Sunday, April 15, 2012

Knots EP Review

Knots Now on the Stage

Angela Macari O’Looney

Released in March, this EP is a taste of the explosive sound from Knots. Big anthemic choruses blasted out, superb guitar riffs plus well thought out lyrics and melody lines, are what I hear from start to finish!

The lead singer has a vocal style that’s perfect for each number; dramatic for Shy which is a vibrant love song, with delectable piano and amazing chords, or alternating from soft vocals to powerhouse on Waiting Still. I like the rhythm in this particular song and distortion packed riffs throughout. Backing vocals lend to the crescendo for the last chorus. Dynamic changes in this song too, from laid back right up to an energetic and intoxicating rush of volume!

This band remind me of Choice Music Award finalists CODES, with their bashing chords, memorable melodies and exciting build ups to fab choruses.

They do a disco style guitar intro for Falling, moving to a fast beat. I find the melody here almost creates the impression of somebody falling. Chord combos are wonderful and the Guitar solo is sweet, following on with excellent riffs for the memorable chorus.

Home is a soothing number, with acoustic guitar chords for the verse. Piano comes in gradually, as things develop. And I feel like letting go, and I feel like letting you know that I want it, I need it, I said that I’d be there to show you the way back home. This is sung with passion and the guitar chords are vibrant to match the eager sentiment in the lyrics.

Knots are Dublin based and formed in January 2012. Taking influences from acts such as Pearl Jam, U2 and Jeff Buckley, they have created their own hybrid of Indie/Alt/Rock and it works well. Members are Botham – Vocals/Guitar, Eddie – Drums and Ciaran – Bass.

Tuesday, April 10, 2012

The Barley Mob charity Fundraiser 25/03/12

The Barley Mob Musical Youth Foundation gig Twisted Pepper 25/ 03/ 12

Angela Macari O’Looney

This fundraiser, hosted by popular band The Barley Mob, caught my attention since it involved some acts I have seen before and really enjoy.

The first set was performed by a trio of talented girls, Wyvern lingo. Karen Cowley-Piano/Vocals, Saoirse Duane-Guitar/Vocals and Caoimhe Barry-Percussion/Vocals, recently released their debut EP and played a wonderful selection of songs. Wyvern Lingo hail from Bray and have been together since 2006.

Hebert Park This number from the EP involves trickling acoustic guitar, close harmony and a sweet melody line. Piano comes in adding depth and the lyrics are descriptive. Each girl gets to demonstrate her vocal ability and yet they blend very well together. A fabulous refrain where they layer the harmony, gradually increasing the dynamic is very effective.

Echoes Choppy, featuring superb piano and busy percussion! This number is complex. It has a KT Tunstall vibe to it. Vocals are excellent once again. An echo style refrain is used for the chorus and the melody line is quite haunting.

The girls continued with In the Shadows, Witch Hazel, Fairy tale, Bravery, Wicklow Knows and Fools. Harmonies were seamless throughout the set and they each proved to be amazing musicians and strong vocalists.

King Modo

Lenny Cahill, Paul Keogh, Jon Barrett and Alan Heffernan are the members of King Modo. They hail from Kildare and Newbridge and are currently working on their second album. They have a unique style and influences range from Joni Mitchell to Led Zeppelin. The lads began their set with a number from their first self titled album, which proved a huge success and had airplay on Nova and RTE Radio 1. All you may say Bass fab, amazing chords and a vibrancy that is irresistible! Lead Vocals are performed by Paul, who also plays guitar, while Lenny sings backing vocals. It’s deep, with the melody line complex. Love the chorus in this number and piano is wonderful. Also the harmony that is injected throughout is very effective.

Sentimental Nigel is yet another song from their first album which I enjoy. This involves elaborate lead guitar and unusual rhythm. The verse is spoken. Then the crescendo style chorus is really dynamic. Dramatic staccato guitar chords come in for the second half of this song and backing vocals are powerful. Further along they completely alter the beat and sing a refrain You don’t want to be like Sentimental Nigel. I love this part with the lads singing a big Ah refrain in the background.

We features the vocal power of the band to great advantage and lyrics have a strange schizophrenic mood. Guitars perform an in sync break.

Among the remainder of King Modo’s set was Die and Dance. This is a brilliant piece with loads going on in it, including some wonderful in sync riffs done with bass and guitar. It builds up to a bashing crescendo of instruments and the vocals are equally impressive. Each of their songs has a certain startling quality that draws you in.

Just here is a newer song from their repertoire. This is interesting, with excellent riffs on guitar. All guitars add exciting bits to the overall sound and all the lads contribute harmony. Day and Age is a complex number and harmonies are seamless. Stop start guitar and fab in sync riffs are spectacular. Bass features here and it’s a good number to finish on. The new album should be a great addition to any collection.

King Modo are a force to be reckoned with and I’m always delighted to have the chance to see them again!

Mob Fandango

Fronted by four main vocalists, this ten piece band creates a huge sound. Hailing from the Music Department of N.U.I. Maynooth, they specialize in upbeat, dance-friendly music. I absolutely loved their set and look forward to listening to their newly launched EP Dig.

Mob Fandango include Trumpet, Sax, Trombone, Flute, Drums, Bass/Lead guitars and this evening they had a wonderful lady playing keyboards. Each member seems to thoroughly enjoy playing and this inspired a cheerful atmosphere. They did some beautifully harmonious choruses and perfectly synchronized instrumentals.

Members are Keith Sutherland, Conor Doherty, Jim Clarke, Karen Abe, Keith Fennell, Ken McCabe, Liam Duffy, Louise Gaffney, Michael Quinn, Danny Groenland.

Keith Fennell, who does lead vocals for most of the songs, has a fantastic range. However, the close harmonies with all those voices are unbelievable.

They did a Cover of D’Angelo’s Feel like making love. I vaguely remember hearing George Benson perform this number too way back. With their excellent brass section, this version sounded just right for Mob Fandango.

Their repertoire also includes some R&B and Soul style numbers, all really funky and complex, but wonderful just the same.

She might be Crazy was a favourite for me. Dig is explosive, with an exciting beat. Guitars do amazing riffs and also the brass section totally come alive for Dance Floor.

Funk epidemic involves flange laden guitars, outstanding vocals and blasts of brass that blow me away!

They did a few more originals such as Fat Cats, Primates and A lil Soul.

This band are awe inspiring and with so many members, can still maintain fabulous unity and polish for their entire performance.

Fox E. And the Good hands

This band are unforgettable and the lead singer has a shocking, but addictive quality to her style and cocky personality. Vibrant and totally seductive, Eimear’s vocals are powerful and her command of the audience is fun to watch, as she sings the sexy lines from I like it Curvy!

From Kildare, this Rap/Funk/ Soul six part act opened the Hotpress stage of Oxygen 2011. Between the male rap bits, Eimear’s fab stage presence and the funky guitars throughout, their set is outrageous and imaginative, forcing the punters to move to the sexy beat!

All songs are witty too and some of the guitar riffs are totally delicious.

Band members are Eimear Fox, Barry O’Farrell, Paula Size, Gordon Dunning, Philip Donnery and Dave Mc Donald.

Good Hands, Please me, John Player Blues, No Diggity, Unfortunately, Sourlafunkalicious, I like it Curvy, Get Up and do it, Hypnotised were only some of their set.

Please me is fast, with a Disco/latino style beat and melody line. Eimear sings the alluring lyrics Do you like it when I bend over/ Do you like it when I call your name. There’s an elaborate guitar solo that is wonderful in this number and lends to the hot lyrics.

I think one of my favourites from the set was Unfortunately, which involved amazing guitars and equally amazing vocals.

John Player Blues has brilliant lyrics and as in each song, it comprises superb guitar and backing vocals, which add spice to Eimear’s pouring out of the blues.

I hear a measure of Adele’s gutsy vocal style in Eimear and her punchy quality has been compared to colourful acts such as Blondie and Imelda May. I saw Pink at the 02, and that’s who I think of on watching her perform. She puts such passion into her performance and I found her band captivating from start to finish without a doubt!

The Barley Mob

Formed in 2010 by Singer/Songwriter Adam Daly, this band from Kildare have a Reggae/Soul style that is uplifting. They have come a long way since they first came on the music scene!

They have featured in many music festivals, appeared on The Zodiac Sessions, The Ruby Sessions, plus a number of festivals and high profile Venues. Involved in many charity incentives, The Mob are major representatives for The Musical Youth Foundation (a charity aiming to provide a future for under privileged kids, ensuring for them an education and musical instruments.) Members are Adam Daly-Lead Vocals, Neil Butler-Drums, John Heraghty- Bass, Andy Moore-Lead guitar/Vocals, Conor Byrne-Keys/Vocals, Barry Kett-Horn/Flute Sean Be.

The lads performed a top class set which included favourites from their repertoire including Clarity, Nothing in the World, World Today, Some men Say, We go the Distance, Medicine Man, Seven Brothers, Never be lost(When you’ve got music), Everybody’s music, Stand up, Rise Up, Big Up.

Two of these songs have been released as singles, and they also released a five track EP, selling 500 copies at Electric Picnic 2010, for The Musical Youth foundation. Even to non lovers of Reggae, the lads have a really inspiring sound and their songs are memorable.

Everybody’s music

This bouncy number has trickling banjo notes throughout, a catchy melody line and optimistic lyrics. We must learn to teach our young to run until the race is won. Lead solo is brilliant and slider is used for some of the lingering notes. Adam’s delivery is full of charisma.

Never be lost (When you’ve got the music) has a great guitar riff and a wonderful choppy beat. The chorus is cool too and trumpet adds to the mood later on in the song. I love the sentiment in the lyrics I remember what you said, because you said it better than anybody said, you’ll never be lost when you’ve got music. There are short but beautiful guitar solos throughout this number. Some men Say has some lovely electric guitar riffs and is a feel good song.

We go the Distance

Probably my favourite Barley Mob number, this one is really encouraging in a time like now, when it seems us Irish folk are under pressure. The lyrics address the strength of the Irish spirit and how when the chips are down, as a nation we always come out fighting, and somehow get through! Guitars are spectacular in this, especially Andy Moore’s lead solo. Adam charms with his smooth delivery of that laid back reggae style chorus. The sweet riff throughout has to be that magical draw to the listener, and matches the soothing words They’re never gonna knock us down. We go the distance.

Stand up, Rise up, Big up is a fast moving number, with a chorus you have to sing along with. Andy does harmony and the guitars and rhythm are fab here.

Each of The Barley Mob’s songs expresses a feeling I can hear coming through in both their own music, and their need to reach out to others and spread a special energy that is quite unique.

I congratulate them and all the bands that worked so hard to make this gig happen!