There was a time
The Jigsaw Jam
Angela Macari O’Looney
Dublin Folk/Trad/Country band The Jigsaw Jam have recently finished this enjoyable EP.
It’s a soothing combination of styles, with well blended vocals throughout each track.
Band members are Shane Davis – Vocals/Guitar, Grainne Noone – Fiddle/ Ukelele, Caroline O’Sullivan – Piano, Brenda Weir – Vocals/ Low Whistle and Aidan Smyth-Bass/Mandolin.
With a gently trickling acoustic guitar intro, Rosalee is performed by both Brenda and Shane, with sweet harmony lending volume. It begins slow but speeds up, with piano and fiddle gradually joining to build up to a pleasant crescendo of sound!
Catchy riffs and hooks are excellent on both keys and strings in this upbeat number which is truly captivating.
Rosebush is another wonderfully fast moving song. In the chorus, Brenda’s backing harmony echoes each line Shane sings. They blend their vocals for a catchy refrain.
Caroline’s piano features with big chords and wonderful riffs throughout the entire song, as do Grainne’s on fiddle. There’s a hustle and bustle feel to this number and the happy reel that brings it together is so cheerful, reflecting the lyrics; I own a Rose, I own an apple tree, I own a Rose, neat trimmed when it needs to be. It addresses how when the pressure is on, there are always things you can make happen, by just doing small tasks; Don’t you hate when people criticise, when your just livin’ from one day to the next? Aidan’s bass line frames this and each track beautifully. He also features on this number playing mandolin.
Those days is a softly sung number, with superb instrumental input. Bass lends depth to the scene, and memorable riffs and hooks on fiddle and acoustic guitar add to the mood.
Bedroom Light is a fun song and is done in duet style, reminding me a little of the type of songs The Beautiful South often produced. Light female vocals are offset perfectly by the deeper male tones and with the catchy melody line, you have a delicious combination!
It’s a love song, but with a humorous twist. There’s a fab choppy beat to it. Caroline’s Piano solo is very appealing and guitars and Ukulele also give it the perfect backdrop!
My favourite number on this EP has to be Winter Bones. It’s a three four country waltz, with a delightfully soothing melody line and mood. Brenda Weir features on this track both singing harmony and also on Low Whistle.
Fiddle is magical, as are the trickling piano riffs. Harmony is close for the chorus, as Shane’s delivery is emotional and the romantic lyrics gently unfurl.
I picture a cottage, candle light throwing flickering shapes on the window pane and when you look in, a couple are dancing. Dance with me tonight/ Flicker on, flicker on like a train at night.
The Jigsaw Jam got together in 2011, with their number gradually increasing until they found the sound they wanted.
The result is refreshing and exciting. They have had great success to date with promoting their EP, having had airplay on the Ian Dempsey Breakfast show, RTE’s 2XM in colour show, and recently the band were interviewed on Radio na Life and Shannonside FM.
Sunday, October 14, 2012
Pink Balloons
Pink Balloons
By Angela Macari O’Looney
There is nothing as encouraging to make me get out and walk five kilometres on an autumn morning, as a cheerful group of People, the majority being women, gathered together for a common cause.
I arrived at the Pheonix Park having been driven there by my husband, and after ten to fifteen minutes walking along an enormous avenue, realised I must be going the wrong way.
A car stopped and a woman opened the window to ask did I know where the Marie Keating foundation Walk 4 Life event was taking place. I explained I was going there too, but was told it was only fifteen minutes from the Park Gates.
She asked would I like a lift, so I jumped into the already crowded Micra and we headed on.
Not much further, we discovered where all the action was. I was in plenty of time to register for my t-shirt. Joining a queue, I noticed everyone holding pink balloons and asked what they were for. A gentleman handing them out told me you took a balloon, wrote a name or names of loved ones who had died or were affected by Cancer, to be later released into the air in a gesture to honour their memory.
I put my t-shirt over the top I was wearing and wrote my sisters name ‘Rose’on the pink balloon. She is only one of many people I knew who lost the fight, however, I felt it to be a lovely idea that when the walk was declared officially open by the Lord Mayor of Dublin, we each had to do a count down and then let the balloons go.
My favourite radio station Q102 was there to mark the event and play lots of upbeat music. Also, The Lucan Gospel Choir performed some amazing songs from their repertoire to get the Walk 4 Life into full swing.
There was a fantastic buzz in the air and it was fun observing the vast variety of people, who were there to walk the 5k. This included families, groups of women, girls on their own like me and even the odd person walking their mutt, who was also dressed in his/her Walk for Life outfit! Balloons hung from buggies with babies in them and I just loved being there and being a part of it all!
A little after 10.30a.m., the Lord Mayor blew on a hunt style horn and there was a countdown of five, four, three, two one. We all let go our balloons and just like in the 99 Red Balloon song, hundreds of Pink balloons rose up into the Grey blue Dublin sky, like a mass of pink angels, disappearing over the tops of the trees. We set off from the start point and I felt a tiny pull on my heart strings as I watched my balloon fade with the others. Although I had come to the event alone, I found myself chatting with other people throughout the morning.
The beautiful scenery took my breath away and I felt alive. It got a little difficult after the second kilometre. However, water was available at stations along the route and it wasn’t long before the finish came into sight and with it, the sound of Q102 playing suitable music for a celebration.
I asked a girl from the radio station if I could get Rose’s favourite song played later that day. Usually they don’t take requests from their on-location kiosks. However, she asked me to write the details and she’d see what she could do.
I asked for my late sister’s favourite song which is Anne Murray’s ‘You needed me’. She promised it would be played after 1p.m. that afternoon.
It was a nice finale to a brilliant morning, and I got a goody bag full of Go Ahead biscuits and other treats from the sponsors of the Walk 4 Life.
It was my first time taking part, but definitely won’t be my last!
By Angela Macari O’Looney
There is nothing as encouraging to make me get out and walk five kilometres on an autumn morning, as a cheerful group of People, the majority being women, gathered together for a common cause.
I arrived at the Pheonix Park having been driven there by my husband, and after ten to fifteen minutes walking along an enormous avenue, realised I must be going the wrong way.
A car stopped and a woman opened the window to ask did I know where the Marie Keating foundation Walk 4 Life event was taking place. I explained I was going there too, but was told it was only fifteen minutes from the Park Gates.
She asked would I like a lift, so I jumped into the already crowded Micra and we headed on.
Not much further, we discovered where all the action was. I was in plenty of time to register for my t-shirt. Joining a queue, I noticed everyone holding pink balloons and asked what they were for. A gentleman handing them out told me you took a balloon, wrote a name or names of loved ones who had died or were affected by Cancer, to be later released into the air in a gesture to honour their memory.
I put my t-shirt over the top I was wearing and wrote my sisters name ‘Rose’on the pink balloon. She is only one of many people I knew who lost the fight, however, I felt it to be a lovely idea that when the walk was declared officially open by the Lord Mayor of Dublin, we each had to do a count down and then let the balloons go.
My favourite radio station Q102 was there to mark the event and play lots of upbeat music. Also, The Lucan Gospel Choir performed some amazing songs from their repertoire to get the Walk 4 Life into full swing.
There was a fantastic buzz in the air and it was fun observing the vast variety of people, who were there to walk the 5k. This included families, groups of women, girls on their own like me and even the odd person walking their mutt, who was also dressed in his/her Walk for Life outfit! Balloons hung from buggies with babies in them and I just loved being there and being a part of it all!
A little after 10.30a.m., the Lord Mayor blew on a hunt style horn and there was a countdown of five, four, three, two one. We all let go our balloons and just like in the 99 Red Balloon song, hundreds of Pink balloons rose up into the Grey blue Dublin sky, like a mass of pink angels, disappearing over the tops of the trees. We set off from the start point and I felt a tiny pull on my heart strings as I watched my balloon fade with the others. Although I had come to the event alone, I found myself chatting with other people throughout the morning.
The beautiful scenery took my breath away and I felt alive. It got a little difficult after the second kilometre. However, water was available at stations along the route and it wasn’t long before the finish came into sight and with it, the sound of Q102 playing suitable music for a celebration.
I asked a girl from the radio station if I could get Rose’s favourite song played later that day. Usually they don’t take requests from their on-location kiosks. However, she asked me to write the details and she’d see what she could do.
I asked for my late sister’s favourite song which is Anne Murray’s ‘You needed me’. She promised it would be played after 1p.m. that afternoon.
It was a nice finale to a brilliant morning, and I got a goody bag full of Go Ahead biscuits and other treats from the sponsors of the Walk 4 Life.
It was my first time taking part, but definitely won’t be my last!
Wednesday, May 2, 2012
Dream Aria
Dream Aria
Fallen Angel
Angela Macari O’Looney
Dream Aria are an interesting band who hail from Toronto, Canada. They play a Cocktail of Progressive Rock, Goth, Metal, and Classical music.
Members are Ann Burstyn –Vocals, Don Stagg – Keys, Garry Flint – Drums/ Engineer and Jon Casselman – Bass.
Fallen Angel is a crazy number which involves thundering guitars and complex harmonics. Distortion packed riffs and a fab rock beat feature in the first part of the song. However there is a beautiful break with a sweeter refrain and superb close harmony lifting the mood. This is delightfully light and fresh, but doesn’t last long and soon things return to the wild rock beat. Harmonies are amazing, becoming very haunting and quite weird. Keyboards throughout are dramatic. This music is certainly not for the fainthearted!
Gypsy Heart – Beginning with dialogue from an old gypsy woman, this number involves a superbly exotic melody line and beat.
Abstract Relations – More drama in this song, as the fast moving beat, astounding electronic riffs and crazy guitars create the perfect backdrop for the extremely complicated but addictive melody line.
There’s a fab lead solo in Tale of Two Wolves, which begins with a trickling guitar and laid back verse. A crescendo of harmony is sung, followed by a total change of pace and mood and things become dark for a while. The softer verse returns, but you know things will change again and they do!
The Illusionist This number alters from horror movie style chords to a much more laid back chorus that I really like.
Serpent Nile is suitably creepy, with rippling keyboards, exotic riffs and distortion laden chords throughout. A screaming lead solo features and a subtle key change in the chorus adds to the atmosphere.
Transcend Synth is brilliant in this song and the wonderful Ah refrain too! An excellent guitar solo also features.
Pandora’s Box reminds me of Kate Bush, with a twist of Hazel O’Conner thrown in. It’s probably my favourite number from this band’s repertoire.
Other songs from Dream Aria’s collection are Labyrinth, Rhythm of Now, and 11th Hour. The idea of so many different genres combined isn’t easy to get one’s head around. However, with the unbelievable vocal range of the singer, the astounding harmonies and voluminous instrumentals constant in each number, this band ooze class!
Dream Aria are an interesting band who hail from Toronto, Canada. They play a Cocktail of Progressive Rock, Goth, Metal, and Classical music.
Members are Ann Burstyn –Vocals, Don Stagg – Keys, Garry Flint – Drums/ Engineer and Jon Casselman – Bass.
Fallen Angel is a crazy number which involves thundering guitars and complex harmonics. Distortion packed riffs and a fab rock beat feature in the first part of the song. However there is a beautiful break with a sweeter refrain and superb close harmony lifting the mood. This is delightfully light and fresh, but doesn’t last long and soon things return to the wild rock beat. Harmonies are amazing, becoming very haunting and quite weird. Keyboards throughout are dramatic. This music is certainly not for the fainthearted!
Gypsy Heart – Beginning with dialogue from an old gypsy woman, this number involves a superbly exotic melody line and beat.
Abstract Relations – More drama in this song, as the fast moving beat, astounding electronic riffs and crazy guitars create the perfect backdrop for the extremely complicated but addictive melody line.
There’s a fab lead solo in Tale of Two Wolves, which begins with a trickling guitar and laid back verse. A crescendo of harmony is sung, followed by a total change of pace and mood and things become dark for a while. The softer verse returns, but you know things will change again and they do!
The Illusionist This number alters from horror movie style chords to a much more laid back chorus that I really like.
Serpent Nile is suitably creepy, with rippling keyboards, exotic riffs and distortion laden chords throughout. A screaming lead solo features and a subtle key change in the chorus adds to the atmosphere.
Transcend Synth is brilliant in this song and the wonderful Ah refrain too! An excellent guitar solo also features.
Pandora’s Box reminds me of Kate Bush, with a twist of Hazel O’Conner thrown in. It’s probably my favourite number from this band’s repertoire.
Other songs from Dream Aria’s collection are Labyrinth, Rhythm of Now, and 11th Hour. The idea of so many different genres combined isn’t easy to get one’s head around. However, with the unbelievable vocal range of the singer, the astounding harmonies and voluminous instrumentals constant in each number, this band ooze class!
Wyvern Lingo
EP Review
Angela Macari O’Looney
This trio of talented ladies got my attention at a recent gig. Members are Caoimhe Barry – Percussion/Vocals, Saoirse Duane – Guitar/Vocals and Karen Cowley – Piano/Vocals.
Each of the band is an accomplished musician, yet together they blend really well vocally. The five tracks on their self named debut EP are exciting samples from their repertoire.
Herbert Park begins with trickling acoustic guitar and has close harmony throughout. It’s a love song with a laid back tempo. Piano lends dynamic for the second verse and the ooh refrain for the middle eight is hair on the back of the neck stuff!
Echoes involves a wonderful rippling piano intro. This number has a Soul feel to it and the girls do an interesting echo style refrain mid way through. That rippling piano riff continues between verses and is haunting, as is the melody line.
Deep Breaths has acoustic guitar only for the first verse. The girls filter their harmony beautifully here and there. It’s a laid back but memorable piece with fab chords that are all created vocally. I love the pace of this song too, as the guitar strums the accompaniment with the lyrics, which are poignant Don’t let the Rose see how deep her thorns cut me. The lead vocalist here demonstrates magnificent vocal power. Lead in some songs is done by Karen and in others Caoimhe.
Beginning with a percussion intro, Bravery has a three four tempo. Piano chords are fab and the beat alternates in places. The chorus is the most appealing feature of this number. There’s also an interesting change from major chords to minors later on in this track. And then as they return to the final chorus, they go back to the original sweeter chords.
Fools is dramatic and has a lot of stop start moments in it. It has a memorable chorus and the busy piano throughout is wonderful. The girls let go with some amazing vocal hi jinx and there’s a great vibe. You feel that they really enjoy the chops and changes and how they all get to stretch themselves here. Harmony is brilliant yet again and things wind down to a sudden stop; A great finish to a great number!
The CD comes in a very interesting parcel style cover which was designed by Caoimhe Barry, Rachel Sweeney and S.J. Carthy.
Wyvern Lingo hail from Bray and are together five years. They won the Rising Stars competition in the Dublin City Soul Festival and have played at Knockanstockan, Electric Picnic, Temple House and many other big venues. Their influences include great acts like Billie Holiday, Joni Mitchell, Eva Cassidy, Ella Fitzgerald and Fleetwood Mac. They have also played support to Juliet Turner and Pugwash and continue to blaze a trail with their harmonious soul sound.
This trio of talented ladies got my attention at a recent gig. Members are Caoimhe Barry – Percussion/Vocals, Saoirse Duane – Guitar/Vocals and Karen Cowley – Piano/Vocals.
Each of the band is an accomplished musician, yet together they blend really well vocally. The five tracks on their self named debut EP are exciting samples from their repertoire.
Herbert Park begins with trickling acoustic guitar and has close harmony throughout. It’s a love song with a laid back tempo. Piano lends dynamic for the second verse and the ooh refrain for the middle eight is hair on the back of the neck stuff!
Echoes involves a wonderful rippling piano intro. This number has a Soul feel to it and the girls do an interesting echo style refrain mid way through. That rippling piano riff continues between verses and is haunting, as is the melody line.
Deep Breaths has acoustic guitar only for the first verse. The girls filter their harmony beautifully here and there. It’s a laid back but memorable piece with fab chords that are all created vocally. I love the pace of this song too, as the guitar strums the accompaniment with the lyrics, which are poignant Don’t let the Rose see how deep her thorns cut me. The lead vocalist here demonstrates magnificent vocal power. Lead in some songs is done by Karen and in others Caoimhe.
Beginning with a percussion intro, Bravery has a three four tempo. Piano chords are fab and the beat alternates in places. The chorus is the most appealing feature of this number. There’s also an interesting change from major chords to minors later on in this track. And then as they return to the final chorus, they go back to the original sweeter chords.
Fools is dramatic and has a lot of stop start moments in it. It has a memorable chorus and the busy piano throughout is wonderful. The girls let go with some amazing vocal hi jinx and there’s a great vibe. You feel that they really enjoy the chops and changes and how they all get to stretch themselves here. Harmony is brilliant yet again and things wind down to a sudden stop; A great finish to a great number!
The CD comes in a very interesting parcel style cover which was designed by Caoimhe Barry, Rachel Sweeney and S.J. Carthy.
Wyvern Lingo hail from Bray and are together five years. They won the Rising Stars competition in the Dublin City Soul Festival and have played at Knockanstockan, Electric Picnic, Temple House and many other big venues. Their influences include great acts like Billie Holiday, Joni Mitchell, Eva Cassidy, Ella Fitzgerald and Fleetwood Mac. They have also played support to Juliet Turner and Pugwash and continue to blaze a trail with their harmonious soul sound.
Sunday, April 15, 2012
Knots EP Review
Knots
Now on the Stage
Angela Macari O’Looney
Released in March, this EP is a taste of the explosive sound from Knots. Big anthemic choruses blasted out, superb guitar riffs plus well thought out lyrics and melody lines, are what I hear from start to finish!
The lead singer has a vocal style that’s perfect for each number; dramatic for Shy which is a vibrant love song, with delectable piano and amazing chords, or alternating from soft vocals to powerhouse on Waiting Still. I like the rhythm in this particular song and distortion packed riffs throughout. Backing vocals lend to the crescendo for the last chorus. Dynamic changes in this song too, from laid back right up to an energetic and intoxicating rush of volume!
This band remind me of Choice Music Award finalists CODES, with their bashing chords, memorable melodies and exciting build ups to fab choruses.
They do a disco style guitar intro for Falling, moving to a fast beat. I find the melody here almost creates the impression of somebody falling. Chord combos are wonderful and the Guitar solo is sweet, following on with excellent riffs for the memorable chorus.
Home is a soothing number, with acoustic guitar chords for the verse. Piano comes in gradually, as things develop. And I feel like letting go, and I feel like letting you know that I want it, I need it, I said that I’d be there to show you the way back home. This is sung with passion and the guitar chords are vibrant to match the eager sentiment in the lyrics.
Knots are Dublin based and formed in January 2012. Taking influences from acts such as Pearl Jam, U2 and Jeff Buckley, they have created their own hybrid of Indie/Alt/Rock and it works well. Members are Botham – Vocals/Guitar, Eddie – Drums and Ciaran – Bass.
Angela Macari O’Looney
Released in March, this EP is a taste of the explosive sound from Knots. Big anthemic choruses blasted out, superb guitar riffs plus well thought out lyrics and melody lines, are what I hear from start to finish!
The lead singer has a vocal style that’s perfect for each number; dramatic for Shy which is a vibrant love song, with delectable piano and amazing chords, or alternating from soft vocals to powerhouse on Waiting Still. I like the rhythm in this particular song and distortion packed riffs throughout. Backing vocals lend to the crescendo for the last chorus. Dynamic changes in this song too, from laid back right up to an energetic and intoxicating rush of volume!
This band remind me of Choice Music Award finalists CODES, with their bashing chords, memorable melodies and exciting build ups to fab choruses.
They do a disco style guitar intro for Falling, moving to a fast beat. I find the melody here almost creates the impression of somebody falling. Chord combos are wonderful and the Guitar solo is sweet, following on with excellent riffs for the memorable chorus.
Home is a soothing number, with acoustic guitar chords for the verse. Piano comes in gradually, as things develop. And I feel like letting go, and I feel like letting you know that I want it, I need it, I said that I’d be there to show you the way back home. This is sung with passion and the guitar chords are vibrant to match the eager sentiment in the lyrics.
Knots are Dublin based and formed in January 2012. Taking influences from acts such as Pearl Jam, U2 and Jeff Buckley, they have created their own hybrid of Indie/Alt/Rock and it works well. Members are Botham – Vocals/Guitar, Eddie – Drums and Ciaran – Bass.
Tuesday, April 10, 2012
The Barley Mob charity Fundraiser 25/03/12
The Barley Mob Musical Youth Foundation gig
Twisted Pepper
25/ 03/ 12
Angela Macari O’Looney
This fundraiser, hosted by popular band The Barley Mob, caught my attention since it involved some acts I have seen before and really enjoy.
The first set was performed by a trio of talented girls, Wyvern lingo. Karen Cowley-Piano/Vocals, Saoirse Duane-Guitar/Vocals and Caoimhe Barry-Percussion/Vocals, recently released their debut EP and played a wonderful selection of songs. Wyvern Lingo hail from Bray and have been together since 2006.
Hebert Park This number from the EP involves trickling acoustic guitar, close harmony and a sweet melody line. Piano comes in adding depth and the lyrics are descriptive. Each girl gets to demonstrate her vocal ability and yet they blend very well together. A fabulous refrain where they layer the harmony, gradually increasing the dynamic is very effective.
Echoes Choppy, featuring superb piano and busy percussion! This number is complex. It has a KT Tunstall vibe to it. Vocals are excellent once again. An echo style refrain is used for the chorus and the melody line is quite haunting.
The girls continued with In the Shadows, Witch Hazel, Fairy tale, Bravery, Wicklow Knows and Fools. Harmonies were seamless throughout the set and they each proved to be amazing musicians and strong vocalists.
King Modo
Lenny Cahill, Paul Keogh, Jon Barrett and Alan Heffernan are the members of King Modo. They hail from Kildare and Newbridge and are currently working on their second album. They have a unique style and influences range from Joni Mitchell to Led Zeppelin. The lads began their set with a number from their first self titled album, which proved a huge success and had airplay on Nova and RTE Radio 1. All you may say Bass fab, amazing chords and a vibrancy that is irresistible! Lead Vocals are performed by Paul, who also plays guitar, while Lenny sings backing vocals. It’s deep, with the melody line complex. Love the chorus in this number and piano is wonderful. Also the harmony that is injected throughout is very effective.
Sentimental Nigel is yet another song from their first album which I enjoy. This involves elaborate lead guitar and unusual rhythm. The verse is spoken. Then the crescendo style chorus is really dynamic. Dramatic staccato guitar chords come in for the second half of this song and backing vocals are powerful. Further along they completely alter the beat and sing a refrain You don’t want to be like Sentimental Nigel. I love this part with the lads singing a big Ah refrain in the background.
We features the vocal power of the band to great advantage and lyrics have a strange schizophrenic mood. Guitars perform an in sync break.
Among the remainder of King Modo’s set was Die and Dance. This is a brilliant piece with loads going on in it, including some wonderful in sync riffs done with bass and guitar. It builds up to a bashing crescendo of instruments and the vocals are equally impressive. Each of their songs has a certain startling quality that draws you in.
Just here is a newer song from their repertoire. This is interesting, with excellent riffs on guitar. All guitars add exciting bits to the overall sound and all the lads contribute harmony. Day and Age is a complex number and harmonies are seamless. Stop start guitar and fab in sync riffs are spectacular. Bass features here and it’s a good number to finish on. The new album should be a great addition to any collection.
King Modo are a force to be reckoned with and I’m always delighted to have the chance to see them again!
Mob Fandango
Fronted by four main vocalists, this ten piece band creates a huge sound. Hailing from the Music Department of N.U.I. Maynooth, they specialize in upbeat, dance-friendly music. I absolutely loved their set and look forward to listening to their newly launched EP Dig.
Mob Fandango include Trumpet, Sax, Trombone, Flute, Drums, Bass/Lead guitars and this evening they had a wonderful lady playing keyboards. Each member seems to thoroughly enjoy playing and this inspired a cheerful atmosphere. They did some beautifully harmonious choruses and perfectly synchronized instrumentals.
Members are Keith Sutherland, Conor Doherty, Jim Clarke, Karen Abe, Keith Fennell, Ken McCabe, Liam Duffy, Louise Gaffney, Michael Quinn, Danny Groenland.
Keith Fennell, who does lead vocals for most of the songs, has a fantastic range. However, the close harmonies with all those voices are unbelievable.
They did a Cover of D’Angelo’s Feel like making love. I vaguely remember hearing George Benson perform this number too way back. With their excellent brass section, this version sounded just right for Mob Fandango.
Their repertoire also includes some R&B and Soul style numbers, all really funky and complex, but wonderful just the same.
She might be Crazy was a favourite for me. Dig is explosive, with an exciting beat. Guitars do amazing riffs and also the brass section totally come alive for Dance Floor.
Funk epidemic involves flange laden guitars, outstanding vocals and blasts of brass that blow me away!
They did a few more originals such as Fat Cats, Primates and A lil Soul.
This band are awe inspiring and with so many members, can still maintain fabulous unity and polish for their entire performance.
Fox E. And the Good hands
This band are unforgettable and the lead singer has a shocking, but addictive quality to her style and cocky personality. Vibrant and totally seductive, Eimear’s vocals are powerful and her command of the audience is fun to watch, as she sings the sexy lines from I like it Curvy!
From Kildare, this Rap/Funk/ Soul six part act opened the Hotpress stage of Oxygen 2011. Between the male rap bits, Eimear’s fab stage presence and the funky guitars throughout, their set is outrageous and imaginative, forcing the punters to move to the sexy beat!
All songs are witty too and some of the guitar riffs are totally delicious.
Band members are Eimear Fox, Barry O’Farrell, Paula Size, Gordon Dunning, Philip Donnery and Dave Mc Donald.
Good Hands, Please me, John Player Blues, No Diggity, Unfortunately, Sourlafunkalicious, I like it Curvy, Get Up and do it, Hypnotised were only some of their set.
Please me is fast, with a Disco/latino style beat and melody line. Eimear sings the alluring lyrics Do you like it when I bend over/ Do you like it when I call your name. There’s an elaborate guitar solo that is wonderful in this number and lends to the hot lyrics.
I think one of my favourites from the set was Unfortunately, which involved amazing guitars and equally amazing vocals.
John Player Blues has brilliant lyrics and as in each song, it comprises superb guitar and backing vocals, which add spice to Eimear’s pouring out of the blues.
I hear a measure of Adele’s gutsy vocal style in Eimear and her punchy quality has been compared to colourful acts such as Blondie and Imelda May. I saw Pink at the 02, and that’s who I think of on watching her perform. She puts such passion into her performance and I found her band captivating from start to finish without a doubt!
The Barley Mob
Formed in 2010 by Singer/Songwriter Adam Daly, this band from Kildare have a Reggae/Soul style that is uplifting. They have come a long way since they first came on the music scene!
They have featured in many music festivals, appeared on The Zodiac Sessions, The Ruby Sessions, plus a number of festivals and high profile Venues. Involved in many charity incentives, The Mob are major representatives for The Musical Youth Foundation (a charity aiming to provide a future for under privileged kids, ensuring for them an education and musical instruments.) Members are Adam Daly-Lead Vocals, Neil Butler-Drums, John Heraghty- Bass, Andy Moore-Lead guitar/Vocals, Conor Byrne-Keys/Vocals, Barry Kett-Horn/Flute Sean Be.
The lads performed a top class set which included favourites from their repertoire including Clarity, Nothing in the World, World Today, Some men Say, We go the Distance, Medicine Man, Seven Brothers, Never be lost(When you’ve got music), Everybody’s music, Stand up, Rise Up, Big Up.
Two of these songs have been released as singles, and they also released a five track EP, selling 500 copies at Electric Picnic 2010, for The Musical Youth foundation. Even to non lovers of Reggae, the lads have a really inspiring sound and their songs are memorable.
Everybody’s music
This bouncy number has trickling banjo notes throughout, a catchy melody line and optimistic lyrics. We must learn to teach our young to run until the race is won. Lead solo is brilliant and slider is used for some of the lingering notes. Adam’s delivery is full of charisma.
Never be lost (When you’ve got the music) has a great guitar riff and a wonderful choppy beat. The chorus is cool too and trumpet adds to the mood later on in the song. I love the sentiment in the lyrics I remember what you said, because you said it better than anybody said, you’ll never be lost when you’ve got music. There are short but beautiful guitar solos throughout this number. Some men Say has some lovely electric guitar riffs and is a feel good song.
We go the Distance
Probably my favourite Barley Mob number, this one is really encouraging in a time like now, when it seems us Irish folk are under pressure. The lyrics address the strength of the Irish spirit and how when the chips are down, as a nation we always come out fighting, and somehow get through! Guitars are spectacular in this, especially Andy Moore’s lead solo. Adam charms with his smooth delivery of that laid back reggae style chorus. The sweet riff throughout has to be that magical draw to the listener, and matches the soothing words They’re never gonna knock us down. We go the distance.
Stand up, Rise up, Big up is a fast moving number, with a chorus you have to sing along with. Andy does harmony and the guitars and rhythm are fab here.
Each of The Barley Mob’s songs expresses a feeling I can hear coming through in both their own music, and their need to reach out to others and spread a special energy that is quite unique.
I congratulate them and all the bands that worked so hard to make this gig happen!
Angela Macari O’Looney
This fundraiser, hosted by popular band The Barley Mob, caught my attention since it involved some acts I have seen before and really enjoy.
The first set was performed by a trio of talented girls, Wyvern lingo. Karen Cowley-Piano/Vocals, Saoirse Duane-Guitar/Vocals and Caoimhe Barry-Percussion/Vocals, recently released their debut EP and played a wonderful selection of songs. Wyvern Lingo hail from Bray and have been together since 2006.
Hebert Park This number from the EP involves trickling acoustic guitar, close harmony and a sweet melody line. Piano comes in adding depth and the lyrics are descriptive. Each girl gets to demonstrate her vocal ability and yet they blend very well together. A fabulous refrain where they layer the harmony, gradually increasing the dynamic is very effective.
Echoes Choppy, featuring superb piano and busy percussion! This number is complex. It has a KT Tunstall vibe to it. Vocals are excellent once again. An echo style refrain is used for the chorus and the melody line is quite haunting.
The girls continued with In the Shadows, Witch Hazel, Fairy tale, Bravery, Wicklow Knows and Fools. Harmonies were seamless throughout the set and they each proved to be amazing musicians and strong vocalists.
King Modo
Lenny Cahill, Paul Keogh, Jon Barrett and Alan Heffernan are the members of King Modo. They hail from Kildare and Newbridge and are currently working on their second album. They have a unique style and influences range from Joni Mitchell to Led Zeppelin. The lads began their set with a number from their first self titled album, which proved a huge success and had airplay on Nova and RTE Radio 1. All you may say Bass fab, amazing chords and a vibrancy that is irresistible! Lead Vocals are performed by Paul, who also plays guitar, while Lenny sings backing vocals. It’s deep, with the melody line complex. Love the chorus in this number and piano is wonderful. Also the harmony that is injected throughout is very effective.
Sentimental Nigel is yet another song from their first album which I enjoy. This involves elaborate lead guitar and unusual rhythm. The verse is spoken. Then the crescendo style chorus is really dynamic. Dramatic staccato guitar chords come in for the second half of this song and backing vocals are powerful. Further along they completely alter the beat and sing a refrain You don’t want to be like Sentimental Nigel. I love this part with the lads singing a big Ah refrain in the background.
We features the vocal power of the band to great advantage and lyrics have a strange schizophrenic mood. Guitars perform an in sync break.
Among the remainder of King Modo’s set was Die and Dance. This is a brilliant piece with loads going on in it, including some wonderful in sync riffs done with bass and guitar. It builds up to a bashing crescendo of instruments and the vocals are equally impressive. Each of their songs has a certain startling quality that draws you in.
Just here is a newer song from their repertoire. This is interesting, with excellent riffs on guitar. All guitars add exciting bits to the overall sound and all the lads contribute harmony. Day and Age is a complex number and harmonies are seamless. Stop start guitar and fab in sync riffs are spectacular. Bass features here and it’s a good number to finish on. The new album should be a great addition to any collection.
King Modo are a force to be reckoned with and I’m always delighted to have the chance to see them again!
Mob Fandango
Fronted by four main vocalists, this ten piece band creates a huge sound. Hailing from the Music Department of N.U.I. Maynooth, they specialize in upbeat, dance-friendly music. I absolutely loved their set and look forward to listening to their newly launched EP Dig.
Mob Fandango include Trumpet, Sax, Trombone, Flute, Drums, Bass/Lead guitars and this evening they had a wonderful lady playing keyboards. Each member seems to thoroughly enjoy playing and this inspired a cheerful atmosphere. They did some beautifully harmonious choruses and perfectly synchronized instrumentals.
Members are Keith Sutherland, Conor Doherty, Jim Clarke, Karen Abe, Keith Fennell, Ken McCabe, Liam Duffy, Louise Gaffney, Michael Quinn, Danny Groenland.
Keith Fennell, who does lead vocals for most of the songs, has a fantastic range. However, the close harmonies with all those voices are unbelievable.
They did a Cover of D’Angelo’s Feel like making love. I vaguely remember hearing George Benson perform this number too way back. With their excellent brass section, this version sounded just right for Mob Fandango.
Their repertoire also includes some R&B and Soul style numbers, all really funky and complex, but wonderful just the same.
She might be Crazy was a favourite for me. Dig is explosive, with an exciting beat. Guitars do amazing riffs and also the brass section totally come alive for Dance Floor.
Funk epidemic involves flange laden guitars, outstanding vocals and blasts of brass that blow me away!
They did a few more originals such as Fat Cats, Primates and A lil Soul.
This band are awe inspiring and with so many members, can still maintain fabulous unity and polish for their entire performance.
Fox E. And the Good hands
This band are unforgettable and the lead singer has a shocking, but addictive quality to her style and cocky personality. Vibrant and totally seductive, Eimear’s vocals are powerful and her command of the audience is fun to watch, as she sings the sexy lines from I like it Curvy!
From Kildare, this Rap/Funk/ Soul six part act opened the Hotpress stage of Oxygen 2011. Between the male rap bits, Eimear’s fab stage presence and the funky guitars throughout, their set is outrageous and imaginative, forcing the punters to move to the sexy beat!
All songs are witty too and some of the guitar riffs are totally delicious.
Band members are Eimear Fox, Barry O’Farrell, Paula Size, Gordon Dunning, Philip Donnery and Dave Mc Donald.
Good Hands, Please me, John Player Blues, No Diggity, Unfortunately, Sourlafunkalicious, I like it Curvy, Get Up and do it, Hypnotised were only some of their set.
Please me is fast, with a Disco/latino style beat and melody line. Eimear sings the alluring lyrics Do you like it when I bend over/ Do you like it when I call your name. There’s an elaborate guitar solo that is wonderful in this number and lends to the hot lyrics.
I think one of my favourites from the set was Unfortunately, which involved amazing guitars and equally amazing vocals.
John Player Blues has brilliant lyrics and as in each song, it comprises superb guitar and backing vocals, which add spice to Eimear’s pouring out of the blues.
I hear a measure of Adele’s gutsy vocal style in Eimear and her punchy quality has been compared to colourful acts such as Blondie and Imelda May. I saw Pink at the 02, and that’s who I think of on watching her perform. She puts such passion into her performance and I found her band captivating from start to finish without a doubt!
The Barley Mob
Formed in 2010 by Singer/Songwriter Adam Daly, this band from Kildare have a Reggae/Soul style that is uplifting. They have come a long way since they first came on the music scene!
They have featured in many music festivals, appeared on The Zodiac Sessions, The Ruby Sessions, plus a number of festivals and high profile Venues. Involved in many charity incentives, The Mob are major representatives for The Musical Youth Foundation (a charity aiming to provide a future for under privileged kids, ensuring for them an education and musical instruments.) Members are Adam Daly-Lead Vocals, Neil Butler-Drums, John Heraghty- Bass, Andy Moore-Lead guitar/Vocals, Conor Byrne-Keys/Vocals, Barry Kett-Horn/Flute Sean Be.
The lads performed a top class set which included favourites from their repertoire including Clarity, Nothing in the World, World Today, Some men Say, We go the Distance, Medicine Man, Seven Brothers, Never be lost(When you’ve got music), Everybody’s music, Stand up, Rise Up, Big Up.
Two of these songs have been released as singles, and they also released a five track EP, selling 500 copies at Electric Picnic 2010, for The Musical Youth foundation. Even to non lovers of Reggae, the lads have a really inspiring sound and their songs are memorable.
Everybody’s music
This bouncy number has trickling banjo notes throughout, a catchy melody line and optimistic lyrics. We must learn to teach our young to run until the race is won. Lead solo is brilliant and slider is used for some of the lingering notes. Adam’s delivery is full of charisma.
Never be lost (When you’ve got the music) has a great guitar riff and a wonderful choppy beat. The chorus is cool too and trumpet adds to the mood later on in the song. I love the sentiment in the lyrics I remember what you said, because you said it better than anybody said, you’ll never be lost when you’ve got music. There are short but beautiful guitar solos throughout this number. Some men Say has some lovely electric guitar riffs and is a feel good song.
We go the Distance
Probably my favourite Barley Mob number, this one is really encouraging in a time like now, when it seems us Irish folk are under pressure. The lyrics address the strength of the Irish spirit and how when the chips are down, as a nation we always come out fighting, and somehow get through! Guitars are spectacular in this, especially Andy Moore’s lead solo. Adam charms with his smooth delivery of that laid back reggae style chorus. The sweet riff throughout has to be that magical draw to the listener, and matches the soothing words They’re never gonna knock us down. We go the distance.
Stand up, Rise up, Big up is a fast moving number, with a chorus you have to sing along with. Andy does harmony and the guitars and rhythm are fab here.
Each of The Barley Mob’s songs expresses a feeling I can hear coming through in both their own music, and their need to reach out to others and spread a special energy that is quite unique.
I congratulate them and all the bands that worked so hard to make this gig happen!
Tuesday, February 28, 2012
Simon Fagan Unplugged
Simon Fagan
Unplugged
Angela Macari O’Looney
This EP is a pleasantly soothing short collection of acoustic numbers, some taken from Simon’s successful album Outside Looking in. Guitar on each track is intricate. Piano features for Something I don’t know, which is a popular favourite from Simon’s repertoire. The melody line of this song is truly memorable and its choppy beat gives a lovely sense of movement. Harmony comes in as the song progresses, lifting things to a delicious crescendo. A cheerful ooh refrain also lends to the unique, but catchy arrangement!
The guitar intro for the dramatic Tired of Tryin’ is trickling, with chords jazzy. Backing vocals here definitely lift the overall production and the latino pace tempts the listener to dance, it is so deliciously seductive! Simon’s vocal style is adaptable to such a degree, he can pretty much sing anything. However, this type of mysterious song, full of passion is his strong suit.
What’s the point of Looking back has a folksy feel. Rhythm guitar is laid back and the melody is haunting and very beautiful. Lyrics are poignant and a little sad; You gotta get up, you gotta move on, fight your corner, be strong. Don’t spend another year being in the wrong.
Waters Edge is a softly sung number, with Simon’s guitar playing outstanding. His vocal range is demonstrated to great effect, as he effortlessly glides up and down from falsetto notes, in an extremely appealing melody line. He and the guitar are one and as the dynamic increases, you are transported to the scene he paints with his lyrics about running to the water’s edge with his lover. He creates that watery rolling feeling with his plucked guitar style. Love this version!
Tomorrow’s another day begins with a sweet guitar intro. Chords are delicious, as are the romantic lyrics. Simon’s delivery is soothing and the chorus is appealing.
This opportunity to revisit some of Simon’s best songs is a treat for fans. I felt like I was getting a fly on the wall view of him sitting alone, singing and playing his guitar. He has a knack for writing pieces that suit his voice to a tee and this CD is like a private audience with the man himself and his guitar.
Angela Macari O’Looney
This EP is a pleasantly soothing short collection of acoustic numbers, some taken from Simon’s successful album Outside Looking in. Guitar on each track is intricate. Piano features for Something I don’t know, which is a popular favourite from Simon’s repertoire. The melody line of this song is truly memorable and its choppy beat gives a lovely sense of movement. Harmony comes in as the song progresses, lifting things to a delicious crescendo. A cheerful ooh refrain also lends to the unique, but catchy arrangement!
The guitar intro for the dramatic Tired of Tryin’ is trickling, with chords jazzy. Backing vocals here definitely lift the overall production and the latino pace tempts the listener to dance, it is so deliciously seductive! Simon’s vocal style is adaptable to such a degree, he can pretty much sing anything. However, this type of mysterious song, full of passion is his strong suit.
What’s the point of Looking back has a folksy feel. Rhythm guitar is laid back and the melody is haunting and very beautiful. Lyrics are poignant and a little sad; You gotta get up, you gotta move on, fight your corner, be strong. Don’t spend another year being in the wrong.
Waters Edge is a softly sung number, with Simon’s guitar playing outstanding. His vocal range is demonstrated to great effect, as he effortlessly glides up and down from falsetto notes, in an extremely appealing melody line. He and the guitar are one and as the dynamic increases, you are transported to the scene he paints with his lyrics about running to the water’s edge with his lover. He creates that watery rolling feeling with his plucked guitar style. Love this version!
Tomorrow’s another day begins with a sweet guitar intro. Chords are delicious, as are the romantic lyrics. Simon’s delivery is soothing and the chorus is appealing.
This opportunity to revisit some of Simon’s best songs is a treat for fans. I felt like I was getting a fly on the wall view of him sitting alone, singing and playing his guitar. He has a knack for writing pieces that suit his voice to a tee and this CD is like a private audience with the man himself and his guitar.
MRU Magazine
Good news for MRU Magazine. With enough support from it's fans and followers, Music review unsigned.com will become a proper publication.
This is the link I got if you want to see more
Thursday, January 5, 2012
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