Killer Chloe
Sanderson’s Demo
Angela Macari O’Looney
A kaleidoscope of sounds and keyboard hi jinx, matched with youthful Punk vocals, excellent guitars and drums and much experimental confusion, are what will attack your oral senses if you dare to delve into the web of wonder that is Killer Chloe’s music.
Pete’s stroppy delivery of lyrics and his passionate assault on his electronic orchestra, along with intriguing and imaginative melody lines, are the components of this three track demo. Each number is something of a rhapsody whereby bass, synth guitar and rhythm supply the canvass, as each musician matches the vibrant frontman note for note!
This band who were 2008 winners of the Trinity Battle of the Bands, are described on My Space as Post Punk/ Progressive. Members are Pete McNamara Vox/Synth, Feargal Corrigan Synth Guitar, Luke Bass/Vox/Synth and Greg (Biff) Purcell Drums.
A live experience of Killer Chloe is unbelievable. But if it’s a sample of their work you’d like, this short CD will give a taste of their masterful compositions.
Sanderson’s
This is a thumping explosive love song of sorts. I love the melody line. Pete’s execution of the chorus is forceful, with Fearg’s guitar chords and riffs exceptional. I particularly like the trickling solo he performs midway through, with Luke (Bass) doing a rhythmic riff towards the end, which gives way to a catchy piano solo done by Pete and lots of exciting goings on to take you to its conclusion.
Mother Hubbard
Track two is yet another cacophony of complex notes, with obscure lyrics. Discords and a fast tempo create the backdrop to Pete’s rap like vocal style. There is certainly a melody however and really catchy backing vocals. Synth is sweet and there are a lot of interesting twists and turns on this crazy musical journey. There’s a particularly noticeable guitar riff throughout which gels things together beautifully. A rhapsody of dramatic notation and delicious changes of direction all over the place, this is one truly extraordinary piece!
Techi Lush
This particular piece would be very ‘yesteryear’ for me, bringing back memories of such sounds as OMD and Kraftwerk. It involves fast moving electronic notes played in a chain of arpeggios. This accompanies the quite strange lyrics; I kissed the mirror this morning. It opened airways but they get so cold. It’s the only thing I can’t control.
Guitar and synth combine here to create a lovely blend, as they play a riff in synch. This song for me is the finest example of Pete McNamara’s unusual but attractive vocal style, where he raps out the lyrics in a pattern, with the exciting busy notes played on synth, bass and lead.
This band are an acquired taste, with their magnificent array of technology and expert command of same. As a lover of experimental music and anything that stretches the imagination like this, to me it is an art in itself.
I so enjoy watching the devotion of these young guys and genuinely believe that they are destined for great heights. These are only three samples of what they are capable of and I have heard more of their repertoire live, all of which I truly hope will find its way onto a full album eventually. Judging by the size of the audience at the launch, I’m not alone in my faith!
Wednesday, May 27, 2009
Saturday, May 23, 2009
ZinEgo
ZinEgo
Angela Macari O’Looney
This collection of songs is performed by four guys based in Newbridge, Co. Kildare. The CD cover art is particularly colourful, bringing to mind a canvass covered in Oil paint or Gauche applied with passion. You can almost smell the turps. This was designed by Cofdesign in Newbridge. I like it since it reflects the passion and true devotion that seems to have gone into creating its contents!
Paul O’Connor Vox/Guitar, Amar Mahase Bass/ B-Vox, Graham Coffey Drums and Simone Trabison Lead Guitar are the members of ZinEgo, who are an interesting mix of cultures and styles. Simone on Lead guitar hails from Italy. Piaciero Simone!
Taking influences from all of the best rock legends ranging from U2, Thin Lizzy, Queen, Guns N’ Rose, Therapy, Pearl Jam, AC/DC and Led Zeppelin, this band have come up with yet another seductive and charming genre that combines the rough with the smooth!
Brothers in Arms
A Drum intro followed by a distortion packed guitar riff, take you to the slow mournful verse of this number. This sweet riff continues throughout the verse, which involves Paul’s slightly gritty, but tuneful vocals. Simone's lead guitar sings as he performs fantastic solos and Amar’s baseline adds atmosphere.
Love Lies Bleeding
A trickling guitar, cymbal and a melodic verse make up the beginning of this rock Ballad. It becomes more vibrant for the chorus, which has poignant lyrics; Love lies bleeding, jagged edge to my soul. Love lies bleeding everyone will fall. Lost all believing it’s the end of the world Lots of distortion for this part!
Simone once again takes a lead solo that reflects the pain of a bleeding heart, as screaming notes portray tragedy.
Keys (Faith)
This is an acoustic number, where backing vocals add interest. Things build up a little as it develops, with an electric guitar coming in plus a hint of distortion in it, the beat becoming more vital. Lead is injected here and there and the combination created from the entire sound is soothing.
T-Minus
Livelier than the first three tracks, this is seductive with a choppy beat. A busy baseline and a memorable riff create the piece de resistance!
These take you into the verse which is catchy and dramatic.
Simone yet again produces a show stopping solo with fingers flying across the frets of his guitar and Graham does a catchy drum break. The riffs and hooks are just so delicious and are repeated behind Paul’s vocals throughout.
My favourite track on this album is Crossroads!
It has superb guitar, is lively and definitely shows off Paul’s exciting rock voice to great advantage. It begins with bass and percussion, then a sensational guitar riff comes in. There’s a sense of tragedy in the lyrics; she will never know what way her life could have been, if she had taken another road.
There’s a stop start just before the fluently played lead solo, yet another demonstration of the virtuoso quality of the lead guitarist.
Softly played bass notes take this number to its conclusion.
Abyss has a bass intro, which is joined by drums and a splash of lead. The bass riff and beat continue for the verse. Then an explosive distortion laden guitar riff comes in for the chorus. The melody line is a little moody, but it seems to be about the end of a love affair, so lots of minor notes and a sense of finality and emotion in the vocals portray this.
Falling
This is an acoustic number, with a sad melody line in it. It’s catchy however and Paul’s vocals are quite special here, with lots of emotion involved. You definitely feel a sense of falling, as you listen to this song and like all the songs here there’s a mournfulness coming through.
Pulsating melody lines and guitars that weep gently behind expressively sung lyrics!
This would be my description of my experience of ZinEgo. I feel that this album proves that although each of the top bands mentioned in their influences such as Lizzy, AC/DC and Therapy are apparent, they have created something with their own stamp on it, which in many ways surpasses some of the more prominent rock bands about.
Angela Macari O’Looney
This collection of songs is performed by four guys based in Newbridge, Co. Kildare. The CD cover art is particularly colourful, bringing to mind a canvass covered in Oil paint or Gauche applied with passion. You can almost smell the turps. This was designed by Cofdesign in Newbridge. I like it since it reflects the passion and true devotion that seems to have gone into creating its contents!
Paul O’Connor Vox/Guitar, Amar Mahase Bass/ B-Vox, Graham Coffey Drums and Simone Trabison Lead Guitar are the members of ZinEgo, who are an interesting mix of cultures and styles. Simone on Lead guitar hails from Italy. Piaciero Simone!
Taking influences from all of the best rock legends ranging from U2, Thin Lizzy, Queen, Guns N’ Rose, Therapy, Pearl Jam, AC/DC and Led Zeppelin, this band have come up with yet another seductive and charming genre that combines the rough with the smooth!
Brothers in Arms
A Drum intro followed by a distortion packed guitar riff, take you to the slow mournful verse of this number. This sweet riff continues throughout the verse, which involves Paul’s slightly gritty, but tuneful vocals. Simone's lead guitar sings as he performs fantastic solos and Amar’s baseline adds atmosphere.
Love Lies Bleeding
A trickling guitar, cymbal and a melodic verse make up the beginning of this rock Ballad. It becomes more vibrant for the chorus, which has poignant lyrics; Love lies bleeding, jagged edge to my soul. Love lies bleeding everyone will fall. Lost all believing it’s the end of the world Lots of distortion for this part!
Simone once again takes a lead solo that reflects the pain of a bleeding heart, as screaming notes portray tragedy.
Keys (Faith)
This is an acoustic number, where backing vocals add interest. Things build up a little as it develops, with an electric guitar coming in plus a hint of distortion in it, the beat becoming more vital. Lead is injected here and there and the combination created from the entire sound is soothing.
T-Minus
Livelier than the first three tracks, this is seductive with a choppy beat. A busy baseline and a memorable riff create the piece de resistance!
These take you into the verse which is catchy and dramatic.
Simone yet again produces a show stopping solo with fingers flying across the frets of his guitar and Graham does a catchy drum break. The riffs and hooks are just so delicious and are repeated behind Paul’s vocals throughout.
My favourite track on this album is Crossroads!
It has superb guitar, is lively and definitely shows off Paul’s exciting rock voice to great advantage. It begins with bass and percussion, then a sensational guitar riff comes in. There’s a sense of tragedy in the lyrics; she will never know what way her life could have been, if she had taken another road.
There’s a stop start just before the fluently played lead solo, yet another demonstration of the virtuoso quality of the lead guitarist.
Softly played bass notes take this number to its conclusion.
Abyss has a bass intro, which is joined by drums and a splash of lead. The bass riff and beat continue for the verse. Then an explosive distortion laden guitar riff comes in for the chorus. The melody line is a little moody, but it seems to be about the end of a love affair, so lots of minor notes and a sense of finality and emotion in the vocals portray this.
Falling
This is an acoustic number, with a sad melody line in it. It’s catchy however and Paul’s vocals are quite special here, with lots of emotion involved. You definitely feel a sense of falling, as you listen to this song and like all the songs here there’s a mournfulness coming through.
Pulsating melody lines and guitars that weep gently behind expressively sung lyrics!
This would be my description of my experience of ZinEgo. I feel that this album proves that although each of the top bands mentioned in their influences such as Lizzy, AC/DC and Therapy are apparent, they have created something with their own stamp on it, which in many ways surpasses some of the more prominent rock bands about.
Tuesday, May 19, 2009
Mayday at Andrews Lane Theatre
Revolution for Dogs, Hoarsebox, Ham Sandwich
Andrews Lane Theatre
01/05/09
Angela Macari O’Looney
I was invited to this gig by the fabulous and exciting quartet Hoarsebox, whom I’ve only seen once live. With one of the liveliest collection of songs and a joie de vivre that is contagious, they are a band I could never tire of. Hosted by Phantom 105, this gig was guaranteed to be a lot of fun, so my friend and I headed down.
My last visit to this venue was a good few years back and on arrival I noticed a lot of changes had been made to the layout. My guest Dara and I were also looking forward to the other two bands featuring; Revolution for Dogs and Ham Sandwich. With such a brilliant line up it was the gig to be at for May Day!
The place gradually filled up and by the time the first band arrived onstage, there was quite a crowd!
Revolution for Dogs
This band has been compared to The Coral and perform a really enjoyable set, with a classic Rock style. Consisting of three guitars and a rhythm section, they have a full sound with a bashing Rock’n’Roll beat.
Band members include Keith Vocals/Bass, Revel Vocals/ Guitars, Ian Lead guitar and John Drums.
Having a passion for exploring new Sonics, experimental soundscapes and vintage guitars, this bunch of guys add a bit of this and a touch of that as they go along. For example harmonium, Baritone and slide guitars plus drum loops are only some of the added spice that goes into the mix, to create the sum total of explosive, energetic music to tantalise your taste buds!
Starting with a bashing beat, Lady Luck was the first of their set. This is a cool song which changes to a slinky tempo later on.
Next they performed a fast, fire packed number called Let Yourself Go. This has a powerful guitar intro and some sweet backing vocals. There’s a catchy riff and screaming lead throughout. This also changes pace in the chorus, which adds drama but then it picks up speed again. It has a sweet middle eight which is sung, followed by a brilliant solo.
Shadow on the City
AC/DC style, this begins with a line ‘When the sun goes down’ sung loudly!
A seductive sliding riff and a fab memorable chorus follow. I particularly like the key change midway through. Ian does a fantastic lead solo and Revel’s baseline throughout is superb!
Vampyre – This begins with a scary howl, followed by bashing rock chords. Then it goes into the choppy verse with bass adding depth. Harmony is sung closely and bending riffs, along with lots of exciting in synch guitars and ‘oohs’ sung behind the chorus lend atmosphere. As in all numbers Ian does a sweet solo before the last chorus. The riff is sooo creepy and backing vocals create a haunting sound!
Mission to The Sun
This was one of my favourites in the set!
Beginning with weird space age effects, this has a really catchy chorus and dramatic stops and starts throughout. With cheeky riffs and super harmony it has just the right balance for a great song.
The Man From U.N.C.L.E
This is a song with a clap along beat, delicious riffs and hooks and lots of good old fashioned rock ‘n’ roll chord combinations. I loved this one!
Home
This is one song where Keith’s vocals shine. Its distortion packed, has a classic rock intro and a seductive riff, with lots of sweet bass involved. The middle eight has a nice change of key and the refrain Get home, get home is really catchy!
Like the description on their My Space page under ‘Sounds Like’, there seems to be a lot of those universal all time favourite bands coming through in this and all the work they do. There’s a dash of Lennon and McCartney, a twist of Quo and a splash of Rolling Stones along with a plethora of others.
Revolution for Dogs have a knack for catchy melody lines and well written songs. I for one would really like a copy of ‘Dirty Hands’ for my C.D. collection and definitely hope to catch them again soon!
Hoarsebox
Dara and I moved closer to the stage along with what was by now the most enormous crowd I’ve seen at a gig.
To even get a drink involved camping out at the bar for half an hour, proving how popular the three bands are. After lots of bits and pieces were removed and replaced onstage, Johnny Holden, Philip Broadbery, Kieran Walkin and Max Carpio arrived to tumultuous applause. They began with the distinctive chorus of Rosey; A perfect opener!
A big explosive harmony laden Shout it out takes you into this fantastic song. Splashes of guitar and delightful piano fall on your ears in a rainbow of chords, bass and sweet melody and from the get go, Hoarsebox wave their magic wand to intrigue all within their web!
I love the part in this song where they do a cascading type of refrain with ‘ahs’ and this is followed by a sweet lead guitar break a la Phil.
No More tears was second with lots of bebop’s and do dos at the beginning, sung in close harmony. Such a full sound!
Kieran and Max do backing vocals here and there’s a sweet bass break, followed by a play of sound with mikes and Vox. Very experimental but works.
Crazy distortion packed guitar takes this lovely song to its conclusion.
With a magical lead intro, keyboards joining in Seahorse began. This has a stroppy beat, harmonic oohs and here, Phil’s superb vocals are loaded with charisma. They are by far the most unusual band I know, with a kind of ethereal quality to their style. Much of their songs, like this one, have a Sting meets Jamiroquai thing going on, which I adore!
They continued with Do it to the letter, a number I consider my absolute favourite Hoarsebox song.
A sustained keyboard chord intro is followed by a little guitar riff, then explosive do dos take you into a fast verse. In the chorus here there’s an echoed refrain of ‘I’m gonna do it to the letter’. You have this fantastic solo done by Phil and then it quietens down for the last verse, to explode into a big bashing final chorus!
They did a long enough set, including;
The Club has a smart little riff that is appealing, plus the burst of harmony for the chorus which is divine.
Travelled Solo – This involved a strut style beat, a riff played on the frets of the guitar by Phil which is exotic and that beat goes right down to your boots!
A fancy vibe effect comes into this number and everyone seemed to be moving to the beat en masse!
The Witch Hunt – Different and has delicious discords splashed here and there throughout. The guys do sweet ‘Ahs’ behind Phil’s lead vocals.
Fingermouse – They interact with the crowd before the funky intro to this number. This has a catchy chorus with the guys singing it in close harmonic discords. A contradiction in terms but the only description I can think of, for such a fabulous array of melody.
All I need now – This has a do do intro with big splashes of guitar in it. Then the lads sing a big harmonic All I need now.
Distortion packed lead comes in and they do a hand clapping thing later which is choppy, with this beautiful baseline framing it.
H.B.G.B’s – This was the encore which was a great choice!
Complex jazzy guitar riffs and chords, close harmony throughout which is dreamy, a bass solo with splashes of Phil’s keyboard here and there and a chorus that would remind me of a Moe town song; all of these went into the cauldron for this finale from Hoarsebox. They are a band not to be missed if you like a touch of Sting, Jamiroquai, E.L.O. and any class harmony act down through the history of music. I know they put me in the mood for more great music, which of course I was guaranteed from Ham Sandwich, who were coming on next for the main course of the evening!
Ham Sandwich
Headed by the most amazing front woman in Niamh Farrell and the crazy fancy dressed Podge McNamee on lead guitar, this high octane Indie band were the headliners of the Mayday fest at Andrews Lane Theatre.
A hint of The Pixies, Blondie and lots of 80s/90s influences echo through the music of this band, who are promoting their album ‘Carry the Meek’, produced by Karl Odlum. Hailing from Kells in Co. Meath their star is already soaring in the same direction as The Cranberries, The Corrs and all those home-grown bands that have gone global.
With Ollie on drums, Darcy on guitar/piano and Johnny Moore on bass, the sound of this band is one I’m pretty familiar with, having seen them perform on the R.D.S. music show last year. I absolutely adore them!
They started with the familiar intro to White Fox as they took to the stage, with bona fida space cadet McNamee dressed in a cloak and a King’s crown. If there’s ham in the sandwich it has to be him!
Anyway, they started off with this lovely number which is fast moving with a nice blend throughout, including a sweet chord combination, a catchy riff and an appealing refrain of I’m here in your hands. I liked this song. But I was even more intrigued when a big explosion of confetti came thundering down. I love theatrics and this won me over totally!
The next song was Click click boom. This has a bass dominated intro. Then the refrain of Break the chain, break the mould comes in. Niamh’s crystal clear vocals perform this number like a sultry Debbie Harry!
She sings the chorus with McNamee doing backing vocals and it’s almost like a mantra. People sing along with it and they held the entire Theatre in the palm of their hands.
St. Christopher – This song was laid back, with a divine baseline throughout. I thought about the name of this one and realised that the winner of the ‘Choice’ awards Jape has a song about Christopher in his set list too. This saint is getting some exposure through music!
I found Ham Sandwich hard to define or find a comparison with. Perhaps that is the thing that makes them special. They are very much their own genre/sound and whatever they do, this crowd in Andrews Lane couldn’t get enough of them.
For the next song Niamh took out a mini keyboard/ blow instrument. She also cracked a joke about McNamee’s costume having a hole in it at the arse. They went on with Out of the Darkness which is a new song. They sing two separate refrains which is very effective. Niamh does a solo on her melodica thing and with beautiful hooks. With such a lovely song; they were bound to get a positive response from the crowd, which they did.
They did Keep sake with a thumping beat, plucky guitar by McNamee and lovely lyrics; I turned my face to the rain, I still can’t ask you to stay. The chorus is memorable here, melody line to die for!
Broken Glass – Distortion packed intro, choppy beat, punk style with a slinkiness about it. McNamee’s voice is a bit like Radiohead’s lead vocalist. The blend of the male and female voices are the key factor in Ham Sandwich’s sound. They went on to do Never Talk with a bashing chord riff and a sweet chorus of my heart, my hands, my head, my feet. In this song I particularly loved the way the two voices seemed to sing two separate refrains.
Then they did Words which involved a really uplifting melody line!
This was a song I heard at the Music Exhibition last year.
Finally they did a fabulous rendition of the Kate Bush number; Running up the Hill!
The drummer smacked his sticks together, and then played on one single drum for this song. I felt this to be an awe inspiring cover of a classic number. Dara and I were unanimous about the fact that this was a perfect finishing touch. I was reeling with the excitement from a night that must be the best 1st of May party of my life!
All three bands proved the reason why the venue was packed to capacity. Well done to them and Phantom 105!
Andrews Lane Theatre
01/05/09
Angela Macari O’Looney
I was invited to this gig by the fabulous and exciting quartet Hoarsebox, whom I’ve only seen once live. With one of the liveliest collection of songs and a joie de vivre that is contagious, they are a band I could never tire of. Hosted by Phantom 105, this gig was guaranteed to be a lot of fun, so my friend and I headed down.
My last visit to this venue was a good few years back and on arrival I noticed a lot of changes had been made to the layout. My guest Dara and I were also looking forward to the other two bands featuring; Revolution for Dogs and Ham Sandwich. With such a brilliant line up it was the gig to be at for May Day!
The place gradually filled up and by the time the first band arrived onstage, there was quite a crowd!
Revolution for Dogs
This band has been compared to The Coral and perform a really enjoyable set, with a classic Rock style. Consisting of three guitars and a rhythm section, they have a full sound with a bashing Rock’n’Roll beat.
Band members include Keith Vocals/Bass, Revel Vocals/ Guitars, Ian Lead guitar and John Drums.
Having a passion for exploring new Sonics, experimental soundscapes and vintage guitars, this bunch of guys add a bit of this and a touch of that as they go along. For example harmonium, Baritone and slide guitars plus drum loops are only some of the added spice that goes into the mix, to create the sum total of explosive, energetic music to tantalise your taste buds!
Starting with a bashing beat, Lady Luck was the first of their set. This is a cool song which changes to a slinky tempo later on.
Next they performed a fast, fire packed number called Let Yourself Go. This has a powerful guitar intro and some sweet backing vocals. There’s a catchy riff and screaming lead throughout. This also changes pace in the chorus, which adds drama but then it picks up speed again. It has a sweet middle eight which is sung, followed by a brilliant solo.
Shadow on the City
AC/DC style, this begins with a line ‘When the sun goes down’ sung loudly!
A seductive sliding riff and a fab memorable chorus follow. I particularly like the key change midway through. Ian does a fantastic lead solo and Revel’s baseline throughout is superb!
Vampyre – This begins with a scary howl, followed by bashing rock chords. Then it goes into the choppy verse with bass adding depth. Harmony is sung closely and bending riffs, along with lots of exciting in synch guitars and ‘oohs’ sung behind the chorus lend atmosphere. As in all numbers Ian does a sweet solo before the last chorus. The riff is sooo creepy and backing vocals create a haunting sound!
Mission to The Sun
This was one of my favourites in the set!
Beginning with weird space age effects, this has a really catchy chorus and dramatic stops and starts throughout. With cheeky riffs and super harmony it has just the right balance for a great song.
The Man From U.N.C.L.E
This is a song with a clap along beat, delicious riffs and hooks and lots of good old fashioned rock ‘n’ roll chord combinations. I loved this one!
Home
This is one song where Keith’s vocals shine. Its distortion packed, has a classic rock intro and a seductive riff, with lots of sweet bass involved. The middle eight has a nice change of key and the refrain Get home, get home is really catchy!
Like the description on their My Space page under ‘Sounds Like’, there seems to be a lot of those universal all time favourite bands coming through in this and all the work they do. There’s a dash of Lennon and McCartney, a twist of Quo and a splash of Rolling Stones along with a plethora of others.
Revolution for Dogs have a knack for catchy melody lines and well written songs. I for one would really like a copy of ‘Dirty Hands’ for my C.D. collection and definitely hope to catch them again soon!
Hoarsebox
Dara and I moved closer to the stage along with what was by now the most enormous crowd I’ve seen at a gig.
To even get a drink involved camping out at the bar for half an hour, proving how popular the three bands are. After lots of bits and pieces were removed and replaced onstage, Johnny Holden, Philip Broadbery, Kieran Walkin and Max Carpio arrived to tumultuous applause. They began with the distinctive chorus of Rosey; A perfect opener!
A big explosive harmony laden Shout it out takes you into this fantastic song. Splashes of guitar and delightful piano fall on your ears in a rainbow of chords, bass and sweet melody and from the get go, Hoarsebox wave their magic wand to intrigue all within their web!
I love the part in this song where they do a cascading type of refrain with ‘ahs’ and this is followed by a sweet lead guitar break a la Phil.
No More tears was second with lots of bebop’s and do dos at the beginning, sung in close harmony. Such a full sound!
Kieran and Max do backing vocals here and there’s a sweet bass break, followed by a play of sound with mikes and Vox. Very experimental but works.
Crazy distortion packed guitar takes this lovely song to its conclusion.
With a magical lead intro, keyboards joining in Seahorse began. This has a stroppy beat, harmonic oohs and here, Phil’s superb vocals are loaded with charisma. They are by far the most unusual band I know, with a kind of ethereal quality to their style. Much of their songs, like this one, have a Sting meets Jamiroquai thing going on, which I adore!
They continued with Do it to the letter, a number I consider my absolute favourite Hoarsebox song.
A sustained keyboard chord intro is followed by a little guitar riff, then explosive do dos take you into a fast verse. In the chorus here there’s an echoed refrain of ‘I’m gonna do it to the letter’. You have this fantastic solo done by Phil and then it quietens down for the last verse, to explode into a big bashing final chorus!
They did a long enough set, including;
The Club has a smart little riff that is appealing, plus the burst of harmony for the chorus which is divine.
Travelled Solo – This involved a strut style beat, a riff played on the frets of the guitar by Phil which is exotic and that beat goes right down to your boots!
A fancy vibe effect comes into this number and everyone seemed to be moving to the beat en masse!
The Witch Hunt – Different and has delicious discords splashed here and there throughout. The guys do sweet ‘Ahs’ behind Phil’s lead vocals.
Fingermouse – They interact with the crowd before the funky intro to this number. This has a catchy chorus with the guys singing it in close harmonic discords. A contradiction in terms but the only description I can think of, for such a fabulous array of melody.
All I need now – This has a do do intro with big splashes of guitar in it. Then the lads sing a big harmonic All I need now.
Distortion packed lead comes in and they do a hand clapping thing later which is choppy, with this beautiful baseline framing it.
H.B.G.B’s – This was the encore which was a great choice!
Complex jazzy guitar riffs and chords, close harmony throughout which is dreamy, a bass solo with splashes of Phil’s keyboard here and there and a chorus that would remind me of a Moe town song; all of these went into the cauldron for this finale from Hoarsebox. They are a band not to be missed if you like a touch of Sting, Jamiroquai, E.L.O. and any class harmony act down through the history of music. I know they put me in the mood for more great music, which of course I was guaranteed from Ham Sandwich, who were coming on next for the main course of the evening!
Ham Sandwich
Headed by the most amazing front woman in Niamh Farrell and the crazy fancy dressed Podge McNamee on lead guitar, this high octane Indie band were the headliners of the Mayday fest at Andrews Lane Theatre.
A hint of The Pixies, Blondie and lots of 80s/90s influences echo through the music of this band, who are promoting their album ‘Carry the Meek’, produced by Karl Odlum. Hailing from Kells in Co. Meath their star is already soaring in the same direction as The Cranberries, The Corrs and all those home-grown bands that have gone global.
With Ollie on drums, Darcy on guitar/piano and Johnny Moore on bass, the sound of this band is one I’m pretty familiar with, having seen them perform on the R.D.S. music show last year. I absolutely adore them!
They started with the familiar intro to White Fox as they took to the stage, with bona fida space cadet McNamee dressed in a cloak and a King’s crown. If there’s ham in the sandwich it has to be him!
Anyway, they started off with this lovely number which is fast moving with a nice blend throughout, including a sweet chord combination, a catchy riff and an appealing refrain of I’m here in your hands. I liked this song. But I was even more intrigued when a big explosion of confetti came thundering down. I love theatrics and this won me over totally!
The next song was Click click boom. This has a bass dominated intro. Then the refrain of Break the chain, break the mould comes in. Niamh’s crystal clear vocals perform this number like a sultry Debbie Harry!
She sings the chorus with McNamee doing backing vocals and it’s almost like a mantra. People sing along with it and they held the entire Theatre in the palm of their hands.
St. Christopher – This song was laid back, with a divine baseline throughout. I thought about the name of this one and realised that the winner of the ‘Choice’ awards Jape has a song about Christopher in his set list too. This saint is getting some exposure through music!
I found Ham Sandwich hard to define or find a comparison with. Perhaps that is the thing that makes them special. They are very much their own genre/sound and whatever they do, this crowd in Andrews Lane couldn’t get enough of them.
For the next song Niamh took out a mini keyboard/ blow instrument. She also cracked a joke about McNamee’s costume having a hole in it at the arse. They went on with Out of the Darkness which is a new song. They sing two separate refrains which is very effective. Niamh does a solo on her melodica thing and with beautiful hooks. With such a lovely song; they were bound to get a positive response from the crowd, which they did.
They did Keep sake with a thumping beat, plucky guitar by McNamee and lovely lyrics; I turned my face to the rain, I still can’t ask you to stay. The chorus is memorable here, melody line to die for!
Broken Glass – Distortion packed intro, choppy beat, punk style with a slinkiness about it. McNamee’s voice is a bit like Radiohead’s lead vocalist. The blend of the male and female voices are the key factor in Ham Sandwich’s sound. They went on to do Never Talk with a bashing chord riff and a sweet chorus of my heart, my hands, my head, my feet. In this song I particularly loved the way the two voices seemed to sing two separate refrains.
Then they did Words which involved a really uplifting melody line!
This was a song I heard at the Music Exhibition last year.
Finally they did a fabulous rendition of the Kate Bush number; Running up the Hill!
The drummer smacked his sticks together, and then played on one single drum for this song. I felt this to be an awe inspiring cover of a classic number. Dara and I were unanimous about the fact that this was a perfect finishing touch. I was reeling with the excitement from a night that must be the best 1st of May party of my life!
All three bands proved the reason why the venue was packed to capacity. Well done to them and Phantom 105!
Tuesday, May 5, 2009
Ronnie (A story)
Ronnie
By Angela Macari O’Looney
Being the daughter of a successful band leader and multi musician, has its advantages along with its disadvantages.
For one thing, I spent my childhood surrounded by odd shaped cases containing various musical instruments, music stands, orchestrations, tapes and records, both vinyl and seventy eights that were heavy to hold and crackled loudly while being played on my Dad’s beloved record player.
Emilio Macari, my late father could play Piano- Accordion, keyboards, Sax, Clarinet, drums; the list is endless!
He also gave music lessons which could be quite tedious for us in such a tiny house, where we’d have to regularly endure squeaks or bum notes from the efforts of students over and over. On top of which the hours that a musician’s life involved, meant that we seldom saw him in the evenings or early mornings. Even in the afternoon, during his short break between gigs, he would go for a stroll around Dublin, or take in a matinee in the Savoy or Carlton Cinemas.
This was the irregular and unpredictable life of a Band leader and his family!
However, there was an upside to the hectic and demanding lifestyle he chose, which was that we had regular visits from very high profile figures in the business, who’d invariably call for the loan of a musical arrangement, a record or simply to discuss a forthcoming gig. Well known celebrities were an everyday occurrence for us kids. There was always a few of my Ma’s scones, ham sandwiches or a Gateaux Swiss Roll kept handy for such events.
My first memory of the late Ronnie Drew was on one of these occasions, when he called in unexpectedly for a chat. I was sitting on our hall table with my friend playing with dolls, when the knocker on the big hall door of our house rapped loudly. I jumped down, running to open it. Outside was a cheerful man with a beard and a grin, who simply said in a deep voice ‘Is Emilio there?’
My Dad came out and they went inside, talked and played records. When he was leaving, Ronnie pinched both my cheeks, laughed and said ‘Ah me oul’ Sagotia!’ affectionately.
Over the years I realised through T.V., the radio and parents of friends how famous this gentleman, who to us was just Da’s friend actually was!
Life is so funny! I joined Dublin Bus in 1982 and conducted the number 48A route for three years. My driver, a German called Bernt was a well known figure in the job, but he also had once been the Coach driver who took ‘The Dubliners’ on tour around Europe. What a coincidence!
I told him about my Dad’s long standing friendship with Ronnie and how we had had lots of visits from the bowld Mr. Drew when I was but a young lass!
My mother Maureen often told us of the many plays that my Dad took her to, when Ronnie was an actor, which was before his Dubliner days. One such play was ‘Richard’s Cork Leg’ and her anecdote about her reaction to the flowery language in it i.e. threatening to walk out, always makes me laugh!
Anyway, Bernt and I often swapped tales since he had many enjoyable drinking escapades, funny events and singing sessions to tell of. He also told me about the many beautiful places they toured in the good old days!
I became a bus driver in 1988 and Bernt and I parted company. But we kept in touch and some years later, he asked me if I’d like to go as his guest, to Ronnie Drew's house for Christmas Dinner. I was honoured and although it meant driving over snow covered Wicklow hills to get there, I will always remember the event as one of the nicest days of my life!
The Drew house was surprisingly similar to the house I grew up in, which sadly met a tragic fiery fate!
It had a big hall door and an airy hallway just like the one where I first met Ronnie. Inside, there were many people along with Deirdre his wife, his children and grandchild. At the table, I was given a choice of a traditional Christmas Dinner, or Salmon En croute. In the end I had a taste of both. Deirdre was a tremendously talented cook.
After the meal everyone gathered around a table in the sitting room where Ronnie took out his acoustic guitar. We sang and some who didn’t have to drive had a few drinks. I sipped a Coca Cola and just languished in the great man’s company as he sang lots of old favourite Dubliner numbers. I even got a chance to perform my humble rendition of Simon and Garfunkel’s ‘The Boxer’ on the beautiful guitar.
Bernt was miffed at how I had so much to discuss with Ronnie about my late father, my mother and my brother Eugene, whom he admired as one of the finest guitarist in the land.
Bernt, who never went far without a camera took photographs. I put one on the wall in my little house in Saggart, where I lived until I got married in 2003 and moved to Rathcoole. Somewhere among my photo albums it hides and occasionally pops out and I admire the lovely guitar in my hand, Ronnie Drew sitting beside me and the both of us singing away. I have another of him lifting his grandchild high in that way that grandads do.
On leaving the party that night, Ronnie asked if there were any recordings of my Dad that he could have. We only had a cassette at the time, with my Dad performing a few of his favourites on piano. My Mother wouldn’t part with it, but later on for her 80th birthday, my brother had it made into a c.d. There are only a few copies of which I have none alas!
The shock and disbelief I experienced last August on hearing of his passing, was overwhelming. Only a short time beforehand his beloved wife Deirdre had gone. Ronnie was ill for a while and he fought bravely. He appeared on a special tribute R.T.E. Late Late Show with lots of celebrities speaking of their claims to his friendship and inspiration. Proudly I told my husband of the happy memories I’m fortunate to have had, of this entertaining and unique man.
My mother and I were on pilgrimage in Lourdes France when the news came, of the death of our good friend. We shed tears and lit him a candle at the Grotto. I hope one day to see my dad Emilio and Ronnie gigging in that great big theatre in the sky!
R.I.P. me oul’ Sagotia!
By Angela Macari O’Looney
Being the daughter of a successful band leader and multi musician, has its advantages along with its disadvantages.
For one thing, I spent my childhood surrounded by odd shaped cases containing various musical instruments, music stands, orchestrations, tapes and records, both vinyl and seventy eights that were heavy to hold and crackled loudly while being played on my Dad’s beloved record player.
Emilio Macari, my late father could play Piano- Accordion, keyboards, Sax, Clarinet, drums; the list is endless!
He also gave music lessons which could be quite tedious for us in such a tiny house, where we’d have to regularly endure squeaks or bum notes from the efforts of students over and over. On top of which the hours that a musician’s life involved, meant that we seldom saw him in the evenings or early mornings. Even in the afternoon, during his short break between gigs, he would go for a stroll around Dublin, or take in a matinee in the Savoy or Carlton Cinemas.
This was the irregular and unpredictable life of a Band leader and his family!
However, there was an upside to the hectic and demanding lifestyle he chose, which was that we had regular visits from very high profile figures in the business, who’d invariably call for the loan of a musical arrangement, a record or simply to discuss a forthcoming gig. Well known celebrities were an everyday occurrence for us kids. There was always a few of my Ma’s scones, ham sandwiches or a Gateaux Swiss Roll kept handy for such events.
My first memory of the late Ronnie Drew was on one of these occasions, when he called in unexpectedly for a chat. I was sitting on our hall table with my friend playing with dolls, when the knocker on the big hall door of our house rapped loudly. I jumped down, running to open it. Outside was a cheerful man with a beard and a grin, who simply said in a deep voice ‘Is Emilio there?’
My Dad came out and they went inside, talked and played records. When he was leaving, Ronnie pinched both my cheeks, laughed and said ‘Ah me oul’ Sagotia!’ affectionately.
Over the years I realised through T.V., the radio and parents of friends how famous this gentleman, who to us was just Da’s friend actually was!
Life is so funny! I joined Dublin Bus in 1982 and conducted the number 48A route for three years. My driver, a German called Bernt was a well known figure in the job, but he also had once been the Coach driver who took ‘The Dubliners’ on tour around Europe. What a coincidence!
I told him about my Dad’s long standing friendship with Ronnie and how we had had lots of visits from the bowld Mr. Drew when I was but a young lass!
My mother Maureen often told us of the many plays that my Dad took her to, when Ronnie was an actor, which was before his Dubliner days. One such play was ‘Richard’s Cork Leg’ and her anecdote about her reaction to the flowery language in it i.e. threatening to walk out, always makes me laugh!
Anyway, Bernt and I often swapped tales since he had many enjoyable drinking escapades, funny events and singing sessions to tell of. He also told me about the many beautiful places they toured in the good old days!
I became a bus driver in 1988 and Bernt and I parted company. But we kept in touch and some years later, he asked me if I’d like to go as his guest, to Ronnie Drew's house for Christmas Dinner. I was honoured and although it meant driving over snow covered Wicklow hills to get there, I will always remember the event as one of the nicest days of my life!
The Drew house was surprisingly similar to the house I grew up in, which sadly met a tragic fiery fate!
It had a big hall door and an airy hallway just like the one where I first met Ronnie. Inside, there were many people along with Deirdre his wife, his children and grandchild. At the table, I was given a choice of a traditional Christmas Dinner, or Salmon En croute. In the end I had a taste of both. Deirdre was a tremendously talented cook.
After the meal everyone gathered around a table in the sitting room where Ronnie took out his acoustic guitar. We sang and some who didn’t have to drive had a few drinks. I sipped a Coca Cola and just languished in the great man’s company as he sang lots of old favourite Dubliner numbers. I even got a chance to perform my humble rendition of Simon and Garfunkel’s ‘The Boxer’ on the beautiful guitar.
Bernt was miffed at how I had so much to discuss with Ronnie about my late father, my mother and my brother Eugene, whom he admired as one of the finest guitarist in the land.
Bernt, who never went far without a camera took photographs. I put one on the wall in my little house in Saggart, where I lived until I got married in 2003 and moved to Rathcoole. Somewhere among my photo albums it hides and occasionally pops out and I admire the lovely guitar in my hand, Ronnie Drew sitting beside me and the both of us singing away. I have another of him lifting his grandchild high in that way that grandads do.
On leaving the party that night, Ronnie asked if there were any recordings of my Dad that he could have. We only had a cassette at the time, with my Dad performing a few of his favourites on piano. My Mother wouldn’t part with it, but later on for her 80th birthday, my brother had it made into a c.d. There are only a few copies of which I have none alas!
The shock and disbelief I experienced last August on hearing of his passing, was overwhelming. Only a short time beforehand his beloved wife Deirdre had gone. Ronnie was ill for a while and he fought bravely. He appeared on a special tribute R.T.E. Late Late Show with lots of celebrities speaking of their claims to his friendship and inspiration. Proudly I told my husband of the happy memories I’m fortunate to have had, of this entertaining and unique man.
My mother and I were on pilgrimage in Lourdes France when the news came, of the death of our good friend. We shed tears and lit him a candle at the Grotto. I hope one day to see my dad Emilio and Ronnie gigging in that great big theatre in the sky!
R.I.P. me oul’ Sagotia!
Saturday, May 2, 2009
Yellow
Coldplays Yellow
My review
This is an explosive song with a laid back beat. It's a contradiction in terms but there is something so special here that defines 'Coldplay' as a band!
I like how Chris Martin kinda yodles up and down the octavial spectrum with his way of defining the sound of this band!
It's so sweet! So complete!
There are splashes of guitar just there with this big resounding harmony laiden chorus of 'Ahhs' behind the middle eight. Wow!
Then the anthemic finality, a devoted laying down of emotion and finality! It's a laying of cards on the table story. 'I wrote a song, I wrote a song for you. What a thing to do and it was all yellow'!
Van Gogh would have loved this number!
My review
This is an explosive song with a laid back beat. It's a contradiction in terms but there is something so special here that defines 'Coldplay' as a band!
I like how Chris Martin kinda yodles up and down the octavial spectrum with his way of defining the sound of this band!
It's so sweet! So complete!
There are splashes of guitar just there with this big resounding harmony laiden chorus of 'Ahhs' behind the middle eight. Wow!
Then the anthemic finality, a devoted laying down of emotion and finality! It's a laying of cards on the table story. 'I wrote a song, I wrote a song for you. What a thing to do and it was all yellow'!
Van Gogh would have loved this number!
j.d.set finals
J.D. Set Finals
Crawdaddy 23/04/09
Angela Macari O’Looney
This battle of bands took place at my regular haunt and although it meant traipsing out in torrential rain, I was glad I made the effort!
On arrival I was welcomed by Luke Heffernan and other members of Floyd Soul and The Wolf, last year’s winners of the National Student Music awards. Also competing that night were four other excellent acts, some of whom I’ve seen perform before!
The show was introduced by Adam Murphy from Jack Daniels and Stranglers legend Hugh Cornwell. Up for grabs on the night was a coveted recording session at ‘Grouse Lodge Studios’ in L.A., along with a high profile support from the J.D. Set and a video shoot!
There was to be a draw also for a Fender Stratocaster guitar, signed by Hugh Cornwell!
The first band up were from Cork. The People describe themselves as ambitious, yet distinctive and passionate about their music which is Indie/Blues/ Reggae Rock. They are a trio who formed only a year ago and at the helm is lead singer Aidan O’Brien, who also plays bass!
On lead guitar is Alan Kidney, Brian O'Mahony on drums!
They played cheerful songs with catchy melody-lines and just the right measures of fluently performed riffs and hooks!
Cheeky vocals from Aidan and fab bassy bits along with bashing rhythm in most numbers exuded confidence and charisma. They reminded me of a cross between The View, The Kinks and The Kooks. Loved their set which included So Far Away, I know what love is, No Faith, Once upon a time in the West and Move On.
Floyd Soul and the Wolf
Being a big fan of this band, I was really excited when they took to the stage, with the imposing figure of lead vocalist Floyd Soul aka Luke Heffernan up front. A smiling and wonderfully inspiring lead guitarist, Deano performed his seamless riffs and short sweet solos throughout. Also bassist Simon Merriman and Ciaran Delaney the drummer, must be mentioned for magical baselines and beats! Among their songs were favourites such as Absinthe and Going away. They also did a sexy number called On Your Knees. Chords are really catchy, there’s a narrative performed by Luke in the middle. The music stops!
Then they do the chorus of ‘Baby baby, get down on your knees!’ which is sung with passion and ends with a big long drum roll!
It was a punchy set, charming everyone with their seductive melodies, loaded with pure unadulterated Rock ‘n’ Roll!
Next up were a truly unusual Duo called The Camogie Lovers. I got the feeling I’d seen them somewhere before. One way or another they managed to capture the full attention of the huge audience at Crawdaddy with their soulful performance.
They began with just vocals for a verse of A Pirates Life, harmony came in and with a minimal accompaniment on John Duignan’s guitar, singer Conall O’Breachain commanded and seduced the imaginations of the large crowd.
Although this act which is Alternative/ Indie/ Folk are limited with only two members, somehow they have an original appeal which is undeniable. They did another really lovely number called Poster Child, which was a little more upbeat than the first song.
The Chapman Society
These are an Indie/ Rock act, who look quite striking in black and white and have an ‘80s sound which is similar to The Smiths. They are Russell Keogh vocals/ Guitars, Sean Kavanagh Vocals/ Guitars, Ross O’Connor Drums and Liam Quinn Bass. They have released their debut E.P. Grenade!
This band use layered melodies, driven by a blistering rhythm section and punchy guitars. They did an upbeat set and really impressed me. Upon hearing them I felt that this competition was going to be close. I didn’t envy the judges with such a high standard in every contestant!
With an adorable frontman in Dean Regan, Punk/Indie band The Red Labels were next. This exciting raw rock n roll band exploded into a screaming adrenaline packed set. Sliding screaming guitar riffs and hammering beats, along with a powerful vocalist left everybody reeling!
This band are Dean Regan vocals, Conor McGivern drums and Richie Martin bass.
They have a growing fanbase and recently recorded their first release The Silence Breaks, which has excited the ears of producers Guy Massey and Jason Donaghy. I like the foot stomping style of You Know, the mad fast moving Ticker tape and the general mayhem and f.. k you style of their stuff!
As the last performance of the night this band made sure not to be ignored with Dean doing lots of high jinx and athletics as he sang!
This wasn’t going to be an easy choice and while the judges were deliberating, the draw took place for the beautiful black Fender Stratocaster with the Jack Daniels logo splashed all over it!
There were a couple of false starts but eventually a winner was picked ( not me unfortunately) and soon it was time for the news we were waiting for!
It was hard not to be torn in five directions, but I was rooting for my pals Floyd Soul. However I felt very privileged to have been a part of such a class night, with top acts taking part!
The judges announced that their decision was unanimous. The winners of the J.D. Set 2009 were the lovely Camogie Lovers. The two boys were extremely happy and after lots of photos and handshakes they performed their beautiful composition A Pirates Life one more time. Perhaps this young pair appealed to the judges for the fact that they show such promise, spirit and that innovativeness that makes a songwriter’s work timeless and unforgettable. As a nation this country’s cup overflows with artists and composers like this and it’s nice that now and again, it’s given the recognition it deserves.
Well done to the finalists for getting there and for giving this music lover a wonderful evening’s entertainment!
Crawdaddy 23/04/09
Angela Macari O’Looney
This battle of bands took place at my regular haunt and although it meant traipsing out in torrential rain, I was glad I made the effort!
On arrival I was welcomed by Luke Heffernan and other members of Floyd Soul and The Wolf, last year’s winners of the National Student Music awards. Also competing that night were four other excellent acts, some of whom I’ve seen perform before!
The show was introduced by Adam Murphy from Jack Daniels and Stranglers legend Hugh Cornwell. Up for grabs on the night was a coveted recording session at ‘Grouse Lodge Studios’ in L.A., along with a high profile support from the J.D. Set and a video shoot!
There was to be a draw also for a Fender Stratocaster guitar, signed by Hugh Cornwell!
The first band up were from Cork. The People describe themselves as ambitious, yet distinctive and passionate about their music which is Indie/Blues/ Reggae Rock. They are a trio who formed only a year ago and at the helm is lead singer Aidan O’Brien, who also plays bass!
On lead guitar is Alan Kidney, Brian O'Mahony on drums!
They played cheerful songs with catchy melody-lines and just the right measures of fluently performed riffs and hooks!
Cheeky vocals from Aidan and fab bassy bits along with bashing rhythm in most numbers exuded confidence and charisma. They reminded me of a cross between The View, The Kinks and The Kooks. Loved their set which included So Far Away, I know what love is, No Faith, Once upon a time in the West and Move On.
Floyd Soul and the Wolf
Being a big fan of this band, I was really excited when they took to the stage, with the imposing figure of lead vocalist Floyd Soul aka Luke Heffernan up front. A smiling and wonderfully inspiring lead guitarist, Deano performed his seamless riffs and short sweet solos throughout. Also bassist Simon Merriman and Ciaran Delaney the drummer, must be mentioned for magical baselines and beats! Among their songs were favourites such as Absinthe and Going away. They also did a sexy number called On Your Knees. Chords are really catchy, there’s a narrative performed by Luke in the middle. The music stops!
Then they do the chorus of ‘Baby baby, get down on your knees!’ which is sung with passion and ends with a big long drum roll!
It was a punchy set, charming everyone with their seductive melodies, loaded with pure unadulterated Rock ‘n’ Roll!
Next up were a truly unusual Duo called The Camogie Lovers. I got the feeling I’d seen them somewhere before. One way or another they managed to capture the full attention of the huge audience at Crawdaddy with their soulful performance.
They began with just vocals for a verse of A Pirates Life, harmony came in and with a minimal accompaniment on John Duignan’s guitar, singer Conall O’Breachain commanded and seduced the imaginations of the large crowd.
Although this act which is Alternative/ Indie/ Folk are limited with only two members, somehow they have an original appeal which is undeniable. They did another really lovely number called Poster Child, which was a little more upbeat than the first song.
The Chapman Society
These are an Indie/ Rock act, who look quite striking in black and white and have an ‘80s sound which is similar to The Smiths. They are Russell Keogh vocals/ Guitars, Sean Kavanagh Vocals/ Guitars, Ross O’Connor Drums and Liam Quinn Bass. They have released their debut E.P. Grenade!
This band use layered melodies, driven by a blistering rhythm section and punchy guitars. They did an upbeat set and really impressed me. Upon hearing them I felt that this competition was going to be close. I didn’t envy the judges with such a high standard in every contestant!
With an adorable frontman in Dean Regan, Punk/Indie band The Red Labels were next. This exciting raw rock n roll band exploded into a screaming adrenaline packed set. Sliding screaming guitar riffs and hammering beats, along with a powerful vocalist left everybody reeling!
This band are Dean Regan vocals, Conor McGivern drums and Richie Martin bass.
They have a growing fanbase and recently recorded their first release The Silence Breaks, which has excited the ears of producers Guy Massey and Jason Donaghy. I like the foot stomping style of You Know, the mad fast moving Ticker tape and the general mayhem and f.. k you style of their stuff!
As the last performance of the night this band made sure not to be ignored with Dean doing lots of high jinx and athletics as he sang!
This wasn’t going to be an easy choice and while the judges were deliberating, the draw took place for the beautiful black Fender Stratocaster with the Jack Daniels logo splashed all over it!
There were a couple of false starts but eventually a winner was picked ( not me unfortunately) and soon it was time for the news we were waiting for!
It was hard not to be torn in five directions, but I was rooting for my pals Floyd Soul. However I felt very privileged to have been a part of such a class night, with top acts taking part!
The judges announced that their decision was unanimous. The winners of the J.D. Set 2009 were the lovely Camogie Lovers. The two boys were extremely happy and after lots of photos and handshakes they performed their beautiful composition A Pirates Life one more time. Perhaps this young pair appealed to the judges for the fact that they show such promise, spirit and that innovativeness that makes a songwriter’s work timeless and unforgettable. As a nation this country’s cup overflows with artists and composers like this and it’s nice that now and again, it’s given the recognition it deserves.
Well done to the finalists for getting there and for giving this music lover a wonderful evening’s entertainment!
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