Grades of Shade
OK 4 U Album launch,
Crawdaddy 10/10/09
Angela Macari O’Looney
Experimental outfit Grades of Shade celebrated the launch of their new album O.K. 4 U in one of my favourite haunts on Saturday October 10th. A week or two before this, it was suggested to me to give them a listen on My Space.
I was impressed with their sound, despite the fact that I’m not a big fan of anything involving rap and sometimes find electronic music monotonous. I expected to tire of this band after a couple of songs, but instead was dancing around my kitchen as I listened to Hazel’s exciting vocals, which blend excellently with JMC (rapper extraordinaire), who has real charisma. This band’s music has been described as a cross between Massive Attack and Groove Armada.
I decided then and there that I was going to see them and experience this new and sensational act live. Hazel Peters – Vox, JMC – MC/ Percussion, Paul Maguire – Guitars/Backing Vox, Robbie Stanley – Electronic Bass/Microkorg and Eugene Somers – Programming/Drums/Percussion are the team behind the sound and they gave me a warm welcome as I arrived and introduced myself. I made sure to explain that I am not usually into the style of music they do, but added that they definitely have touched a nerve and I’m slowly becoming addicted.
After my meeting with these friendly people, I headed into the gig venue to hear the two support acts.
Stewart Kenny
Stewart provided us with a pleasant acoustic set, accompanied by a female guitarist. He started his short programme, which included songs from his album I’ve fallen so far.
The Prom Queen – With his crisp voice, Stewart sang this upbeat song with its catchy melody line and a nice keychange for the last chorus.
He continued with Seize the moment. This has great chords, lyrics and involves lovely bits of guitar throughout.
Thousand Miles has close harmony and the intricate guitar played here by his companion was impressive.
He did Over the Edge, Strange, plus another song called The Blood on the Wall’s still wet , finishing with Midnight Sun. Robbie and Eugene joined in with bass and drums for the last two songs and you could definitely hear the difference, with the full sound which brought things to life!
Tiny Magnetic Pets
With a very attractive front woman in Paula Gilmer, this act performed a cheerful dance set. I wasn’t here reminds me a little of the style of O.M.D. , a band I danced to years ago.
Described as Live Electronics/Ambient/Electro acoustic, this music involves lots of space age sound effects. Sean Quinn is behind all of this on E Piano, Melotron, Guitar and Pre set drums. James is the acoustic drummer.
Paula’s vocals have an angelic quality, but become more dynamic for the chorus of a song. The combination of this and the throbbing electronic sound is interesting and you can’t help but move to it. She also has a nice personality and interacted with the audience well.
Love is a Stranger – I like the bassy sound that continues throughout this cover. I particularly enjoyed the chorus and it got a very positive response from the growing audience.
Girl in a White Dress – This song was by far my favourite from this band. At times I felt that there’s a resemblance in Paula to Debbie Harry, although she has a softer sound. This band has a way of maintaining simplicity where melodies are concerned. I like this soothing style. I truly enjoyed all of their set and by now was really looking forward to the stars of the show.
Grades of Shade
Opening with Hot from O.K. 4 U, Hazel and the gang arrived onstage. Males and females alike in the audience connected with this gorgeous lady, leather clad with tumbling tresses of mahogany hair and a voice that seems to have an unequivocal range. Behind her, the band were alive from the get go, lots of exciting electronic stuff going on, a great beat from Eugene with plenty of drum rolls and JMC throwing in his short narrative. Soulful and seductive, this was a fab choice to get the party started!
Dirty – This has a rhythmic intro, a sexy baseline and a choppy beat and as Hazel sings the verse, lots of dirty distortion packed riffs from Paul and bass a la Robbie help create the mood. They have a big sound and as Hazel does her sexy moves the crowd go wild.
Reality – This riveting piece of music is for me, one of their best. Lots of distortion packed guitar, lively percussion and beats, not forgetting the wonderful sounds created by JMC, adding to this sleazy but haunting number. Bongos are played by Gary O’Brien, Republic of Loose percussionist who performs live with GOS for this type of song.
This song was recorded as a double A sided single with another song – Ejector seat.
Impossible is nothing
JMC leads this number, which has wistful lyrics. Lots of plucked rhythmic notes and super chords are played on guitar with a divine baseline, there’s a choppy beat and Hazel comes in for the chorus. I love this and the lyrics are great Take it to the limits, in any f..ng weather and only rip it up if you can stick it back together. It goes on in this philosophical vein and I must admit, I became a convert to rap watching the two perform this so well!
Hazel talked to the audience, thanking them for coming to the gig when most people were glued to the Ireland v Italy match. Producer Cormac Moore gave updates as the night was progressing. I found myself admiring the plethora of fancy guitars lined up for both Paul and Robbie, ready for action.
Sore – This begins with a lone baseline, Hazel coming in with the verse. The beat alternates in the chorus each time she sings ‘Sore’. This I love!
Middle eight is sung and is funky and appealing.
Some very effective sampling is used for certain numbers and I particularly enjoyed the intro in the next song which was It’s over.
This is a sad love song, sung with a lot of emotion by Hazel, beautiful trickling guitar in the background and wonderful sound effects throughout.
Come home begins slow but builds up. A catchy riff is continuously played throughout, with sampling very effective. The melody line is sweet and some pretty harmony is included too.
Grades of Shade did a lengthy set, which included most of their songs from the fab new album. Tizwas, Ejector Seat, Higher and GOSOK4U all included hair raising electro stuff, promo lyrics you can forgive when sung by Hazel’s powerful dynamic voice, plenty of audience participation for the words ‘Grades of Shade O.K. 4 U’ and what I also noticed was the way that each musician seemed to be really lost in the music and enjoying himself.
They of course got an encore and did three pieces. One was JMC performing alone, with Bongos played by two people accompanying him. He had this shaker percussion instrument for the short, sweet rap.
Then they did a slow number called Live on air with lots going on in it, really catchy harmony and during this Hazel introduced each band member.
Bleed was the finale for this show which I enjoyed from start to finish. JM, Hazel and the guitarists danced around for this song, which has a feel good quality to it. Bass was delicious and the crazy sound effects were delightful. It has a cool dance beat and everyone hopped around enjoying the ambience.
Hazel and Eugene both thanked all for their support, in particular Cormac Moore, who was previously involved with hit band Republic of Loose and discovered GOS, investing his energy into getting them off the ground. His faith is being rewarded big time, in my opinion because in such a competitive music industry, it requires something more than just sheer determination and skill. There has to be a magic, a spark that is there or isn’t. Like the cover art of the new album, this band are colourful, harmonious and vivacious and will continue to gain new supporters like me with their easy –to- listen- to sound.
Tuesday, October 20, 2009
Monday, October 12, 2009
Epock Rising
Epoch Rising
Angela Macari O’Looney
Blistering guitar solos, well constructed original numbers and a fire packed performance from start to finish are the ethos of Epoch Rising, a new and refreshing Irish Rock band, who are slowly but surely building up a following.
Members hail from Dublin, Cork, Waterford and Offaly and each are quality musicians and singers as you will discover on hearing their songs on My Space, or their recently released debut single 10, available on I Tunes.
Influences include Queens of the Stone Age, Foo Fighters, Faith No More, and Wildhearts. Musicians are Sean Ahearn – Vocals/Guitars/ Programming, Harry Prendergast – Vocals/ Guitars/ Visuals and Laurence Moloney – Drums.
One vital advantage is that both Sean and Harry previously fronted their own bands, with the result being an exciting blend of vocals harmonized like a fine tuned instrument in every number. When asked to describe their sound they say it’s energetic with a dark, feel-good edge.
10
This begins with the haunting refrain ‘it’s over’, building up to the intro which is a plucky lead riff. This is a fast moving cheerful song. Melody is catchy, chorus sweet. The riff throughout frames the whole scene, with a lively, exciting guitar break which hits the right spot.
Silence
The harmony is just excellent in this dramatic number, especially in the explosive chorus. A key riff is played throughout; lead solo is memorable but short. Middle eight involves choppy guitar chords, with an echo of I want it all. In this song I feel there’s a pleasant mix of up- to- the- minute Rock infused with a tincture of good old fashioned head banging with your air guitar stuff!
Contact
Vocals are exceptional in this number. It goes from trickling lead in one line, to burst into bashing chords for the next. The melody as in all their songs is memorable and I like the way the words Make contact a storm is rising is sung quietly, building up to a fast urgent chorus with equally fieriness in the accompanying guitars, like you’ve hit the eye of the storm!
Leave it all behind
A slower song, this is laid back with delicious harmony, a pretty melody and excellent lyrics. The chorus is particularly beautiful. There’s a part where the lads sing ‘Ahs’ in almost choral style. Instruments drop back and it’s hairs on the back of your neck stuff.
Listening to these few numbers by Epoch Rising has made me want to hear them over and over. They are a unique gem indeed, in an industry that has turned around and is resurrecting lots of classic styles and leans towards good song writing technique and true musicianship as opposed to good looks and tight butts.
Angela Macari O’Looney
Blistering guitar solos, well constructed original numbers and a fire packed performance from start to finish are the ethos of Epoch Rising, a new and refreshing Irish Rock band, who are slowly but surely building up a following.
Members hail from Dublin, Cork, Waterford and Offaly and each are quality musicians and singers as you will discover on hearing their songs on My Space, or their recently released debut single 10, available on I Tunes.
Influences include Queens of the Stone Age, Foo Fighters, Faith No More, and Wildhearts. Musicians are Sean Ahearn – Vocals/Guitars/ Programming, Harry Prendergast – Vocals/ Guitars/ Visuals and Laurence Moloney – Drums.
One vital advantage is that both Sean and Harry previously fronted their own bands, with the result being an exciting blend of vocals harmonized like a fine tuned instrument in every number. When asked to describe their sound they say it’s energetic with a dark, feel-good edge.
10
This begins with the haunting refrain ‘it’s over’, building up to the intro which is a plucky lead riff. This is a fast moving cheerful song. Melody is catchy, chorus sweet. The riff throughout frames the whole scene, with a lively, exciting guitar break which hits the right spot.
Silence
The harmony is just excellent in this dramatic number, especially in the explosive chorus. A key riff is played throughout; lead solo is memorable but short. Middle eight involves choppy guitar chords, with an echo of I want it all. In this song I feel there’s a pleasant mix of up- to- the- minute Rock infused with a tincture of good old fashioned head banging with your air guitar stuff!
Contact
Vocals are exceptional in this number. It goes from trickling lead in one line, to burst into bashing chords for the next. The melody as in all their songs is memorable and I like the way the words Make contact a storm is rising is sung quietly, building up to a fast urgent chorus with equally fieriness in the accompanying guitars, like you’ve hit the eye of the storm!
Leave it all behind
A slower song, this is laid back with delicious harmony, a pretty melody and excellent lyrics. The chorus is particularly beautiful. There’s a part where the lads sing ‘Ahs’ in almost choral style. Instruments drop back and it’s hairs on the back of your neck stuff.
Listening to these few numbers by Epoch Rising has made me want to hear them over and over. They are a unique gem indeed, in an industry that has turned around and is resurrecting lots of classic styles and leans towards good song writing technique and true musicianship as opposed to good looks and tight butts.
Sunday, September 6, 2009
Latitude
Latitude
The Bloody Stream, Howth
28/08/09
By Angela Macari O’Looney
As I walked into this cosy tavern under the Dart terminus in Howth, I was met with a huge backdrop behind the stage, depicting a winged Goddess surrounded by Zombies on horseback. There was an air of excitement about the place, as the boys from Latitude were setting themselves up for what looked like a busy night.
In this small venue I wondered how you’d get a good crowd in, but as the night unfolded I realised that the audience also included anyone sitting outside at the smoking area, who could enjoy the show just the same through the windows and with a small amount of seating inside, it was a case of standing room only apart from a couple of bar stools.
Made up of five members; Ian O’Reilly/Vocals, Chris McDonnell/ Guitar, Dan McAleese/guitar, Philip Doyle/ Bass and Mark Verling/ Drums & Sax, this band hail from North Dublin and consider themselves a mixed cauldron of styles. With Rock/Blues influences and lots of charisma, they instantly brought to mind a favourite band of mine, Jaded Sun. Lots of old and new acts filter through their songs such as Zeppelin, Guns and Roses, AC/DC and many more. They are young, gorgeous and seem to have everything going for them and this was my first taste of their music live. I couldn’t wait for the show to start!
Sugar Rush
Twin guitar riffs, distortion throughout, a screaming lead solo and a fast moving beat, this was a fabulous number to start on.
Highs & Lows
The riff intro in this is seductive and is done by two guitars in synch. It has a classic rock beat which is fast, a catchy chorus with the now familiar riff repeated in the background, sweet flourishes on lead guitar and bass to die for throughout. Philip was a bit squashed into the background but his baselines are certainly not subdued. Harmony is cool here and Ian’s vocals are excellent. There’s a fantastic screaming solo. This song blows me away!
Blackout
One or two technical hitches had to be fixed up before the guys continued. That was sorted out and they started with a sweet intro, which got a big cheer from the crowd who were treated to a few hi jinx a la Phil on bass, to keep them amused. He got a big cheer and as soon as they launched into the next song, they got a huge response from the now warmed up audience. Is it Brian Johnson or Jon Bon I hear in Ian’s voice? Whichever it is, he gives a clear and appealing delivery of each number. Tricky guitar bits, a slow down for the middle eight and yet another amazing lead solo.
Ian asked does anyone here like the Beatles and my hand shot up. I was totally bursting with delight when I heard the intro to Get Back.
Chris sang the chorus along with Ian here. Bassist does a lot of exciting stuff and those sexy guitar chords that get me every time I hear this classic are phenomenal and I give them top marks for a fab rendition of it!
Lexi
This is a slower number and I wasn’t sure about the sound in this one. There seemed to be a bit of an imbalance. However, this song has a Guns and Roses style melody and I really enjoyed the guitar solo.
Boneyard Blues
Slinky ZZ Top type number, with distortion all over the place, fluently played riffs and hooks and Chris performs a sweet riff, while Dan plays a sexy lead solo. They then do a twin guitar solo and it’s absolutely perfect.
Phil, who is no shy violet, also gets a look in here and you just know that Latitude’s general sound employs a lot of elaborate baselines which are his forte.
Walk this Way (Aerosmith Cover)
A popular number with young rock crowds, this number went down a treat. Ian does a great job of the vocals, which my guest remarked have a tinge of Robert Plant about them and he certainly has charm and a way with an audience.
The place was hopping and you could feel how much these guys love what they do. They definitely have something and there is a void in the current music scene where this kind of rock is concerned, that I think they’ll fill beautifully.
Phil’s song
Chris sings the lead vocals in this song. Big resounding chords in the verse and generally a sweet number, it went down well.
Beat it (Michael Jackson cover)
This was an unexpected extra and was performed as a sign of respect for the great man himself R.I.P.
I wondered how they’d carry it off. Ian performs his less squeaky version of the popular number and the chords and lead were all done seamlessly. Not an easy task either!
Dark Heart Blues
About a walk on the beach, this number has a trickling lead intro and develops into a moody strut, with a choppy beat. Phil got a nice bit of bass in and those bending notes on lead supplied a sexy backdrop. Dry ice lends atmosphere and both I and my friend agreed that it was the best number of the whole evening. Melody is divine and Ian’s vocals at their best.
They did yet another cover Brown Sugar ( Rolling Stones) and then Bloody Mary which has a lovely intro. This fast song involves some juicy lead and is explosive and memorable. Chord combinations are delicious and a blistering solo is done, plus more twin guitar riffs that I can never get enough of. The chorus involves a key change and is just excellent.
Tigers
The whole place was fogged up with dry ice as the lads began this song. Busy bass, distortion laden riffs and a catchy melody, it’s a fast and cheeky number. The guitars are everything here and Ian’s vocals pretty special, but his mike was a little too quiet. This adrenaline packed song is well written, has a fantastic solo, is explosive and I love the lyrics; She’s a tiger, she got dirty dreams inside her.
Lifeline starts quietly, but builds up. This was a good choice for a last song with a screaming solo in the middle and a big rolling finish.
They got an encore and did ‘Walk this way’ one more time and were pestered to do more. I thought I’d mention to the drummer how I felt they had a sound like Jaded Sun’s and was thrilled to bits when he told me he knew Gavin, their drummer and that their next big gig was going to be in The Village, with none other than Jaded Sun. If I can make it, I think that would be a double whammy for sure.
The Bloody Stream, Howth
28/08/09
By Angela Macari O’Looney
As I walked into this cosy tavern under the Dart terminus in Howth, I was met with a huge backdrop behind the stage, depicting a winged Goddess surrounded by Zombies on horseback. There was an air of excitement about the place, as the boys from Latitude were setting themselves up for what looked like a busy night.
In this small venue I wondered how you’d get a good crowd in, but as the night unfolded I realised that the audience also included anyone sitting outside at the smoking area, who could enjoy the show just the same through the windows and with a small amount of seating inside, it was a case of standing room only apart from a couple of bar stools.
Made up of five members; Ian O’Reilly/Vocals, Chris McDonnell/ Guitar, Dan McAleese/guitar, Philip Doyle/ Bass and Mark Verling/ Drums & Sax, this band hail from North Dublin and consider themselves a mixed cauldron of styles. With Rock/Blues influences and lots of charisma, they instantly brought to mind a favourite band of mine, Jaded Sun. Lots of old and new acts filter through their songs such as Zeppelin, Guns and Roses, AC/DC and many more. They are young, gorgeous and seem to have everything going for them and this was my first taste of their music live. I couldn’t wait for the show to start!
Sugar Rush
Twin guitar riffs, distortion throughout, a screaming lead solo and a fast moving beat, this was a fabulous number to start on.
Highs & Lows
The riff intro in this is seductive and is done by two guitars in synch. It has a classic rock beat which is fast, a catchy chorus with the now familiar riff repeated in the background, sweet flourishes on lead guitar and bass to die for throughout. Philip was a bit squashed into the background but his baselines are certainly not subdued. Harmony is cool here and Ian’s vocals are excellent. There’s a fantastic screaming solo. This song blows me away!
Blackout
One or two technical hitches had to be fixed up before the guys continued. That was sorted out and they started with a sweet intro, which got a big cheer from the crowd who were treated to a few hi jinx a la Phil on bass, to keep them amused. He got a big cheer and as soon as they launched into the next song, they got a huge response from the now warmed up audience. Is it Brian Johnson or Jon Bon I hear in Ian’s voice? Whichever it is, he gives a clear and appealing delivery of each number. Tricky guitar bits, a slow down for the middle eight and yet another amazing lead solo.
Ian asked does anyone here like the Beatles and my hand shot up. I was totally bursting with delight when I heard the intro to Get Back.
Chris sang the chorus along with Ian here. Bassist does a lot of exciting stuff and those sexy guitar chords that get me every time I hear this classic are phenomenal and I give them top marks for a fab rendition of it!
Lexi
This is a slower number and I wasn’t sure about the sound in this one. There seemed to be a bit of an imbalance. However, this song has a Guns and Roses style melody and I really enjoyed the guitar solo.
Boneyard Blues
Slinky ZZ Top type number, with distortion all over the place, fluently played riffs and hooks and Chris performs a sweet riff, while Dan plays a sexy lead solo. They then do a twin guitar solo and it’s absolutely perfect.
Phil, who is no shy violet, also gets a look in here and you just know that Latitude’s general sound employs a lot of elaborate baselines which are his forte.
Walk this Way (Aerosmith Cover)
A popular number with young rock crowds, this number went down a treat. Ian does a great job of the vocals, which my guest remarked have a tinge of Robert Plant about them and he certainly has charm and a way with an audience.
The place was hopping and you could feel how much these guys love what they do. They definitely have something and there is a void in the current music scene where this kind of rock is concerned, that I think they’ll fill beautifully.
Phil’s song
Chris sings the lead vocals in this song. Big resounding chords in the verse and generally a sweet number, it went down well.
Beat it (Michael Jackson cover)
This was an unexpected extra and was performed as a sign of respect for the great man himself R.I.P.
I wondered how they’d carry it off. Ian performs his less squeaky version of the popular number and the chords and lead were all done seamlessly. Not an easy task either!
Dark Heart Blues
About a walk on the beach, this number has a trickling lead intro and develops into a moody strut, with a choppy beat. Phil got a nice bit of bass in and those bending notes on lead supplied a sexy backdrop. Dry ice lends atmosphere and both I and my friend agreed that it was the best number of the whole evening. Melody is divine and Ian’s vocals at their best.
They did yet another cover Brown Sugar ( Rolling Stones) and then Bloody Mary which has a lovely intro. This fast song involves some juicy lead and is explosive and memorable. Chord combinations are delicious and a blistering solo is done, plus more twin guitar riffs that I can never get enough of. The chorus involves a key change and is just excellent.
Tigers
The whole place was fogged up with dry ice as the lads began this song. Busy bass, distortion laden riffs and a catchy melody, it’s a fast and cheeky number. The guitars are everything here and Ian’s vocals pretty special, but his mike was a little too quiet. This adrenaline packed song is well written, has a fantastic solo, is explosive and I love the lyrics; She’s a tiger, she got dirty dreams inside her.
Lifeline starts quietly, but builds up. This was a good choice for a last song with a screaming solo in the middle and a big rolling finish.
They got an encore and did ‘Walk this way’ one more time and were pestered to do more. I thought I’d mention to the drummer how I felt they had a sound like Jaded Sun’s and was thrilled to bits when he told me he knew Gavin, their drummer and that their next big gig was going to be in The Village, with none other than Jaded Sun. If I can make it, I think that would be a double whammy for sure.
Sunday, August 30, 2009
The Angel Pier
The Angel Pier
Whelan’s 07/08/09
Angela Macari O’Looney
In celebration of the release of their new limited edition 7” single Belong/Align the Seas, Darragh, Vinny, Luke and Mark hosted a really enjoyable gig, with special guests The Murder Clues to get the party started. I was really excited about seeing two of my favourite acts on the same night.
Three parts Irish to one part Canadian, The Angel Pier are a charming act that know how to totally enjoy performing and also have an ability to seduce the listener with soothing vocals and fluent guitar riffs aplenty.
Described by some as having ‘the sheer guts to make music that they genuinely want to’, this band have clocked up lots of exciting appearances since I last saw them at the beginning of ’09, including performing on The New Sounds Stage at Oxygen, appearing at Castlepalooza and Co-headlining a tour around Ireland with ‘The Kinetiks’.
The Murder Clues
Kicking off the night, this band that was formerly known as ‘Bravado’ unhesitatingly launched into their first number The Sound of Sirens which had a fast beat. Their second song Sticks and stones had noticeable harmony, fab bass and a catchy chorus. After this the place began to fill up and the lads seemed to get into their set and come alive.
I wondered would they only do new songs, but I was pleasantly surprised when they did Too tired to sleep which I love. Brian encouraged the audience to move closer to the stage. Revenge is not enough was next with sweet little riffs in it, a strut style beat and a delightful melody line.
Artificial Angels shows off Brian’s vocals and is probably one of my favourites from this band.
In Control
This is fairly new. Brian performs a lovely bit in falsetto here. Milky does a particularly special riff on lead, Corcy plays a snazzy solo on bass and the build up to the finish is dramatic.
Any other way
Bassy intro and a gorgeous riff take you into this fast moving, cheeky number. It has sarcastic lyrics. Bass in the middle is so delightful and then they go into this punk beat which is fun and makes you want to dance around.
The Murder Clues recently launched their new single Things that by myself I just can’t find. This was next with some unique chord combinations and a lead solo that’s short but extremely sweet. There’s an echo style chorus where Brian does a line and backing vocals repeat it.
Runnin’
The best bit about this is the beat and the riff intro. It’s choppy, with a chorus that is fun and it’s one of those songs you can never get enough of. Members of The Murder Clues are Brian /Vocals, Kev Guitar/ Vocals, Milky/Guitar, Gaz/ Drums and Corcy/ Bass.
They finished up with Manic. Influences include Arctic Monkeys, The Libertines and The Who. They are a band who seem to pop up a lot at gigs I go to and are always a pleasure to watch perform and a wonderful choice to get the party started for the main act.
The Angel Pier
The fab four took to the stage to shouts of approval from a now healthy sized audience, starting their set with You’re right. Vinny Redmond (Bass) harmonizes and trickling notes on lead guitar (Luke Pouch) create the perfect backdrop for Darragh’s powerful delivery of the first number.
Belong is on the new 7” E.P. and has a slow intro, picking up speed and becoming more dynamic. A rhythmic riff on guitar brings it to life, harmony filtering into the chorus. This is truly a feel good song.
Pray has some interesting chord combinations and a delectable chorus.
Align the Seas was introduced by Darragh as he mentioned that it was on the new E.P. Gorgeous guitar notes are strummed for the intro. Darragh’s use of falsetto in the chorus adds sweetness. The use of the higher octave against the background vocals which are sung in the lower octave is a very effective tool and also I noticed in the middle eight, a pullback of instruments which leaves just vocals with close harmony for a few bars and gradually each instrument returns, taking the whole piece to a big crescendo finish.
For no Man
Certain numbers in their repertoire such as this one would remind me a little of Coldplay. Darragh’s voice is light here and there’s an uplifting quality to the verse.
Although the melody is sweet, this song becomes more explosive as it develops. There’s a sliding note that’s sung in harmony just before the finish, which is gorgeous.
Make, Sacrifice and Bullet were also among the many wonderful songs that were performed at this gig. That special ‘Je ne sais quoi’ which The Angel Pier posess inspires a cheerful atmosphere and as the night went on they seemed to just get better and better.
I wondered would they perform my favourite number Sprites when they returned for a well deserved encore at the end of the gig. They must have heard me shout for it as they left the stage, because they did it. As I heard the first notes being plucked on guitar, I recognised it.
Darragh’s delivery of this song is flawless and like most of their songs, it builds up from a softer beginning, to a dynamic Anthem with bashing chords and an appealing melody.
We were treated to yet another number called Scribbles.
Darragh and the lads have a certain charm, which has already taken them to heady heights and gigs that many bands only get to dream about. I discovered them almost a year ago and have since become a fan. I hope to have lots of future opportunities to see them live, especially after this my second experience of them at Whelan’s.
Cheers to The Angel Pier and The Murder Clues for a magnificent evening.
Whelan’s 07/08/09
Angela Macari O’Looney
In celebration of the release of their new limited edition 7” single Belong/Align the Seas, Darragh, Vinny, Luke and Mark hosted a really enjoyable gig, with special guests The Murder Clues to get the party started. I was really excited about seeing two of my favourite acts on the same night.
Three parts Irish to one part Canadian, The Angel Pier are a charming act that know how to totally enjoy performing and also have an ability to seduce the listener with soothing vocals and fluent guitar riffs aplenty.
Described by some as having ‘the sheer guts to make music that they genuinely want to’, this band have clocked up lots of exciting appearances since I last saw them at the beginning of ’09, including performing on The New Sounds Stage at Oxygen, appearing at Castlepalooza and Co-headlining a tour around Ireland with ‘The Kinetiks’.
The Murder Clues
Kicking off the night, this band that was formerly known as ‘Bravado’ unhesitatingly launched into their first number The Sound of Sirens which had a fast beat. Their second song Sticks and stones had noticeable harmony, fab bass and a catchy chorus. After this the place began to fill up and the lads seemed to get into their set and come alive.
I wondered would they only do new songs, but I was pleasantly surprised when they did Too tired to sleep which I love. Brian encouraged the audience to move closer to the stage. Revenge is not enough was next with sweet little riffs in it, a strut style beat and a delightful melody line.
Artificial Angels shows off Brian’s vocals and is probably one of my favourites from this band.
In Control
This is fairly new. Brian performs a lovely bit in falsetto here. Milky does a particularly special riff on lead, Corcy plays a snazzy solo on bass and the build up to the finish is dramatic.
Any other way
Bassy intro and a gorgeous riff take you into this fast moving, cheeky number. It has sarcastic lyrics. Bass in the middle is so delightful and then they go into this punk beat which is fun and makes you want to dance around.
The Murder Clues recently launched their new single Things that by myself I just can’t find. This was next with some unique chord combinations and a lead solo that’s short but extremely sweet. There’s an echo style chorus where Brian does a line and backing vocals repeat it.
Runnin’
The best bit about this is the beat and the riff intro. It’s choppy, with a chorus that is fun and it’s one of those songs you can never get enough of. Members of The Murder Clues are Brian /Vocals, Kev Guitar/ Vocals, Milky/Guitar, Gaz/ Drums and Corcy/ Bass.
They finished up with Manic. Influences include Arctic Monkeys, The Libertines and The Who. They are a band who seem to pop up a lot at gigs I go to and are always a pleasure to watch perform and a wonderful choice to get the party started for the main act.
The Angel Pier
The fab four took to the stage to shouts of approval from a now healthy sized audience, starting their set with You’re right. Vinny Redmond (Bass) harmonizes and trickling notes on lead guitar (Luke Pouch) create the perfect backdrop for Darragh’s powerful delivery of the first number.
Belong is on the new 7” E.P. and has a slow intro, picking up speed and becoming more dynamic. A rhythmic riff on guitar brings it to life, harmony filtering into the chorus. This is truly a feel good song.
Pray has some interesting chord combinations and a delectable chorus.
Align the Seas was introduced by Darragh as he mentioned that it was on the new E.P. Gorgeous guitar notes are strummed for the intro. Darragh’s use of falsetto in the chorus adds sweetness. The use of the higher octave against the background vocals which are sung in the lower octave is a very effective tool and also I noticed in the middle eight, a pullback of instruments which leaves just vocals with close harmony for a few bars and gradually each instrument returns, taking the whole piece to a big crescendo finish.
For no Man
Certain numbers in their repertoire such as this one would remind me a little of Coldplay. Darragh’s voice is light here and there’s an uplifting quality to the verse.
Although the melody is sweet, this song becomes more explosive as it develops. There’s a sliding note that’s sung in harmony just before the finish, which is gorgeous.
Make, Sacrifice and Bullet were also among the many wonderful songs that were performed at this gig. That special ‘Je ne sais quoi’ which The Angel Pier posess inspires a cheerful atmosphere and as the night went on they seemed to just get better and better.
I wondered would they perform my favourite number Sprites when they returned for a well deserved encore at the end of the gig. They must have heard me shout for it as they left the stage, because they did it. As I heard the first notes being plucked on guitar, I recognised it.
Darragh’s delivery of this song is flawless and like most of their songs, it builds up from a softer beginning, to a dynamic Anthem with bashing chords and an appealing melody.
We were treated to yet another number called Scribbles.
Darragh and the lads have a certain charm, which has already taken them to heady heights and gigs that many bands only get to dream about. I discovered them almost a year ago and have since become a fan. I hope to have lots of future opportunities to see them live, especially after this my second experience of them at Whelan’s.
Cheers to The Angel Pier and The Murder Clues for a magnificent evening.
Wednesday, August 26, 2009
JJ Smyths 14/08/09
Colin Scallan, Sinead Martin, Bailer, Juke Box Gypsy
JJ Smyths
14/08/09
Angela Macari O’Looney
Following a recent review I did covering Collin Scallan’s debut album Songs for a sinking world, I ventured to this benefit night he’d mentioned to me which was in aid of Dublin South FM.
JJ’s being quite close to where I grew up was a venue I sang in myself once or twice and occasionally frequented many moons ago. So it was interesting to be sitting there over twenty years since my last visit, to see a show that included quite a line up.
Brendan Hickey from Dublin South FM who was hosting this evening, welcomed and thanked everyone and introduced the first act.
Sinead Martin
Alternative/ Folk/ Soul singer-songwriter Sinead had the honour of being first onstage. She began with what’s it gonna be. This has a pretty melody and in it her voice was velvety smooth and would remind me a little of Andrea Corr. A lady on fiddle played some delightful notes which lent atmosphere.
Brendan McMurray on guitar performed The Sun will Shine along with Sinead. This has a folksy sound and a three four tempo. Brendan sang verse and Sinead and he both sang the chorus, which was sweet in this Nancy Griffith style number.
Dream (Everly Bros cover) was next. This was a slightly altered version of the classic and I found the unexpected twists and turns very enjoyable. Harmony was beautiful and the added soft riffs on fiddle gave it a dreamy quality.
She did a jazzy number with fab guitar riffs, bending bassy notes and a catchy melody line.
Crucify was choppy, with a hint of KT Tunstall’s style to it.
Sinead has performed alongside big names such as Damien Rice, Paddy Casey and Mundy. She has recorded her eponymous demo containing her collection of songs and her performance was given a warm round of applause by the steadily increasing audience.
Bailer
Rock/ Pop/ Acoustic band ‘Bailer’ was next with Maurice Brennan on guitar, Peter Jordan on Bass guitar, Frank Chircop on drums and the dynamic Caitriona McGuiness lead vocals.
Formed in 2001 they have played around Dublin’s most prestigious venues and also boast regular supports with Aslan and The Hothouse Flowers.
In a nutshell, Caitriona is a dainty creature with an awesome voice!
If you could package and sell what she has, you could solve the economic slump with the profits; she has such a vocal range.
Moonlight Mile Stones
This has beautiful chords, a sweet melody and was the first of their set.
Watch Out
There’s a lovely sense of movement in the tempo of this song, trickling acoustic notes and a pretty melody line. In the chorus there’s some gorgeous harmony too.
Sixteen Months
Vocals as in all numbers excellent, with Catriona’s range shown to great advantage in particular here. I love the chorus of this one and the melody is my favourite in the set. At one point she goes way up the register to falsetto.
A Mary Black style number called We don’t have to fight was next. This was quiet and moody, but had a fast beat.
Make it Burn down has a funky beat and Caitriona’s vocals are like a percussion instrument in the chorus. She does a touch of scat here.
A Van Morrison cover and another pretty song called Daylight concluded this enjoyable set.
All members of this act blend well and the result is an easy-to-listen-to and memorable experience.
We were treated to a piece of poetry recited by the host of the evening Mr. Brendan Hickey, who in his passionate recital gave a new meaning to the concept of a good old fashioned cuppa!
Colin Scallan
Colin began with An easier way which has close harmony in the chorus. His band includes Conor Hastings (bass), Mick Morris (Mandolin/guitar) and Eric Yore (drums) with Colin playing guitar.
The familiar intro to Nothing around for miles which is a sweet number, brought a smile to my face. It’s from his new album ‘Songs for a Sinking World’ and involves two acoustic guitars. This has a catchy melody and plucked guitar throughout.
Days Beneath the Sun
Colin used his electric guitar for this and with a touch of distortion it commanded a bit of hush from the chattering audience, with its gorgeous melody. A delicious lead solo and lots of dramatic chord combinations, this number is special!
He continued his set with A little love. Lots of oohs in the chorus and a bass riff make this a really interesting rock style song.
Build me a Woman
The mandolin came back for this and I loved the way that all strings played the intro to this slinky piece in unison, adding definition to it. Colin’s lead solo here was exceptional and the crowd loved it.
Hanging on the wire (Paul Weller cover version)
This was a number with spectacular guitar bits in it, a short solo and a catchy melody. Some of the punters joined in with the chorus, proving it to be a good choice of song.
Neon Signs
Drums were particularly special here. Lots of rolls and fancy high jinx added excitement, along with a screaming lead solo, a powerful melody line and a cool riff filtering through the chorus.
Colin finished his set with a fab choice of song in The Last Battle; A favourite of mine from his album. His seamless solo and the way he makes that guitar talk never ceases to amaze me. This is real music from an act I could listen to forever and the night was young, with one more band to go.
Juke Box Gypsy
To enrich the evening even more, this interesting act took their places onstage and explained that only half the compliment was present, since they consist of a large group of musicians. However, they definitely managed with what was there, beginning with a wonderful number sung with flawless close harmony. Like a lullaby, it had a pretty melody line and a perfect solo performed on acoustic guitar. I was quite dumbstruck with the quality of talent in each of these guys. The founder members met on a train and as time went on, the membership increased. They are touring Ireland at the moment, but are based in Liverpool. They have just released their eponymous debut album and have a really special sound.
Their setlist included Carlton Hill, St. Helen’s lane, Some Direction we Go, The Phone Song, Redwood Song, Papa Joe, February, Hard travelling, Butch Cassidy and the Sundance kid, Hey Mama and Hard, It ain’t hard (Woodie Guthrie).
All songs had impressive dynamics, delectable guitar riffs and hooks and the harmony was simply out of this world.
All of these songs were excellently performed, with a charismatic frontman in Dave the lead singer. Isaac Tabor on lead guitar is a total genius and has a very European look about him and an o.k. voice, which is demonstrated in Redwood Song, which begins accapello and is sung in rounds, which is really effective. It takes off and has an easy going beat and a gorgeous melody.
Of their set I plucked one or two of my favourites and these were Some Direction we Go, where James on violin joined the group onstage.
February
The lads had performed this number earlier that day on Balcony TV and it involves banjo, tight harmony and delightful violin. The chorus is repeated like a chant and there’s a sense of movement in the rhythm which I enjoy.
The Phone Song
In this a lady called Amelia took to the stage with her harmonica. Isaac sang lead in this number, but harmony was shared by all and along with the pretty solo on harmonica it really was a treat to hear.
Hey Mama!
This number is jazzy, with the most adorable chords and some delightful riffs on Amelia’s harmonica. I feel that the lyrics are quite poignant and although it is sung as a humorous ditty, there’s a message there Mama, hey Mama don’t you send your poor boys to war.
Members of Jukebox Gypsy are Ben Blance, Dave Hastie, Isaac Tabor and Johanna Hillerbrand. They have four other members and although at JJ’s the line up was smaller than usual, their sound was big enough. Influences include Crosby Stills and Nash, Neill Young, Lindisfarne and Ryan Adams.
This gig was a huge success, with a big turnout and I enjoyed it from start to finish. Well done to all acts and good luck to Dublin South FM, which seems to be a popular station for upcoming Irish acts.
JJ Smyths
14/08/09
Angela Macari O’Looney
Following a recent review I did covering Collin Scallan’s debut album Songs for a sinking world, I ventured to this benefit night he’d mentioned to me which was in aid of Dublin South FM.
JJ’s being quite close to where I grew up was a venue I sang in myself once or twice and occasionally frequented many moons ago. So it was interesting to be sitting there over twenty years since my last visit, to see a show that included quite a line up.
Brendan Hickey from Dublin South FM who was hosting this evening, welcomed and thanked everyone and introduced the first act.
Sinead Martin
Alternative/ Folk/ Soul singer-songwriter Sinead had the honour of being first onstage. She began with what’s it gonna be. This has a pretty melody and in it her voice was velvety smooth and would remind me a little of Andrea Corr. A lady on fiddle played some delightful notes which lent atmosphere.
Brendan McMurray on guitar performed The Sun will Shine along with Sinead. This has a folksy sound and a three four tempo. Brendan sang verse and Sinead and he both sang the chorus, which was sweet in this Nancy Griffith style number.
Dream (Everly Bros cover) was next. This was a slightly altered version of the classic and I found the unexpected twists and turns very enjoyable. Harmony was beautiful and the added soft riffs on fiddle gave it a dreamy quality.
She did a jazzy number with fab guitar riffs, bending bassy notes and a catchy melody line.
Crucify was choppy, with a hint of KT Tunstall’s style to it.
Sinead has performed alongside big names such as Damien Rice, Paddy Casey and Mundy. She has recorded her eponymous demo containing her collection of songs and her performance was given a warm round of applause by the steadily increasing audience.
Bailer
Rock/ Pop/ Acoustic band ‘Bailer’ was next with Maurice Brennan on guitar, Peter Jordan on Bass guitar, Frank Chircop on drums and the dynamic Caitriona McGuiness lead vocals.
Formed in 2001 they have played around Dublin’s most prestigious venues and also boast regular supports with Aslan and The Hothouse Flowers.
In a nutshell, Caitriona is a dainty creature with an awesome voice!
If you could package and sell what she has, you could solve the economic slump with the profits; she has such a vocal range.
Moonlight Mile Stones
This has beautiful chords, a sweet melody and was the first of their set.
Watch Out
There’s a lovely sense of movement in the tempo of this song, trickling acoustic notes and a pretty melody line. In the chorus there’s some gorgeous harmony too.
Sixteen Months
Vocals as in all numbers excellent, with Catriona’s range shown to great advantage in particular here. I love the chorus of this one and the melody is my favourite in the set. At one point she goes way up the register to falsetto.
A Mary Black style number called We don’t have to fight was next. This was quiet and moody, but had a fast beat.
Make it Burn down has a funky beat and Caitriona’s vocals are like a percussion instrument in the chorus. She does a touch of scat here.
A Van Morrison cover and another pretty song called Daylight concluded this enjoyable set.
All members of this act blend well and the result is an easy-to-listen-to and memorable experience.
We were treated to a piece of poetry recited by the host of the evening Mr. Brendan Hickey, who in his passionate recital gave a new meaning to the concept of a good old fashioned cuppa!
Colin Scallan
Colin began with An easier way which has close harmony in the chorus. His band includes Conor Hastings (bass), Mick Morris (Mandolin/guitar) and Eric Yore (drums) with Colin playing guitar.
The familiar intro to Nothing around for miles which is a sweet number, brought a smile to my face. It’s from his new album ‘Songs for a Sinking World’ and involves two acoustic guitars. This has a catchy melody and plucked guitar throughout.
Days Beneath the Sun
Colin used his electric guitar for this and with a touch of distortion it commanded a bit of hush from the chattering audience, with its gorgeous melody. A delicious lead solo and lots of dramatic chord combinations, this number is special!
He continued his set with A little love. Lots of oohs in the chorus and a bass riff make this a really interesting rock style song.
Build me a Woman
The mandolin came back for this and I loved the way that all strings played the intro to this slinky piece in unison, adding definition to it. Colin’s lead solo here was exceptional and the crowd loved it.
Hanging on the wire (Paul Weller cover version)
This was a number with spectacular guitar bits in it, a short solo and a catchy melody. Some of the punters joined in with the chorus, proving it to be a good choice of song.
Neon Signs
Drums were particularly special here. Lots of rolls and fancy high jinx added excitement, along with a screaming lead solo, a powerful melody line and a cool riff filtering through the chorus.
Colin finished his set with a fab choice of song in The Last Battle; A favourite of mine from his album. His seamless solo and the way he makes that guitar talk never ceases to amaze me. This is real music from an act I could listen to forever and the night was young, with one more band to go.
Juke Box Gypsy
To enrich the evening even more, this interesting act took their places onstage and explained that only half the compliment was present, since they consist of a large group of musicians. However, they definitely managed with what was there, beginning with a wonderful number sung with flawless close harmony. Like a lullaby, it had a pretty melody line and a perfect solo performed on acoustic guitar. I was quite dumbstruck with the quality of talent in each of these guys. The founder members met on a train and as time went on, the membership increased. They are touring Ireland at the moment, but are based in Liverpool. They have just released their eponymous debut album and have a really special sound.
Their setlist included Carlton Hill, St. Helen’s lane, Some Direction we Go, The Phone Song, Redwood Song, Papa Joe, February, Hard travelling, Butch Cassidy and the Sundance kid, Hey Mama and Hard, It ain’t hard (Woodie Guthrie).
All songs had impressive dynamics, delectable guitar riffs and hooks and the harmony was simply out of this world.
All of these songs were excellently performed, with a charismatic frontman in Dave the lead singer. Isaac Tabor on lead guitar is a total genius and has a very European look about him and an o.k. voice, which is demonstrated in Redwood Song, which begins accapello and is sung in rounds, which is really effective. It takes off and has an easy going beat and a gorgeous melody.
Of their set I plucked one or two of my favourites and these were Some Direction we Go, where James on violin joined the group onstage.
February
The lads had performed this number earlier that day on Balcony TV and it involves banjo, tight harmony and delightful violin. The chorus is repeated like a chant and there’s a sense of movement in the rhythm which I enjoy.
The Phone Song
In this a lady called Amelia took to the stage with her harmonica. Isaac sang lead in this number, but harmony was shared by all and along with the pretty solo on harmonica it really was a treat to hear.
Hey Mama!
This number is jazzy, with the most adorable chords and some delightful riffs on Amelia’s harmonica. I feel that the lyrics are quite poignant and although it is sung as a humorous ditty, there’s a message there Mama, hey Mama don’t you send your poor boys to war.
Members of Jukebox Gypsy are Ben Blance, Dave Hastie, Isaac Tabor and Johanna Hillerbrand. They have four other members and although at JJ’s the line up was smaller than usual, their sound was big enough. Influences include Crosby Stills and Nash, Neill Young, Lindisfarne and Ryan Adams.
This gig was a huge success, with a big turnout and I enjoyed it from start to finish. Well done to all acts and good luck to Dublin South FM, which seems to be a popular station for upcoming Irish acts.
The Murder Clues
The Murder Clues
Debut single
Things that by myself I just can’t find
Angela Macari O’Looney
The sheer magnetism of this band of young talented musicians reaches out to a cross section of ages and music tastes. They have come up with an up-to-the-minute style and yet maintain a certain something, which would be more synonymous with such bands as The Who, The Strokes, The Arctic Monkeys and acts which would have been around before they were born!
That quality is the power to create well structured numbers that suit Brian’s vocals, plus lively rhythms, exciting lead riffs and baselines to compliment each and every phrase of a song. There’s a maturity in their music that is a pleasant surprise to find in a band that are all so young and are really only starting out.
Formerly known as Bravado, The Murder Clues hail from Raheny and members are Brian/Vocals, Gaz/ Drums, Corcy/ Bass, Milky/Guitar, Kev/ Guitar.
Things that by myself I just can’t find
This song just bursts straight out at you with an explosive beat, lively lead guitar and choppy chords. The intro is repeated, then there’s a pause!
Brian starts the verse with the first line ‘like the breeze I’m soft and brittle’. I like the barely there backing vocals and the contradictive nature of the sentiment. Chords are complex, with strategically placed discords, which seem to be a signature of The Murder Clues’ music. Busy bass a la Corcy revs things up, while those bashing beats and magical rolls are supplied by the adorable Gaz on drums.
Delicious lead guitar takes you up to the chorus which is alive and full to the brim with sensational little riffs (Kev) and that general cheekiness that makes this band so appealing. There’s a catchy echoing of the lead singer’s lines by the rest of the band throughout the chorus.
That blistering lead riff comes in once more, lots of distortion-packed chords surrounding it. Chord combinations throughout are magical and the melody is catchy.
The lead solo is short and sweet with lots of screaming notes, Milky’s fingers gliding from top notes right down the frets of his guitar.
The last verse is done with a pull back of guitars and just Brian’s vocals with rhythm. He has just enough grittiness in his voice, but also a no-nonsense way of performing a song using every vocal muscle to project each note, like a fine tuned instrument. Brian and his crew waste no time putting on airs and graces. They just let the music do all the talking!
Harmony becomes fuller behind Brian’s passionate pouring out of the final chorus.
I was a sceptic initially where this band was concerned, but they eventually got under my skin. This single is only a taster and already has had airplay, with some other Murder Clues songs on Paul McCloone’s show on Today FM. Having also heard many of their songs at gigs, I can bet that this debut single will be the first of many for a band that are exciting and are ready to take on the world!
Debut single
Things that by myself I just can’t find
Angela Macari O’Looney
The sheer magnetism of this band of young talented musicians reaches out to a cross section of ages and music tastes. They have come up with an up-to-the-minute style and yet maintain a certain something, which would be more synonymous with such bands as The Who, The Strokes, The Arctic Monkeys and acts which would have been around before they were born!
That quality is the power to create well structured numbers that suit Brian’s vocals, plus lively rhythms, exciting lead riffs and baselines to compliment each and every phrase of a song. There’s a maturity in their music that is a pleasant surprise to find in a band that are all so young and are really only starting out.
Formerly known as Bravado, The Murder Clues hail from Raheny and members are Brian/Vocals, Gaz/ Drums, Corcy/ Bass, Milky/Guitar, Kev/ Guitar.
Things that by myself I just can’t find
This song just bursts straight out at you with an explosive beat, lively lead guitar and choppy chords. The intro is repeated, then there’s a pause!
Brian starts the verse with the first line ‘like the breeze I’m soft and brittle’. I like the barely there backing vocals and the contradictive nature of the sentiment. Chords are complex, with strategically placed discords, which seem to be a signature of The Murder Clues’ music. Busy bass a la Corcy revs things up, while those bashing beats and magical rolls are supplied by the adorable Gaz on drums.
Delicious lead guitar takes you up to the chorus which is alive and full to the brim with sensational little riffs (Kev) and that general cheekiness that makes this band so appealing. There’s a catchy echoing of the lead singer’s lines by the rest of the band throughout the chorus.
That blistering lead riff comes in once more, lots of distortion-packed chords surrounding it. Chord combinations throughout are magical and the melody is catchy.
The lead solo is short and sweet with lots of screaming notes, Milky’s fingers gliding from top notes right down the frets of his guitar.
The last verse is done with a pull back of guitars and just Brian’s vocals with rhythm. He has just enough grittiness in his voice, but also a no-nonsense way of performing a song using every vocal muscle to project each note, like a fine tuned instrument. Brian and his crew waste no time putting on airs and graces. They just let the music do all the talking!
Harmony becomes fuller behind Brian’s passionate pouring out of the final chorus.
I was a sceptic initially where this band was concerned, but they eventually got under my skin. This single is only a taster and already has had airplay, with some other Murder Clues songs on Paul McCloone’s show on Today FM. Having also heard many of their songs at gigs, I can bet that this debut single will be the first of many for a band that are exciting and are ready to take on the world!
Monday, August 3, 2009
No Roller
No Roller
High Places by Narrow Roads
Angela Macari O’Looney
This debut album takes you on a journey of eclectic melody lines and rhythms, all written and developed by the band themselves.
Aaron Laidlaw – Guitars, Damien Farrell – Drums, David Clarke – Vocals, Tom Dunne – Bass and Warren Solan – Guitars describe their sound as Rock/ Indie/ Acoustic and influences include The Beatles, The Rolling Stones, Bob Dylan, Nirvana, Oasis and a mash- mash of various greats, all of whom can be detected filtering through in each of the eleven tracks.
The cover art on ‘High Places by Narrow Roads’ brings to mind for me a huge floatie I spotted in a shop while on holiday in Lanzarote recently. It’s a toy Crocodile grinning out at you and on closer inspection you realise that a bit of trick photography is in play. He’s not as big or threatening as he seems!
It reflects the sentiments in some of the lyrics in their songs and is quite apt in that the guys describe their sound on their My Space page, as being like ‘moving back from a lake because you see waves’ and a few other weird sensations.
Of all this compilation of songs I have definite favourites, yet all didn’t reach me as riveting. However I warmed to this band’s ingenuity for strategically placed key changes, plus riffs and hooks which brighten up a composition and give it life.
Nova Scotia
This is fast, beginning with bass and developing to a simple, but catchy guitar riff. The verse has this sustained note at the end of each line, which I like. Clarke’s vocals are well demonstrated here, with an appealing grittiness. The guitar is quite special too as lead is infused throughout the entire number, with riffs that are fluent and sweet.
Play the Fool
I love this one.
The intro consists of an acoustic strummed slowly, joined by slow chords on the second guitar. It then bursts into life for a lively verse with a delicious melody line. The highlight for me here is the way this number changes key for the guitar break, then suddenly changes back to the original key for the verse.
This song has a sing-along quality and the lead solo is pretty exceptional, even though it’s short. At the very end of it Damien adds the rattlesnake sound of Mace, for a final pinch of spice!
Easily Led
This has a plucked intro and is a melancholic love song, with a dramatic chorus. Backing vocals add sweetness to this number, which is soulfully performed by Dave Clarke. The Guitar break has the same sense of urgency in it as the lyrics. This is a well written song and has classic written all over it!
Young is a number which I didn’t like that much initially, but it takes off as it develops and there’s a keyboard in there which for me is the prettiest part of it. The melody is sweet. Having said this, there’s a mournfulness about it that is for me just a bit too dreary.
Picture of Health
The riff in the intro and throughout this number is the highlight for me. Classic Rock with real oomph!
Bass in the verse is sexy, the chorus is just perfect and the lyrics are cynical;You’d be right to laugh at me/ I’m shining shoes in your dynasty/ Look at you you’re a picture of health/ I write a song about killing myself.
Growling vocals are powerful and go right down to your boots, while f..ng sensational riffs and a screaming lead solo emphasise this band’s original and appealing style.
You and Me
This number would bring to mind a combination of lots of genres and big names. Bob Dylan’s rough meets Bruce Springsteen’s smooth, then throw a splash of U2 and Thin Lizzy into the mix. I like the way in the chorus Dave goes from a low octave right up to the higher one, creating dynamic.
This song is superbly performed and would be fabulous at a big open air gig.
Never get the chance has a sweet melody and is a love song with a catchy guitar riff in it. It goes from a softly sung verse to a more dynamic chorus. Bass gets to shine in this number and there are barely there backing vocals, which I like.
After this I find the songs become a little less remarkable, with the exception perhaps of Simple Life, where the lead guitar is pretty good and the bit where a harmonica comes in.
The moodiness seems to take over in all of them and they tend to blend into one another. One or two faster songs should have been in there somewhere to break this. This said No Roller are extremely promising and with such accomplished musicians on board and the knack of creating a classic like Play the Fool and some of the other gems here, they are looking at a bright future and are sure to draw a large fan base wherever they go.
High Places by Narrow Roads
Angela Macari O’Looney
This debut album takes you on a journey of eclectic melody lines and rhythms, all written and developed by the band themselves.
Aaron Laidlaw – Guitars, Damien Farrell – Drums, David Clarke – Vocals, Tom Dunne – Bass and Warren Solan – Guitars describe their sound as Rock/ Indie/ Acoustic and influences include The Beatles, The Rolling Stones, Bob Dylan, Nirvana, Oasis and a mash- mash of various greats, all of whom can be detected filtering through in each of the eleven tracks.
The cover art on ‘High Places by Narrow Roads’ brings to mind for me a huge floatie I spotted in a shop while on holiday in Lanzarote recently. It’s a toy Crocodile grinning out at you and on closer inspection you realise that a bit of trick photography is in play. He’s not as big or threatening as he seems!
It reflects the sentiments in some of the lyrics in their songs and is quite apt in that the guys describe their sound on their My Space page, as being like ‘moving back from a lake because you see waves’ and a few other weird sensations.
Of all this compilation of songs I have definite favourites, yet all didn’t reach me as riveting. However I warmed to this band’s ingenuity for strategically placed key changes, plus riffs and hooks which brighten up a composition and give it life.
Nova Scotia
This is fast, beginning with bass and developing to a simple, but catchy guitar riff. The verse has this sustained note at the end of each line, which I like. Clarke’s vocals are well demonstrated here, with an appealing grittiness. The guitar is quite special too as lead is infused throughout the entire number, with riffs that are fluent and sweet.
Play the Fool
I love this one.
The intro consists of an acoustic strummed slowly, joined by slow chords on the second guitar. It then bursts into life for a lively verse with a delicious melody line. The highlight for me here is the way this number changes key for the guitar break, then suddenly changes back to the original key for the verse.
This song has a sing-along quality and the lead solo is pretty exceptional, even though it’s short. At the very end of it Damien adds the rattlesnake sound of Mace, for a final pinch of spice!
Easily Led
This has a plucked intro and is a melancholic love song, with a dramatic chorus. Backing vocals add sweetness to this number, which is soulfully performed by Dave Clarke. The Guitar break has the same sense of urgency in it as the lyrics. This is a well written song and has classic written all over it!
Young is a number which I didn’t like that much initially, but it takes off as it develops and there’s a keyboard in there which for me is the prettiest part of it. The melody is sweet. Having said this, there’s a mournfulness about it that is for me just a bit too dreary.
Picture of Health
The riff in the intro and throughout this number is the highlight for me. Classic Rock with real oomph!
Bass in the verse is sexy, the chorus is just perfect and the lyrics are cynical;You’d be right to laugh at me/ I’m shining shoes in your dynasty/ Look at you you’re a picture of health/ I write a song about killing myself.
Growling vocals are powerful and go right down to your boots, while f..ng sensational riffs and a screaming lead solo emphasise this band’s original and appealing style.
You and Me
This number would bring to mind a combination of lots of genres and big names. Bob Dylan’s rough meets Bruce Springsteen’s smooth, then throw a splash of U2 and Thin Lizzy into the mix. I like the way in the chorus Dave goes from a low octave right up to the higher one, creating dynamic.
This song is superbly performed and would be fabulous at a big open air gig.
Never get the chance has a sweet melody and is a love song with a catchy guitar riff in it. It goes from a softly sung verse to a more dynamic chorus. Bass gets to shine in this number and there are barely there backing vocals, which I like.
After this I find the songs become a little less remarkable, with the exception perhaps of Simple Life, where the lead guitar is pretty good and the bit where a harmonica comes in.
The moodiness seems to take over in all of them and they tend to blend into one another. One or two faster songs should have been in there somewhere to break this. This said No Roller are extremely promising and with such accomplished musicians on board and the knack of creating a classic like Play the Fool and some of the other gems here, they are looking at a bright future and are sure to draw a large fan base wherever they go.
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