Niall O’Shea and the Inner City Dogs
The Twisted Pepper
20/05/11
Angela Macari O’Looney
I first heard Niall O’Shea’s music at a gig in 2010, when he was supporting Rock band Sixteen Layers. From the get go, I found his songwriting style appealing, his live performance intriguing and his guitar playing impressive.
A closer listen to his repertoire through reviewing his debut album Inner City Dogs left me in no doubt, that Niall has a certain quality which is captivating and very enjoyable.
A native of Dublin, Niall performed in a variety of bands before deciding to go solo. His musical style is described as Indie/Gospel, but he is very versatile and can wow with his guitar solos.
Therefore I was looking forward to seeing him headlining.
Shortly after my arrival in The Twisted Pepper, singer/songwriter Luke Duffy began the first set.
Luke Duffy
Luke’s first song was called Drimnagh. His chords were beautiful and the melody line of this number was pretty special too.
Devious was faster. This was a song about the break up of a love affair. Luke achieved a big sound with just his acoustic guitar.
He did one more song with a bluesy feel to it called I belong. His vocals were excellent and his set short and sweet.
The Skeptical Pets
Three great musicians took to the stage and performed the second set. This was upbeat from start to finish and the frontman from Scotland was a bit of a comedian, interacting well with the audience.
Rainbows
The guitarist played an electric mandolin styled instrument and his riffs were delightful. A harmonic sung break lifted the dynamic and the lads each contributed to the vocals greatly. They have a charm all their own and with a bit of tambourine thrown in, this folk/Country styled song had a nice ring to it.
They continued with Pearls on a String. The crowd seemed to love these lads and this laid back number was cool, with a catchy chorus.
I like Birds was next. This involves tongue in cheek lyrics and is performed by the guitarist. It’s a cheerful, choppy number. As in all their songs, harmony was close and effective.
Ordinary Man
This number was inspired by the movies. I like the chorus and charming riffs throughout.
They finished with a fast song called You can make him like you, which was by far their best number. With blasting acoustic guitars and a particularly memorable chorus where the lads sing one line in sync, this Jam type song was a great choice to take their set to a close.
Niall O’Shea
The fast moving opening track from Niall’s album, Dogs was instantly recognisable from the wonderful guitar intro. Lead filtering in here and there is appealing and bassline is busy. Backing vocals for the middle eight and the choppy alternating rhythm all add to this fab number.
Onstage with Niall were members of Inner City Dogs; Alan Behan- Lead guitar, Drums-Sean Geraghty and Bass-Stephen Ryan.
Niall’s influences include greats such as Zeppelin, Jimi Hendrix, The Beatles, The Doors, Bob Marley.
Land of Talk – The chorus in this is delectable, with explosive guitars, an outstanding lead solo and an exciting bassline.
Better Days- I love the chorus in this song. The crowd sang along with Niall. It involves a fabulous lead guitar solo with lots of note bending and a lovely harmonious refrain. Trickling guitar throughout also adds to this melodic number.
Chrissy- Jason Douglas was invited up onstage for this popular song from Niall’s album. A powerful riff intro takes you into this number which is upbeat, with a great melody line and a seriously catchy chorus, where the sax takes the entire sound right up to full blast.
There’s a soothing bit where instruments pull back, then they do a few choruses that include amazing harmony too. I’m particularly impressed with that final jazzy crescendo chord!
From Niall’s band days with Columbia, Red Horizon featured Jay on Sax again. His tenor adds to the mood. Guitars throughout are outstanding, especially a tricky lead riff that continues from the intro. Niall’s voice is so well suited to this kind of number and there are moments where splashes of harmony come in. Niall’s own guitar ability is astounding.
No Water Flows was next. Niall performs some unique chords on his acoustic for this. Melody line is wonderful, but quite complex. The sense of movement is brilliant, with lots of cymbal used. Things alternate from a choppier pace to slow down for a bit, and then lead comes in with an elaborate break that is magical. Gradually the dynamic builds up again, taking this vibrant song to a close.
Heavy Hooley Minestrone - This new number comes from the rockier side of Niall’s material. It starts off with a strut style beat, becoming more powerful and features Niall performing some awesome lead guitar. This song has lots of chops and changes in it. Chord combinations are fab and they lifted the roof with it!
Wild One (Thin Lizzy cover)
Guitars are amazing in this and also harmony. Niall totally shines on lead guitar, fingers flying across the frets. He plays left handed, but is gob smacking to watch, as his guitar comes to life. In synch riffs throughout are brilliant. Both he and Alan blow the roof off the place with their twin lead bits. His vocal ability is also proven, as he makes this great number his own.
Warm under the Sun
This number is a tad more grunge than previous ones. Guitars use distortion and the melody is really catchy, with a harmonic chorus that is brilliant. Lead guitar is fantastic, Niall doing some exciting stuff twinned with Alan’s guitar complimenting each riff with equally stunning bits. The place is up to ninety.
Crossroads was next, where Jason Douglas returned onstage. This classic style rock number is wonderful, with a busy bassline and elaborate lead throughout.
Sax lets loose with a gorgeous solo, followed by more lead, Niall playing rhythm. It all winds down to a big rolling finish.
The lads were called back for an encore and they obliged with two memorable songs. Too Long is a folky number, with acoustic chords and a cheerful chorus and has a Van Morrison ring to it.
Ever fallen in love (Buzzcocks cover)
This was a popular choice for one last blast from the lads. Niall seemed to really enjoy performing the fun number, once a favourite in the nightclubs and discos way back when!
He did a crazy solo and all guitars seemed to just go wild before the final chorus.
In this generous sized venue, Niall managed to get a full house and it turned out to be one unforgettable evening.
Monday, May 30, 2011
Thursday, May 26, 2011
Hatch Sixteen
Fox Jaw Bounty Hunters
Hatch Sixteen (Single)
Angela Macari O’Looney
Fox Jaw Bounty Hunters are a band with a unique, yet appealing style. From Limerick, this Blues/ Rock outfit had great success with their last single Thread the Needle. They also drew a lot of critical acclaim with their E.P. Congress of Oddities, so their debut album The Devil in Music, due for release this month looks like it will also be an enjoyable experience.
Band members are Ronan Mitchell-Vocals/Guitar/Keys, Morgan Nolan-Guitar/Vocals/Keys, Shane Serrano-Drums, Clarinet, Vocals and Sean O’Mahony-Bass/Vocals.
Influences include David Bowie, Ojos Rojos, Beastie Boys, The Strokes, Boss Volenti and many more. They have shared stages with names such as Ham Sandwich, Giveamanakick, Hayseed Dixie, Steriogram, Director, and Against Me! .
Hatch Sixteen
Opening up with a fast lively intro, this number involves catchy chord combinations and a memorable refrain you’ve gotta love this town. Ronan’s vocal style is perfect for this type of song, with his drawl and that hint of grit that adds to his charm.
Guitars create a big sound with rhythmic riffs here and there and Morgan’s lead particularly exciting, where he plays some wonderful bending notes.
There’s a slow down for the middle eight, where the lads sing Ahs, guitars trickle and give a sense of suspense, but then things burst back into life again with the last energy charged chorus. Guitars a-blazing, drums a-thumping, this has the sing along quality you find in most of FJBH’s music.
It’s another sample from the new album that I find refreshing, fun and really enjoyable,
A little taster before the main course, which I’m sure is going to be riveting.
Hatch Sixteen (Single)
Angela Macari O’Looney
Fox Jaw Bounty Hunters are a band with a unique, yet appealing style. From Limerick, this Blues/ Rock outfit had great success with their last single Thread the Needle. They also drew a lot of critical acclaim with their E.P. Congress of Oddities, so their debut album The Devil in Music, due for release this month looks like it will also be an enjoyable experience.
Band members are Ronan Mitchell-Vocals/Guitar/Keys, Morgan Nolan-Guitar/Vocals/Keys, Shane Serrano-Drums, Clarinet, Vocals and Sean O’Mahony-Bass/Vocals.
Influences include David Bowie, Ojos Rojos, Beastie Boys, The Strokes, Boss Volenti and many more. They have shared stages with names such as Ham Sandwich, Giveamanakick, Hayseed Dixie, Steriogram, Director, and Against Me! .
Hatch Sixteen
Opening up with a fast lively intro, this number involves catchy chord combinations and a memorable refrain you’ve gotta love this town. Ronan’s vocal style is perfect for this type of song, with his drawl and that hint of grit that adds to his charm.
Guitars create a big sound with rhythmic riffs here and there and Morgan’s lead particularly exciting, where he plays some wonderful bending notes.
There’s a slow down for the middle eight, where the lads sing Ahs, guitars trickle and give a sense of suspense, but then things burst back into life again with the last energy charged chorus. Guitars a-blazing, drums a-thumping, this has the sing along quality you find in most of FJBH’s music.
It’s another sample from the new album that I find refreshing, fun and really enjoyable,
A little taster before the main course, which I’m sure is going to be riveting.
Monday, May 23, 2011
A poem
Queenie I o
Angela Macari O’Looney
Queenie I o, she came to town. The roads and motorways all shut down.
Marksmen on rooftops, barricades galore,
Dubliners and tourists were in an uproar!
Shores were all sealed, no audience allowed.
Woe betide any maddening crowd.
Our reputation as a nation was tested
And a few got short shrift, when they protested.
There were pros and cons voiced on TV.
The media had fun and so had we.
As we watched with mixed feelings the pageantry and flair,
Her Majesty and our Mary laid wreaths here and there.
Day three she was touring the County Kildare,
Our horses to visit
At the National stud there.
Then off to a concert she and Prince Philip went.
Fashion and music, it was an event.
Day four all was calm, the Royals went to Cork.
Police still about, but roads back to work.
There seemed to be prevalent a sigh of relief.
Visit successful, even if quite brief!
Who would have imagined it, a visit from Royals?
Three cheers for her Majesty on our Emerald Isle.
We next have Obama, whose coming to tea.
Our Island is popular
As all can see.
The Queen and Prince Philip, Obama, The Pope.
In a time of recession,
It inspires us with hope.
I Quote one hi profile American(Homer Simpson); Woo hoo!
Angela Macari O’Looney
Queenie I o, she came to town. The roads and motorways all shut down.
Marksmen on rooftops, barricades galore,
Dubliners and tourists were in an uproar!
Shores were all sealed, no audience allowed.
Woe betide any maddening crowd.
Our reputation as a nation was tested
And a few got short shrift, when they protested.
There were pros and cons voiced on TV.
The media had fun and so had we.
As we watched with mixed feelings the pageantry and flair,
Her Majesty and our Mary laid wreaths here and there.
Day three she was touring the County Kildare,
Our horses to visit
At the National stud there.
Then off to a concert she and Prince Philip went.
Fashion and music, it was an event.
Day four all was calm, the Royals went to Cork.
Police still about, but roads back to work.
There seemed to be prevalent a sigh of relief.
Visit successful, even if quite brief!
Who would have imagined it, a visit from Royals?
Three cheers for her Majesty on our Emerald Isle.
We next have Obama, whose coming to tea.
Our Island is popular
As all can see.
The Queen and Prince Philip, Obama, The Pope.
In a time of recession,
It inspires us with hope.
I Quote one hi profile American(Homer Simpson); Woo hoo!
Wednesday, May 18, 2011
Sixteen Layers new single
Sixteen Layers
Transition (Single)
Sixteen Layers, together since 2006 have developed their sound and built up quite a following since their formation. They self produced their first album I am no one in 2009, which was a huge success. They spend a lot of their time travelling between Ireland and Canada, where they also have a big fanbase.
The band are currently working on their next album and if their first is anything to go on, it should prove a magical listening experience. I got a sample from the upcoming CD and there are two versions of it.
Transition (Alt Mix)
Opening up with a lead riff, that’s echoed by the second and third guitars, this fast number brings out the grunge side of Sixteen Layer’s personality. However, Niall’s powerful and passionate delivery is as brilliant as ever and the sound is musical, despite the mind blowing distortion throughout.
Closely sung harmonies and the haunting lead riff used again for the chorus, are key features that make this song so irresistible.
It’s impossible to stop yourself belting out the chorus at the top of your lungs with Niall and the lads while playing your air guitar. The use of reverb on the lead vocals creates an echoic effect that’s very distinctive.
For the second verse, the lead guitarist performs sliding notes and some exciting, hair raising stuff that has an alarming impact.
A delicious in sync break is done by all guitars, with the lead hitting some screaming notes, drums thumping away and then Niall is back with the chorus, which is blasted out with gusto.
The slower version of Transition, which is included in the Single, involves the same echoic quality in the vocals, with instruments creating a more haunting sound as opposed to the fast, grunge rock style of the first recording. Both versions are enjoyable, but this is leaning towards anthemic and doesn’t have quite the same bite!
Guitars in it are equally impressive as in the rockier version. Both leave an indelible stamp on your memory.
Superb guitars, an amazing melody line and that fab cross between classic and grunge rock, are ingredients that this band have in abundance and it’s what makes them hard to define. It’s a soupcon of Queens of the Stone Age, a slice of Thin Lizzy, Radiohead on the slower numbers, with Soundgarden and U2 thrown into the cauldron.
Members are Niall Donnelly, John Colbert, Dom Muldoon and Tim McGrath. They have played support to Paddy Casey, headlined in many gig spots around Dublin, won the Dublin leg of Bo dog Battle of the Bands in September ’07, reached number 1 on Phantom FM’s playlist with Setting Fires, had their song Torch released on the Independent’s Day ’08 album and the story just goes on.
They have an ability to keep creating and surprising that is probably why they never fail to excite their audiences. This is also why their popularity with rock lovers keeps growing, having a pied piper effect.
Transition is only a sample of what should prove to be a truly brilliant album.
Angela Macari O’Looney
Transition (Single)
Sixteen Layers, together since 2006 have developed their sound and built up quite a following since their formation. They self produced their first album I am no one in 2009, which was a huge success. They spend a lot of their time travelling between Ireland and Canada, where they also have a big fanbase.
The band are currently working on their next album and if their first is anything to go on, it should prove a magical listening experience. I got a sample from the upcoming CD and there are two versions of it.
Transition (Alt Mix)
Opening up with a lead riff, that’s echoed by the second and third guitars, this fast number brings out the grunge side of Sixteen Layer’s personality. However, Niall’s powerful and passionate delivery is as brilliant as ever and the sound is musical, despite the mind blowing distortion throughout.
Closely sung harmonies and the haunting lead riff used again for the chorus, are key features that make this song so irresistible.
It’s impossible to stop yourself belting out the chorus at the top of your lungs with Niall and the lads while playing your air guitar. The use of reverb on the lead vocals creates an echoic effect that’s very distinctive.
For the second verse, the lead guitarist performs sliding notes and some exciting, hair raising stuff that has an alarming impact.
A delicious in sync break is done by all guitars, with the lead hitting some screaming notes, drums thumping away and then Niall is back with the chorus, which is blasted out with gusto.
The slower version of Transition, which is included in the Single, involves the same echoic quality in the vocals, with instruments creating a more haunting sound as opposed to the fast, grunge rock style of the first recording. Both versions are enjoyable, but this is leaning towards anthemic and doesn’t have quite the same bite!
Guitars in it are equally impressive as in the rockier version. Both leave an indelible stamp on your memory.
Superb guitars, an amazing melody line and that fab cross between classic and grunge rock, are ingredients that this band have in abundance and it’s what makes them hard to define. It’s a soupcon of Queens of the Stone Age, a slice of Thin Lizzy, Radiohead on the slower numbers, with Soundgarden and U2 thrown into the cauldron.
Members are Niall Donnelly, John Colbert, Dom Muldoon and Tim McGrath. They have played support to Paddy Casey, headlined in many gig spots around Dublin, won the Dublin leg of Bo dog Battle of the Bands in September ’07, reached number 1 on Phantom FM’s playlist with Setting Fires, had their song Torch released on the Independent’s Day ’08 album and the story just goes on.
They have an ability to keep creating and surprising that is probably why they never fail to excite their audiences. This is also why their popularity with rock lovers keeps growing, having a pied piper effect.
Transition is only a sample of what should prove to be a truly brilliant album.
Angela Macari O’Looney
No Roller launch gig
No Roller
‘Heading for a War’ Launch gig
Crawdaddy
06/05/11
Angela Macari O’Looney
No Roller are a Dublin based Acoustic/Indie/Rock outfit consisting of five members. They started out on the live gig scene in 2008 and recorded their debut album in 2009. I had the pleasure of reviewing High Places by Narrow Roads and have particular favourites from it.
I find their general sound unique, but with a diverse combination of influences filtering through. This comes from the fact that each member puts his own style into their songs and the result is extremely effective and enjoyable!
Cocophone
Two piece act Cocophone performed the first set. With a folk/ Acoustic style, they play laid back numbers. Both sing and have excellent voices, Freya performing harmony to Fin’s vocals and then vice versa.
They started with a choppy number called Love the label. Fin sung lead vocals here, with Freya doing backing vocals. Then they continued with Glory shoes. Slow, with Freya performing lead vocals, this involves trickling acoustic guitar. It’s a very soothing song, with a soulful mood.
Hollow Tree is about the sad decline of Dublin’s Fairview Park and how it has become too dangerous to go there for a breath of fresh air, or any other innocent activity. This song is harmonic, sweet and both blend their voices beautifully for it.
After this they did Broken Radio, about Fin’s radio which was in need of repair and left on the long finger, became abandoned. It has a lively rhythm, a catchy chorus and goes down well with the punters.
Yellow Flower is moody, with a three four tempo, that builds up from trickling and sweet, to a more dynamic feel. Harmony as in all their stuff is very effective and although the lyrics are droopy and sorrowful, I enjoyed this.
Somewhere – Freya plays a tiny keyboard for this and her riffs are simply delicious. She is extremely entertaining and her style is really soothing. For a two piece, they have a very captivating sound!
On Sad Planes was the last of their set, with poignant lyrics, a sweet melody line, and harmony filtering in here and there. This was a wise choice to finish on. They got a great applause and thanked No Roller for inviting them.
No Roller
Members of No Roller are David Clarke-Vocals, Warren Solan-Lead guitar, Aaron Laidlaw-Rhythm guitar, Tom Dunne-Bass and Damien Farrell-Drums. Influences include Beatles, Dylan, Stones, Oasis, and Nirvana.
Opening up with Why You from the new album,this number involves distortion packed in sync guitars playing a choppy rhythmic riff. Warren performs splashes of lead here and there, with guitars and drums creating a solid backdrop of sound. This number is vibrant and Dave’s gritty vocals belt out the lively chorus with style.
In Provide Aaron performs a big intro, with lots of distortion. Warren adds some elaborate lead, with lots of screaming and bending notes included. There’s a powerful ascending riff in the chorus and this is performed by all three guitars. The lead solo is short and sweet. Dave’s vocals are cool and suit this song to a tee. There’s an echo effect when he sings the line And I’ll eat the poison you provide. Warren comes in again with some wonderful lead throughout the final verse. That superb ascending riff comes in again for the chorus.
Rented Room is a strut style song, with a slinky riff intro that leads you into the verse, continuing throughout most of the number. Bassline is impressive here, as are drums with lots of seductive cymbal and snare creating an enticing, sexy mood. Warren lets loose on lead guitar and woos the audience with amazing slides and rippling notes.
Ocean, which was released as a single was next. I love this song and it proved to be popular with other members of the audience. Dave totally draws you in with this slow number, which has a romantic quality. Guitars are trickling, with a delightful riff that continues throughout.
Dave hits higher notes, going up to a falsetto despite his husky, gritty voice. The melody is beautiful and I like the middle eight where Dave sings Skimming on the Ocean, with no emotion. You’re skimming on the Ocean, give me devotion. This is then performed as a refrain sung by Aaron and Tom, while he sings the chorus again.
Tom announces that Dave is celebrating the birth of his son and he gets a big applause. A fast and lively song begins called The Heavens open. Aaron plays acoustic for this, Warren giving it loads on lead. Chord combos and riffs are fab here and there’s a great sense of movement throughout. Bassline is busy, Tom making sure to remind us he’s around.
Therapy is next and involves superb guitars and a beautifully placed key change. It’s a rhythmic number that’s choppy and cheerful. There’s a slow down for the middle eight and then it picks up again. Dave oozes style and has a distinctive delivery that’s a cross between The Boss and Dylan. However, he is definitely a key feature in the overall No Roller sound!
Heading for a War
The title track from their new album, this interesting song involves poignant lyrics and a dramatic pullback of sound for the few bars after Dave sings We could be heading for a war.
It has a lot going on in it and the melody line gives a sense of despair. Warren’s lead solo is really special.
Apple Tree, a slow love song was next. Warren features doing a superb solo. The melody line is sweet and Dave’s vocals delectable. There’s an interesting change of tempo midway through that I enjoy.
Have you ever seen the Rain (Creedence Cover)
This was a great choice for a cover and when it’s done well, is fun to sing along to. No Roller definitely did it justice!
Blood of the Sun was next, with each member of the band letting loose. The beat alternates, and bass is amazing. Aaron is back on his electric for this fast, powerful song. Lead is show stopping, with Warren playing as if his life depended on it. For the chorus it becomes a dramatic rock anthem, but soon they return to the faster pace. Distortion is used to great affect and I get the impression each of the lads gets to blow off a lot of steam for this one!
Tom Dunne the bass player performed Grow your own, while Dave played guitar. It’s an upbeat number with cool oohs sung in refrain.
End of the Road has a wonderful riff intro that is repeated during the song. It’s slow and soulful, but really memorable.
They finished up with You and Me, where Dave’s vocal range really shone. This fast moving number from the band’s first album was a great finale. Everyone sang the oohs with Dave in the chorus. Warren’s riffs were fab. I like when everything pulls back and you just hear the bass for a bit. Then Dave comes in with I can’t fall asleep to the sound of your drum, gradually building the dynamic until he’s almost screaming it out. Aaron’s rhythm guitar features big time in this last number.
It was a long, but brilliant set. They got an encore and unfortunately time had run out for them. It did have the advantage of leaving the fans wanting more and will make us come to another gig!
‘Heading for a War’ Launch gig
Crawdaddy
06/05/11
Angela Macari O’Looney
No Roller are a Dublin based Acoustic/Indie/Rock outfit consisting of five members. They started out on the live gig scene in 2008 and recorded their debut album in 2009. I had the pleasure of reviewing High Places by Narrow Roads and have particular favourites from it.
I find their general sound unique, but with a diverse combination of influences filtering through. This comes from the fact that each member puts his own style into their songs and the result is extremely effective and enjoyable!
Cocophone
Two piece act Cocophone performed the first set. With a folk/ Acoustic style, they play laid back numbers. Both sing and have excellent voices, Freya performing harmony to Fin’s vocals and then vice versa.
They started with a choppy number called Love the label. Fin sung lead vocals here, with Freya doing backing vocals. Then they continued with Glory shoes. Slow, with Freya performing lead vocals, this involves trickling acoustic guitar. It’s a very soothing song, with a soulful mood.
Hollow Tree is about the sad decline of Dublin’s Fairview Park and how it has become too dangerous to go there for a breath of fresh air, or any other innocent activity. This song is harmonic, sweet and both blend their voices beautifully for it.
After this they did Broken Radio, about Fin’s radio which was in need of repair and left on the long finger, became abandoned. It has a lively rhythm, a catchy chorus and goes down well with the punters.
Yellow Flower is moody, with a three four tempo, that builds up from trickling and sweet, to a more dynamic feel. Harmony as in all their stuff is very effective and although the lyrics are droopy and sorrowful, I enjoyed this.
Somewhere – Freya plays a tiny keyboard for this and her riffs are simply delicious. She is extremely entertaining and her style is really soothing. For a two piece, they have a very captivating sound!
On Sad Planes was the last of their set, with poignant lyrics, a sweet melody line, and harmony filtering in here and there. This was a wise choice to finish on. They got a great applause and thanked No Roller for inviting them.
No Roller
Members of No Roller are David Clarke-Vocals, Warren Solan-Lead guitar, Aaron Laidlaw-Rhythm guitar, Tom Dunne-Bass and Damien Farrell-Drums. Influences include Beatles, Dylan, Stones, Oasis, and Nirvana.
Opening up with Why You from the new album,this number involves distortion packed in sync guitars playing a choppy rhythmic riff. Warren performs splashes of lead here and there, with guitars and drums creating a solid backdrop of sound. This number is vibrant and Dave’s gritty vocals belt out the lively chorus with style.
In Provide Aaron performs a big intro, with lots of distortion. Warren adds some elaborate lead, with lots of screaming and bending notes included. There’s a powerful ascending riff in the chorus and this is performed by all three guitars. The lead solo is short and sweet. Dave’s vocals are cool and suit this song to a tee. There’s an echo effect when he sings the line And I’ll eat the poison you provide. Warren comes in again with some wonderful lead throughout the final verse. That superb ascending riff comes in again for the chorus.
Rented Room is a strut style song, with a slinky riff intro that leads you into the verse, continuing throughout most of the number. Bassline is impressive here, as are drums with lots of seductive cymbal and snare creating an enticing, sexy mood. Warren lets loose on lead guitar and woos the audience with amazing slides and rippling notes.
Ocean, which was released as a single was next. I love this song and it proved to be popular with other members of the audience. Dave totally draws you in with this slow number, which has a romantic quality. Guitars are trickling, with a delightful riff that continues throughout.
Dave hits higher notes, going up to a falsetto despite his husky, gritty voice. The melody is beautiful and I like the middle eight where Dave sings Skimming on the Ocean, with no emotion. You’re skimming on the Ocean, give me devotion. This is then performed as a refrain sung by Aaron and Tom, while he sings the chorus again.
Tom announces that Dave is celebrating the birth of his son and he gets a big applause. A fast and lively song begins called The Heavens open. Aaron plays acoustic for this, Warren giving it loads on lead. Chord combos and riffs are fab here and there’s a great sense of movement throughout. Bassline is busy, Tom making sure to remind us he’s around.
Therapy is next and involves superb guitars and a beautifully placed key change. It’s a rhythmic number that’s choppy and cheerful. There’s a slow down for the middle eight and then it picks up again. Dave oozes style and has a distinctive delivery that’s a cross between The Boss and Dylan. However, he is definitely a key feature in the overall No Roller sound!
Heading for a War
The title track from their new album, this interesting song involves poignant lyrics and a dramatic pullback of sound for the few bars after Dave sings We could be heading for a war.
It has a lot going on in it and the melody line gives a sense of despair. Warren’s lead solo is really special.
Apple Tree, a slow love song was next. Warren features doing a superb solo. The melody line is sweet and Dave’s vocals delectable. There’s an interesting change of tempo midway through that I enjoy.
Have you ever seen the Rain (Creedence Cover)
This was a great choice for a cover and when it’s done well, is fun to sing along to. No Roller definitely did it justice!
Blood of the Sun was next, with each member of the band letting loose. The beat alternates, and bass is amazing. Aaron is back on his electric for this fast, powerful song. Lead is show stopping, with Warren playing as if his life depended on it. For the chorus it becomes a dramatic rock anthem, but soon they return to the faster pace. Distortion is used to great affect and I get the impression each of the lads gets to blow off a lot of steam for this one!
Tom Dunne the bass player performed Grow your own, while Dave played guitar. It’s an upbeat number with cool oohs sung in refrain.
End of the Road has a wonderful riff intro that is repeated during the song. It’s slow and soulful, but really memorable.
They finished up with You and Me, where Dave’s vocal range really shone. This fast moving number from the band’s first album was a great finale. Everyone sang the oohs with Dave in the chorus. Warren’s riffs were fab. I like when everything pulls back and you just hear the bass for a bit. Then Dave comes in with I can’t fall asleep to the sound of your drum, gradually building the dynamic until he’s almost screaming it out. Aaron’s rhythm guitar features big time in this last number.
It was a long, but brilliant set. They got an encore and unfortunately time had run out for them. It did have the advantage of leaving the fans wanting more and will make us come to another gig!
Wednesday, May 11, 2011
Sweeney Mongrel's Dimestore gig, King Modo, 29th April
King Modo
Sweeney Mongrel’s
29/04/11
Angela Macari O’Looney
This unique band asked me to review their self named album earlier this year and I found it fascinating and thoroughly enjoyable. So on hearing they were performing a set during a gig organised by Dimestore records down in Sweeney’s, I ventured in.
Their sound is Jam/Experimental/Alternative and involves exciting harmonies. Influences include Zeppelin, Steely Dan, Dave Mathews band, Crosby Stills and Nash. Band Members are Paul Keogh (Vox/Guitar), Karl Murphy (Keys/Vox), Mark Dempsey (Bass), Jon Barrett (Lead guitar) and Lenny Cahill (Drums).
I arrived at midnight and there was an enormous crowd there and the party was in full swing for certain. The upstairs venue fills up pretty quickly and I found it a little uncomfortable in that the stage is right beside the staircase, where folk are entering or exiting. It caused a bit of distraction during the band’s performance. So that would put me off the venue itself. However, I was here for King Modo and wasn’t at all disappointed with the huge sound they provided and loved hearing their songs live, which in my opinion was an even better experience than on CD!
Their first number We had a vibrant chorus, where harmony is amazing. Twin riffs on bass and lead are impressive and Lenny does lots of exciting drum rolls to lift the dynamic.
I recognised Up in Arms from its weird discords, funky intro and unusual tempo. This song totally captures the imagination,Paul performing the superb lead vocals with his clear vocal style. All guitars get a chance to shine here, with Jon doing delicious lead and also in sync stuff with Paul and Mark. Even the close harmonies make up strange, but addictive chords. The acoustic guitar which Paul performs creates wonderful rhythm and along with Karl’s elaborate riffs and notation on Keys, it’s a plethora of explosive, yet heady music!
Those jazzy chords and the choppy rhythm for All You May Say stirred up adrenaline in me. It touches a nerve listening to Paul’s voice lilt and twist as he sings this. The piano is totally awe inspiring throughout this whole piece. The chorus involves very effective harmony, delicious chords and memorable riffs throughout. The entire experience is a delight to the senses.
Sentimental Nigel happens to be a favourite of mine. So I was over the moon when I heard Paul introduce it. He introduced each member of the now larger band that King Modo has become. I love the complex intro. It has this astounding notation that’s played on Keyboards, surrounded by riveting guitars and a subtle key change in the actual intro. I especially found the bass line exciting here. Mark’s white bass has a gorgeous tone and sounds as show stopping as it looks!
There’s a refrain in this that I love; You don’t want to be like Sentimental Nigel.
Paul is accompanied by lots of dramatic Ahs for this number, which has a great impact on the audience with its enormous crescendo at the end.
Paul explained how this was the lads’ first appearance as a five piece and how special this gig was to them.
They continued with Die and Dance, starting off with an in sync riff done by all instruments that’s continued throughout the verse. This number has some interesting changes of tempo, where Paul sings the words Unfolds a new beginning and you suddenly hear the change to a staccato chorus with stark, dramatic notes in it. Equally guitars, percussion and rhythm take on this startling feeling. Very inspiring stuff!
The Big Man was next and has a crazy intro where there’s a pause in the proceedings, and then Paul launches into the verse. Poignant chords match the lyrics here in this slower number. I like the sentiment in the line Everybody’s screaming, but nobody’s listening. Chords and harmonies are once again magical!
We
Jon’s opening lead in this is superb. It’s such a delicious song; it was welcomed for the second time in one night with the same sense of anticipation and wonder. Bass is also fabulous, with lots of distortion and a rock mood in the intro. But then things suddenly burst into a tuneful and harmonious chorus. I love this number for it’s soothing beat, unforgettable melody and that refrain that is sung like a heavenly choir We are, we are not alone. We are, we are one.
It has a blasted out, explosive finish with all guitars giving it loads. What a great finale!
It was a brilliant set and I was glad to finally get a taste of this extremely talented bunch of guys, with their rare and hypnotic sound. I look forward to their next project and will be watching and listening closely!
Sweeney Mongrel’s
29/04/11
Angela Macari O’Looney
This unique band asked me to review their self named album earlier this year and I found it fascinating and thoroughly enjoyable. So on hearing they were performing a set during a gig organised by Dimestore records down in Sweeney’s, I ventured in.
Their sound is Jam/Experimental/Alternative and involves exciting harmonies. Influences include Zeppelin, Steely Dan, Dave Mathews band, Crosby Stills and Nash. Band Members are Paul Keogh (Vox/Guitar), Karl Murphy (Keys/Vox), Mark Dempsey (Bass), Jon Barrett (Lead guitar) and Lenny Cahill (Drums).
I arrived at midnight and there was an enormous crowd there and the party was in full swing for certain. The upstairs venue fills up pretty quickly and I found it a little uncomfortable in that the stage is right beside the staircase, where folk are entering or exiting. It caused a bit of distraction during the band’s performance. So that would put me off the venue itself. However, I was here for King Modo and wasn’t at all disappointed with the huge sound they provided and loved hearing their songs live, which in my opinion was an even better experience than on CD!
Their first number We had a vibrant chorus, where harmony is amazing. Twin riffs on bass and lead are impressive and Lenny does lots of exciting drum rolls to lift the dynamic.
I recognised Up in Arms from its weird discords, funky intro and unusual tempo. This song totally captures the imagination,Paul performing the superb lead vocals with his clear vocal style. All guitars get a chance to shine here, with Jon doing delicious lead and also in sync stuff with Paul and Mark. Even the close harmonies make up strange, but addictive chords. The acoustic guitar which Paul performs creates wonderful rhythm and along with Karl’s elaborate riffs and notation on Keys, it’s a plethora of explosive, yet heady music!
Those jazzy chords and the choppy rhythm for All You May Say stirred up adrenaline in me. It touches a nerve listening to Paul’s voice lilt and twist as he sings this. The piano is totally awe inspiring throughout this whole piece. The chorus involves very effective harmony, delicious chords and memorable riffs throughout. The entire experience is a delight to the senses.
Sentimental Nigel happens to be a favourite of mine. So I was over the moon when I heard Paul introduce it. He introduced each member of the now larger band that King Modo has become. I love the complex intro. It has this astounding notation that’s played on Keyboards, surrounded by riveting guitars and a subtle key change in the actual intro. I especially found the bass line exciting here. Mark’s white bass has a gorgeous tone and sounds as show stopping as it looks!
There’s a refrain in this that I love; You don’t want to be like Sentimental Nigel.
Paul is accompanied by lots of dramatic Ahs for this number, which has a great impact on the audience with its enormous crescendo at the end.
Paul explained how this was the lads’ first appearance as a five piece and how special this gig was to them.
They continued with Die and Dance, starting off with an in sync riff done by all instruments that’s continued throughout the verse. This number has some interesting changes of tempo, where Paul sings the words Unfolds a new beginning and you suddenly hear the change to a staccato chorus with stark, dramatic notes in it. Equally guitars, percussion and rhythm take on this startling feeling. Very inspiring stuff!
The Big Man was next and has a crazy intro where there’s a pause in the proceedings, and then Paul launches into the verse. Poignant chords match the lyrics here in this slower number. I like the sentiment in the line Everybody’s screaming, but nobody’s listening. Chords and harmonies are once again magical!
We
Jon’s opening lead in this is superb. It’s such a delicious song; it was welcomed for the second time in one night with the same sense of anticipation and wonder. Bass is also fabulous, with lots of distortion and a rock mood in the intro. But then things suddenly burst into a tuneful and harmonious chorus. I love this number for it’s soothing beat, unforgettable melody and that refrain that is sung like a heavenly choir We are, we are not alone. We are, we are one.
It has a blasted out, explosive finish with all guitars giving it loads. What a great finale!
It was a brilliant set and I was glad to finally get a taste of this extremely talented bunch of guys, with their rare and hypnotic sound. I look forward to their next project and will be watching and listening closely!
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