The Last Tycoons/ The River Valley Band/
Hitman Lord
Whelan’s
05/05/10
Angela Macari O’Looney
On my way home from an earlier gig, I ventured into a free gig in Whelan’s where a sizeable crowd was building up. With three very different acts performing, it was a great night and I’m glad I had a chance to acquaint myself with each. The headlining band was a charming ensemble, with a distinctive and extremely upbeat sound. The Last Tycoons are a hybrid of genres and definitely unlike the usual style of band doing the rounds.
Consisting of vintage sounding guitars, Pogues meets Rolling Stones lead vocals, soulful backing vocals and the liberal use of harmonica; they can pull you into their world and seduce you with their songs.
Also participating this night was a unique act; Hitman Lord, who is a young singer/songwriter with an interesting slant to his style. His music is described as Indie/Pop, but has a dash of soul and a splash of Rocktonica to add to his intoxicating sound. His influences include Bruce Springsteen, Elvis Costello, X.T.C. and he claims that ‘Once you push with technology to find new sonic territory, there must be the beating heart of a blood and guts song, for music to have genuine gravity’. I like this sentiment!
Hitman Lord recently released his debut Self titled album with the help of producers Steo and Keith Farrell, who have been involved with names such as Pugwash, Neil Hannon, Boss Volenti and Mundy.
He performed Wanna healing music which has an explosive intro and a choppy beat. Chorus is catchy and with a memorable riff repeated throughout and a nice slowdown for the middle eight, this is a cool number. More N Dearly, Future, Shining and Who were other numbers in his set.
S.A.R. is his debut single and has exciting lead guitar in it. His vocals are pretty special in this. Chorus has a sense of mystery in the sexy notation. Guitar riffs and hooks are divine and create a pulsating rhythm.
Upside World is a slow number with a trickling riff intro, which is used throughout. There’s an oriental quality to this beautiful riff. Soothing, sweet and featuring this young mans unbelievable vocal range, this song is particularly outstanding.
I drank as
This has a three four tempo and a lovely chorus. It’s a number with a dramatic feel to it and fab guitar. Unusual and really catchy too!
The River Valley Band
With a full sound which includes Guitars, Bass, Electric Piano and loaded with excellent harmony, this fun quartet took a great evening to yet another level!
Hailing from Kilkenny, they are a mix of Blues/Folk and Classic Rock. With influences such as Bob Dylan, they style their music on Southern American Folk. Formed in ’07, they have become quite a success story.
Charlz was the opening number. Rhythmic, with cool harmony in the chorus, it’s a delightful song. I love the piano here and the jazzy wind down at the end.
Life I adore has a slinky beat and involves a great guitar solo. Harmony was excellent here also. Sliding notes on guitar and flourishes here and there on keys give it interest. They do a mock slow finish, but soon things explode into a lively, bashing last chorus. The building audience loved this!
They went on to do a long, but really enjoyable set. Freight train starts with bluesy piano, building up to a choppy but fast beat. The melody is catchy and simple, but with the close harmony throughout, it’s a top class number, with lots of show stopping piano riffs, drum rolls aplenty and a brilliant guitar solo just before the finish.
Hamburger Hill is one I particularly enjoyed, involving harmonica and fab guitars.
The Kid This had a very Bruce Springsteen style to it, with harmony in the chorus absolutely great, piano glissandos to beat the band and just about everything a fantastic number should have.
I love the bit at the end, where they add this gorgeous finale with a crescendo of sound coming from every instrument. They belt this out as if their very lives depended on it and you get a big rush of adrenaline and just have to stomp your feet.
The Last Tycoons
Steve Fanning-Vocals/Guitar, Dan Fitzpatrick-Guitar/Vocals/ Banjo, Aoife Ruth-Organ/Piano/Fiddle/Vocals, Matt Roddy- Bass/ Fiddle/ Vocals and The Hog- Drums/Percussion are the crazy, but very entertaining band who were the stars of the show this night.
They started with a lovely harmonic sung intro. Instruments were subdued, with no drums and then as a slow rhythm developed Aoife and Matt did some lovely backing vocals. His height and general stage presence give Steve great command over the audience.
They then burst into a totally explosive rock’n’roll style number called Speed. Guitar uses slider and fab lead takes the mood right up, with a sweet riff repeated throughout. Love the guitar!
Seven Days
A gutsy guitar riff in this number is the key feature. It has a catchy beat and a memorable melody line. Lyrics too are witty, with the backing vocals in the chorus fab.
Dry Law
Steve’s vocals are so like Shane McGowan in this number. Trickling guitar is sweet. He is passionate telling the sad story of prohibition of alcohol and the melody reflects the sorrow and the lyrics are poignant;Everybody’s jumping on the wagon, everybody’s gonna pay a fine/ everybody’s giving up their vices to the Lord, well I’m not giving up mine.
The closely sung harmony in the chorus is choral and lifts things brilliantly. Harmonica adds to the atmosphere too. Guitar, keys all totally beautiful here!
Casa Nova has a slinky, bluesy tempo.
Banjo and harmonica express the sentiment of this moody piece. Steve’s vocals are deep and downbeat. Lots of ‘oohs’ in the chorus and minor chords continue the low feeling!
One of my favourite songs of the evening was Sunrise which is fast moving, with a great chorus and some manic choppy guitar chords in it and riveting riffs. Banjo, harmony and harmonica filter in, adding to its charm.
Another song which is from their recently released album was performed. Who needs Radio (parts 2 and 3) is a blues style song, with a soulful refrain in the chorus behind Steve’s bassy vocals. All instruments very impressive for this song where Aoife sings the middle eight and joins Steve for the chorus.
A few covers and some more excellent originals kept the show going and all were performed with polish, charisma and style. There’s something irresistible about the combination of instrumentals, deep lead vocals and that extra ability to place harmony so well in each song.
This was a gig I had certainly not planned to be at. Yet I discovered a powerful sound in The Last Tycoons and the other guests who performed in Whelan’s this night. I wouldn’t consider myself a devotee of R&B or Folk/Rock, but I will be watching for an opportunity to catch all the participating acts again.
Wednesday, May 19, 2010
Thursday, May 13, 2010
Charity gig at Crawdaddy
Stewart Kenny
A-Z Children’s charity gig
Crawdaddy
05/05/’10
Having thoroughly enjoyed his debut album I’ve fallen so far, I consider myself a big fan of Stewart Kenny. In a gig scene that’s overflowing with aspiring musicians and singer/songwriters, it’s not often one stands out from the rest. In my book, this guy who has been involved with composing, producing and performing since his teens is one in a million!
So I was delighted when he invited me to this gig in aid of Ugandan Orphans, where other top acts were participating. On arrival, I met my host and also the organizer Conor Ebbs and received a very warm welcome. I was amused by the bowls of kiddies party favours on the bar tops and tables about the venue. The atmosphere was cheerful and a good crowd gradually arrived.
Opening up the show, Stewart and his guitarist Barry Brennan began with a gorgeous number I haven’t heard before called Feet made of Clay. This has a three four rhythm and beautiful chords, building up to a dynamic chorus. I’m swept away by Stewart’s vocals as he goes right up to a higher octave. The melody line is soothing and memorable.
All Boats will Rise is from his debut album and has a staccato beat. A really sweet number, this has a magical melody line and a sense of drama and urgency in the lyrics. Chorus simply delicious!
The fear of the Night
A moody song, this has inspiring chord combinations, interesting chops and changes throughout and highlights Stewarts vocal range to great advantage. Lyrics are poignant and are performed with emotion ;Welcome to my world of doubts and fears.
Prom Queen
Stewart dedicated this one to his favourite reviewer. Ah!
I totally adore this song and think it is the nicest from his debut album. It has a feel good melody line, a bouncy beat and a chorus that draws you to sing along. It got a great response from the audience too and I’m not surprised. I had to sing along with this one myself, it is so irresistible. Love the key change for the last chorus.
All Day Through
With lots of minor chords, this love song has a melancholic feel to it. Guitar is delectable throughout, lyrics wonderfully descriptive and the melody line very pretty.
Stewart’s set involved one brilliant cover and in my opinion it was a fab hat trick.The Whole of the Moon, which is a popular Waterboys number was a great choice. With just acoustic chords, he could still create a big sound and did this vibrant song justice.
Blood on the Wall
This is a song about a fight for freedom and it involves tragic lyrics, which paint scenes of war and destruction; The blood on the wall’s still wet. However, it is beautiful and performed with such passion by Stewart. The last verse is done with an anthemic beat, then picks up to a faster pace for the final chorus.
For the next number, Stewart invited a guy called Edward up to the stage, to join the other guitarist. This lifted the atmosphere and was needed for the remainder of this really brilliant set.
Santa Monica
A sense of movement here in the rhythm makes me imagine driving along an American highway. Guitars roll, Stewart going right up for the last chorus. This song is very exciting and quite a contrast to the earlier numbers.
Stewart’s last number was Saint Ricardo, which is an upbeat piece with a choppy chorus. The audience clap along with him and things are in full swing for a great evening.
Other acts taking part in this gig were Goatboy, a folk rock/ experimental act, No Sozopol, who are releasing their debut album and Conor Ebbs, who is a singer/songwriter.
Goatboy
Goatboy is the moniker of Dublin singer/songwriter Mark O’Sullivan, who recently released his album Moon after Yule. He made his debut live performance playing support to KT Tunstall, which is quite an achievement. Mark performed four songs; Untitled, I got you, Girl in a Dream and Winter tears.
With all being memorable laid back songs, sweet guitar riffs and chords feature in each. Girl in a dream is a pretty special love song with romantic lyrics.
Winter Tears is my favourite from his set. It involves a haunting refrain for the chorus and Mark’s vocals would remind me of Phil Collins. He has something special and I look forward to checking out his album.
Conor Ebbs
This young man from Knocklyon, Dublin has just completed his four track E.P. which features Joe Kenny- Production/ Guitars/ Keys. Conor’s influences include stars such as Roy Orbison, Paul Simon and Jeff Buckley to name but a few.
Conor performed The Garden Path, How Sweet, Where we need to be, Alliance, Hungry for Love and Arise.
He has quite an interesting vocal range and can sing jazzy or just easy going pop songs and his repertoire is unique too. Of the set, my favourite would be as follows:
Arise
Slow, with a catchy melody-line, a splash of harmony in the chorus and soulful lyrics, this is a gorgeous number.
How Sweet
Three four tempo, acoustic and electric guitars, keyboards and Conor’s velvety vocals all go into this. It has a short, but extremely sweet guitar solo in it and lots of riffs to delight the senses. Backing vocals are perfect. Middle eight is sung and demonstrates his vocal range.
Where we need to be
Harmonica and trickling guitar in the intro, this is a sad love song. Keys and guitars here are delectable, as is the melody and harmony filters in here and there. Lovely!
No Sozopol are a Dublin band, whose members include former members of The Corsairs. They performed an entertaining set.
They are currently working and album, due for release in the near future.
How encouraging at a time of recession, that these young people are willing to donate their time for charity. Well done to one and all!
A-Z Children’s charity gig
Crawdaddy
05/05/’10
Having thoroughly enjoyed his debut album I’ve fallen so far, I consider myself a big fan of Stewart Kenny. In a gig scene that’s overflowing with aspiring musicians and singer/songwriters, it’s not often one stands out from the rest. In my book, this guy who has been involved with composing, producing and performing since his teens is one in a million!
So I was delighted when he invited me to this gig in aid of Ugandan Orphans, where other top acts were participating. On arrival, I met my host and also the organizer Conor Ebbs and received a very warm welcome. I was amused by the bowls of kiddies party favours on the bar tops and tables about the venue. The atmosphere was cheerful and a good crowd gradually arrived.
Opening up the show, Stewart and his guitarist Barry Brennan began with a gorgeous number I haven’t heard before called Feet made of Clay. This has a three four rhythm and beautiful chords, building up to a dynamic chorus. I’m swept away by Stewart’s vocals as he goes right up to a higher octave. The melody line is soothing and memorable.
All Boats will Rise is from his debut album and has a staccato beat. A really sweet number, this has a magical melody line and a sense of drama and urgency in the lyrics. Chorus simply delicious!
The fear of the Night
A moody song, this has inspiring chord combinations, interesting chops and changes throughout and highlights Stewarts vocal range to great advantage. Lyrics are poignant and are performed with emotion ;Welcome to my world of doubts and fears.
Prom Queen
Stewart dedicated this one to his favourite reviewer. Ah!
I totally adore this song and think it is the nicest from his debut album. It has a feel good melody line, a bouncy beat and a chorus that draws you to sing along. It got a great response from the audience too and I’m not surprised. I had to sing along with this one myself, it is so irresistible. Love the key change for the last chorus.
All Day Through
With lots of minor chords, this love song has a melancholic feel to it. Guitar is delectable throughout, lyrics wonderfully descriptive and the melody line very pretty.
Stewart’s set involved one brilliant cover and in my opinion it was a fab hat trick.The Whole of the Moon, which is a popular Waterboys number was a great choice. With just acoustic chords, he could still create a big sound and did this vibrant song justice.
Blood on the Wall
This is a song about a fight for freedom and it involves tragic lyrics, which paint scenes of war and destruction; The blood on the wall’s still wet. However, it is beautiful and performed with such passion by Stewart. The last verse is done with an anthemic beat, then picks up to a faster pace for the final chorus.
For the next number, Stewart invited a guy called Edward up to the stage, to join the other guitarist. This lifted the atmosphere and was needed for the remainder of this really brilliant set.
Santa Monica
A sense of movement here in the rhythm makes me imagine driving along an American highway. Guitars roll, Stewart going right up for the last chorus. This song is very exciting and quite a contrast to the earlier numbers.
Stewart’s last number was Saint Ricardo, which is an upbeat piece with a choppy chorus. The audience clap along with him and things are in full swing for a great evening.
Other acts taking part in this gig were Goatboy, a folk rock/ experimental act, No Sozopol, who are releasing their debut album and Conor Ebbs, who is a singer/songwriter.
Goatboy
Goatboy is the moniker of Dublin singer/songwriter Mark O’Sullivan, who recently released his album Moon after Yule. He made his debut live performance playing support to KT Tunstall, which is quite an achievement. Mark performed four songs; Untitled, I got you, Girl in a Dream and Winter tears.
With all being memorable laid back songs, sweet guitar riffs and chords feature in each. Girl in a dream is a pretty special love song with romantic lyrics.
Winter Tears is my favourite from his set. It involves a haunting refrain for the chorus and Mark’s vocals would remind me of Phil Collins. He has something special and I look forward to checking out his album.
Conor Ebbs
This young man from Knocklyon, Dublin has just completed his four track E.P. which features Joe Kenny- Production/ Guitars/ Keys. Conor’s influences include stars such as Roy Orbison, Paul Simon and Jeff Buckley to name but a few.
Conor performed The Garden Path, How Sweet, Where we need to be, Alliance, Hungry for Love and Arise.
He has quite an interesting vocal range and can sing jazzy or just easy going pop songs and his repertoire is unique too. Of the set, my favourite would be as follows:
Arise
Slow, with a catchy melody-line, a splash of harmony in the chorus and soulful lyrics, this is a gorgeous number.
How Sweet
Three four tempo, acoustic and electric guitars, keyboards and Conor’s velvety vocals all go into this. It has a short, but extremely sweet guitar solo in it and lots of riffs to delight the senses. Backing vocals are perfect. Middle eight is sung and demonstrates his vocal range.
Where we need to be
Harmonica and trickling guitar in the intro, this is a sad love song. Keys and guitars here are delectable, as is the melody and harmony filters in here and there. Lovely!
No Sozopol are a Dublin band, whose members include former members of The Corsairs. They performed an entertaining set.
They are currently working and album, due for release in the near future.
How encouraging at a time of recession, that these young people are willing to donate their time for charity. Well done to one and all!
Saturday, May 8, 2010
Lisa Shane
Lisa Shane
demo
Angela Macari O’Looney
On my first encounter with Lisa Shane’s vocals I immediately think Cindy Lauper, T’pau, Madonna. She has seductiveness about her style and guitars in each song are excellent.
Harmony adds to each number too and is sung by Lizzie Lee. Guitarist is Scott and lends to the atmosphere of every song.
Lisa’s music is described as Rock/Acoustic/Electronica. There’s a good deal of variety in her compositions, but I have my preferences as I listen closely to each performance. She’s sensuality and femininity; with a bit of kick ass rock thrown in and with time and a bit of polish, could bring something exciting into the Irish female rock singer scene.
It’s All Good
In this number and in particular the intro, guitar is appealing. The verse is seductive, with Lisa’s vocals sweet but becoming more dynamic for the chorus, which involves an explosion of distortion laden guitars.
While I like this song, I’m not a fan of her vocal style for the chorus here. The video is powerful and so is the song, so I feel it should involve less coy kitten and more oomph!
However, I find it’s got a great beat, a catchy melody line and would go down well at a live gig. Baseline is vibrant and guitars just become more and more sensational throughout.
Boxing Gloves
A slow soulful piece, this has a lovely chorus and excellent harmony. I like the lyrics of this love song.
Crazy is another sweet number, performed with just an acoustic guitar and a touch of harmony here and there. Lisa is made for this kind of number, as she pours out each line.
Undone
Rhythmic, with a really catchy chorus, this has a tricky key change that lifts it right up for the last chorus. Definitely my favourite of Lisa’s songs, the guitar riff is delightful and memorable.
Imitation Mother
This fast moving number has an exotic style and dramatic notation. It’s another example of Lisa’s versatility, with her voice deep and mysterious. I love the melody here, plus the stark stop at the end of the last chorus.
Wild Outdoors
The lyrics are metaphorical in this song, but beautiful and a little sad. The melody is pretty and trickling guitar excellent. In songs such as this, Lisa’s vocals are top quality, clear and emotional.
Lyrics are poignant, chorus simply lovely!
The door slams hard, the paintings fall, more cracks appear on inner walls.
Lisa’s influences include Sheryl Crow, Janis Joplin, Cat Stevens, Joni Mitchell and P.J. Harvey. Her new album You Are Here is due for release soon and promises to include a good mix of both rock, electronic and acoustic songs.
Named in the Daily Mail as ‘One to watch out for’, her star is slowly but surely rising. Not surprising with her feisty style, confident personality and oozing creative talent.
demo
Angela Macari O’Looney
On my first encounter with Lisa Shane’s vocals I immediately think Cindy Lauper, T’pau, Madonna. She has seductiveness about her style and guitars in each song are excellent.
Harmony adds to each number too and is sung by Lizzie Lee. Guitarist is Scott and lends to the atmosphere of every song.
Lisa’s music is described as Rock/Acoustic/Electronica. There’s a good deal of variety in her compositions, but I have my preferences as I listen closely to each performance. She’s sensuality and femininity; with a bit of kick ass rock thrown in and with time and a bit of polish, could bring something exciting into the Irish female rock singer scene.
It’s All Good
In this number and in particular the intro, guitar is appealing. The verse is seductive, with Lisa’s vocals sweet but becoming more dynamic for the chorus, which involves an explosion of distortion laden guitars.
While I like this song, I’m not a fan of her vocal style for the chorus here. The video is powerful and so is the song, so I feel it should involve less coy kitten and more oomph!
However, I find it’s got a great beat, a catchy melody line and would go down well at a live gig. Baseline is vibrant and guitars just become more and more sensational throughout.
Boxing Gloves
A slow soulful piece, this has a lovely chorus and excellent harmony. I like the lyrics of this love song.
Crazy is another sweet number, performed with just an acoustic guitar and a touch of harmony here and there. Lisa is made for this kind of number, as she pours out each line.
Undone
Rhythmic, with a really catchy chorus, this has a tricky key change that lifts it right up for the last chorus. Definitely my favourite of Lisa’s songs, the guitar riff is delightful and memorable.
Imitation Mother
This fast moving number has an exotic style and dramatic notation. It’s another example of Lisa’s versatility, with her voice deep and mysterious. I love the melody here, plus the stark stop at the end of the last chorus.
Wild Outdoors
The lyrics are metaphorical in this song, but beautiful and a little sad. The melody is pretty and trickling guitar excellent. In songs such as this, Lisa’s vocals are top quality, clear and emotional.
Lyrics are poignant, chorus simply lovely!
The door slams hard, the paintings fall, more cracks appear on inner walls.
Lisa’s influences include Sheryl Crow, Janis Joplin, Cat Stevens, Joni Mitchell and P.J. Harvey. Her new album You Are Here is due for release soon and promises to include a good mix of both rock, electronic and acoustic songs.
Named in the Daily Mail as ‘One to watch out for’, her star is slowly but surely rising. Not surprising with her feisty style, confident personality and oozing creative talent.
Battle of the bands at the Button Factory
D.I.T. Battle of the Bands final 2010
The Button Factory
29/04/10
Angela Macari O’Looney
It’s unbelievable how fast time goes and at one of Dublin’s top venues, it was time to battle it out again. J-Walkers, Rusty, Bo Jangled and Agro- Culture were selected from the many acts competing to get this far. So I knew that I and my guest were in for a treat!
J.Walkers
After a fabulous introduction from the MC, this cheerful foursome from Kildare took to the stage. Fronted by Steven Cassells; a guy with a winning smile, a brilliant voice and a way with rhythm guitar, they began their set with Time.
This starts off in a slow anthemic style. Vocals are excellent, especially harmonies and with lead guitar filtering in, dynamic builds up. A great choice for opening up their set, this powerful number got a great response from the audience. Being the first band on in a competition is never easy. Yet, these weren’t doing too badly and the new bassist blends in well.
With a trickling guitar intro and a delicious baseline, their second number was Tonight. This acoustic song is sweet, with a gorgeous melody. Harmony performed by the bass player Jonas Zaidys, makes a huge difference to the overall sound. They have a knack of composing brilliant choruses and this really beautiful song is no exception. An in sync middle eight done by guitars, a catchy refrain of ‘No, no, no’ behind the verse and an interesting increase in pace, all define this as one memorable number.
Wasting all your time is a reggae song. This involves some amazing guitar riffs and a short, but classy solo by Steve O’Connor on lead. Harmony sung by both he and the bassist create a full sound. Providing the essential backdrop to J.Walkers set was drummer extraordinaire Clifford Deane.
Steven introduced the bassist, who is from El Salvador. I think he fits in excellently with the band and makes an enormous difference. For their next song Waiting there, he does slap style bass that gives a funky feel to things. Lead does a scorching solo and harmony sprinkled in here and there adds to the sound.
I hoped they’d do my favourite J.Walkers song So damn easy and was thrilled to bits on hearing the intro. Jam packed with spark, a lively lead solo, flanger and distortion, this superb reggae number was going down well with the punters and the guys themselves were enjoying it. A big drum roll took this exciting set to a close.
Rusty
Beginning their set with Something about you; a choppy song which builds up to a faster pace, this Rock/Alternative band were entertaining from the get go!
With a Jimi Hendrix standard guitarist, who does amazing outbursts of lead throughout, this was quite a showstopper.
Liam Keegan-Vocals/Guitars, Nick Pickett- Vocals/Guitars, Keith Hayden- Vocals/Bass and Robbie McGonigle- Drums/Mixing hail from Skerries and have recently released their debut album Rusty.
Their second song started off bouncy, becoming faster for the chorus. No More is vibrant, with a catchy chorus. Lead vocals are good, with just a splash of harmony. Lots of distortion is used for guitars.
She wins begins soulful and slow. Nick swaps places with Liam to sing this one. Again guitars are the highlight of this act; with some great riffs and I like the way it seems to burst into life for the chorus.
The lead solo is particularly memorable. This has a fab rock vibe to it.
Television – Bassist does a lot in the intro here. I love the rhythmic, funk/Rock style beat. A cool riff done in sync, with ascending notation catches my attention and harmony lends to the scene here too. Guitars are superior throughout this memorable number.
Lost without your friends was the last of this set. Liam’s vocals suit this number well. Backing vocals are good and guitars too, but I find it a little bit long drawn out.
BoJangled
Just like the previous acts, BoJangled gave us an exceptional performance. With their Indie/ R&B/Ska style, they did a delightful set which I thoroughly enjoyed.
BoJangled are Steven Clifford-Rhythm Guitar/Vocals, Brian Sinnot-Lead Guitar/Vocals, Rob Gaffney-Bass and James Clifford-Drums. Formed in 2008, they have a unique sound involving a mish-mash of genres that is upbeat and very entertaining.
They performed Happy Families which has a catchy chorus, with lovely harmony and vocals that are very polished. I liked the part where the music stopped and they sang out the words ‘Shock wave’. The guitar riffs and hooks are delicious too!
I found that this band seemed really relaxed up there and I totally loved That Friday Feeling, with its witty lyrics, choppy beat and fantastic lead guitar solo. Steven’s lead vocals are top class. With such amazing singers in every act, I felt rather sorry for the judges of this competition.
Jenny is a Raver has great lyrics and lovely harmony in the middle eight, which is performed by the entire band. Riffs are excellent, as are guitars throughout. Flanger is used in spates.
Taking influences from names such as Madness, Arctic Monkeys, Velvet Underground and Oasis among many others, they are very promising indeed!
Aggro Culture
Grunge with a capital G springs to mind immediately, as this crazy bunch from Dublin take to the stage. The lead singer Leigh O’Reilly is top notch and loaded with charisma. Distortion packed heavy rock chords blast out from guitars c/o Leigh on Rhythm, Dafydd James on lead, with loads of bass c/o Spud Murphy featuring throughout the whole set. Perfect, if you like this sort of thing and judging from the reaction from the audience, one of the popular contestants.
The singer does this possessed- by- the- devil style vocal that I dislike. But he oozes showmanship and there’s no denying the standard of musicianship in the instrumentals.
They began their set with Mutant, where you can barely hear the music for the distortion. Gruesome, adrenaline charged stuff!
If they wanted to be a bit different, they definitely succeeded.
For What is hunger the singer sat at a keyboard and sang with his natural voice. You get quite a surprise here, because he has a great voice and in this number, which is the best of their set by far, he shines.
Although this set was outstanding, it became more of a floorshow, with exhibitionists throwing caution to the wind and taking off their shirts to head bang. The singer shook a huge plastic bottle of mineral water over those nearest the stage. It was mayhem and a tad O.T.T. in my book!
It wasn’t a long wait before the judges announced the winners of the contest. People from IMRO and EMI were among them and must have had a struggle picking out a best. But in the end the prize went to Aggro Culture. I’ve learnt that it’s like the Grand National at these events and with the standard of talent in the young bands involved, you never know!
I was a bit sad that all the bands couldn’t win and was rooting for J.Walkers, but totally loved each act and wish them lots of luck in the future.
The Button Factory
29/04/10
Angela Macari O’Looney
It’s unbelievable how fast time goes and at one of Dublin’s top venues, it was time to battle it out again. J-Walkers, Rusty, Bo Jangled and Agro- Culture were selected from the many acts competing to get this far. So I knew that I and my guest were in for a treat!
J.Walkers
After a fabulous introduction from the MC, this cheerful foursome from Kildare took to the stage. Fronted by Steven Cassells; a guy with a winning smile, a brilliant voice and a way with rhythm guitar, they began their set with Time.
This starts off in a slow anthemic style. Vocals are excellent, especially harmonies and with lead guitar filtering in, dynamic builds up. A great choice for opening up their set, this powerful number got a great response from the audience. Being the first band on in a competition is never easy. Yet, these weren’t doing too badly and the new bassist blends in well.
With a trickling guitar intro and a delicious baseline, their second number was Tonight. This acoustic song is sweet, with a gorgeous melody. Harmony performed by the bass player Jonas Zaidys, makes a huge difference to the overall sound. They have a knack of composing brilliant choruses and this really beautiful song is no exception. An in sync middle eight done by guitars, a catchy refrain of ‘No, no, no’ behind the verse and an interesting increase in pace, all define this as one memorable number.
Wasting all your time is a reggae song. This involves some amazing guitar riffs and a short, but classy solo by Steve O’Connor on lead. Harmony sung by both he and the bassist create a full sound. Providing the essential backdrop to J.Walkers set was drummer extraordinaire Clifford Deane.
Steven introduced the bassist, who is from El Salvador. I think he fits in excellently with the band and makes an enormous difference. For their next song Waiting there, he does slap style bass that gives a funky feel to things. Lead does a scorching solo and harmony sprinkled in here and there adds to the sound.
I hoped they’d do my favourite J.Walkers song So damn easy and was thrilled to bits on hearing the intro. Jam packed with spark, a lively lead solo, flanger and distortion, this superb reggae number was going down well with the punters and the guys themselves were enjoying it. A big drum roll took this exciting set to a close.
Rusty
Beginning their set with Something about you; a choppy song which builds up to a faster pace, this Rock/Alternative band were entertaining from the get go!
With a Jimi Hendrix standard guitarist, who does amazing outbursts of lead throughout, this was quite a showstopper.
Liam Keegan-Vocals/Guitars, Nick Pickett- Vocals/Guitars, Keith Hayden- Vocals/Bass and Robbie McGonigle- Drums/Mixing hail from Skerries and have recently released their debut album Rusty.
Their second song started off bouncy, becoming faster for the chorus. No More is vibrant, with a catchy chorus. Lead vocals are good, with just a splash of harmony. Lots of distortion is used for guitars.
She wins begins soulful and slow. Nick swaps places with Liam to sing this one. Again guitars are the highlight of this act; with some great riffs and I like the way it seems to burst into life for the chorus.
The lead solo is particularly memorable. This has a fab rock vibe to it.
Television – Bassist does a lot in the intro here. I love the rhythmic, funk/Rock style beat. A cool riff done in sync, with ascending notation catches my attention and harmony lends to the scene here too. Guitars are superior throughout this memorable number.
Lost without your friends was the last of this set. Liam’s vocals suit this number well. Backing vocals are good and guitars too, but I find it a little bit long drawn out.
BoJangled
Just like the previous acts, BoJangled gave us an exceptional performance. With their Indie/ R&B/Ska style, they did a delightful set which I thoroughly enjoyed.
BoJangled are Steven Clifford-Rhythm Guitar/Vocals, Brian Sinnot-Lead Guitar/Vocals, Rob Gaffney-Bass and James Clifford-Drums. Formed in 2008, they have a unique sound involving a mish-mash of genres that is upbeat and very entertaining.
They performed Happy Families which has a catchy chorus, with lovely harmony and vocals that are very polished. I liked the part where the music stopped and they sang out the words ‘Shock wave’. The guitar riffs and hooks are delicious too!
I found that this band seemed really relaxed up there and I totally loved That Friday Feeling, with its witty lyrics, choppy beat and fantastic lead guitar solo. Steven’s lead vocals are top class. With such amazing singers in every act, I felt rather sorry for the judges of this competition.
Jenny is a Raver has great lyrics and lovely harmony in the middle eight, which is performed by the entire band. Riffs are excellent, as are guitars throughout. Flanger is used in spates.
Taking influences from names such as Madness, Arctic Monkeys, Velvet Underground and Oasis among many others, they are very promising indeed!
Aggro Culture
Grunge with a capital G springs to mind immediately, as this crazy bunch from Dublin take to the stage. The lead singer Leigh O’Reilly is top notch and loaded with charisma. Distortion packed heavy rock chords blast out from guitars c/o Leigh on Rhythm, Dafydd James on lead, with loads of bass c/o Spud Murphy featuring throughout the whole set. Perfect, if you like this sort of thing and judging from the reaction from the audience, one of the popular contestants.
The singer does this possessed- by- the- devil style vocal that I dislike. But he oozes showmanship and there’s no denying the standard of musicianship in the instrumentals.
They began their set with Mutant, where you can barely hear the music for the distortion. Gruesome, adrenaline charged stuff!
If they wanted to be a bit different, they definitely succeeded.
For What is hunger the singer sat at a keyboard and sang with his natural voice. You get quite a surprise here, because he has a great voice and in this number, which is the best of their set by far, he shines.
Although this set was outstanding, it became more of a floorshow, with exhibitionists throwing caution to the wind and taking off their shirts to head bang. The singer shook a huge plastic bottle of mineral water over those nearest the stage. It was mayhem and a tad O.T.T. in my book!
It wasn’t a long wait before the judges announced the winners of the contest. People from IMRO and EMI were among them and must have had a struggle picking out a best. But in the end the prize went to Aggro Culture. I’ve learnt that it’s like the Grand National at these events and with the standard of talent in the young bands involved, you never know!
I was a bit sad that all the bands couldn’t win and was rooting for J.Walkers, but totally loved each act and wish them lots of luck in the future.
Thursday, May 6, 2010
New band 'Indigo Flow'
Indigo Flow
Demo
Funkalicious guitars, jazzy vocals and the feel good factor throughout each song are the focal points of this fresh young band from Clane, County Kildare.
Dan Boland- Guitar, Ross Nevin-Vocals, Aine Nevin-Bass, Paul Connor Gordon- Guitar and Tiarnan McCarville- Drums are the members that make up this interesting outfit. The minute I hear them, I feel the urge to boogie!
A flanger packed intro in What the Funk?! is followed by a cool funky beat, bass and guitar taking you to the verse with an in synch riff. Vocals are adequate but just a tad pale. I’d like to hear the chorus of this catchy number belted out with more conviction. Perhaps a touch of backing vocals would help too. However it’s the first original song they recorded and considering this, it’s pretty impressive!
Everyone’s a critic – Vocals are seductive at the beginning of this lovely song. Guitar chords are jazzy and sweet. Then out of the blue, things explode into a fast moving, delectable chorus, with drum rolls, bashing cymbals and a charming melody line. The guitar solo in this is top quality and for me would be a key feature. I really enjoy this number, because it is so different and that element of surprise is cool. The vocalist’s performance here is excellent and I feel he has a natural ability to sing jazz.
Intermission features a totally awe inspiring guitar solo and in general the instrumental side is outstanding. Beginning with a trickling intro and a soothing baseline, this number is moody, becoming dramatic. Ross performs this one with more conviction as he pours out the lyrics.
A simple acoustic intro takes you into a very special cover of the late Michael Jackson’s Black or White. Ross has quite a light voice and although it’s difficult to recreate such a wonderful song, which would have been a huge production number for the King of Pop, it’s a salute to him which is well performed and will always succeed in getting a positive response from Jackson connoisseurs, or anyone who enjoys singing along to a cheerful cover.
Hump de Bump
Opening with big discords, this number picks up to a funk beat and involves amazing guitar riffs, Jamiroquai style vocals, a superb baseline framing everything and here, Ross’s vocal ability comes to the fore. He adds character to the lyrics, as he shines in the chorus which is upbeat and fun!
Is that a splash of another Michael Jackson number I hear in there? The instantly recocngnisable riff from ‘You wanna be startin’ something?’ fits in just perfectly.
Formed in September 2009, this young band have great promise and can create music with attitude. Currently recording their debut album Go with the Flow, they blend well and with such talented musicians, will go far. Ross is a singer who so obviously enjoys experimenting with classic pop, mixed with a more up to the minute genre and also possesses a penchant for the jazzier side of things. This gives him an edge!
Are they Rock, Funk, Pop or Jazz?
They are a delicious concoction of all of those genres and inspire a party atmosphere and create dance music that just oozes personality!
Angela Macari O’Looney.
Demo
Funkalicious guitars, jazzy vocals and the feel good factor throughout each song are the focal points of this fresh young band from Clane, County Kildare.
Dan Boland- Guitar, Ross Nevin-Vocals, Aine Nevin-Bass, Paul Connor Gordon- Guitar and Tiarnan McCarville- Drums are the members that make up this interesting outfit. The minute I hear them, I feel the urge to boogie!
A flanger packed intro in What the Funk?! is followed by a cool funky beat, bass and guitar taking you to the verse with an in synch riff. Vocals are adequate but just a tad pale. I’d like to hear the chorus of this catchy number belted out with more conviction. Perhaps a touch of backing vocals would help too. However it’s the first original song they recorded and considering this, it’s pretty impressive!
Everyone’s a critic – Vocals are seductive at the beginning of this lovely song. Guitar chords are jazzy and sweet. Then out of the blue, things explode into a fast moving, delectable chorus, with drum rolls, bashing cymbals and a charming melody line. The guitar solo in this is top quality and for me would be a key feature. I really enjoy this number, because it is so different and that element of surprise is cool. The vocalist’s performance here is excellent and I feel he has a natural ability to sing jazz.
Intermission features a totally awe inspiring guitar solo and in general the instrumental side is outstanding. Beginning with a trickling intro and a soothing baseline, this number is moody, becoming dramatic. Ross performs this one with more conviction as he pours out the lyrics.
A simple acoustic intro takes you into a very special cover of the late Michael Jackson’s Black or White. Ross has quite a light voice and although it’s difficult to recreate such a wonderful song, which would have been a huge production number for the King of Pop, it’s a salute to him which is well performed and will always succeed in getting a positive response from Jackson connoisseurs, or anyone who enjoys singing along to a cheerful cover.
Hump de Bump
Opening with big discords, this number picks up to a funk beat and involves amazing guitar riffs, Jamiroquai style vocals, a superb baseline framing everything and here, Ross’s vocal ability comes to the fore. He adds character to the lyrics, as he shines in the chorus which is upbeat and fun!
Is that a splash of another Michael Jackson number I hear in there? The instantly recocngnisable riff from ‘You wanna be startin’ something?’ fits in just perfectly.
Formed in September 2009, this young band have great promise and can create music with attitude. Currently recording their debut album Go with the Flow, they blend well and with such talented musicians, will go far. Ross is a singer who so obviously enjoys experimenting with classic pop, mixed with a more up to the minute genre and also possesses a penchant for the jazzier side of things. This gives him an edge!
Are they Rock, Funk, Pop or Jazz?
They are a delicious concoction of all of those genres and inspire a party atmosphere and create dance music that just oozes personality!
Angela Macari O’Looney.
Monday, April 12, 2010
The Dirty 9s debut album launch
The Dirty 9s
Stop Screaming Start Dreaming launch gig
Crawdaddy
03/04/10
Angela Macari O’Looney
Popular Dublin Indie/Rock band The Dirty 9s have come a long way since I first saw them perform at the National Student Music Awards final in 2008.
Having won a competition on Irish T.V. show Deis Roc, they went on to release their debut single Lucy Opus, which was an enormous success. Corridors, another of their songs, was chosen for the Hotpress/ Oxfam compilation CD. They were also selected for the 2009 IMRO Showcase Tour.
The success story goes on, with them playing support to well known bands such as Republic of Loose, Delorentos, The Coronas and CODES.
Being a little partial about their sound and of the one and only Fergal Moloney’s vocals, I decided I had to be there on hearing about their debut album launch in Crawdaddy.
This exciting Easter Saturday gig included two excellent support bands.
The Good Fight
Hailing from Coleraine, Belfast, this foursome describe their music as Alt/ Indie/ Rock. The band are Ben Robinson – Guitar/ Vocals, Steven Gilpin – Guitar/ Vocals, Adam Montgomery – Bass/Vocals and Will Richie – Drums.
I enjoyed their sound, with Ben’s vocal range being a key feature. Each facet of this band is so necessary to the overall sound and I feel impressed at their ability to compose lovely arrangements which are extremely mature for their years. They performed Electric Flow, Landslide, Donegal, Kick Start, Not an example, Hospitals, Hats on Sticks and Glad you know.
Landslide – This number involves a sweet melody line, catchy backing vocals and guitars, a beautiful verse that is almost hymn like it is so haunting and when it speeds up for the chorus, things liven up. An alternating beat in this grabs my attention. Quite different!
The crowd were really enjoying this set. Kick Start is an anthemic number, with an explosive chorus, powerful guitars throughout and a delectable break.
Not an example involves a choppy beat for the chorus. For this song I felt that Ben’s vocals were drowned out a little by the other instruments. The overall sound was good however, crowd loving it!
Hospitals
There’s a change of pace in this song, as in quite a lot of the set and a sense of drama in the notation. Chords are rhythmic, with explosive bashing drums. A vibrant number!
Hats on Sticks
Guitars trickle behind the verse here, with close harmony and Ben’s passionate pouring out of the sad, soulful lyrics lending to this love song. Then a burst of energetic guitars take you into the chorus, chord combinations special.
Glad you know was the final song. This had yet more chops and changes of beat, adding to its charm. Guitars fab here, Ben going up to falsetto at times and a simply gorgeous chorus made it by far the most memorable of their set. I think of The Good Fight as a diamond in the rough, with a really promising future in front of them.
The Gandhis
Having reviewed their CD, I’m familiar with this bands material. So it was intriguing to hear the songs live. I wasn’t disappointed because The Gandhis are simply amazing. From start to finish, they were entertaining. Seamless and charming, songs from their CD were performed, with closer than close harmony, catchy riffs in just the right places and upbeat sing along melody lines.
Conor Deasy – Lead guitar/Vocals, Aidan McKelvey – Guitars/ Vocals, Niall Cullen – Bass/Vocals and Bazz O’Reilly – Drums are from Lucan, Co. Dublin and although their music is described as Pop/Rock/Alt, it involves just about every genre under the sun!
The Rudy Show was the first number, with an intro taken from an old song; Mr. Sandman. This goes from a reggae beat at the beginning, to a faster tempo later on. Harmony is delicious and the melody is upbeat, with lots going on from sweet ‘oohs’ to catchy riffs. Each member of this band contributes to the vocals, with Conor and Aidan featuring in most numbers.
The seductive funky intro to Mowtown Low-down served to captivate the audience, with its sexy baseline and flanger packed guitar chords, Aidan really getting the crowd behind him. The lead solo here is short, but very effective and the lads just ooze showmanship with flawless riffs and backing vocals throughout. Whoops of approval coming from the punters proved how impressive this song is live.
With its superb melody, cheerful lyrics and sing along charm, the theme song from their album You are my friend was brilliant, especially when the lads done a chorus acapella at the end. The guitar chords in this number are jazzy and sweet, vocals adorable, with Bazz tapping out the choppy rhythm, nifty lead riffs featuring, plus Niall’s bass framing the scene beautifully.
With only guitars doing the rhythm, the four lads did a harmonic number, which for me is their best; Primrose Lane.
This is a touching, bouncy piece where lyrics are hilarious, as they reminisce about schooldays, growing up, their first pint. But the highlight here is the close harmony in the chorus. It reminds me of a barber shop quartet!
They did The Elephant Man, with its crazy Ska/Punk, or ‘Skunk’ tempo. This is an anything goes song, where a bit of everything is chucked in. Despite this, the arrangement is very sharp, with unexpected key changes, jumps from minor chords to majors and general mayhem from the first to the last bar!
The Gandhis continued with Don’t you want to be loved by me, which has a very 60s dancehall feel to it and finally Zaza, a song involving choo choo’s sung in a jazzy discord, with a runaway train rhythm.
Both Aidan and Conor perform this song, with the full band joining in for the chorus. A cheeky, exotic guitar riff features in this number and it’s a great choice to take a fantastic set to a close.
The Dirty 9s
A sense of anticipation was even more heightened by the entrance music played for the stars of the show; The theme from 2001 A space Oddyssy rang out across the room.
Fergal Moloney- Vocals/Guitar, Cian McCarthy- Lead Guitar, Paul Rice- Drums, Keith Brett- Keys/ Glockenspiel/Synth and Stephen Dunne- Bass came on stage and began their set with a dramatic number.
Going Alone
Riffs in the verse of this song are brilliant and reflect the sense of urgency in the lyrics. Chords are striking behind Fergal’s first class performance. Wow!
This band are like a flower that has come into full bloom, now totally polished, totally mesmerizing!
Bursting with vitality, they then began one of my favourite Dirty 9s songs; Angel in the Shadows. Fergal is a unique front man in that he is so involved in each song, he draws you into the emotion and this is apparent when he does this number, which has a beautiful guitar riff intro, a thumping beat and a haunting verse.
Plucky guitars, powerful synth and that riff repeated throughout give this song life. Dynamic and superb, it gets me every time I hear it!
Car Crash
Fergal ever the professional introduces the drummer Paul, as he plays a little solo. This takes them into number three. Bass comes in and other instruments gradually join, becoming a crescendo of sound for the chorus, with the baseline from Stephen Dunne very prominent. Distortion packed guitars and the fab lyrics make this a really interesting song. Harmony is lovely here, the beat becoming choppy. ‘She’s a car crash, waiting to happen’; I like this and I loved the way it just finishes with ‘She’s a car crash’!
Corridors
A thumping drumbeat takes you into this. Keys are vibrant, especially the riff intro which is repeated throughout the song and is very sweet. There’s remarkable interaction between Fergal, the lead singer and Brett on keys. There’s a tangible connection between the band members that’s great to see.
All sing big ‘ahs’ for the middle eight; Very powerful before the return of the catchy riff, followed by a drama packed finish.
The Killing Moon (80’s cover)
Made famous by Echo and The Bunnymen, this number was very enjoyable. Keith on Keyboards performed backing vocals for this song. Chorus was lovely and chords in this were also superb!
Something Better
From the album, this number is plucky and energetic, with lots of focus on the throbbing baseline. In the chorus chords are big, distortion packed and totally alive. Lead riff is fab, rhythm pulsating and vital.
The Garden; A slower piece with soulful lyrics, a haunting electronic riff adding to its beauty!
Other instruments pull back here, allowing Brett on synth to perform a delicious solo. Trickling guitars, a barely there beat and the awe inspiring melody leave me spellbound.
Fergal introduces Cian on lead guitar, who is a true genius.
This lovely introduction is afforded to each musician throughout the show, which definitely gets a thumbs up from me.
Weeknight Lovers
This is a fast moving song with adrenaline charging through every note. The chords, melody and lyrics all give a sense of desperation. It describes love almost as an addiction. Guitars are excellent here, with splashes of lead and perfect riffs and hooks lending to the atmosphere. Dramatic drum rolls remind us of Paul Rice’s presence, with an amazing guitar solo from Cian before the big bashing finish.
Treating their audience to more songs from their album including Heartless (a cover), Trouble, Look to the left, Echoes, Hey and Lucy Opus, Fergal and his crew were outstanding.
Before beginning Trouble, Fergal paid tribute to Paul Walsh who was involved in advising the band and was among those who helped produce the new album.
This number begins with a trumpet-style intro done on synth. Beat is militant, melody beautiful, particularly for the chorus and from a very quiet first chorus early on, things build up in dynamics. For the last bit where Fergal sings Stop Screamin’, start dreamin’ the whole audience sing with him. Fantastic stuff!
Echoes has just about everything in it that for me defines The Dirty 9s. First class chops’n’rolls on drums, astounding guitars with a plucky riff a constant. Then of course our man Fergal’s light, but adorably passionate voice with splashes of harmony and a totally explosive finish!
Hey
Fergal invites a couple of girls from the audience to play tambourines in this song. It’s a cool punk-type tempo, which is a nice change of pace. Fun to dance to, with a sweet melody line and as per all songs is done with flair.
Well done to the girls who played fab percussion, for two amateurs!
Fergal thanks everyone on behalf of the band, including their families. Wrapping up with Lucy Opus, a great choice to take the night to a close, the lads could do no wrong. This number is sensational and like each of their songs has classic written all over it. I was on such a high going out, that I took a copy of Stop Screaming, Start dreaming home to remind me of a brilliant gig!
Stop Screaming Start Dreaming launch gig
Crawdaddy
03/04/10
Angela Macari O’Looney
Popular Dublin Indie/Rock band The Dirty 9s have come a long way since I first saw them perform at the National Student Music Awards final in 2008.
Having won a competition on Irish T.V. show Deis Roc, they went on to release their debut single Lucy Opus, which was an enormous success. Corridors, another of their songs, was chosen for the Hotpress/ Oxfam compilation CD. They were also selected for the 2009 IMRO Showcase Tour.
The success story goes on, with them playing support to well known bands such as Republic of Loose, Delorentos, The Coronas and CODES.
Being a little partial about their sound and of the one and only Fergal Moloney’s vocals, I decided I had to be there on hearing about their debut album launch in Crawdaddy.
This exciting Easter Saturday gig included two excellent support bands.
The Good Fight
Hailing from Coleraine, Belfast, this foursome describe their music as Alt/ Indie/ Rock. The band are Ben Robinson – Guitar/ Vocals, Steven Gilpin – Guitar/ Vocals, Adam Montgomery – Bass/Vocals and Will Richie – Drums.
I enjoyed their sound, with Ben’s vocal range being a key feature. Each facet of this band is so necessary to the overall sound and I feel impressed at their ability to compose lovely arrangements which are extremely mature for their years. They performed Electric Flow, Landslide, Donegal, Kick Start, Not an example, Hospitals, Hats on Sticks and Glad you know.
Landslide – This number involves a sweet melody line, catchy backing vocals and guitars, a beautiful verse that is almost hymn like it is so haunting and when it speeds up for the chorus, things liven up. An alternating beat in this grabs my attention. Quite different!
The crowd were really enjoying this set. Kick Start is an anthemic number, with an explosive chorus, powerful guitars throughout and a delectable break.
Not an example involves a choppy beat for the chorus. For this song I felt that Ben’s vocals were drowned out a little by the other instruments. The overall sound was good however, crowd loving it!
Hospitals
There’s a change of pace in this song, as in quite a lot of the set and a sense of drama in the notation. Chords are rhythmic, with explosive bashing drums. A vibrant number!
Hats on Sticks
Guitars trickle behind the verse here, with close harmony and Ben’s passionate pouring out of the sad, soulful lyrics lending to this love song. Then a burst of energetic guitars take you into the chorus, chord combinations special.
Glad you know was the final song. This had yet more chops and changes of beat, adding to its charm. Guitars fab here, Ben going up to falsetto at times and a simply gorgeous chorus made it by far the most memorable of their set. I think of The Good Fight as a diamond in the rough, with a really promising future in front of them.
The Gandhis
Having reviewed their CD, I’m familiar with this bands material. So it was intriguing to hear the songs live. I wasn’t disappointed because The Gandhis are simply amazing. From start to finish, they were entertaining. Seamless and charming, songs from their CD were performed, with closer than close harmony, catchy riffs in just the right places and upbeat sing along melody lines.
Conor Deasy – Lead guitar/Vocals, Aidan McKelvey – Guitars/ Vocals, Niall Cullen – Bass/Vocals and Bazz O’Reilly – Drums are from Lucan, Co. Dublin and although their music is described as Pop/Rock/Alt, it involves just about every genre under the sun!
The Rudy Show was the first number, with an intro taken from an old song; Mr. Sandman. This goes from a reggae beat at the beginning, to a faster tempo later on. Harmony is delicious and the melody is upbeat, with lots going on from sweet ‘oohs’ to catchy riffs. Each member of this band contributes to the vocals, with Conor and Aidan featuring in most numbers.
The seductive funky intro to Mowtown Low-down served to captivate the audience, with its sexy baseline and flanger packed guitar chords, Aidan really getting the crowd behind him. The lead solo here is short, but very effective and the lads just ooze showmanship with flawless riffs and backing vocals throughout. Whoops of approval coming from the punters proved how impressive this song is live.
With its superb melody, cheerful lyrics and sing along charm, the theme song from their album You are my friend was brilliant, especially when the lads done a chorus acapella at the end. The guitar chords in this number are jazzy and sweet, vocals adorable, with Bazz tapping out the choppy rhythm, nifty lead riffs featuring, plus Niall’s bass framing the scene beautifully.
With only guitars doing the rhythm, the four lads did a harmonic number, which for me is their best; Primrose Lane.
This is a touching, bouncy piece where lyrics are hilarious, as they reminisce about schooldays, growing up, their first pint. But the highlight here is the close harmony in the chorus. It reminds me of a barber shop quartet!
They did The Elephant Man, with its crazy Ska/Punk, or ‘Skunk’ tempo. This is an anything goes song, where a bit of everything is chucked in. Despite this, the arrangement is very sharp, with unexpected key changes, jumps from minor chords to majors and general mayhem from the first to the last bar!
The Gandhis continued with Don’t you want to be loved by me, which has a very 60s dancehall feel to it and finally Zaza, a song involving choo choo’s sung in a jazzy discord, with a runaway train rhythm.
Both Aidan and Conor perform this song, with the full band joining in for the chorus. A cheeky, exotic guitar riff features in this number and it’s a great choice to take a fantastic set to a close.
The Dirty 9s
A sense of anticipation was even more heightened by the entrance music played for the stars of the show; The theme from 2001 A space Oddyssy rang out across the room.
Fergal Moloney- Vocals/Guitar, Cian McCarthy- Lead Guitar, Paul Rice- Drums, Keith Brett- Keys/ Glockenspiel/Synth and Stephen Dunne- Bass came on stage and began their set with a dramatic number.
Going Alone
Riffs in the verse of this song are brilliant and reflect the sense of urgency in the lyrics. Chords are striking behind Fergal’s first class performance. Wow!
This band are like a flower that has come into full bloom, now totally polished, totally mesmerizing!
Bursting with vitality, they then began one of my favourite Dirty 9s songs; Angel in the Shadows. Fergal is a unique front man in that he is so involved in each song, he draws you into the emotion and this is apparent when he does this number, which has a beautiful guitar riff intro, a thumping beat and a haunting verse.
Plucky guitars, powerful synth and that riff repeated throughout give this song life. Dynamic and superb, it gets me every time I hear it!
Car Crash
Fergal ever the professional introduces the drummer Paul, as he plays a little solo. This takes them into number three. Bass comes in and other instruments gradually join, becoming a crescendo of sound for the chorus, with the baseline from Stephen Dunne very prominent. Distortion packed guitars and the fab lyrics make this a really interesting song. Harmony is lovely here, the beat becoming choppy. ‘She’s a car crash, waiting to happen’; I like this and I loved the way it just finishes with ‘She’s a car crash’!
Corridors
A thumping drumbeat takes you into this. Keys are vibrant, especially the riff intro which is repeated throughout the song and is very sweet. There’s remarkable interaction between Fergal, the lead singer and Brett on keys. There’s a tangible connection between the band members that’s great to see.
All sing big ‘ahs’ for the middle eight; Very powerful before the return of the catchy riff, followed by a drama packed finish.
The Killing Moon (80’s cover)
Made famous by Echo and The Bunnymen, this number was very enjoyable. Keith on Keyboards performed backing vocals for this song. Chorus was lovely and chords in this were also superb!
Something Better
From the album, this number is plucky and energetic, with lots of focus on the throbbing baseline. In the chorus chords are big, distortion packed and totally alive. Lead riff is fab, rhythm pulsating and vital.
The Garden; A slower piece with soulful lyrics, a haunting electronic riff adding to its beauty!
Other instruments pull back here, allowing Brett on synth to perform a delicious solo. Trickling guitars, a barely there beat and the awe inspiring melody leave me spellbound.
Fergal introduces Cian on lead guitar, who is a true genius.
This lovely introduction is afforded to each musician throughout the show, which definitely gets a thumbs up from me.
Weeknight Lovers
This is a fast moving song with adrenaline charging through every note. The chords, melody and lyrics all give a sense of desperation. It describes love almost as an addiction. Guitars are excellent here, with splashes of lead and perfect riffs and hooks lending to the atmosphere. Dramatic drum rolls remind us of Paul Rice’s presence, with an amazing guitar solo from Cian before the big bashing finish.
Treating their audience to more songs from their album including Heartless (a cover), Trouble, Look to the left, Echoes, Hey and Lucy Opus, Fergal and his crew were outstanding.
Before beginning Trouble, Fergal paid tribute to Paul Walsh who was involved in advising the band and was among those who helped produce the new album.
This number begins with a trumpet-style intro done on synth. Beat is militant, melody beautiful, particularly for the chorus and from a very quiet first chorus early on, things build up in dynamics. For the last bit where Fergal sings Stop Screamin’, start dreamin’ the whole audience sing with him. Fantastic stuff!
Echoes has just about everything in it that for me defines The Dirty 9s. First class chops’n’rolls on drums, astounding guitars with a plucky riff a constant. Then of course our man Fergal’s light, but adorably passionate voice with splashes of harmony and a totally explosive finish!
Hey
Fergal invites a couple of girls from the audience to play tambourines in this song. It’s a cool punk-type tempo, which is a nice change of pace. Fun to dance to, with a sweet melody line and as per all songs is done with flair.
Well done to the girls who played fab percussion, for two amateurs!
Fergal thanks everyone on behalf of the band, including their families. Wrapping up with Lucy Opus, a great choice to take the night to a close, the lads could do no wrong. This number is sensational and like each of their songs has classic written all over it. I was on such a high going out, that I took a copy of Stop Screaming, Start dreaming home to remind me of a brilliant gig!
Saturday, April 3, 2010
Delorentros at the Academy
Delorentos
Joe Echo and Planet Parade
The Academy
26/03/10
Angela Macari O’Looney
A couple of years ago I reviewed Delorentos album In Love with Detail for the choice music awards. Back then, they totally won me over with their vibrant songs and intoxicating ‘Joie de Vivre’.
Like every Delorentos enthusiast, I was awe-struck on hearing the announcement of their break-up. However, they remained a firm favourite in my collection. Like most creative geniuses the lads reconciled their differences and returned to the music scene, bigger and better than before!
Thus I stood elated in the Academy, along with many like minded folk. It was some sight looking down from the balcony at the throng below. A huge sense of expectation and a cheerful buzz surrounded me at this long awaited Dublin gig!
This superb Indie/ Alternative band’s name goes before them among true Indie/rock music lovers in Ireland. Since their reconciliation, it seems their career is going like an unstoppable roller coaster. They are diversifying, with the forthcoming release of You can make sound, which will be their debut U.K. album.
This is preceded by the release of S.E.C.R.E.T., their new single. Hailing from Portrane in North Dublin, the lads were school friends and despite a disparity in musical tastes and the usual ‘band’ related hiccups, they have a dynamic sound and an ability to write distinctive melodies and feel good lyrics.
Joe Echo
Taking to the stage for the first set, was singer-song writer Joe Echo (Ciaran Gribbin) from Castledawson. This guy has a really entertaining style and was previously a member of Leya, who played support to acts such as Snow Patrol, Interpol and Franz Ferdinand. Joe Echo himself played support to well known Irish band The Script during their Irish tour. He is admired widely for his amazing vocal prowess and song writing ability and helped co-write Madonna’s recent Grammy nominated single Celebration and actually performed on some tracks of Snow Patrol’s album Eyes Open.
With just one other guitarist alongside him( his brother), this young man performed a few samples of his exciting repertoire. Using inventive programming, he had a big sound. With a guitar intro, a very effective baseline and a lively beat, Joe began with The Heart that knows desire.
A memorable chorus and the sweet riff from the intro with its seductive bending notes are the key features in this number. Joe’s vocals have a distinctiveness that would set him apart from anyone I can think of. A touch of Chris Martin (Coldplay), combined with Keane’s front man Tom Chaplin, he has some range!
Interacting well with the growing crowd, Joe went on to perform Where we wanna be; A rhythmic intro and a delectable chorus make this a memorable song, plus vocal percussion. A catchy lead riff also draws my attention here and I really admire the sense of originality about his music, which is experimental electro/acoustic at its finest.
Slow and soulful was the third song; What if. Wonderful chord combos throughout made this yet another lovely choice of song.
Tillys Cowboy - He sings the melodic ‘to loo’ chorus of this number and effortlessly glides up to falsetto notes. It’s an adorable reflection about good old days, innocence and happier times. Imaginative lyrics make you smell food aromas, hear cheerful chatter, laugh about when people had ‘a tin bath on a concrete floor’. Ciaran alias Joe, a fountain of sentimental and musical wonder, draws the listener into his stories.
With a warm up act as good as this, I knew I was in for an unforgettable evening. Joe finished with Sold out Hallelujah a memorable piece with a catchy riff throughout. Unique and extremely enjoyable, he definitely got my juices flowing.
Planet Parade
This three piece Alt/ Ambient outfit hail from Kildare and have recently released their debut E.P. Ghosts to People. Members are Michael Hopkins, Andrew Lloyd and Ronan Kilduff.
They performed Money on a bet, Let go, Cut the Cord, Play fair, Instrumental, You got me, Zulu Sound and Electrical.
Electrical had a reggae beat, top standard guitar breaks and vocals were crisp. They have a sound that is sharp and melodic, with wonderful harmonies and backing vocals throughout.
Cut the Cord has a choppy chorus, excellent lead vocals and guitars too. Fast and lively, it involves powerful chord combinations throughout.
I also enjoyed Play Fair, with a trickling intro, becoming choppy. It has a catchy refrain, lovely chorus and a punchy baseline features. Harmony is special in this one.
The Instrumental they do involves virtuoso style guitar, pulsating rhythm, blasts of complex chords and discords and is an interesting breakaway from your regular three minute song. Loved this!
Their music has a ‘Stingesque’ quality to it, combined with newer influences. With a choppy tempo, it was just the job to keep the interest of the audience.
Their set was upbeat, very entertaining and I liked how despite the fact that they are a trio, they could create such a big sound, oozing energy and charm. I’ll be watching out for them and hope to see them headlining soon.
Delorentos
The moment had arrived!
A thumping beat and powerful guitars heralded the intro to Hallucinations, strobe lighting lending to the scene. Ross, Ro, Kier and Niall let rip for this explosive song, with the throbbing crowd showing their appreciation. What an entrance. Adrenaline-pumping stuff!
The familiar intro to Basis of Everything delighted me. One of my favourite numbers from their first album, it is the very essence of Delorentos music. This number is fast, with a plucky guitar intro and excellent harmony. The melody line is magical and the catchy riff which continues throughout gets me every time. I thought it was lovely when everyone sang the middle eight with Ro, where the song slows down a little. It’s one of these songs that you can’t resist singing along to. Guitars are mind blowing, as is every moment of this piece!
Continuing with Do You Realise, there seemed to be an energy flowing from the band to the audience. Choppy, with perfect riffs and hooks, this number is a love song with a gorgeous chorus, which was sung by every soul in the place along with the lads. Vocals are shared by Ro and Kier, with Niall doing harmony. A short lead break takes you into the final chorus of this totally brilliant song.
Say you’ll never love her is an anthemic style love song. Lead vocals are particularly powerful and in the chorus harmony is beautiful. Guitars here are excellent, played in sync and reflect the lyrics which are melancholic and deep.
Back to a thumping beat, dramatic stop start bits and yet another totally addictive melody line, Leave it on was next. So much goes on in this song, but a lovely lead guitar riff in the chorus is for me one of the nicest parts. This song is a million times more vibrant and exhilarating when performed live and was a highlight of the gig for me.
Things just seemed to get better and better as this set went on with Body Cold. There was a good mix of both new and old songs, all received with enthusiasm from the crowd.
I noticed that Kier sings the lead vocals in some numbers and Ro in others. This adds contrast to their songs. Say it now, Leave me alone, Sanctuary were other songs from the new album. Harmonies were spine tingling and guitar riffs memorable in each.
Waiting which oozes vitality and has amazing guitar throughout was among other favourites of mine. They left no stone unturned, performing a non-stop list of numbers, among them Until next time, The Rules, Eustace Street. One that I always know from it’s soulful, slow intro Any other Way was included in their encore.
A beautiful song Eyes Open stood out from the rest as it’s slow and romantic. People sang along with it and trickling lead guitar behind Ro’s passionate vocals had the audience in the palm of his hands. It was one of those special moments where time seems to stand still!
It was beginning to look like the lads would never get home, as they got shouts for more. But they went all out and did the new single S.E.C.R.E.T.S. and Stop, yet another fast moving song from their debut album.
What an experience!
It seems this lovable group of friends, who have a Pied Piper proportioned following have NRG that simply knows no bounds. Taking splashes of their original music and adding a twist of newer electronic power, they have managed to maintain that Delorentos charm without losing anything. I felt that they gave everything to their fans at this gig and my only concern would be that they squeezed every drop out of their resources, to popping point!
I truly wish them luck with their new endeavours and salute them, Joe Echo and Planet Parade for a heady, worthwhile show.
Joe Echo and Planet Parade
The Academy
26/03/10
Angela Macari O’Looney
A couple of years ago I reviewed Delorentos album In Love with Detail for the choice music awards. Back then, they totally won me over with their vibrant songs and intoxicating ‘Joie de Vivre’.
Like every Delorentos enthusiast, I was awe-struck on hearing the announcement of their break-up. However, they remained a firm favourite in my collection. Like most creative geniuses the lads reconciled their differences and returned to the music scene, bigger and better than before!
Thus I stood elated in the Academy, along with many like minded folk. It was some sight looking down from the balcony at the throng below. A huge sense of expectation and a cheerful buzz surrounded me at this long awaited Dublin gig!
This superb Indie/ Alternative band’s name goes before them among true Indie/rock music lovers in Ireland. Since their reconciliation, it seems their career is going like an unstoppable roller coaster. They are diversifying, with the forthcoming release of You can make sound, which will be their debut U.K. album.
This is preceded by the release of S.E.C.R.E.T., their new single. Hailing from Portrane in North Dublin, the lads were school friends and despite a disparity in musical tastes and the usual ‘band’ related hiccups, they have a dynamic sound and an ability to write distinctive melodies and feel good lyrics.
Joe Echo
Taking to the stage for the first set, was singer-song writer Joe Echo (Ciaran Gribbin) from Castledawson. This guy has a really entertaining style and was previously a member of Leya, who played support to acts such as Snow Patrol, Interpol and Franz Ferdinand. Joe Echo himself played support to well known Irish band The Script during their Irish tour. He is admired widely for his amazing vocal prowess and song writing ability and helped co-write Madonna’s recent Grammy nominated single Celebration and actually performed on some tracks of Snow Patrol’s album Eyes Open.
With just one other guitarist alongside him( his brother), this young man performed a few samples of his exciting repertoire. Using inventive programming, he had a big sound. With a guitar intro, a very effective baseline and a lively beat, Joe began with The Heart that knows desire.
A memorable chorus and the sweet riff from the intro with its seductive bending notes are the key features in this number. Joe’s vocals have a distinctiveness that would set him apart from anyone I can think of. A touch of Chris Martin (Coldplay), combined with Keane’s front man Tom Chaplin, he has some range!
Interacting well with the growing crowd, Joe went on to perform Where we wanna be; A rhythmic intro and a delectable chorus make this a memorable song, plus vocal percussion. A catchy lead riff also draws my attention here and I really admire the sense of originality about his music, which is experimental electro/acoustic at its finest.
Slow and soulful was the third song; What if. Wonderful chord combos throughout made this yet another lovely choice of song.
Tillys Cowboy - He sings the melodic ‘to loo’ chorus of this number and effortlessly glides up to falsetto notes. It’s an adorable reflection about good old days, innocence and happier times. Imaginative lyrics make you smell food aromas, hear cheerful chatter, laugh about when people had ‘a tin bath on a concrete floor’. Ciaran alias Joe, a fountain of sentimental and musical wonder, draws the listener into his stories.
With a warm up act as good as this, I knew I was in for an unforgettable evening. Joe finished with Sold out Hallelujah a memorable piece with a catchy riff throughout. Unique and extremely enjoyable, he definitely got my juices flowing.
Planet Parade
This three piece Alt/ Ambient outfit hail from Kildare and have recently released their debut E.P. Ghosts to People. Members are Michael Hopkins, Andrew Lloyd and Ronan Kilduff.
They performed Money on a bet, Let go, Cut the Cord, Play fair, Instrumental, You got me, Zulu Sound and Electrical.
Electrical had a reggae beat, top standard guitar breaks and vocals were crisp. They have a sound that is sharp and melodic, with wonderful harmonies and backing vocals throughout.
Cut the Cord has a choppy chorus, excellent lead vocals and guitars too. Fast and lively, it involves powerful chord combinations throughout.
I also enjoyed Play Fair, with a trickling intro, becoming choppy. It has a catchy refrain, lovely chorus and a punchy baseline features. Harmony is special in this one.
The Instrumental they do involves virtuoso style guitar, pulsating rhythm, blasts of complex chords and discords and is an interesting breakaway from your regular three minute song. Loved this!
Their music has a ‘Stingesque’ quality to it, combined with newer influences. With a choppy tempo, it was just the job to keep the interest of the audience.
Their set was upbeat, very entertaining and I liked how despite the fact that they are a trio, they could create such a big sound, oozing energy and charm. I’ll be watching out for them and hope to see them headlining soon.
Delorentos
The moment had arrived!
A thumping beat and powerful guitars heralded the intro to Hallucinations, strobe lighting lending to the scene. Ross, Ro, Kier and Niall let rip for this explosive song, with the throbbing crowd showing their appreciation. What an entrance. Adrenaline-pumping stuff!
The familiar intro to Basis of Everything delighted me. One of my favourite numbers from their first album, it is the very essence of Delorentos music. This number is fast, with a plucky guitar intro and excellent harmony. The melody line is magical and the catchy riff which continues throughout gets me every time. I thought it was lovely when everyone sang the middle eight with Ro, where the song slows down a little. It’s one of these songs that you can’t resist singing along to. Guitars are mind blowing, as is every moment of this piece!
Continuing with Do You Realise, there seemed to be an energy flowing from the band to the audience. Choppy, with perfect riffs and hooks, this number is a love song with a gorgeous chorus, which was sung by every soul in the place along with the lads. Vocals are shared by Ro and Kier, with Niall doing harmony. A short lead break takes you into the final chorus of this totally brilliant song.
Say you’ll never love her is an anthemic style love song. Lead vocals are particularly powerful and in the chorus harmony is beautiful. Guitars here are excellent, played in sync and reflect the lyrics which are melancholic and deep.
Back to a thumping beat, dramatic stop start bits and yet another totally addictive melody line, Leave it on was next. So much goes on in this song, but a lovely lead guitar riff in the chorus is for me one of the nicest parts. This song is a million times more vibrant and exhilarating when performed live and was a highlight of the gig for me.
Things just seemed to get better and better as this set went on with Body Cold. There was a good mix of both new and old songs, all received with enthusiasm from the crowd.
I noticed that Kier sings the lead vocals in some numbers and Ro in others. This adds contrast to their songs. Say it now, Leave me alone, Sanctuary were other songs from the new album. Harmonies were spine tingling and guitar riffs memorable in each.
Waiting which oozes vitality and has amazing guitar throughout was among other favourites of mine. They left no stone unturned, performing a non-stop list of numbers, among them Until next time, The Rules, Eustace Street. One that I always know from it’s soulful, slow intro Any other Way was included in their encore.
A beautiful song Eyes Open stood out from the rest as it’s slow and romantic. People sang along with it and trickling lead guitar behind Ro’s passionate vocals had the audience in the palm of his hands. It was one of those special moments where time seems to stand still!
It was beginning to look like the lads would never get home, as they got shouts for more. But they went all out and did the new single S.E.C.R.E.T.S. and Stop, yet another fast moving song from their debut album.
What an experience!
It seems this lovable group of friends, who have a Pied Piper proportioned following have NRG that simply knows no bounds. Taking splashes of their original music and adding a twist of newer electronic power, they have managed to maintain that Delorentos charm without losing anything. I felt that they gave everything to their fans at this gig and my only concern would be that they squeezed every drop out of their resources, to popping point!
I truly wish them luck with their new endeavours and salute them, Joe Echo and Planet Parade for a heady, worthwhile show.
Subscribe to:
Posts (Atom)