots going on in it, really catchy harmony and during this Hazel introduced each band member.
Bleed was the finale for this show which I enjoyed from start to finish. JM, Hazel and the guitarists danced around for this song, which has a feel good quality to it. Bass was delicious and the crazy sound effects were delightful. It has a cool dance beat and everyone hopped around enjoying the ambience.
Hazel and Eugene both thanked all for their support, in particular Cormac Moore, who was previously involved with hit band Republic of Loose and discovered GOS, investing his energy into getting them off the ground. His faith is being rewarded big time, in my opinion because in such a competitive music industry, it requires something more than just sheer determination and skill. There has to be a magic, a spark that is there or isn’t. Like the cover art of the new album, this band are colourful, harmonious and vivacious and will continue to gain new supporters like me with their easy –to- listen- to sound.
OK 4 U Album launch,
Crawdaddy 10/10/09
Angela Macari O’Looney
Experimental outfit Grades of Shade celebrated the launch of their new album O.K. 4 U in one of my favourite haunts on Saturday October 10th. A week or two before this, it was suggested to me to give them a listen on My Space.
I was impressed with their sound, despite the fact that I’m not a big fan of anything involving rap and sometimes find electronic music monotonous. I expected to tire of this band after a couple of songs, but instead was dancing around my kitchen as I listened to Hazel’s exciting vocals, which blend excellently with JMC (rapper extraordinaire), who has real charisma. This band’s music has been described as a cross between Massive Attack and Groove Armada.
I decided then and there that I was going to see them and experience this new and sensational act live. Hazel Peters – Vox, JMC – MC/ Percussion, Paul Maguire – Guitars/Backing Vox, Robbie Stanley – Electronic Bass/Microkorg and Eugene Somers – Programming/Drums/Percussion are the team behind the sound and they gave me a warm welcome as I arrived and introduced myself. I made sure to explain that I am not usually into the style of music they do, but added that they definitely have touched a nerve and I’m slowly becoming addicted.
After my meeting with these friendly people, I headed into the gig venue to hear the two support acts.
Stewart Kenny
Stewart provided us with a pleasant acoustic set, accompanied by a female guitarist. He started his short programme, which included songs from his album I’ve fallen so far.
The Prom Queen – With his crisp voice, Stewart sang this upbeat song with its catchy melody line and a nice keychange for the last chorus.
He continued with Seize the moment. This has great chords, lyrics and involves lovely bits of guitar throughout.
Thousand Miles has close harmony and the intricate guitar played here by his companion was impressive.
He did Over the Edge, Strange, plus another song called The Blood on the Wall’s still wet , finishing with Midnight Sun. Robbie and Eugene joined in with bass and drums for the last two songs and you could definitely hear the difference, with the full sound which brought things to life!
Tiny Magnetic Pets
With a very attractive front woman in Paula Gilmer, this act performed a cheerful dance set. I wasn’t here reminds me a little of the style of O.M.D. , a band I danced to years ago.
Described as Live Electronics/Ambient/Electro acoustic, this music involves lots of space age sound effects. Sean Quinn is behind all of this on E Piano, Melotron, Guitar and Pre set drums. James is the acoustic drummer.
Paula’s vocals have an angelic quality, but become more dynamic for the chorus of a song. The combination of this and the throbbing electronic sound is interesting and you can’t help but move to it. She also has a nice personality and interacted with the audience well.
Love is a Stranger – I like the bassy sound that continues throughout this cover. I particularly enjoyed the chorus and it got a very positive response from the growing audience.
Girl in a White Dress – This song was by far my favourite from this band. At times I felt that there’s a resemblance in Paula to Debbie Harry, although she has a softer sound. This band has a way of maintaining simplicity where melodies are concerned. I like this soothing style. I truly enjoyed all of their set and by now was really looking forward to the stars of the show.
Grades of Shade
Opening with Hot from O.K. 4 U, Hazel and the gang arrived onstage. Males and females alike in the audience connected with this gorgeous lady, leather clad with tumbling tresses of mahogany hair and a voice that seems to have an unequivocal range. Behind her, the band were alive from the get go, lots of exciting electronic stuff going on, a great beat from Eugene with plenty of drum rolls and JMC throwing in his short narrative. Soulful and seductive, this was a fab choice to get the party started!
Dirty – This has a rhythmic intro, a sexy baseline and a choppy beat and as Hazel sings the verse, lots of dirty distortion packed riffs from Paul and bass a la Robbie help create the mood. They have a big sound and as Hazel does her sexy moves the crowd go wild.
Reality – This riveting piece of music is for me, one of their best. Lots of distortion packed guitar, lively percussion and beats, not forgetting the wonderful sounds created by JMC, adding to this sleazy but haunting number. Bongos are played by Gary O’Brien, Republic of Loose percussionist who performs live with GOS for this type of song.
This song was recorded as a double A sided single with another song – Ejector seat.
Impossible is nothing
JMC leads this number, which has wistful lyrics. Lots of plucked rhythmic notes and super chords are played on guitar with a divine baseline, there’s a choppy beat and Hazel comes in for the chorus. I love this and the lyrics are great Take it to the limits, in any f..ng weather and only rip it up if you can stick it back together. It goes on in this philosophical vein and I must admit, I became a convert to rap watching the two perform this so well!
Hazel talked to the audience, thanking them for coming to the gig when most people were glued to the Ireland v Italy match. Producer Cormac Moore gave updates as the night was progressing. I found myself admiring the plethora of fancy guitars lined up for both Paul and Robbie, ready for action.
Sore – This begins with a lone baseline, Hazel coming in with the verse. The beat alternates in the chorus each time she sings ‘Sore’. This I love!
Middle eight is sung and is funky and appealing.
Some very effective sampling is used for certain numbers and I particularly enjoyed the intro in the next song which was It’s over.
This is a sad love song, sung with a lot of emotion by Hazel, beautiful trickling guitar in the background and wonderful sound effects throughout.
Come home begins slow but builds up. A catchy riff is continuously played throughout, with sampling very effective. The melody line is sweet and some pretty harmony is included too.
Grades of Shade did a lengthy set, which included most of their songs from the fab new album. Tizwas, Ejector Seat, Higher and GOSOK4U all included hair raising electro stuff, promo lyrics you can forgive when sung by Hazel’s powerful dynamic voice, plenty of audience participation for the words ‘Grades of Shade O.K. 4 U’ and what I also noticed was the way that each musician seemed to be really lost in the music and enjoying himself.
They of course got an encore and did three pieces. One was JMC performing alone, with Bongos played by two people accompanying him. He had this shaker percussion instrument for the short, sweet rap.
Then they did a slow number called Live on air with lots going on in it, really catchy harmony and during this Hazel introduced each band member.
Bleed was the finale for this show which I enjoyed from start to finish. JM, Hazel and the guitarists danced around for this song, which has a feel good quality to it. Bass was delicious and the crazy sound effects were delightful. It has a cool dance beat and everyone hopped around enjoying the ambience.
Hazel and Eugene both thanked all for their support, in particular Cormac Moore, who was previously involved with hit band Republic of Loose and discovered GOS, investing his energy into getting them off the ground. His faith is being rewarded big time, in my opinion because in such a competitive music industry, it requires something more than just sheer determination and skill. There has to be a magic, a spark that is there or isn’t. Like the cover art of the new album, this band are colourful, harmonious and vivacious and will continue to gain new supporters like me with their easy –to- listen- to sound.
Monday, October 12, 2009
Epock Rising
Epoch Rising
Angela Macari O’Looney
Blistering guitar solos, well constructed original numbers and a fire packed performance from start to finish are the ethos of Epoch Rising, a new and refreshing Irish Rock band, who are slowly but surely building up a following.
Members hail from Dublin, Cork, Waterford and Offaly and each are quality musicians and singers as you will discover on hearing their songs on My Space, or their recently released debut single 10, available on I Tunes.
Influences include Queens of the Stone Age, Foo Fighters, Faith No More, and Wildhearts. Musicians are Sean Ahearn – Vocals/Guitars/ Programming, Harry Prendergast – Vocals/ Guitars/ Visuals and Laurence Moloney – Drums.
One vital advantage is that both Sean and Harry previously fronted their own bands, with the result being an exciting blend of vocals harmonized like a fine tuned instrument in every number. When asked to describe their sound they say it’s energetic with a dark, feel-good edge.
10
This begins with the haunting refrain ‘it’s over’, building up to the intro which is a plucky lead riff. This is a fast moving cheerful song. Melody is catchy, chorus sweet. The riff throughout frames the whole scene, with a lively, exciting guitar break which hits the right spot.
Silence
The harmony is just excellent in this dramatic number, especially in the explosive chorus. A key riff is played throughout; lead solo is memorable but short. Middle eight involves choppy guitar chords, with an echo of I want it all. In this song I feel there’s a pleasant mix of up- to- the- minute Rock infused with a tincture of good old fashioned head banging with your air guitar stuff!
Contact
Vocals are exceptional in this number. It goes from trickling lead in one line, to burst into bashing chords for the next. The melody as in all their songs is memorable and I like the way the words Make contact a storm is rising is sung quietly, building up to a fast urgent chorus with equally fieriness in the accompanying guitars, like you’ve hit the eye of the storm!
Leave it all behind
A slower song, this is laid back with delicious harmony, a pretty melody and excellent lyrics. The chorus is particularly beautiful. There’s a part where the lads sing ‘Ahs’ in almost choral style. Instruments drop back and it’s hairs on the back of your neck stuff.
Listening to these few numbers by Epoch Rising has made me want to hear them over and over. They are a unique gem indeed, in an industry that has turned around and is resurrecting lots of classic styles and leans towards good song writing technique and true musicianship as opposed to good looks and tight butts.
Angela Macari O’Looney
Blistering guitar solos, well constructed original numbers and a fire packed performance from start to finish are the ethos of Epoch Rising, a new and refreshing Irish Rock band, who are slowly but surely building up a following.
Members hail from Dublin, Cork, Waterford and Offaly and each are quality musicians and singers as you will discover on hearing their songs on My Space, or their recently released debut single 10, available on I Tunes.
Influences include Queens of the Stone Age, Foo Fighters, Faith No More, and Wildhearts. Musicians are Sean Ahearn – Vocals/Guitars/ Programming, Harry Prendergast – Vocals/ Guitars/ Visuals and Laurence Moloney – Drums.
One vital advantage is that both Sean and Harry previously fronted their own bands, with the result being an exciting blend of vocals harmonized like a fine tuned instrument in every number. When asked to describe their sound they say it’s energetic with a dark, feel-good edge.
10
This begins with the haunting refrain ‘it’s over’, building up to the intro which is a plucky lead riff. This is a fast moving cheerful song. Melody is catchy, chorus sweet. The riff throughout frames the whole scene, with a lively, exciting guitar break which hits the right spot.
Silence
The harmony is just excellent in this dramatic number, especially in the explosive chorus. A key riff is played throughout; lead solo is memorable but short. Middle eight involves choppy guitar chords, with an echo of I want it all. In this song I feel there’s a pleasant mix of up- to- the- minute Rock infused with a tincture of good old fashioned head banging with your air guitar stuff!
Contact
Vocals are exceptional in this number. It goes from trickling lead in one line, to burst into bashing chords for the next. The melody as in all their songs is memorable and I like the way the words Make contact a storm is rising is sung quietly, building up to a fast urgent chorus with equally fieriness in the accompanying guitars, like you’ve hit the eye of the storm!
Leave it all behind
A slower song, this is laid back with delicious harmony, a pretty melody and excellent lyrics. The chorus is particularly beautiful. There’s a part where the lads sing ‘Ahs’ in almost choral style. Instruments drop back and it’s hairs on the back of your neck stuff.
Listening to these few numbers by Epoch Rising has made me want to hear them over and over. They are a unique gem indeed, in an industry that has turned around and is resurrecting lots of classic styles and leans towards good song writing technique and true musicianship as opposed to good looks and tight butts.
Sunday, September 6, 2009
Latitude
Latitude
The Bloody Stream, Howth
28/08/09
By Angela Macari O’Looney
As I walked into this cosy tavern under the Dart terminus in Howth, I was met with a huge backdrop behind the stage, depicting a winged Goddess surrounded by Zombies on horseback. There was an air of excitement about the place, as the boys from Latitude were setting themselves up for what looked like a busy night.
In this small venue I wondered how you’d get a good crowd in, but as the night unfolded I realised that the audience also included anyone sitting outside at the smoking area, who could enjoy the show just the same through the windows and with a small amount of seating inside, it was a case of standing room only apart from a couple of bar stools.
Made up of five members; Ian O’Reilly/Vocals, Chris McDonnell/ Guitar, Dan McAleese/guitar, Philip Doyle/ Bass and Mark Verling/ Drums & Sax, this band hail from North Dublin and consider themselves a mixed cauldron of styles. With Rock/Blues influences and lots of charisma, they instantly brought to mind a favourite band of mine, Jaded Sun. Lots of old and new acts filter through their songs such as Zeppelin, Guns and Roses, AC/DC and many more. They are young, gorgeous and seem to have everything going for them and this was my first taste of their music live. I couldn’t wait for the show to start!
Sugar Rush
Twin guitar riffs, distortion throughout, a screaming lead solo and a fast moving beat, this was a fabulous number to start on.
Highs & Lows
The riff intro in this is seductive and is done by two guitars in synch. It has a classic rock beat which is fast, a catchy chorus with the now familiar riff repeated in the background, sweet flourishes on lead guitar and bass to die for throughout. Philip was a bit squashed into the background but his baselines are certainly not subdued. Harmony is cool here and Ian’s vocals are excellent. There’s a fantastic screaming solo. This song blows me away!
Blackout
One or two technical hitches had to be fixed up before the guys continued. That was sorted out and they started with a sweet intro, which got a big cheer from the crowd who were treated to a few hi jinx a la Phil on bass, to keep them amused. He got a big cheer and as soon as they launched into the next song, they got a huge response from the now warmed up audience. Is it Brian Johnson or Jon Bon I hear in Ian’s voice? Whichever it is, he gives a clear and appealing delivery of each number. Tricky guitar bits, a slow down for the middle eight and yet another amazing lead solo.
Ian asked does anyone here like the Beatles and my hand shot up. I was totally bursting with delight when I heard the intro to Get Back.
Chris sang the chorus along with Ian here. Bassist does a lot of exciting stuff and those sexy guitar chords that get me every time I hear this classic are phenomenal and I give them top marks for a fab rendition of it!
Lexi
This is a slower number and I wasn’t sure about the sound in this one. There seemed to be a bit of an imbalance. However, this song has a Guns and Roses style melody and I really enjoyed the guitar solo.
Boneyard Blues
Slinky ZZ Top type number, with distortion all over the place, fluently played riffs and hooks and Chris performs a sweet riff, while Dan plays a sexy lead solo. They then do a twin guitar solo and it’s absolutely perfect.
Phil, who is no shy violet, also gets a look in here and you just know that Latitude’s general sound employs a lot of elaborate baselines which are his forte.
Walk this Way (Aerosmith Cover)
A popular number with young rock crowds, this number went down a treat. Ian does a great job of the vocals, which my guest remarked have a tinge of Robert Plant about them and he certainly has charm and a way with an audience.
The place was hopping and you could feel how much these guys love what they do. They definitely have something and there is a void in the current music scene where this kind of rock is concerned, that I think they’ll fill beautifully.
Phil’s song
Chris sings the lead vocals in this song. Big resounding chords in the verse and generally a sweet number, it went down well.
Beat it (Michael Jackson cover)
This was an unexpected extra and was performed as a sign of respect for the great man himself R.I.P.
I wondered how they’d carry it off. Ian performs his less squeaky version of the popular number and the chords and lead were all done seamlessly. Not an easy task either!
Dark Heart Blues
About a walk on the beach, this number has a trickling lead intro and develops into a moody strut, with a choppy beat. Phil got a nice bit of bass in and those bending notes on lead supplied a sexy backdrop. Dry ice lends atmosphere and both I and my friend agreed that it was the best number of the whole evening. Melody is divine and Ian’s vocals at their best.
They did yet another cover Brown Sugar ( Rolling Stones) and then Bloody Mary which has a lovely intro. This fast song involves some juicy lead and is explosive and memorable. Chord combinations are delicious and a blistering solo is done, plus more twin guitar riffs that I can never get enough of. The chorus involves a key change and is just excellent.
Tigers
The whole place was fogged up with dry ice as the lads began this song. Busy bass, distortion laden riffs and a catchy melody, it’s a fast and cheeky number. The guitars are everything here and Ian’s vocals pretty special, but his mike was a little too quiet. This adrenaline packed song is well written, has a fantastic solo, is explosive and I love the lyrics; She’s a tiger, she got dirty dreams inside her.
Lifeline starts quietly, but builds up. This was a good choice for a last song with a screaming solo in the middle and a big rolling finish.
They got an encore and did ‘Walk this way’ one more time and were pestered to do more. I thought I’d mention to the drummer how I felt they had a sound like Jaded Sun’s and was thrilled to bits when he told me he knew Gavin, their drummer and that their next big gig was going to be in The Village, with none other than Jaded Sun. If I can make it, I think that would be a double whammy for sure.
The Bloody Stream, Howth
28/08/09
By Angela Macari O’Looney
As I walked into this cosy tavern under the Dart terminus in Howth, I was met with a huge backdrop behind the stage, depicting a winged Goddess surrounded by Zombies on horseback. There was an air of excitement about the place, as the boys from Latitude were setting themselves up for what looked like a busy night.
In this small venue I wondered how you’d get a good crowd in, but as the night unfolded I realised that the audience also included anyone sitting outside at the smoking area, who could enjoy the show just the same through the windows and with a small amount of seating inside, it was a case of standing room only apart from a couple of bar stools.
Made up of five members; Ian O’Reilly/Vocals, Chris McDonnell/ Guitar, Dan McAleese/guitar, Philip Doyle/ Bass and Mark Verling/ Drums & Sax, this band hail from North Dublin and consider themselves a mixed cauldron of styles. With Rock/Blues influences and lots of charisma, they instantly brought to mind a favourite band of mine, Jaded Sun. Lots of old and new acts filter through their songs such as Zeppelin, Guns and Roses, AC/DC and many more. They are young, gorgeous and seem to have everything going for them and this was my first taste of their music live. I couldn’t wait for the show to start!
Sugar Rush
Twin guitar riffs, distortion throughout, a screaming lead solo and a fast moving beat, this was a fabulous number to start on.
Highs & Lows
The riff intro in this is seductive and is done by two guitars in synch. It has a classic rock beat which is fast, a catchy chorus with the now familiar riff repeated in the background, sweet flourishes on lead guitar and bass to die for throughout. Philip was a bit squashed into the background but his baselines are certainly not subdued. Harmony is cool here and Ian’s vocals are excellent. There’s a fantastic screaming solo. This song blows me away!
Blackout
One or two technical hitches had to be fixed up before the guys continued. That was sorted out and they started with a sweet intro, which got a big cheer from the crowd who were treated to a few hi jinx a la Phil on bass, to keep them amused. He got a big cheer and as soon as they launched into the next song, they got a huge response from the now warmed up audience. Is it Brian Johnson or Jon Bon I hear in Ian’s voice? Whichever it is, he gives a clear and appealing delivery of each number. Tricky guitar bits, a slow down for the middle eight and yet another amazing lead solo.
Ian asked does anyone here like the Beatles and my hand shot up. I was totally bursting with delight when I heard the intro to Get Back.
Chris sang the chorus along with Ian here. Bassist does a lot of exciting stuff and those sexy guitar chords that get me every time I hear this classic are phenomenal and I give them top marks for a fab rendition of it!
Lexi
This is a slower number and I wasn’t sure about the sound in this one. There seemed to be a bit of an imbalance. However, this song has a Guns and Roses style melody and I really enjoyed the guitar solo.
Boneyard Blues
Slinky ZZ Top type number, with distortion all over the place, fluently played riffs and hooks and Chris performs a sweet riff, while Dan plays a sexy lead solo. They then do a twin guitar solo and it’s absolutely perfect.
Phil, who is no shy violet, also gets a look in here and you just know that Latitude’s general sound employs a lot of elaborate baselines which are his forte.
Walk this Way (Aerosmith Cover)
A popular number with young rock crowds, this number went down a treat. Ian does a great job of the vocals, which my guest remarked have a tinge of Robert Plant about them and he certainly has charm and a way with an audience.
The place was hopping and you could feel how much these guys love what they do. They definitely have something and there is a void in the current music scene where this kind of rock is concerned, that I think they’ll fill beautifully.
Phil’s song
Chris sings the lead vocals in this song. Big resounding chords in the verse and generally a sweet number, it went down well.
Beat it (Michael Jackson cover)
This was an unexpected extra and was performed as a sign of respect for the great man himself R.I.P.
I wondered how they’d carry it off. Ian performs his less squeaky version of the popular number and the chords and lead were all done seamlessly. Not an easy task either!
Dark Heart Blues
About a walk on the beach, this number has a trickling lead intro and develops into a moody strut, with a choppy beat. Phil got a nice bit of bass in and those bending notes on lead supplied a sexy backdrop. Dry ice lends atmosphere and both I and my friend agreed that it was the best number of the whole evening. Melody is divine and Ian’s vocals at their best.
They did yet another cover Brown Sugar ( Rolling Stones) and then Bloody Mary which has a lovely intro. This fast song involves some juicy lead and is explosive and memorable. Chord combinations are delicious and a blistering solo is done, plus more twin guitar riffs that I can never get enough of. The chorus involves a key change and is just excellent.
Tigers
The whole place was fogged up with dry ice as the lads began this song. Busy bass, distortion laden riffs and a catchy melody, it’s a fast and cheeky number. The guitars are everything here and Ian’s vocals pretty special, but his mike was a little too quiet. This adrenaline packed song is well written, has a fantastic solo, is explosive and I love the lyrics; She’s a tiger, she got dirty dreams inside her.
Lifeline starts quietly, but builds up. This was a good choice for a last song with a screaming solo in the middle and a big rolling finish.
They got an encore and did ‘Walk this way’ one more time and were pestered to do more. I thought I’d mention to the drummer how I felt they had a sound like Jaded Sun’s and was thrilled to bits when he told me he knew Gavin, their drummer and that their next big gig was going to be in The Village, with none other than Jaded Sun. If I can make it, I think that would be a double whammy for sure.
Sunday, August 30, 2009
The Angel Pier
The Angel Pier
Whelan’s 07/08/09
Angela Macari O’Looney
In celebration of the release of their new limited edition 7” single Belong/Align the Seas, Darragh, Vinny, Luke and Mark hosted a really enjoyable gig, with special guests The Murder Clues to get the party started. I was really excited about seeing two of my favourite acts on the same night.
Three parts Irish to one part Canadian, The Angel Pier are a charming act that know how to totally enjoy performing and also have an ability to seduce the listener with soothing vocals and fluent guitar riffs aplenty.
Described by some as having ‘the sheer guts to make music that they genuinely want to’, this band have clocked up lots of exciting appearances since I last saw them at the beginning of ’09, including performing on The New Sounds Stage at Oxygen, appearing at Castlepalooza and Co-headlining a tour around Ireland with ‘The Kinetiks’.
The Murder Clues
Kicking off the night, this band that was formerly known as ‘Bravado’ unhesitatingly launched into their first number The Sound of Sirens which had a fast beat. Their second song Sticks and stones had noticeable harmony, fab bass and a catchy chorus. After this the place began to fill up and the lads seemed to get into their set and come alive.
I wondered would they only do new songs, but I was pleasantly surprised when they did Too tired to sleep which I love. Brian encouraged the audience to move closer to the stage. Revenge is not enough was next with sweet little riffs in it, a strut style beat and a delightful melody line.
Artificial Angels shows off Brian’s vocals and is probably one of my favourites from this band.
In Control
This is fairly new. Brian performs a lovely bit in falsetto here. Milky does a particularly special riff on lead, Corcy plays a snazzy solo on bass and the build up to the finish is dramatic.
Any other way
Bassy intro and a gorgeous riff take you into this fast moving, cheeky number. It has sarcastic lyrics. Bass in the middle is so delightful and then they go into this punk beat which is fun and makes you want to dance around.
The Murder Clues recently launched their new single Things that by myself I just can’t find. This was next with some unique chord combinations and a lead solo that’s short but extremely sweet. There’s an echo style chorus where Brian does a line and backing vocals repeat it.
Runnin’
The best bit about this is the beat and the riff intro. It’s choppy, with a chorus that is fun and it’s one of those songs you can never get enough of. Members of The Murder Clues are Brian /Vocals, Kev Guitar/ Vocals, Milky/Guitar, Gaz/ Drums and Corcy/ Bass.
They finished up with Manic. Influences include Arctic Monkeys, The Libertines and The Who. They are a band who seem to pop up a lot at gigs I go to and are always a pleasure to watch perform and a wonderful choice to get the party started for the main act.
The Angel Pier
The fab four took to the stage to shouts of approval from a now healthy sized audience, starting their set with You’re right. Vinny Redmond (Bass) harmonizes and trickling notes on lead guitar (Luke Pouch) create the perfect backdrop for Darragh’s powerful delivery of the first number.
Belong is on the new 7” E.P. and has a slow intro, picking up speed and becoming more dynamic. A rhythmic riff on guitar brings it to life, harmony filtering into the chorus. This is truly a feel good song.
Pray has some interesting chord combinations and a delectable chorus.
Align the Seas was introduced by Darragh as he mentioned that it was on the new E.P. Gorgeous guitar notes are strummed for the intro. Darragh’s use of falsetto in the chorus adds sweetness. The use of the higher octave against the background vocals which are sung in the lower octave is a very effective tool and also I noticed in the middle eight, a pullback of instruments which leaves just vocals with close harmony for a few bars and gradually each instrument returns, taking the whole piece to a big crescendo finish.
For no Man
Certain numbers in their repertoire such as this one would remind me a little of Coldplay. Darragh’s voice is light here and there’s an uplifting quality to the verse.
Although the melody is sweet, this song becomes more explosive as it develops. There’s a sliding note that’s sung in harmony just before the finish, which is gorgeous.
Make, Sacrifice and Bullet were also among the many wonderful songs that were performed at this gig. That special ‘Je ne sais quoi’ which The Angel Pier posess inspires a cheerful atmosphere and as the night went on they seemed to just get better and better.
I wondered would they perform my favourite number Sprites when they returned for a well deserved encore at the end of the gig. They must have heard me shout for it as they left the stage, because they did it. As I heard the first notes being plucked on guitar, I recognised it.
Darragh’s delivery of this song is flawless and like most of their songs, it builds up from a softer beginning, to a dynamic Anthem with bashing chords and an appealing melody.
We were treated to yet another number called Scribbles.
Darragh and the lads have a certain charm, which has already taken them to heady heights and gigs that many bands only get to dream about. I discovered them almost a year ago and have since become a fan. I hope to have lots of future opportunities to see them live, especially after this my second experience of them at Whelan’s.
Cheers to The Angel Pier and The Murder Clues for a magnificent evening.
Whelan’s 07/08/09
Angela Macari O’Looney
In celebration of the release of their new limited edition 7” single Belong/Align the Seas, Darragh, Vinny, Luke and Mark hosted a really enjoyable gig, with special guests The Murder Clues to get the party started. I was really excited about seeing two of my favourite acts on the same night.
Three parts Irish to one part Canadian, The Angel Pier are a charming act that know how to totally enjoy performing and also have an ability to seduce the listener with soothing vocals and fluent guitar riffs aplenty.
Described by some as having ‘the sheer guts to make music that they genuinely want to’, this band have clocked up lots of exciting appearances since I last saw them at the beginning of ’09, including performing on The New Sounds Stage at Oxygen, appearing at Castlepalooza and Co-headlining a tour around Ireland with ‘The Kinetiks’.
The Murder Clues
Kicking off the night, this band that was formerly known as ‘Bravado’ unhesitatingly launched into their first number The Sound of Sirens which had a fast beat. Their second song Sticks and stones had noticeable harmony, fab bass and a catchy chorus. After this the place began to fill up and the lads seemed to get into their set and come alive.
I wondered would they only do new songs, but I was pleasantly surprised when they did Too tired to sleep which I love. Brian encouraged the audience to move closer to the stage. Revenge is not enough was next with sweet little riffs in it, a strut style beat and a delightful melody line.
Artificial Angels shows off Brian’s vocals and is probably one of my favourites from this band.
In Control
This is fairly new. Brian performs a lovely bit in falsetto here. Milky does a particularly special riff on lead, Corcy plays a snazzy solo on bass and the build up to the finish is dramatic.
Any other way
Bassy intro and a gorgeous riff take you into this fast moving, cheeky number. It has sarcastic lyrics. Bass in the middle is so delightful and then they go into this punk beat which is fun and makes you want to dance around.
The Murder Clues recently launched their new single Things that by myself I just can’t find. This was next with some unique chord combinations and a lead solo that’s short but extremely sweet. There’s an echo style chorus where Brian does a line and backing vocals repeat it.
Runnin’
The best bit about this is the beat and the riff intro. It’s choppy, with a chorus that is fun and it’s one of those songs you can never get enough of. Members of The Murder Clues are Brian /Vocals, Kev Guitar/ Vocals, Milky/Guitar, Gaz/ Drums and Corcy/ Bass.
They finished up with Manic. Influences include Arctic Monkeys, The Libertines and The Who. They are a band who seem to pop up a lot at gigs I go to and are always a pleasure to watch perform and a wonderful choice to get the party started for the main act.
The Angel Pier
The fab four took to the stage to shouts of approval from a now healthy sized audience, starting their set with You’re right. Vinny Redmond (Bass) harmonizes and trickling notes on lead guitar (Luke Pouch) create the perfect backdrop for Darragh’s powerful delivery of the first number.
Belong is on the new 7” E.P. and has a slow intro, picking up speed and becoming more dynamic. A rhythmic riff on guitar brings it to life, harmony filtering into the chorus. This is truly a feel good song.
Pray has some interesting chord combinations and a delectable chorus.
Align the Seas was introduced by Darragh as he mentioned that it was on the new E.P. Gorgeous guitar notes are strummed for the intro. Darragh’s use of falsetto in the chorus adds sweetness. The use of the higher octave against the background vocals which are sung in the lower octave is a very effective tool and also I noticed in the middle eight, a pullback of instruments which leaves just vocals with close harmony for a few bars and gradually each instrument returns, taking the whole piece to a big crescendo finish.
For no Man
Certain numbers in their repertoire such as this one would remind me a little of Coldplay. Darragh’s voice is light here and there’s an uplifting quality to the verse.
Although the melody is sweet, this song becomes more explosive as it develops. There’s a sliding note that’s sung in harmony just before the finish, which is gorgeous.
Make, Sacrifice and Bullet were also among the many wonderful songs that were performed at this gig. That special ‘Je ne sais quoi’ which The Angel Pier posess inspires a cheerful atmosphere and as the night went on they seemed to just get better and better.
I wondered would they perform my favourite number Sprites when they returned for a well deserved encore at the end of the gig. They must have heard me shout for it as they left the stage, because they did it. As I heard the first notes being plucked on guitar, I recognised it.
Darragh’s delivery of this song is flawless and like most of their songs, it builds up from a softer beginning, to a dynamic Anthem with bashing chords and an appealing melody.
We were treated to yet another number called Scribbles.
Darragh and the lads have a certain charm, which has already taken them to heady heights and gigs that many bands only get to dream about. I discovered them almost a year ago and have since become a fan. I hope to have lots of future opportunities to see them live, especially after this my second experience of them at Whelan’s.
Cheers to The Angel Pier and The Murder Clues for a magnificent evening.
Wednesday, August 26, 2009
JJ Smyths 14/08/09
Colin Scallan, Sinead Martin, Bailer, Juke Box Gypsy
JJ Smyths
14/08/09
Angela Macari O’Looney
Following a recent review I did covering Collin Scallan’s debut album Songs for a sinking world, I ventured to this benefit night he’d mentioned to me which was in aid of Dublin South FM.
JJ’s being quite close to where I grew up was a venue I sang in myself once or twice and occasionally frequented many moons ago. So it was interesting to be sitting there over twenty years since my last visit, to see a show that included quite a line up.
Brendan Hickey from Dublin South FM who was hosting this evening, welcomed and thanked everyone and introduced the first act.
Sinead Martin
Alternative/ Folk/ Soul singer-songwriter Sinead had the honour of being first onstage. She began with what’s it gonna be. This has a pretty melody and in it her voice was velvety smooth and would remind me a little of Andrea Corr. A lady on fiddle played some delightful notes which lent atmosphere.
Brendan McMurray on guitar performed The Sun will Shine along with Sinead. This has a folksy sound and a three four tempo. Brendan sang verse and Sinead and he both sang the chorus, which was sweet in this Nancy Griffith style number.
Dream (Everly Bros cover) was next. This was a slightly altered version of the classic and I found the unexpected twists and turns very enjoyable. Harmony was beautiful and the added soft riffs on fiddle gave it a dreamy quality.
She did a jazzy number with fab guitar riffs, bending bassy notes and a catchy melody line.
Crucify was choppy, with a hint of KT Tunstall’s style to it.
Sinead has performed alongside big names such as Damien Rice, Paddy Casey and Mundy. She has recorded her eponymous demo containing her collection of songs and her performance was given a warm round of applause by the steadily increasing audience.
Bailer
Rock/ Pop/ Acoustic band ‘Bailer’ was next with Maurice Brennan on guitar, Peter Jordan on Bass guitar, Frank Chircop on drums and the dynamic Caitriona McGuiness lead vocals.
Formed in 2001 they have played around Dublin’s most prestigious venues and also boast regular supports with Aslan and The Hothouse Flowers.
In a nutshell, Caitriona is a dainty creature with an awesome voice!
If you could package and sell what she has, you could solve the economic slump with the profits; she has such a vocal range.
Moonlight Mile Stones
This has beautiful chords, a sweet melody and was the first of their set.
Watch Out
There’s a lovely sense of movement in the tempo of this song, trickling acoustic notes and a pretty melody line. In the chorus there’s some gorgeous harmony too.
Sixteen Months
Vocals as in all numbers excellent, with Catriona’s range shown to great advantage in particular here. I love the chorus of this one and the melody is my favourite in the set. At one point she goes way up the register to falsetto.
A Mary Black style number called We don’t have to fight was next. This was quiet and moody, but had a fast beat.
Make it Burn down has a funky beat and Caitriona’s vocals are like a percussion instrument in the chorus. She does a touch of scat here.
A Van Morrison cover and another pretty song called Daylight concluded this enjoyable set.
All members of this act blend well and the result is an easy-to-listen-to and memorable experience.
We were treated to a piece of poetry recited by the host of the evening Mr. Brendan Hickey, who in his passionate recital gave a new meaning to the concept of a good old fashioned cuppa!
Colin Scallan
Colin began with An easier way which has close harmony in the chorus. His band includes Conor Hastings (bass), Mick Morris (Mandolin/guitar) and Eric Yore (drums) with Colin playing guitar.
The familiar intro to Nothing around for miles which is a sweet number, brought a smile to my face. It’s from his new album ‘Songs for a Sinking World’ and involves two acoustic guitars. This has a catchy melody and plucked guitar throughout.
Days Beneath the Sun
Colin used his electric guitar for this and with a touch of distortion it commanded a bit of hush from the chattering audience, with its gorgeous melody. A delicious lead solo and lots of dramatic chord combinations, this number is special!
He continued his set with A little love. Lots of oohs in the chorus and a bass riff make this a really interesting rock style song.
Build me a Woman
The mandolin came back for this and I loved the way that all strings played the intro to this slinky piece in unison, adding definition to it. Colin’s lead solo here was exceptional and the crowd loved it.
Hanging on the wire (Paul Weller cover version)
This was a number with spectacular guitar bits in it, a short solo and a catchy melody. Some of the punters joined in with the chorus, proving it to be a good choice of song.
Neon Signs
Drums were particularly special here. Lots of rolls and fancy high jinx added excitement, along with a screaming lead solo, a powerful melody line and a cool riff filtering through the chorus.
Colin finished his set with a fab choice of song in The Last Battle; A favourite of mine from his album. His seamless solo and the way he makes that guitar talk never ceases to amaze me. This is real music from an act I could listen to forever and the night was young, with one more band to go.
Juke Box Gypsy
To enrich the evening even more, this interesting act took their places onstage and explained that only half the compliment was present, since they consist of a large group of musicians. However, they definitely managed with what was there, beginning with a wonderful number sung with flawless close harmony. Like a lullaby, it had a pretty melody line and a perfect solo performed on acoustic guitar. I was quite dumbstruck with the quality of talent in each of these guys. The founder members met on a train and as time went on, the membership increased. They are touring Ireland at the moment, but are based in Liverpool. They have just released their eponymous debut album and have a really special sound.
Their setlist included Carlton Hill, St. Helen’s lane, Some Direction we Go, The Phone Song, Redwood Song, Papa Joe, February, Hard travelling, Butch Cassidy and the Sundance kid, Hey Mama and Hard, It ain’t hard (Woodie Guthrie).
All songs had impressive dynamics, delectable guitar riffs and hooks and the harmony was simply out of this world.
All of these songs were excellently performed, with a charismatic frontman in Dave the lead singer. Isaac Tabor on lead guitar is a total genius and has a very European look about him and an o.k. voice, which is demonstrated in Redwood Song, which begins accapello and is sung in rounds, which is really effective. It takes off and has an easy going beat and a gorgeous melody.
Of their set I plucked one or two of my favourites and these were Some Direction we Go, where James on violin joined the group onstage.
February
The lads had performed this number earlier that day on Balcony TV and it involves banjo, tight harmony and delightful violin. The chorus is repeated like a chant and there’s a sense of movement in the rhythm which I enjoy.
The Phone Song
In this a lady called Amelia took to the stage with her harmonica. Isaac sang lead in this number, but harmony was shared by all and along with the pretty solo on harmonica it really was a treat to hear.
Hey Mama!
This number is jazzy, with the most adorable chords and some delightful riffs on Amelia’s harmonica. I feel that the lyrics are quite poignant and although it is sung as a humorous ditty, there’s a message there Mama, hey Mama don’t you send your poor boys to war.
Members of Jukebox Gypsy are Ben Blance, Dave Hastie, Isaac Tabor and Johanna Hillerbrand. They have four other members and although at JJ’s the line up was smaller than usual, their sound was big enough. Influences include Crosby Stills and Nash, Neill Young, Lindisfarne and Ryan Adams.
This gig was a huge success, with a big turnout and I enjoyed it from start to finish. Well done to all acts and good luck to Dublin South FM, which seems to be a popular station for upcoming Irish acts.
JJ Smyths
14/08/09
Angela Macari O’Looney
Following a recent review I did covering Collin Scallan’s debut album Songs for a sinking world, I ventured to this benefit night he’d mentioned to me which was in aid of Dublin South FM.
JJ’s being quite close to where I grew up was a venue I sang in myself once or twice and occasionally frequented many moons ago. So it was interesting to be sitting there over twenty years since my last visit, to see a show that included quite a line up.
Brendan Hickey from Dublin South FM who was hosting this evening, welcomed and thanked everyone and introduced the first act.
Sinead Martin
Alternative/ Folk/ Soul singer-songwriter Sinead had the honour of being first onstage. She began with what’s it gonna be. This has a pretty melody and in it her voice was velvety smooth and would remind me a little of Andrea Corr. A lady on fiddle played some delightful notes which lent atmosphere.
Brendan McMurray on guitar performed The Sun will Shine along with Sinead. This has a folksy sound and a three four tempo. Brendan sang verse and Sinead and he both sang the chorus, which was sweet in this Nancy Griffith style number.
Dream (Everly Bros cover) was next. This was a slightly altered version of the classic and I found the unexpected twists and turns very enjoyable. Harmony was beautiful and the added soft riffs on fiddle gave it a dreamy quality.
She did a jazzy number with fab guitar riffs, bending bassy notes and a catchy melody line.
Crucify was choppy, with a hint of KT Tunstall’s style to it.
Sinead has performed alongside big names such as Damien Rice, Paddy Casey and Mundy. She has recorded her eponymous demo containing her collection of songs and her performance was given a warm round of applause by the steadily increasing audience.
Bailer
Rock/ Pop/ Acoustic band ‘Bailer’ was next with Maurice Brennan on guitar, Peter Jordan on Bass guitar, Frank Chircop on drums and the dynamic Caitriona McGuiness lead vocals.
Formed in 2001 they have played around Dublin’s most prestigious venues and also boast regular supports with Aslan and The Hothouse Flowers.
In a nutshell, Caitriona is a dainty creature with an awesome voice!
If you could package and sell what she has, you could solve the economic slump with the profits; she has such a vocal range.
Moonlight Mile Stones
This has beautiful chords, a sweet melody and was the first of their set.
Watch Out
There’s a lovely sense of movement in the tempo of this song, trickling acoustic notes and a pretty melody line. In the chorus there’s some gorgeous harmony too.
Sixteen Months
Vocals as in all numbers excellent, with Catriona’s range shown to great advantage in particular here. I love the chorus of this one and the melody is my favourite in the set. At one point she goes way up the register to falsetto.
A Mary Black style number called We don’t have to fight was next. This was quiet and moody, but had a fast beat.
Make it Burn down has a funky beat and Caitriona’s vocals are like a percussion instrument in the chorus. She does a touch of scat here.
A Van Morrison cover and another pretty song called Daylight concluded this enjoyable set.
All members of this act blend well and the result is an easy-to-listen-to and memorable experience.
We were treated to a piece of poetry recited by the host of the evening Mr. Brendan Hickey, who in his passionate recital gave a new meaning to the concept of a good old fashioned cuppa!
Colin Scallan
Colin began with An easier way which has close harmony in the chorus. His band includes Conor Hastings (bass), Mick Morris (Mandolin/guitar) and Eric Yore (drums) with Colin playing guitar.
The familiar intro to Nothing around for miles which is a sweet number, brought a smile to my face. It’s from his new album ‘Songs for a Sinking World’ and involves two acoustic guitars. This has a catchy melody and plucked guitar throughout.
Days Beneath the Sun
Colin used his electric guitar for this and with a touch of distortion it commanded a bit of hush from the chattering audience, with its gorgeous melody. A delicious lead solo and lots of dramatic chord combinations, this number is special!
He continued his set with A little love. Lots of oohs in the chorus and a bass riff make this a really interesting rock style song.
Build me a Woman
The mandolin came back for this and I loved the way that all strings played the intro to this slinky piece in unison, adding definition to it. Colin’s lead solo here was exceptional and the crowd loved it.
Hanging on the wire (Paul Weller cover version)
This was a number with spectacular guitar bits in it, a short solo and a catchy melody. Some of the punters joined in with the chorus, proving it to be a good choice of song.
Neon Signs
Drums were particularly special here. Lots of rolls and fancy high jinx added excitement, along with a screaming lead solo, a powerful melody line and a cool riff filtering through the chorus.
Colin finished his set with a fab choice of song in The Last Battle; A favourite of mine from his album. His seamless solo and the way he makes that guitar talk never ceases to amaze me. This is real music from an act I could listen to forever and the night was young, with one more band to go.
Juke Box Gypsy
To enrich the evening even more, this interesting act took their places onstage and explained that only half the compliment was present, since they consist of a large group of musicians. However, they definitely managed with what was there, beginning with a wonderful number sung with flawless close harmony. Like a lullaby, it had a pretty melody line and a perfect solo performed on acoustic guitar. I was quite dumbstruck with the quality of talent in each of these guys. The founder members met on a train and as time went on, the membership increased. They are touring Ireland at the moment, but are based in Liverpool. They have just released their eponymous debut album and have a really special sound.
Their setlist included Carlton Hill, St. Helen’s lane, Some Direction we Go, The Phone Song, Redwood Song, Papa Joe, February, Hard travelling, Butch Cassidy and the Sundance kid, Hey Mama and Hard, It ain’t hard (Woodie Guthrie).
All songs had impressive dynamics, delectable guitar riffs and hooks and the harmony was simply out of this world.
All of these songs were excellently performed, with a charismatic frontman in Dave the lead singer. Isaac Tabor on lead guitar is a total genius and has a very European look about him and an o.k. voice, which is demonstrated in Redwood Song, which begins accapello and is sung in rounds, which is really effective. It takes off and has an easy going beat and a gorgeous melody.
Of their set I plucked one or two of my favourites and these were Some Direction we Go, where James on violin joined the group onstage.
February
The lads had performed this number earlier that day on Balcony TV and it involves banjo, tight harmony and delightful violin. The chorus is repeated like a chant and there’s a sense of movement in the rhythm which I enjoy.
The Phone Song
In this a lady called Amelia took to the stage with her harmonica. Isaac sang lead in this number, but harmony was shared by all and along with the pretty solo on harmonica it really was a treat to hear.
Hey Mama!
This number is jazzy, with the most adorable chords and some delightful riffs on Amelia’s harmonica. I feel that the lyrics are quite poignant and although it is sung as a humorous ditty, there’s a message there Mama, hey Mama don’t you send your poor boys to war.
Members of Jukebox Gypsy are Ben Blance, Dave Hastie, Isaac Tabor and Johanna Hillerbrand. They have four other members and although at JJ’s the line up was smaller than usual, their sound was big enough. Influences include Crosby Stills and Nash, Neill Young, Lindisfarne and Ryan Adams.
This gig was a huge success, with a big turnout and I enjoyed it from start to finish. Well done to all acts and good luck to Dublin South FM, which seems to be a popular station for upcoming Irish acts.
The Murder Clues
The Murder Clues
Debut single
Things that by myself I just can’t find
Angela Macari O’Looney
The sheer magnetism of this band of young talented musicians reaches out to a cross section of ages and music tastes. They have come up with an up-to-the-minute style and yet maintain a certain something, which would be more synonymous with such bands as The Who, The Strokes, The Arctic Monkeys and acts which would have been around before they were born!
That quality is the power to create well structured numbers that suit Brian’s vocals, plus lively rhythms, exciting lead riffs and baselines to compliment each and every phrase of a song. There’s a maturity in their music that is a pleasant surprise to find in a band that are all so young and are really only starting out.
Formerly known as Bravado, The Murder Clues hail from Raheny and members are Brian/Vocals, Gaz/ Drums, Corcy/ Bass, Milky/Guitar, Kev/ Guitar.
Things that by myself I just can’t find
This song just bursts straight out at you with an explosive beat, lively lead guitar and choppy chords. The intro is repeated, then there’s a pause!
Brian starts the verse with the first line ‘like the breeze I’m soft and brittle’. I like the barely there backing vocals and the contradictive nature of the sentiment. Chords are complex, with strategically placed discords, which seem to be a signature of The Murder Clues’ music. Busy bass a la Corcy revs things up, while those bashing beats and magical rolls are supplied by the adorable Gaz on drums.
Delicious lead guitar takes you up to the chorus which is alive and full to the brim with sensational little riffs (Kev) and that general cheekiness that makes this band so appealing. There’s a catchy echoing of the lead singer’s lines by the rest of the band throughout the chorus.
That blistering lead riff comes in once more, lots of distortion-packed chords surrounding it. Chord combinations throughout are magical and the melody is catchy.
The lead solo is short and sweet with lots of screaming notes, Milky’s fingers gliding from top notes right down the frets of his guitar.
The last verse is done with a pull back of guitars and just Brian’s vocals with rhythm. He has just enough grittiness in his voice, but also a no-nonsense way of performing a song using every vocal muscle to project each note, like a fine tuned instrument. Brian and his crew waste no time putting on airs and graces. They just let the music do all the talking!
Harmony becomes fuller behind Brian’s passionate pouring out of the final chorus.
I was a sceptic initially where this band was concerned, but they eventually got under my skin. This single is only a taster and already has had airplay, with some other Murder Clues songs on Paul McCloone’s show on Today FM. Having also heard many of their songs at gigs, I can bet that this debut single will be the first of many for a band that are exciting and are ready to take on the world!
Debut single
Things that by myself I just can’t find
Angela Macari O’Looney
The sheer magnetism of this band of young talented musicians reaches out to a cross section of ages and music tastes. They have come up with an up-to-the-minute style and yet maintain a certain something, which would be more synonymous with such bands as The Who, The Strokes, The Arctic Monkeys and acts which would have been around before they were born!
That quality is the power to create well structured numbers that suit Brian’s vocals, plus lively rhythms, exciting lead riffs and baselines to compliment each and every phrase of a song. There’s a maturity in their music that is a pleasant surprise to find in a band that are all so young and are really only starting out.
Formerly known as Bravado, The Murder Clues hail from Raheny and members are Brian/Vocals, Gaz/ Drums, Corcy/ Bass, Milky/Guitar, Kev/ Guitar.
Things that by myself I just can’t find
This song just bursts straight out at you with an explosive beat, lively lead guitar and choppy chords. The intro is repeated, then there’s a pause!
Brian starts the verse with the first line ‘like the breeze I’m soft and brittle’. I like the barely there backing vocals and the contradictive nature of the sentiment. Chords are complex, with strategically placed discords, which seem to be a signature of The Murder Clues’ music. Busy bass a la Corcy revs things up, while those bashing beats and magical rolls are supplied by the adorable Gaz on drums.
Delicious lead guitar takes you up to the chorus which is alive and full to the brim with sensational little riffs (Kev) and that general cheekiness that makes this band so appealing. There’s a catchy echoing of the lead singer’s lines by the rest of the band throughout the chorus.
That blistering lead riff comes in once more, lots of distortion-packed chords surrounding it. Chord combinations throughout are magical and the melody is catchy.
The lead solo is short and sweet with lots of screaming notes, Milky’s fingers gliding from top notes right down the frets of his guitar.
The last verse is done with a pull back of guitars and just Brian’s vocals with rhythm. He has just enough grittiness in his voice, but also a no-nonsense way of performing a song using every vocal muscle to project each note, like a fine tuned instrument. Brian and his crew waste no time putting on airs and graces. They just let the music do all the talking!
Harmony becomes fuller behind Brian’s passionate pouring out of the final chorus.
I was a sceptic initially where this band was concerned, but they eventually got under my skin. This single is only a taster and already has had airplay, with some other Murder Clues songs on Paul McCloone’s show on Today FM. Having also heard many of their songs at gigs, I can bet that this debut single will be the first of many for a band that are exciting and are ready to take on the world!
Monday, August 3, 2009
No Roller
No Roller
High Places by Narrow Roads
Angela Macari O’Looney
This debut album takes you on a journey of eclectic melody lines and rhythms, all written and developed by the band themselves.
Aaron Laidlaw – Guitars, Damien Farrell – Drums, David Clarke – Vocals, Tom Dunne – Bass and Warren Solan – Guitars describe their sound as Rock/ Indie/ Acoustic and influences include The Beatles, The Rolling Stones, Bob Dylan, Nirvana, Oasis and a mash- mash of various greats, all of whom can be detected filtering through in each of the eleven tracks.
The cover art on ‘High Places by Narrow Roads’ brings to mind for me a huge floatie I spotted in a shop while on holiday in Lanzarote recently. It’s a toy Crocodile grinning out at you and on closer inspection you realise that a bit of trick photography is in play. He’s not as big or threatening as he seems!
It reflects the sentiments in some of the lyrics in their songs and is quite apt in that the guys describe their sound on their My Space page, as being like ‘moving back from a lake because you see waves’ and a few other weird sensations.
Of all this compilation of songs I have definite favourites, yet all didn’t reach me as riveting. However I warmed to this band’s ingenuity for strategically placed key changes, plus riffs and hooks which brighten up a composition and give it life.
Nova Scotia
This is fast, beginning with bass and developing to a simple, but catchy guitar riff. The verse has this sustained note at the end of each line, which I like. Clarke’s vocals are well demonstrated here, with an appealing grittiness. The guitar is quite special too as lead is infused throughout the entire number, with riffs that are fluent and sweet.
Play the Fool
I love this one.
The intro consists of an acoustic strummed slowly, joined by slow chords on the second guitar. It then bursts into life for a lively verse with a delicious melody line. The highlight for me here is the way this number changes key for the guitar break, then suddenly changes back to the original key for the verse.
This song has a sing-along quality and the lead solo is pretty exceptional, even though it’s short. At the very end of it Damien adds the rattlesnake sound of Mace, for a final pinch of spice!
Easily Led
This has a plucked intro and is a melancholic love song, with a dramatic chorus. Backing vocals add sweetness to this number, which is soulfully performed by Dave Clarke. The Guitar break has the same sense of urgency in it as the lyrics. This is a well written song and has classic written all over it!
Young is a number which I didn’t like that much initially, but it takes off as it develops and there’s a keyboard in there which for me is the prettiest part of it. The melody is sweet. Having said this, there’s a mournfulness about it that is for me just a bit too dreary.
Picture of Health
The riff in the intro and throughout this number is the highlight for me. Classic Rock with real oomph!
Bass in the verse is sexy, the chorus is just perfect and the lyrics are cynical;You’d be right to laugh at me/ I’m shining shoes in your dynasty/ Look at you you’re a picture of health/ I write a song about killing myself.
Growling vocals are powerful and go right down to your boots, while f..ng sensational riffs and a screaming lead solo emphasise this band’s original and appealing style.
You and Me
This number would bring to mind a combination of lots of genres and big names. Bob Dylan’s rough meets Bruce Springsteen’s smooth, then throw a splash of U2 and Thin Lizzy into the mix. I like the way in the chorus Dave goes from a low octave right up to the higher one, creating dynamic.
This song is superbly performed and would be fabulous at a big open air gig.
Never get the chance has a sweet melody and is a love song with a catchy guitar riff in it. It goes from a softly sung verse to a more dynamic chorus. Bass gets to shine in this number and there are barely there backing vocals, which I like.
After this I find the songs become a little less remarkable, with the exception perhaps of Simple Life, where the lead guitar is pretty good and the bit where a harmonica comes in.
The moodiness seems to take over in all of them and they tend to blend into one another. One or two faster songs should have been in there somewhere to break this. This said No Roller are extremely promising and with such accomplished musicians on board and the knack of creating a classic like Play the Fool and some of the other gems here, they are looking at a bright future and are sure to draw a large fan base wherever they go.
High Places by Narrow Roads
Angela Macari O’Looney
This debut album takes you on a journey of eclectic melody lines and rhythms, all written and developed by the band themselves.
Aaron Laidlaw – Guitars, Damien Farrell – Drums, David Clarke – Vocals, Tom Dunne – Bass and Warren Solan – Guitars describe their sound as Rock/ Indie/ Acoustic and influences include The Beatles, The Rolling Stones, Bob Dylan, Nirvana, Oasis and a mash- mash of various greats, all of whom can be detected filtering through in each of the eleven tracks.
The cover art on ‘High Places by Narrow Roads’ brings to mind for me a huge floatie I spotted in a shop while on holiday in Lanzarote recently. It’s a toy Crocodile grinning out at you and on closer inspection you realise that a bit of trick photography is in play. He’s not as big or threatening as he seems!
It reflects the sentiments in some of the lyrics in their songs and is quite apt in that the guys describe their sound on their My Space page, as being like ‘moving back from a lake because you see waves’ and a few other weird sensations.
Of all this compilation of songs I have definite favourites, yet all didn’t reach me as riveting. However I warmed to this band’s ingenuity for strategically placed key changes, plus riffs and hooks which brighten up a composition and give it life.
Nova Scotia
This is fast, beginning with bass and developing to a simple, but catchy guitar riff. The verse has this sustained note at the end of each line, which I like. Clarke’s vocals are well demonstrated here, with an appealing grittiness. The guitar is quite special too as lead is infused throughout the entire number, with riffs that are fluent and sweet.
Play the Fool
I love this one.
The intro consists of an acoustic strummed slowly, joined by slow chords on the second guitar. It then bursts into life for a lively verse with a delicious melody line. The highlight for me here is the way this number changes key for the guitar break, then suddenly changes back to the original key for the verse.
This song has a sing-along quality and the lead solo is pretty exceptional, even though it’s short. At the very end of it Damien adds the rattlesnake sound of Mace, for a final pinch of spice!
Easily Led
This has a plucked intro and is a melancholic love song, with a dramatic chorus. Backing vocals add sweetness to this number, which is soulfully performed by Dave Clarke. The Guitar break has the same sense of urgency in it as the lyrics. This is a well written song and has classic written all over it!
Young is a number which I didn’t like that much initially, but it takes off as it develops and there’s a keyboard in there which for me is the prettiest part of it. The melody is sweet. Having said this, there’s a mournfulness about it that is for me just a bit too dreary.
Picture of Health
The riff in the intro and throughout this number is the highlight for me. Classic Rock with real oomph!
Bass in the verse is sexy, the chorus is just perfect and the lyrics are cynical;You’d be right to laugh at me/ I’m shining shoes in your dynasty/ Look at you you’re a picture of health/ I write a song about killing myself.
Growling vocals are powerful and go right down to your boots, while f..ng sensational riffs and a screaming lead solo emphasise this band’s original and appealing style.
You and Me
This number would bring to mind a combination of lots of genres and big names. Bob Dylan’s rough meets Bruce Springsteen’s smooth, then throw a splash of U2 and Thin Lizzy into the mix. I like the way in the chorus Dave goes from a low octave right up to the higher one, creating dynamic.
This song is superbly performed and would be fabulous at a big open air gig.
Never get the chance has a sweet melody and is a love song with a catchy guitar riff in it. It goes from a softly sung verse to a more dynamic chorus. Bass gets to shine in this number and there are barely there backing vocals, which I like.
After this I find the songs become a little less remarkable, with the exception perhaps of Simple Life, where the lead guitar is pretty good and the bit where a harmonica comes in.
The moodiness seems to take over in all of them and they tend to blend into one another. One or two faster songs should have been in there somewhere to break this. This said No Roller are extremely promising and with such accomplished musicians on board and the knack of creating a classic like Play the Fool and some of the other gems here, they are looking at a bright future and are sure to draw a large fan base wherever they go.
Tuesday, July 28, 2009
Songs for a sinking world
Colin Scallan
Songs for a Sinking World
Angela Macari O’Looney
With such a vast array of competent entertainers going around at the minute, it’s rare to find one particular act that stands out from the crowd. However, as a guest at a recent gig I was captured by this singer songwriter, with seriously noticeable guitar skills and a soothing voice, along with a charming repertoire of songs.
I only heard a sample of his work that evening and decided I wanted to hear more. Colin’s debut album is well named, with its uplifting quality. Each number has a memorable melody and you can feel the devotion to his art in every note.
The cover depicts what is obviously his favourite item in the world – his guitar!
Colin’s influences are many and include some of my own favourite artists; Neil Young, Van Morrison, David Bowie, Little Jimmy Hendricks, Stevie Wonder, Cat Stevens, Paul Brady, Thin Lizzy to name but a few.
I’d begin with my favourite track if I had one. But each track is equally enjoyable.
Wake up
Acoustic intro -This is a cheerful but slow song, which has a delightfully catchy riff throughout. Melody is simple, lyrics are touching and a little hint of harmony lends interest. I notice how he uses lots of emphasis on the bass strings, which gives depth and dynamic here.
Strength in numbers
I admire the arrangement in this number. Beginning with yet another sweet acoustic riff, Colin sings the verse with just guitar accompaniment and percussion. It develops, with backing vocals performing the chorus as an alter melody behind the verse, which is powerful. This song has a beautiful melody line, building up from a simple beginning to a full orchestral sound and has clever lyrics; ‘Every time that you think you’ve got the perfect hand, you come up against more than you planned. You forgot to count strength in numbers!’
The Last Battle
A catchy electric guitar riff intro, with distortion is used in this dramatic number with a funky beat. Fabulous guitar riffs and hooks frame verse and chorus here as in most of his songs. The solo in the middle is exciting, whereby things slow down and then in it comes with screaming notes played with passion. Blasts of powerful distortion filled chords pepper this number beautifully.
Nothing around for Miles
Laid back but choppy, this pretty song has a simple chord combination, but I like it. Backing vocals are gorgeous, with close harmony injected in just the right places and the melody is candy sweet.
There’s a pleasant change of pace for the middle eight which is sung. Throughout this number, Colin’s expertly plucked guitar notes frame each phrase.
Build me a woman
Slinky, with a sexy intro, this song is witty with a likeable resemblance to Van Morrison’s Moondance. The guitar break is outstanding and piano lends jazziness to the proceedings. The second guitar solo is an unexpected treat, with screamingly seductive notes that are delicious. The lyrics are fun to sing along to and will have you repeating them well after hearing them; ‘Gonna make her so she’ll always be mine. She won’t go disappearing at any given time. She can push me when I’m falling behind. She’s gonna be perfect for me.’
This is possibly my favourite track!
Days beneath the Sun
A dramatic anthem style song, this has superb chord combinations, Key changes aplenty and changes of direction that keep your interest. As in all tracks on this album, the melody is delicious. The guitar solo is breathtaking, with an in sync harmony played by a second guitar.
A little love is an acoustic number, with very effective backing vocals and pretty guitar riffs keep it interesting.
The five remaining tracks have that same magical form throughout. Colin’s melody lines are memorable and each one involves a moving blend of instrumentals with lyric.
Half the story - This is a sad love song, with just the guitar at the beginning. It builds up, with instruments being added gradually to the mix.
Remedy is fast, with some fantastic guitar in it. Distortion packed riffs and hooks behind Colin’s vocals are particularly nice.
The piano in Where it started is lovely and although it’s quite a simple number, it’s really quite special, with layers of vocals creating a big crescendo.
Blot on the Landscape is a plucked song that would remind me a little of a Nancy Griffith piece. Colin’s vocals are really brought to the fore here, along with his unique ability to make his guitar sing.
The last track Daisy Chains is a quirky number with a catchy, cheerful melody.
Notation is tricky, with a pretty little riff between the lines which I really like.
Colin Scallan has had lots of success to date with his work, including reaching the finals of the ’08 U.K. Song writing Competition, appearing as a guest guitarist on ‘The Podge and Rodge’ Christmas special and he was also selected for Eircom’s Independent Musician’s Nationwide Promotion ’08.
It was at the Platform 5 Oxygen battle of the bands final that I first encountered his genius and fell in love with the slinky ‘Build me a woman’ and the power of his live performance had a big effect on me.
Recorded in PAC3 Recording studios, Detroit, Michigan, finished off in his home studio in Ireland, this amazing album was conceived, designed, recorded and produced by none other than himself, with only the minimum of help. It defines his enthusiasm for experimentation and putting a bit more oomph into the singer/songwriter image.
Songs for a Sinking World
Angela Macari O’Looney
With such a vast array of competent entertainers going around at the minute, it’s rare to find one particular act that stands out from the crowd. However, as a guest at a recent gig I was captured by this singer songwriter, with seriously noticeable guitar skills and a soothing voice, along with a charming repertoire of songs.
I only heard a sample of his work that evening and decided I wanted to hear more. Colin’s debut album is well named, with its uplifting quality. Each number has a memorable melody and you can feel the devotion to his art in every note.
The cover depicts what is obviously his favourite item in the world – his guitar!
Colin’s influences are many and include some of my own favourite artists; Neil Young, Van Morrison, David Bowie, Little Jimmy Hendricks, Stevie Wonder, Cat Stevens, Paul Brady, Thin Lizzy to name but a few.
I’d begin with my favourite track if I had one. But each track is equally enjoyable.
Wake up
Acoustic intro -This is a cheerful but slow song, which has a delightfully catchy riff throughout. Melody is simple, lyrics are touching and a little hint of harmony lends interest. I notice how he uses lots of emphasis on the bass strings, which gives depth and dynamic here.
Strength in numbers
I admire the arrangement in this number. Beginning with yet another sweet acoustic riff, Colin sings the verse with just guitar accompaniment and percussion. It develops, with backing vocals performing the chorus as an alter melody behind the verse, which is powerful. This song has a beautiful melody line, building up from a simple beginning to a full orchestral sound and has clever lyrics; ‘Every time that you think you’ve got the perfect hand, you come up against more than you planned. You forgot to count strength in numbers!’
The Last Battle
A catchy electric guitar riff intro, with distortion is used in this dramatic number with a funky beat. Fabulous guitar riffs and hooks frame verse and chorus here as in most of his songs. The solo in the middle is exciting, whereby things slow down and then in it comes with screaming notes played with passion. Blasts of powerful distortion filled chords pepper this number beautifully.
Nothing around for Miles
Laid back but choppy, this pretty song has a simple chord combination, but I like it. Backing vocals are gorgeous, with close harmony injected in just the right places and the melody is candy sweet.
There’s a pleasant change of pace for the middle eight which is sung. Throughout this number, Colin’s expertly plucked guitar notes frame each phrase.
Build me a woman
Slinky, with a sexy intro, this song is witty with a likeable resemblance to Van Morrison’s Moondance. The guitar break is outstanding and piano lends jazziness to the proceedings. The second guitar solo is an unexpected treat, with screamingly seductive notes that are delicious. The lyrics are fun to sing along to and will have you repeating them well after hearing them; ‘Gonna make her so she’ll always be mine. She won’t go disappearing at any given time. She can push me when I’m falling behind. She’s gonna be perfect for me.’
This is possibly my favourite track!
Days beneath the Sun
A dramatic anthem style song, this has superb chord combinations, Key changes aplenty and changes of direction that keep your interest. As in all tracks on this album, the melody is delicious. The guitar solo is breathtaking, with an in sync harmony played by a second guitar.
A little love is an acoustic number, with very effective backing vocals and pretty guitar riffs keep it interesting.
The five remaining tracks have that same magical form throughout. Colin’s melody lines are memorable and each one involves a moving blend of instrumentals with lyric.
Half the story - This is a sad love song, with just the guitar at the beginning. It builds up, with instruments being added gradually to the mix.
Remedy is fast, with some fantastic guitar in it. Distortion packed riffs and hooks behind Colin’s vocals are particularly nice.
The piano in Where it started is lovely and although it’s quite a simple number, it’s really quite special, with layers of vocals creating a big crescendo.
Blot on the Landscape is a plucked song that would remind me a little of a Nancy Griffith piece. Colin’s vocals are really brought to the fore here, along with his unique ability to make his guitar sing.
The last track Daisy Chains is a quirky number with a catchy, cheerful melody.
Notation is tricky, with a pretty little riff between the lines which I really like.
Colin Scallan has had lots of success to date with his work, including reaching the finals of the ’08 U.K. Song writing Competition, appearing as a guest guitarist on ‘The Podge and Rodge’ Christmas special and he was also selected for Eircom’s Independent Musician’s Nationwide Promotion ’08.
It was at the Platform 5 Oxygen battle of the bands final that I first encountered his genius and fell in love with the slinky ‘Build me a woman’ and the power of his live performance had a big effect on me.
Recorded in PAC3 Recording studios, Detroit, Michigan, finished off in his home studio in Ireland, this amazing album was conceived, designed, recorded and produced by none other than himself, with only the minimum of help. It defines his enthusiasm for experimentation and putting a bit more oomph into the singer/songwriter image.
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