Dark Lights
Suddyn
Angela Macari O’Looney
As Alan Steil and his troupe go from strength to strength, the force of their sensational music is as powerful a phenomenon now, although they are over the other side of the Atlantic, as it was when they were treading the boards of venues around Dublin not too long ago!
On hearing that a new creation was emerging from one of my all time favourite bands, I decided to pay them a visit on My Space to listen, while toasting their success in the U.S.A. with a Bud!
Holding up the Backdrop
Yes! The throbbing dramatic Anthema which belongs to this band is alive and kicking in this delicious new number!
A vocal intro sung in choral style takes you into it, followed by a big distortion-packed instrumental. Then a sweet verse is lamented by Alan while behind him a resounding drumbeat adds drama!
The chorus really lovely here, with a melody as overpowering and memorable as that of the hugely successful ‘Gravity’!
A big riff with those choral ah’s continues the song taking you into the next verse. Middle eight gorgeous!
Seamless and sweet, this song has you by the time you arrive at the final chorus.
Generation
A solemn guitar riff intro takes you into this song. Bashing minor chords follow, till Alan begins the melancholic verse. Dramatic lead riffs, delectable chords and lots of bass create a sense of tragedy.
Momentum picks up! This is an epic rock anthem with a lot of chops and changes throughout, lending a new dimension to Suddyn’s usual style in that it is quite sombre in mood and with the beat alternating, keeps your interest.
Side Arm
A lone piano intro is played as Alan sings this number, which expresses his anti-war sentiments. Close harmony is infused in spates, behind mournful lyrics. Melody line exquisite!
Lush piano chords and orchestral strains lift the sense of drama and lend to the meaning of this soulfully performed piece.
It’s a ballad to make you think!
Finally this sad but beautiful song winds down to the lone piano accompanying Alan’s lament of ‘Lay down your side arm for me’!
Closing Spaces
A lead intro with a sweet riff takes you into this song, continuing as Alan begins the verse. A rhythmic baseline emphasises the drama played by Colly. There’s a real sense of anticipation created by Jarrett on lead as the dynamic builds up.
The melody is simple, which is the key to the beauty of this song. Harmony is close in the chorus, which is gorgeous. There’s a dramatic distortion – laden guitar break with choppy chords, then it goes back to the wonderful chorus sung once again by Alan, in that unique and soothing vocal style he has and the harmony is delectable.
The same riff from the intro is performed on piano, and then joined by two guitars in sync taking you to a dramatic finish.
With both good looks and talent, all four of the musicians in this act contribute equal effort and it shows. Alan Steil, front man and vocalist extraordinaire with a way of tickling the ivories that adds edge to the overall sound! Jarrett Steil plays those vibrant chords and powerful lead riffs, while Colly on Bass and Bren on Drums frame the picture.
They’ve had a rollercoaster ride that most bands only dream of and I truly hope that it continues. I know that when they someday return to Irish soil on tour, a certain reviewer who is also a big fan, will be up the front.
Wednesday, February 25, 2009
Monday, February 23, 2009
Busy Busy
Hi to my small audience!
I'm not getting much time to study the indepth tutorials for this blog with all the stuff I've been doing lately!
It's a busy time for Irish music and it's mental journalists of which I now consider myself among!
A big event is forthcoming known as 'The Choice Music Awards' and like many important dates in the music Industries calender, it takes up one or two weeks between the run up to it and the finals which take place at the end of this week. So there are usually 10 acts in the shortlist. My favourite website and the one I review for will post lots of info. I will put some reviews here soon!
Also I've discovered a few new bands over the past week or two and will find a way to put their reviews and possibly links to their sites here.
Keep on Rockin'
:-)
I'm not getting much time to study the indepth tutorials for this blog with all the stuff I've been doing lately!
It's a busy time for Irish music and it's mental journalists of which I now consider myself among!
A big event is forthcoming known as 'The Choice Music Awards' and like many important dates in the music Industries calender, it takes up one or two weeks between the run up to it and the finals which take place at the end of this week. So there are usually 10 acts in the shortlist. My favourite website and the one I review for will post lots of info. I will put some reviews here soon!
Also I've discovered a few new bands over the past week or two and will find a way to put their reviews and possibly links to their sites here.
Keep on Rockin'
:-)
Thursday, February 19, 2009
Tuesday, February 10, 2009
Angel Pier, The Ambience Affair and Autoban
Angel Pier
Whelan’s 31/01/09
Angela Macari O’Looney
A hybrid of Radiohead meets Keane with a uniqueness of their own thrown into the cauldron, Angel Pier were one of the bands partaking in the Hard Working Class Heroes Festival last autumn. I first experienced this really inspiring band back then, when I ventured down to Meeting House Square and was drenched with the other poor suckers who like me, had been looking forward to an evening of open air rock.
The strains of Sprites, one of their sweeter songs, will always remind me of that night, when they echoed out across temple bar and left a special imprint on my heart. So, on receiving an invite to get a listen to their music in a drier venue, I headed to Whelan’s on Saturday January 31st, to hear their magical sound once again!
I arrived a little late and had missed The Ambience Affair, an Indie/ Acoustic band, who hail from Dublin and Meath and I was disappointed. They had done a fab set according to a friend who was there ahead of me. They performed Vacant Hearts, The Great Enchanted, I recoil, The CN Tower belongs to The Dead/ My Moon my man, Fragile things, Cheater.
A huge crowd were in attendance, which had caused a delay at the door but I was in plenty of time for the second band. Autoban.
Autoban are an Indie band fronted by a talented musician and singer, Darren Hardiman. On lead guitar is Orin Murphy, Bass/Vox Gary Delaney, and Craig O’Callaghan on Drums.
Their debut single Low tide was an enormous success and more recently they have released Sirens. Both were included in this entertaining set.
They started with Clocks which had a complex choppy intro, almost like a strange concerto. I enjoyed the stop start style of beat, the bass riff which was particularly noticeable and the seductive lilt in Darren’s vocals. He has a no-nonsense attitude. The general feeling I get with this band is that they have a certain Post-Punk quality, with a pleasantly playful punch to it!
Lions
This number with a gorgeous intro, reminds me a little of Billy Idol, with a cynicism in the lyrics and a sexiness in Darren’s portrayal of the story. The chorus is catchy and there’s this great line; ‘Laying’ there dressed in nothing’ but her freckles’ which I get a laugh out of!
He also performs a guitar solo himself which is captivating. This guy is quite sullen and uncommunicative with the audience, but I have to add that he is one brilliant musician and has a fab voice too!
Reiperban – This number has a heavier style intro. Orin does a sensational solo and riffs to die for!
Darren almost seems to caress each note he sings, totally letting himself go in this number, especially the delectable chorus.
Lowtide – They went straight from one song into the next here. Riffs once again sparkling and punchy! The melody in this song is so memorable and reminds me of another Irish band of the same genre; The Kinetics!
The cheekiness of this band and their obvious love for what they do, makes their music the kind you could listen to forever. Top marks too for Gary Delaney’s amazing bass!
They continued their set with Set me Alight, Sirens and Playing C.Ds.
Sirens - Darren eventually did a bit of interaction with the audience before this number, thanking Angel Pier for inviting them. I noticed that he holds his guitar up quite high, in a very sixties/seventies way. Whatever about that there’s no debating his guitar playing prowess. The riff in this number is for me the highlight of everything I heard from this band. Outstanding!
Autoban are definitely a band I believe I’ll see again. They have this quirky, mixed genre sound that is perfect. That and some very memorable songs!
Angel Pier
The theme from ‘2001, a Space Odyssey’ provided the dramatic backdrop, along with U.V. lighting as Darragh Nolan, Luke Paluch, Vinny Redmond and Mark Colbert took to the stage.
A full bashing intro followed for Scribbles. This band is three parts Irish to one part Canadian, which creates an extra pinch of spice to their overall sound. In this number there’s a tic-tock type of beat in the middle. Generally it’s a laid back song, although with powerful chords, appealing harmony splashed here and there and a catchy melody, it was enjoyable to hear.
Make
This has a quiet lead intro, and then it explodes into a big Anthemic burst of music. Bass is extremely busy and noticeable. This song for me shouts Keane!
Darragh’s light voice is clear, with the bassist and drummer singing effective backing vocals, one taking a lower octave with the lead vocal. This seems like a trait in their style which I like.
Belong
A soft romantic number, this has a mournful verse, picking up speed for the chorus. It has a catchy melody line, as have all of this interesting band’s songs. There is also a refreshing touch of harmony here. The charm and cheerfulness of the lads in this band, throws the lack of charm in other bands of today into relief. It’s a nice bonus when you get a smile, along with the inarguable musicianship that they posess.
2 A Minus
This is fast, with a bashing drumbeat, a refrain behind the lead vocals in the chorus and close harmony that sets off the whole sound. It is a really memorable number, which builds up to a big crescendo of sound, then finishes with a dramatic stop!
Pray
Melodic, anthemic with a Radiohead quality to it, this song has a magical riff framing the verse. Tricky notation throughout, it has a luscious melody line with lots of bass to give it socks.
There’s a pleasant flow to this number and the last verse is sung by Darragh unaccompanied. Then in the final chorus all the stops are pulled out and this sweet lament becomes a dramatic powerful crescendo. The professional way that Darragh has of interacting with the audience along with his disarming smile, effortless vocals and the feeling he puts into each line of a song wins his audience over.
Align the Seas
Like the previous numbers, this song has an anthemic style, with excellent riffs building up and changing pace to keep interest.
They continued with Skulls and X’s, a fast number with rippling riffs, sweet harmonies and that combination of Darragh doing high octave and backing vocals singing the melody in a lower octave. This is an admirable and soothing style. The major to minor chord combination in this number is particularly noticeable. I have to remark that it’s like a culmination of all the best ingredients that go into this band’s music. I am not surprised as I listen to this song, that they are so highly praised by top critics worldwide!
Sacrifice
Acoustic riff intro, building up to a bigger sound for the verse, this song is laid back. It is quite soothing, with the drummer performing lovely harmony behind Darragh. There is a samey quality at times in Angel Pier’s stuff. However, with loads going on in every number, gorgeous melodies and constant perfectly sung harmonies, you are lifted by each song as the night goes on. It makes you feel like you are getting a massage of the senses, with the entire heavenly notation flowing out!
Darragh thanked the audience and also paid tribute to the other bands and to Whelan’s which he remarked is his favourite venue. He got a big applause and then began the next number.
Bullet
Choppier than earlier songs, this would bring to mind ‘The Beatles’ song ‘I read the news today’. It has pleasant harmony, builds up to a heavy rock style and as the mood changes, strobes are added to lend drama!
Lead guitar does screaming riffs and a nice solo. All musicians lose themselves in this one as they let rip!
They performed an encore. I guessed they would since no Angel Pier gig would be complete without Sprites!
Balanced to perfection, choppy beat and a beautiful lead solo, this song surpassed my previous live experience of it. The drummer sings this gorgeous harmony, everything seems to come together like poetry and if there was a prize for one of the sweetest songs I’ve heard, it would have to go to this one.
It changes from a slow chorus to a choppy verse. Intricate riffs and a floating feel to it, give this number that extra memorable magic!
Joy Division, Radiohead, The Beatles, David Bowie and The Stone Roses are mentioned among Angel Pier's many influences, which doesn’t surprise me since there are definitely lots of snippets in their song writing that would be reminiscent of all.
However, I feel that they have a signature all their own, with enough spice to prevent their stuff being too samey. That upbeat personality that comes across, plus constant harmony, trickling sensual riffs throughout all songs and melody lines to die for, will prove them to be unique in a music scene that tends to almost become like a monotone of sounds.
Leaving Whelan’s I know I felt that I could have floated all the way home, I was so high and that is thanks to this very enjoyable band and a good gig!
Whelan’s 31/01/09
Angela Macari O’Looney
A hybrid of Radiohead meets Keane with a uniqueness of their own thrown into the cauldron, Angel Pier were one of the bands partaking in the Hard Working Class Heroes Festival last autumn. I first experienced this really inspiring band back then, when I ventured down to Meeting House Square and was drenched with the other poor suckers who like me, had been looking forward to an evening of open air rock.
The strains of Sprites, one of their sweeter songs, will always remind me of that night, when they echoed out across temple bar and left a special imprint on my heart. So, on receiving an invite to get a listen to their music in a drier venue, I headed to Whelan’s on Saturday January 31st, to hear their magical sound once again!
I arrived a little late and had missed The Ambience Affair, an Indie/ Acoustic band, who hail from Dublin and Meath and I was disappointed. They had done a fab set according to a friend who was there ahead of me. They performed Vacant Hearts, The Great Enchanted, I recoil, The CN Tower belongs to The Dead/ My Moon my man, Fragile things, Cheater.
A huge crowd were in attendance, which had caused a delay at the door but I was in plenty of time for the second band. Autoban.
Autoban are an Indie band fronted by a talented musician and singer, Darren Hardiman. On lead guitar is Orin Murphy, Bass/Vox Gary Delaney, and Craig O’Callaghan on Drums.
Their debut single Low tide was an enormous success and more recently they have released Sirens. Both were included in this entertaining set.
They started with Clocks which had a complex choppy intro, almost like a strange concerto. I enjoyed the stop start style of beat, the bass riff which was particularly noticeable and the seductive lilt in Darren’s vocals. He has a no-nonsense attitude. The general feeling I get with this band is that they have a certain Post-Punk quality, with a pleasantly playful punch to it!
Lions
This number with a gorgeous intro, reminds me a little of Billy Idol, with a cynicism in the lyrics and a sexiness in Darren’s portrayal of the story. The chorus is catchy and there’s this great line; ‘Laying’ there dressed in nothing’ but her freckles’ which I get a laugh out of!
He also performs a guitar solo himself which is captivating. This guy is quite sullen and uncommunicative with the audience, but I have to add that he is one brilliant musician and has a fab voice too!
Reiperban – This number has a heavier style intro. Orin does a sensational solo and riffs to die for!
Darren almost seems to caress each note he sings, totally letting himself go in this number, especially the delectable chorus.
Lowtide – They went straight from one song into the next here. Riffs once again sparkling and punchy! The melody in this song is so memorable and reminds me of another Irish band of the same genre; The Kinetics!
The cheekiness of this band and their obvious love for what they do, makes their music the kind you could listen to forever. Top marks too for Gary Delaney’s amazing bass!
They continued their set with Set me Alight, Sirens and Playing C.Ds.
Sirens - Darren eventually did a bit of interaction with the audience before this number, thanking Angel Pier for inviting them. I noticed that he holds his guitar up quite high, in a very sixties/seventies way. Whatever about that there’s no debating his guitar playing prowess. The riff in this number is for me the highlight of everything I heard from this band. Outstanding!
Autoban are definitely a band I believe I’ll see again. They have this quirky, mixed genre sound that is perfect. That and some very memorable songs!
Angel Pier
The theme from ‘2001, a Space Odyssey’ provided the dramatic backdrop, along with U.V. lighting as Darragh Nolan, Luke Paluch, Vinny Redmond and Mark Colbert took to the stage.
A full bashing intro followed for Scribbles. This band is three parts Irish to one part Canadian, which creates an extra pinch of spice to their overall sound. In this number there’s a tic-tock type of beat in the middle. Generally it’s a laid back song, although with powerful chords, appealing harmony splashed here and there and a catchy melody, it was enjoyable to hear.
Make
This has a quiet lead intro, and then it explodes into a big Anthemic burst of music. Bass is extremely busy and noticeable. This song for me shouts Keane!
Darragh’s light voice is clear, with the bassist and drummer singing effective backing vocals, one taking a lower octave with the lead vocal. This seems like a trait in their style which I like.
Belong
A soft romantic number, this has a mournful verse, picking up speed for the chorus. It has a catchy melody line, as have all of this interesting band’s songs. There is also a refreshing touch of harmony here. The charm and cheerfulness of the lads in this band, throws the lack of charm in other bands of today into relief. It’s a nice bonus when you get a smile, along with the inarguable musicianship that they posess.
2 A Minus
This is fast, with a bashing drumbeat, a refrain behind the lead vocals in the chorus and close harmony that sets off the whole sound. It is a really memorable number, which builds up to a big crescendo of sound, then finishes with a dramatic stop!
Pray
Melodic, anthemic with a Radiohead quality to it, this song has a magical riff framing the verse. Tricky notation throughout, it has a luscious melody line with lots of bass to give it socks.
There’s a pleasant flow to this number and the last verse is sung by Darragh unaccompanied. Then in the final chorus all the stops are pulled out and this sweet lament becomes a dramatic powerful crescendo. The professional way that Darragh has of interacting with the audience along with his disarming smile, effortless vocals and the feeling he puts into each line of a song wins his audience over.
Align the Seas
Like the previous numbers, this song has an anthemic style, with excellent riffs building up and changing pace to keep interest.
They continued with Skulls and X’s, a fast number with rippling riffs, sweet harmonies and that combination of Darragh doing high octave and backing vocals singing the melody in a lower octave. This is an admirable and soothing style. The major to minor chord combination in this number is particularly noticeable. I have to remark that it’s like a culmination of all the best ingredients that go into this band’s music. I am not surprised as I listen to this song, that they are so highly praised by top critics worldwide!
Sacrifice
Acoustic riff intro, building up to a bigger sound for the verse, this song is laid back. It is quite soothing, with the drummer performing lovely harmony behind Darragh. There is a samey quality at times in Angel Pier’s stuff. However, with loads going on in every number, gorgeous melodies and constant perfectly sung harmonies, you are lifted by each song as the night goes on. It makes you feel like you are getting a massage of the senses, with the entire heavenly notation flowing out!
Darragh thanked the audience and also paid tribute to the other bands and to Whelan’s which he remarked is his favourite venue. He got a big applause and then began the next number.
Bullet
Choppier than earlier songs, this would bring to mind ‘The Beatles’ song ‘I read the news today’. It has pleasant harmony, builds up to a heavy rock style and as the mood changes, strobes are added to lend drama!
Lead guitar does screaming riffs and a nice solo. All musicians lose themselves in this one as they let rip!
They performed an encore. I guessed they would since no Angel Pier gig would be complete without Sprites!
Balanced to perfection, choppy beat and a beautiful lead solo, this song surpassed my previous live experience of it. The drummer sings this gorgeous harmony, everything seems to come together like poetry and if there was a prize for one of the sweetest songs I’ve heard, it would have to go to this one.
It changes from a slow chorus to a choppy verse. Intricate riffs and a floating feel to it, give this number that extra memorable magic!
Joy Division, Radiohead, The Beatles, David Bowie and The Stone Roses are mentioned among Angel Pier's many influences, which doesn’t surprise me since there are definitely lots of snippets in their song writing that would be reminiscent of all.
However, I feel that they have a signature all their own, with enough spice to prevent their stuff being too samey. That upbeat personality that comes across, plus constant harmony, trickling sensual riffs throughout all songs and melody lines to die for, will prove them to be unique in a music scene that tends to almost become like a monotone of sounds.
Leaving Whelan’s I know I felt that I could have floated all the way home, I was so high and that is thanks to this very enjoyable band and a good gig!
The Shower Scene gig
The Shower Scene
E.P. Launch gig
24/01/09
Eamonn Doran’s
Angela Macari O’Looney
Starting as an acoustic act, this band has evolved into a big sound which has attracted a huge following. Youthful vocals, lively rhythm and fire packed riffs, go to make up the exciting and appealing package that The Shower Scene have developed and honed. With lots of influences injected into their songs, they tend to take on sounds similar to many well known bands, of the same style such as Fall out Boy, Motion City Soundtrack, The Starting Line.
However, one taste of them on My Space put a smile on my face, when I was suffering from January Blues Thus, nothing could keep me from heading to the next gig in their diary.
I couldn’t resist a chance to hear that adrenaline-packed punch in lead singer Eoghan Handley’s voice. Along with gorgeous plucked guitar riffs especially in slower numbers, delectable harmonies and a manic beat for faster songs, this bunch of fun young men definitely have something!
So I arrived in a crowded Doran’s on a Saturday afternoon, confidant I wouldn’t be disappointed!
I had missed some of the first band’s set. But I got to hear a few of their songs. They were called Plagues.
Lead singer Paul, Robbie on bass, Rob on Drums and Dave on lead guitar, they are a metal/Rock band. They performed Intro, Eli Porter, Draper in the body of a Lawyer, There’s Daggers in men’s smiles, All I want for Christmas is a mullet, IX and Helen is Great 108.
Clashing cymbals, vocals that sound pretty much like an alien in a rage or someone possessed by the devil, complex discords bashed out on guitars and a sound that seems to physically reach its grizzly arm out to grab you by the throat, is how I’d describe the sound of Plagues!
Draper in the body of a Lawyer – This has the strangest beat, like a runaway train. A fabulous anger charged rap gushes from Paul, accompanied by explosive guitars. This number is a real awakening to the senses indeed!
Helen is great in 108 – This is slightly faster with a lead intro, the most amazing chords with heavy metallic riffs and a general feeling of mayhem that would almost strike fear into you!
Paul’s vocals are brilliant, with this grunge thing going on as he shouts out the rap chorus, with drums thundering and clashing about behind.
These are two of the interesting songs from the repertoire of Plagues. Alarming and aggressive, this band definitely would not be advised for the faint-hearted. I’d venture out to hear them again however. It takes a certain type of expertise to get a crowd going from the time you walk out onstage to your last note. I would say this bunch of guys has that for certain!
Onto band number two of the afternoon, Scuba Dice. These are like a breath of fresh air after the sinister ravings of the previous band. With Joe on lead vocals, Scanner on lead guitar, Liam on Bass and Daire on Drums, this band hail from the Southeast of Ireland.
They have a catchy sound and to date have recorded a self titled E.P. Influences include New Found Glory, Motion City Soundtrack, Fall Out Boy, Blink 182 and Greenday,. They have a new single out at the moment entitled Let Go. Scuba Dice are an unsigned act to watch out for. Their set list on Saturday consisted of ; Nothing’s Free, Just Dance, Let Go, Lost Art of Romance, Made, 16! Mandatory, Bitter Sweet and She Puts U Down.
I loved this band’s charisma but I found it difficult to focus on the performance with all the antics going on in the audience. The kids made a circle up the front and were playing this game of pushing each other into the middle. It was a little bit distracting.
Made
This song is fast moving with a lovely melody and a memorable and sweet chorus. The trickling guitar riffs, especially in the intro and behind the verse are delectable, with harmony very close and a cheeky little refrain in the chorus. I love the way there’s so much going on throughout this number. Joe has a great voice and a likeable personality too.
Just Dance
Distortion packed intro, lively beat and a fun chorus. Harmony and backing vocals in general were very impressive here. Lovely lush lead riffs throughout, choppy chords and Bass framing everything beautifully, this is a great song with a sweet melody and appealing lyrics!
Let it Go
The new single, this is a really catchy number and has the most delectable lead riff going on throughout. It’s extremely fast with a great melody and distortion laden guitars giving things a rock feel. The Chorus is the kind of cheeky, easy to remember style I like.
They had great stage presence and despite the manic behaviour all about, I was enjoying the gig so far.
Save Your Breath
This wonderful act from the U.K. began their part of the show with huge athletic leaps in the air. The drummer then belted out a loud tattoo to grab your attention! Professional and polished, they had the audience in the palm of their hand.
Their set went as follows;
X ry X almost died at a foam party
Holy Shit! Fortune teller miracle fish
Bin Laden saw your slogan shirt and now he’s got a rap career
You’ve got lizard blood
I only move away from the mic to breathe in
Not in the mood for a kiwi
Rhys – o and the legend of big phone
Your oven’s on fire
The first song X ry X almost died at a foam party changed beat midway through, which was nice and there was a very involved guitar solo, which was excellent!
With much energetic jumping about, they seemed to charge the already adrenaline packed audience even more. Webbo is the vocalist, Bobby – Drums, T.O. – Guitar/Vocals, Ben 33- Bass and Parslow – Guitar/Vocals. Webbo who has a lovely speaking voice introduced the band, thanking The Shower Scene for inviting them.
Holy Shit! Fortune teller miracle fish
I liked this number better than the first one, although it’s quite short. Fast bustling intro with lots of distortion used!
Melody catchy and a refrain rapped out behind the lead vocals added to the excitement. A tricky guitar riff and a brilliant solo really got a great response from the crowd. Webbo got everybody clapping and there was a slow down for a part of this enjoyable number. Despite the deafening noise all around me, I really could connect with this band somehow!
Bin Laden saw your slogan shirt and now he’s got a rap career
After a little bit of interaction with the audience, they continued with number three, which involved explosive drumming and lots of tempo changes. I particularly liked the way it went to an anthemic style beat in the middle and then built up into a choppy one. Webbo got the kids to sing a refrain ‘Never giving up’ along with him. This was a fun number and as this band’s set went on they seemed to improve.
About you Now - Sugababes cover
This number was by far my favourite of this set. They put a Punk twist to this song that in my book sounded ten times better than the original. I just love how Webbo stretches his vocals to the limit and performs the key change in this song so expertly.
I feel that I will have to see this talented band in a less junior environment. They ooze personality and I have to compliment Webbo on his bravery in diving into the circle of bodies up near the stage, which earlier had been causing mayhem with the pushing competition. This he done while singing the chorus of his final number ;Your oven’s on fire.
Home Star Runner
This band is no stranger to the music scene. Together since ’04 they are signed to Irish Indie label Blastspace since ’06. Their debut album Kill the Messenger was released late in ’06 and they’ve shared stages with Fall Out Boy, Paramore and heroes New Found Glory.
Sexy riffs, memorable melodies and a talented front man in Stephen Arkins are what give this act class. They took to the stage with cheers of approval from the audience!
Starting up with Machines which has a rock intro, distortion-charged and fast, they got a more than positive reaction from the mob. Some of the crowd flung themselves about a little too enthusiastically!
This song has lots of close harmony in the chorus and increases to a choppy beat as it develops. They got the crowd shouting out the words of the chorus which was fun. They continued their set with Red Alert.
This is a dance number and with the audience clapping along with the intro, bashing chords and fabulous riffs, the place was definitely in full party mode!
This song involved a catchy tempo change in the middle to a staccato beat.
I was enjoying this set so much that at this point I was tempted to jump off the only high stool in the place where I had taken refuge, to join in the mad pogoing and jumping about!
Instead I decided to just let the wonderful notes and lively beats wash over me and attempt to capture it on paper.
It looks to me like as the show went on, the bands got better and better.
Home Star Runner consists of four members; Stephen Arkins, Jason McTernon, Sean Reid and Anthony Kelly. They performed eight songs in all; Machines, Red Alert, Game Over, Untitled New Song, Joey Greco, Pulp Fiction, The Arsonist and Nocturnal.
I loved The Arsonist with its catchy riff and magic chorus, especially the harmony!
Nocturnal
The last song in the set was packed with revving riffs, explosive rhythm and a brilliant chorus.
Stephen invited the audience to really go insane for this one. Where had he been? They’d been exactly that from the get-go and needed little encouragement!
However, things got even more manic than before when this distortion packed number took off. Involving a lovely refrain sung behind lead vocals and delicious harmony, it was by far the best one and that alternating drum beat towards the end made this performance unforgettable!
The Shower Scene
I threw caution to the wind when the stars of the show arrived on-stage! Finding a perch right up the front, I decided that they warranted my full attention and I also wanted to feel more involved in the spirit of the gig, which was absolutely adrenaline charged for sure!
A cute Teddy Bear was dangling from the lead mike which was dressed identically to Eoghan, with the baseball cap tilted in exactly the same way. Apparently a gift from one of the fans, it also had a recording of the new song that played when you pressed its belly. What a great mascot!
As I took in my surroundings, I had to admire the certain Je ne sais quoi that kids emit at any big event. Clean-cut, with asymmetrical haircuts and those drainpipe jeans that tend to make anybody look like a caricature was the general look for the boys and the girls were all like little fashion models. A big drumbeat intro was belted out as the band came out!
They started with Smile for the Camera. This song is fast and lively, with a three four type of beat. There’s a line of the chorus ‘Get up, get up’ which the audience yelled out. Goc performed screaming lead guitar riffs and an impressive solo! The audience sang a whole chorus. The interaction with the crowd was instantaneous and I was glad I had moved closer to be involved.
Dance to Your Groove – This is another song where everyone seems to know the words and both band and audience raise the roof of Doran’s singing yet another sweet chorus, with plenty of distortion-packed riffs, manic drumbeats and a hammering baseline belted out too!
Band members are Eoghan Handley, Goc – Vocals/Guitar, Mikey – Bass and Al on drums. They did nine more songs; This is the call out, Romeo and Juliet, You ain't got this, Dictionary, Girls just wanna have fun – cover, In the Deep end, Notice me, Set the Night Alight and Dear Ashington.
This is the call out
The ‘Squeeze’ quality of this number is uncanny. I love it. It starts with the words ‘This is not a drive by shooting’. It has these slides and slants throughout and Eoghan’s vocals carry them off so well. What an exciting voice he has!
Harmonies are close! Riffs are fire packed and there’s a staccato bit in the middle that is pretty brilliant. There is just so much going on, that it’s hard to keep up with them.
Romeo and Juliet
The intro of this is choppy with a great trickling riff. Eoghan sings the verse, with this machine gun type rhythm played on guitars. Everyone sings the 'wo ohs' in the chorus with him. Guitars distortion packed and a cheerful beat, with lots of changes throughout and stops and starts. The melody line is catchy as in all this band’s songs and you can hear the sweet little riffs constantly there in the background.
You ain’t got this
Eoghan devoted this song to the fans that have been with them faithfully since they started out. This number starts with a bassy intro and gradually speeds up. It has exciting lead riffs, alternating beats and a catchy melody line.
Eoghan sings a line unaccompanied. Then the whole band joins in for one last bashing chorus.
Dictionary
This number involves lots of distortion throughout and has a lovely melody.
Girls just wanna have fun
A new slant on the original which is really enjoyable!
Despite the fact that this version of the classic is funny to hear performed by a hairy faced Eoghan, it involves some serious guitar playing. It’s really punked up beyond recognition!
They go straight into Notice me a really gorgeous number which is a slow love song performed reverently. Eoghan goes into falsetto and sings the difficult notes sweetly. The chorus is delectable. Bass does a lovely riff and for me it is the nicest song I’ve heard in a long time. The band stops at one point and the audience sing the refrain ‘You are everything’. This part of the show is pretty magical!
Set the Night Alight
After Goc thanked all for coming, they performed this fast and delicious number from the album. It starts with a distortion packed riff. I love the chorus and of course the wonderful harmony. They have a knack for choruses. It breaks into a choppy beat in the middle. Then the never ceasing bass is constantly giving the sound socks. My favourite fast number from The Shower Scene by far!
They of course got an encore and performed Dear Ashington which has a three four punk beat. Stops and starts are so tight and the effortless energy charged performance of this Punk song has everything. It’s just another of the happy upbeat songs that flow from the pens of this fab four.
Five bands, one mad crowd and outstanding music from start to finish will make this gig one I won’t forget too easily.
Well done to all bands, especially The Shower Scene.
E.P. Launch gig
24/01/09
Eamonn Doran’s
Angela Macari O’Looney
Starting as an acoustic act, this band has evolved into a big sound which has attracted a huge following. Youthful vocals, lively rhythm and fire packed riffs, go to make up the exciting and appealing package that The Shower Scene have developed and honed. With lots of influences injected into their songs, they tend to take on sounds similar to many well known bands, of the same style such as Fall out Boy, Motion City Soundtrack, The Starting Line.
However, one taste of them on My Space put a smile on my face, when I was suffering from January Blues Thus, nothing could keep me from heading to the next gig in their diary.
I couldn’t resist a chance to hear that adrenaline-packed punch in lead singer Eoghan Handley’s voice. Along with gorgeous plucked guitar riffs especially in slower numbers, delectable harmonies and a manic beat for faster songs, this bunch of fun young men definitely have something!
So I arrived in a crowded Doran’s on a Saturday afternoon, confidant I wouldn’t be disappointed!
I had missed some of the first band’s set. But I got to hear a few of their songs. They were called Plagues.
Lead singer Paul, Robbie on bass, Rob on Drums and Dave on lead guitar, they are a metal/Rock band. They performed Intro, Eli Porter, Draper in the body of a Lawyer, There’s Daggers in men’s smiles, All I want for Christmas is a mullet, IX and Helen is Great 108.
Clashing cymbals, vocals that sound pretty much like an alien in a rage or someone possessed by the devil, complex discords bashed out on guitars and a sound that seems to physically reach its grizzly arm out to grab you by the throat, is how I’d describe the sound of Plagues!
Draper in the body of a Lawyer – This has the strangest beat, like a runaway train. A fabulous anger charged rap gushes from Paul, accompanied by explosive guitars. This number is a real awakening to the senses indeed!
Helen is great in 108 – This is slightly faster with a lead intro, the most amazing chords with heavy metallic riffs and a general feeling of mayhem that would almost strike fear into you!
Paul’s vocals are brilliant, with this grunge thing going on as he shouts out the rap chorus, with drums thundering and clashing about behind.
These are two of the interesting songs from the repertoire of Plagues. Alarming and aggressive, this band definitely would not be advised for the faint-hearted. I’d venture out to hear them again however. It takes a certain type of expertise to get a crowd going from the time you walk out onstage to your last note. I would say this bunch of guys has that for certain!
Onto band number two of the afternoon, Scuba Dice. These are like a breath of fresh air after the sinister ravings of the previous band. With Joe on lead vocals, Scanner on lead guitar, Liam on Bass and Daire on Drums, this band hail from the Southeast of Ireland.
They have a catchy sound and to date have recorded a self titled E.P. Influences include New Found Glory, Motion City Soundtrack, Fall Out Boy, Blink 182 and Greenday,. They have a new single out at the moment entitled Let Go. Scuba Dice are an unsigned act to watch out for. Their set list on Saturday consisted of ; Nothing’s Free, Just Dance, Let Go, Lost Art of Romance, Made, 16! Mandatory, Bitter Sweet and She Puts U Down.
I loved this band’s charisma but I found it difficult to focus on the performance with all the antics going on in the audience. The kids made a circle up the front and were playing this game of pushing each other into the middle. It was a little bit distracting.
Made
This song is fast moving with a lovely melody and a memorable and sweet chorus. The trickling guitar riffs, especially in the intro and behind the verse are delectable, with harmony very close and a cheeky little refrain in the chorus. I love the way there’s so much going on throughout this number. Joe has a great voice and a likeable personality too.
Just Dance
Distortion packed intro, lively beat and a fun chorus. Harmony and backing vocals in general were very impressive here. Lovely lush lead riffs throughout, choppy chords and Bass framing everything beautifully, this is a great song with a sweet melody and appealing lyrics!
Let it Go
The new single, this is a really catchy number and has the most delectable lead riff going on throughout. It’s extremely fast with a great melody and distortion laden guitars giving things a rock feel. The Chorus is the kind of cheeky, easy to remember style I like.
They had great stage presence and despite the manic behaviour all about, I was enjoying the gig so far.
Save Your Breath
This wonderful act from the U.K. began their part of the show with huge athletic leaps in the air. The drummer then belted out a loud tattoo to grab your attention! Professional and polished, they had the audience in the palm of their hand.
Their set went as follows;
X ry X almost died at a foam party
Holy Shit! Fortune teller miracle fish
Bin Laden saw your slogan shirt and now he’s got a rap career
You’ve got lizard blood
I only move away from the mic to breathe in
Not in the mood for a kiwi
Rhys – o and the legend of big phone
Your oven’s on fire
The first song X ry X almost died at a foam party changed beat midway through, which was nice and there was a very involved guitar solo, which was excellent!
With much energetic jumping about, they seemed to charge the already adrenaline packed audience even more. Webbo is the vocalist, Bobby – Drums, T.O. – Guitar/Vocals, Ben 33- Bass and Parslow – Guitar/Vocals. Webbo who has a lovely speaking voice introduced the band, thanking The Shower Scene for inviting them.
Holy Shit! Fortune teller miracle fish
I liked this number better than the first one, although it’s quite short. Fast bustling intro with lots of distortion used!
Melody catchy and a refrain rapped out behind the lead vocals added to the excitement. A tricky guitar riff and a brilliant solo really got a great response from the crowd. Webbo got everybody clapping and there was a slow down for a part of this enjoyable number. Despite the deafening noise all around me, I really could connect with this band somehow!
Bin Laden saw your slogan shirt and now he’s got a rap career
After a little bit of interaction with the audience, they continued with number three, which involved explosive drumming and lots of tempo changes. I particularly liked the way it went to an anthemic style beat in the middle and then built up into a choppy one. Webbo got the kids to sing a refrain ‘Never giving up’ along with him. This was a fun number and as this band’s set went on they seemed to improve.
About you Now - Sugababes cover
This number was by far my favourite of this set. They put a Punk twist to this song that in my book sounded ten times better than the original. I just love how Webbo stretches his vocals to the limit and performs the key change in this song so expertly.
I feel that I will have to see this talented band in a less junior environment. They ooze personality and I have to compliment Webbo on his bravery in diving into the circle of bodies up near the stage, which earlier had been causing mayhem with the pushing competition. This he done while singing the chorus of his final number ;Your oven’s on fire.
Home Star Runner
This band is no stranger to the music scene. Together since ’04 they are signed to Irish Indie label Blastspace since ’06. Their debut album Kill the Messenger was released late in ’06 and they’ve shared stages with Fall Out Boy, Paramore and heroes New Found Glory.
Sexy riffs, memorable melodies and a talented front man in Stephen Arkins are what give this act class. They took to the stage with cheers of approval from the audience!
Starting up with Machines which has a rock intro, distortion-charged and fast, they got a more than positive reaction from the mob. Some of the crowd flung themselves about a little too enthusiastically!
This song has lots of close harmony in the chorus and increases to a choppy beat as it develops. They got the crowd shouting out the words of the chorus which was fun. They continued their set with Red Alert.
This is a dance number and with the audience clapping along with the intro, bashing chords and fabulous riffs, the place was definitely in full party mode!
This song involved a catchy tempo change in the middle to a staccato beat.
I was enjoying this set so much that at this point I was tempted to jump off the only high stool in the place where I had taken refuge, to join in the mad pogoing and jumping about!
Instead I decided to just let the wonderful notes and lively beats wash over me and attempt to capture it on paper.
It looks to me like as the show went on, the bands got better and better.
Home Star Runner consists of four members; Stephen Arkins, Jason McTernon, Sean Reid and Anthony Kelly. They performed eight songs in all; Machines, Red Alert, Game Over, Untitled New Song, Joey Greco, Pulp Fiction, The Arsonist and Nocturnal.
I loved The Arsonist with its catchy riff and magic chorus, especially the harmony!
Nocturnal
The last song in the set was packed with revving riffs, explosive rhythm and a brilliant chorus.
Stephen invited the audience to really go insane for this one. Where had he been? They’d been exactly that from the get-go and needed little encouragement!
However, things got even more manic than before when this distortion packed number took off. Involving a lovely refrain sung behind lead vocals and delicious harmony, it was by far the best one and that alternating drum beat towards the end made this performance unforgettable!
The Shower Scene
I threw caution to the wind when the stars of the show arrived on-stage! Finding a perch right up the front, I decided that they warranted my full attention and I also wanted to feel more involved in the spirit of the gig, which was absolutely adrenaline charged for sure!
A cute Teddy Bear was dangling from the lead mike which was dressed identically to Eoghan, with the baseball cap tilted in exactly the same way. Apparently a gift from one of the fans, it also had a recording of the new song that played when you pressed its belly. What a great mascot!
As I took in my surroundings, I had to admire the certain Je ne sais quoi that kids emit at any big event. Clean-cut, with asymmetrical haircuts and those drainpipe jeans that tend to make anybody look like a caricature was the general look for the boys and the girls were all like little fashion models. A big drumbeat intro was belted out as the band came out!
They started with Smile for the Camera. This song is fast and lively, with a three four type of beat. There’s a line of the chorus ‘Get up, get up’ which the audience yelled out. Goc performed screaming lead guitar riffs and an impressive solo! The audience sang a whole chorus. The interaction with the crowd was instantaneous and I was glad I had moved closer to be involved.
Dance to Your Groove – This is another song where everyone seems to know the words and both band and audience raise the roof of Doran’s singing yet another sweet chorus, with plenty of distortion-packed riffs, manic drumbeats and a hammering baseline belted out too!
Band members are Eoghan Handley, Goc – Vocals/Guitar, Mikey – Bass and Al on drums. They did nine more songs; This is the call out, Romeo and Juliet, You ain't got this, Dictionary, Girls just wanna have fun – cover, In the Deep end, Notice me, Set the Night Alight and Dear Ashington.
This is the call out
The ‘Squeeze’ quality of this number is uncanny. I love it. It starts with the words ‘This is not a drive by shooting’. It has these slides and slants throughout and Eoghan’s vocals carry them off so well. What an exciting voice he has!
Harmonies are close! Riffs are fire packed and there’s a staccato bit in the middle that is pretty brilliant. There is just so much going on, that it’s hard to keep up with them.
Romeo and Juliet
The intro of this is choppy with a great trickling riff. Eoghan sings the verse, with this machine gun type rhythm played on guitars. Everyone sings the 'wo ohs' in the chorus with him. Guitars distortion packed and a cheerful beat, with lots of changes throughout and stops and starts. The melody line is catchy as in all this band’s songs and you can hear the sweet little riffs constantly there in the background.
You ain’t got this
Eoghan devoted this song to the fans that have been with them faithfully since they started out. This number starts with a bassy intro and gradually speeds up. It has exciting lead riffs, alternating beats and a catchy melody line.
Eoghan sings a line unaccompanied. Then the whole band joins in for one last bashing chorus.
Dictionary
This number involves lots of distortion throughout and has a lovely melody.
Girls just wanna have fun
A new slant on the original which is really enjoyable!
Despite the fact that this version of the classic is funny to hear performed by a hairy faced Eoghan, it involves some serious guitar playing. It’s really punked up beyond recognition!
They go straight into Notice me a really gorgeous number which is a slow love song performed reverently. Eoghan goes into falsetto and sings the difficult notes sweetly. The chorus is delectable. Bass does a lovely riff and for me it is the nicest song I’ve heard in a long time. The band stops at one point and the audience sing the refrain ‘You are everything’. This part of the show is pretty magical!
Set the Night Alight
After Goc thanked all for coming, they performed this fast and delicious number from the album. It starts with a distortion packed riff. I love the chorus and of course the wonderful harmony. They have a knack for choruses. It breaks into a choppy beat in the middle. Then the never ceasing bass is constantly giving the sound socks. My favourite fast number from The Shower Scene by far!
They of course got an encore and performed Dear Ashington which has a three four punk beat. Stops and starts are so tight and the effortless energy charged performance of this Punk song has everything. It’s just another of the happy upbeat songs that flow from the pens of this fab four.
Five bands, one mad crowd and outstanding music from start to finish will make this gig one I won’t forget too easily.
Well done to all bands, especially The Shower Scene.
Sunday, February 1, 2009
More gigs very soon!
Hi. I've been a busy bee!
4 live gigs in a week. Padraig Rushe in Crawdaddy, The Shower Scene on Saturday the 24th, Ebo, Crawdaddy again on Wednesday, then Angels Pier in Whelan's on Wexford Street on Saturday January 31st. I will post reviews very soon. Check out irishunsigned.com for my other work!
Hope you are keeping warm in this freezing weather:-)
4 live gigs in a week. Padraig Rushe in Crawdaddy, The Shower Scene on Saturday the 24th, Ebo, Crawdaddy again on Wednesday, then Angels Pier in Whelan's on Wexford Street on Saturday January 31st. I will post reviews very soon. Check out irishunsigned.com for my other work!
Hope you are keeping warm in this freezing weather:-)
Wednesday, January 28, 2009
Padraig Rushe Launch gig, Crawdaddy, Dublin
Padraig Rushe
‘Gonna be a change’
Debut Single launch gig,
23rd January, Crawdaddy
Irish singer/songwriter Padraig Rushe is a unique talent, who has spent eight years developing his new album, ‘GreyWorld. ‘Gonna be a change’ is destined to be a huge success and is the first single from the long awaited masterpiece!
Having left the Dublin Gospel Choir in January ’08, to pursue a solo career, he became the first unsigned Irish artist to earn a place on M.T.V.’S ‘Get Seen: The Contenders’ in May ’08.
This young man’s musical pedigree to date is endless. He has worked with a host of big names, from the late James Brown to Liam O’Maonlai of ‘Hothouse Flowers’ and Damien Rice, which isn’t entirely surprising since Padraig possesses a winning personality, a soothing voice and the ability to write music which is so memorable, it embeds itself into your soul!
I hear a similarity in his slower numbers, to the late Luther Van Dross and other renowned soul singers that have carved their names in history!
I attended the launch of the new single Gonna be a change on Friday evening, January 23rd in Crawdaddy.
On arrival, I met the man himself. Having had a preview of his album‘GreyWorld’, I’ve been listening to the wonderful songs performed so beautifully by Padraig and the choir, who helped out in the making of it.
Thus it was a double whammy to be introduced to the leader of the choir Orla, who told me how committed one has to be, to join the outfit. It wasn’t long before I understood why, once some members took to the stage for many of the songs in the night’s programme.
‘Catcher in the Rye’
The atmosphere was cheerful, with a huge crowd gathering when the band took their places onstage. The lads played a big build up intro for the first song, a funky guitar riff lending to the sound.
Next four members of The Dublin Gospel Choir came out and the rattle of a tambourine was added. A big cheer went up and as choppy, charismatic clapping took things up another notch, the star of the show arrived onstage to huge applause.
Full sound, fantastic backing vocals and the bustling beat of the first number Catcher in the Rye gave the scene a sense of excitement.
This song has a sense of urgency about it, with a delicious chorus that builds up from a ‘Hey yeah ’ to become a big refrain of ‘Rhythm come fly to me home baby’. The choir behind create a big crescendo, one guy in particular possessing a big voice. Live, this song is even better than I could have imagined.
Padraig introduced the band and Choir. He remarked that it took eight years to complete this album and he thanked all who helped him in realising his dream.
Bill Withers medley – Use me up/ Granma’s Hands/ No Digiddy (Blackstreet)
This interesting mix involved wonderful keyboards played by Carl Banks, with lots of sweet sound effects and heavenly ‘oohs’ from the choir.
A short solo and some sweet guitar riffs were performed by Tom Brunkard. middle eight involves a gorgeous refrain,’ bring it on, bring it on.’
Then in that exciting style he has of taking a number right up to it’s peak, Padraig led the choir to a big climax of sound, ending with a sudden stop!
Free Now
Padraig paints a scene of a lovely exotic beach, blue sky and sea. This he says was his inspiration for the words of the next song.
In comes the rhythmic guitar intro, sensual and melodic. Bass very audible here thanks to Mr. Chris Kane, from Boston!
Harmony amazing! Tom, the lead guitarist plays rhythm on the acoustic. Hairs stand up on the back of my neck as I listen to the harmony, sung closely behind the crystal clear voice of Padraig!
A rippling piano riff in the middle is perfomed by Carl and then you are taken back to the now familiar and sweet chorus of ‘We are free, free, free, we are free now’!
New Shoes
This is a cheerful number with a bassy intro. Fun lyrics and cheeky, it has a catchy melody. All members of the band and Padraig himself seem to really enjoy doing this song.
Fluent vocals, delightful riffs on keyboards, guitars playing in synch and a perfect combination of everything, make it go down extremely well with the audience too.
Old Beginnings
Michelle, a prominent member of the choir is called up onstage. Padraig explains that this number was the first one he wrote for the album.
It has a solemn verse, gradually lifting as you go into the chorus. Harmony by Michelle is sung reverently and never drowns out the lead vocals. Her voice sounds light and sweet against Padraig’s deeper male voice. Piano is softly played too. The contrast is very appealing!
Purple Rain – Prince Cover
Huge shouts of approval went up from the audience when this song was introduced. It starts with just Padraig's own acoustic guitar as he sings the wonderful ‘Ah’, which is clearly known by all present.
The mood is magical as dramatic piano comes in.
Harmony is close, as this soothing rendition of the classic is performed. They sing the second chorus in a bigger, more vibrant crescendo. This gradually builds up and the way Padraig lilts and bends his voice is so seductive!
A screaming guitar solo, quite complex is done by Tom Brunkard. A Lovely return to the quiet guitar that took you into the song eases you back to earth again. Quite different from the original version, but absolutely powerful!
GreyWorld
The title track from the album is about chasing a dream and fighting your way to reach your goal. Based on the long road he travelled work wise, time wise and the commitment he had to show, Padraig tells in this song, how the impossible can be made possible, if you care enough!
This song stands out as one of his best!
The Choir do a lovely refrain in it and the melody is superb!
Hallelujah – Cover
Done with just an acoustic guitar, this number was performed reverently and you could hear a pin drop, the place went so silent!
The Choir joined in for the chorus and they sounded like angels behind the velvet lead vocals.
The simple guitar notes, the powerful strength of Padraig’s emotional and fluent rendition of this popular number, all make it the best version I’ve ever heard!
Gonna be a changeNew single
The reason we were all there, this wonderful creation of Padraig’s would bring a tear to a stone. Its lyrics are melancholy and it has a very pretty melody line.
Hearing it online and on the c.d. in my car, I had learned the words. But there is nothing to compare with seeing it performed live!
I had a lump in my throat, as I sang along with the chorus I love so much. Like the other people in Crawdaddy, I had been waiting for this moment for a long time. Tambourine gives this song a lovely mood, and the choppy tempo provided by the drummer, who is Padraig’s brother Karl Rushe is delectable!
Broken Man
After a short interval, the show continued with a sad number which would probably be my least favourite of Padraig’s repertoire. It is very moody and soulful, but is performed with emotion. Even the darker songs like this are so well performed, that they merit praise.
Before Padraig returned onstage the band played a good long intro, as at the beginning of the evening. I found this to be a nice touch, like you were getting a taste before the next feast of music.
Bass is perfectly blended with drums and Chris sings the harmony in this one, the wonderful lament pouring out with feeling and little incidental flourishes of lead infused in just the right places, also keep your interest.
What I particularly enjoyed about this gig, was that there were no support acts. This gave the audience a chance to focus entirely on the lengthy but entertaining show.
Trouble
This was one I hadn’t heard before. It had a three four beat, which was a welcome change. Lead riffs were excellent, chorus catchy and people were singing along with it for the chorus.
The melody was sweet with the Bassist doing harmony once again. It’s an easy going song.
Lord My Lover and Me
The backing singers rejoined the assembly onstage and Padraig thanked all the people of the Dublin Gospel choir, the band and the audience for their devotion and loyalty.
A nice riff intro took you into the moody verse of this number. This is all done in a low monotone. Then suddenly things lift and you are taken into a bursting energetic chorus, with a real spiritual feel to it much like many of the late Elvis Presley’s stuff.
I love the dramatic notes and the ‘Let it be let it be’ sung by the choir. There seems to be a huge explosion of sound and rhythm going on. Like the rest of the songs, seeing it performed live had such a different impact to just listening to them at home!
Rocky took a Lover
Catchy guitar riffs, changes of beat and great lyrics make this very enjoyable. The choir did some wonderful harmony too.
I don’t wanna be
This number had a rock sound. Big vibrant intro, keyboards very intricate and the chorus was lively and refreshing!
Peacefully
Padraig explained how he recently became an uncle twice over. He said how this song tells of his long term wish to someday settle down and live out his days peacefully, to a grand old age.
Plucky intro, melody catchy and a laid back beat with a vibrant baseline made this song. So many acts I go to hear live tend to disappoint me after hearing the recorded version. But with young Mr. Rushe and Co. it seemed the opposite applied!
Sleeping Boy
This sad number about the loss of a friend Padraig grew up with, had a big impact on me when I heard it. I could identify with it so much, having recently lost such a friend.
Rippling piano notes, Padraig’s magical voice and the audience hanging on every note were all unforgettable components of one remarkable night!
Fisherman’s Blue - Waterboys cover
Great choice! The intro to this popular number got an enthusiastic response from the crowd. It lifted the mood back up and everything was cheerful once again. The Bassist took a verse and then sung harmony behind Padraig. It was a nice change and worked well.
The lead guitar also did some sweet little riffs.
New House Rising
For me personally, this song is the absolute top of all the numbers on ‘GreyWorld’! I call it ‘Oh Mary don’t you weep’ and I felt like I was waiting all night for it. I wasn’t disappointed!
It was worth the wait and it was a perfect choice to bring the show to a close. Padraig mentioned that in a lot of ways it was an expression of his Anti-war feelings.
He asked the crowd to give a big cheer for Obama, which no doubt he got!
The choppy intro, the fabulously charismatic verse and the amazingly glorious chorus, all go into making this song one that just has to be experienced live to be appreciated!
Hats off to the choir in this one too! Just outstanding!
A lot of clapping and shouting for more brought Padraig and the band back onstage. I wondered how they could better what they had just done. He decided to give the assembly one more performance of the new single ‘Gonna be a Change’. The choir consisted of only four members of the D.G.C. but listening to them here, you’d think it was forty. I sang along with the chorus and found myself fighting emotion once again, as I witnessed this perfect piece of music.
The fabulous middle eight slows down with lots of ‘Ahs’ and a sense of anticipation. Then the beat which is yet again provided by Karl Rushe returns for the faster, livelier last chorus. Padraig reminded everyone how easy it is to download the single using your mobile. But in my opinion, no studio performance could top what I had just experienced. This gorgeous prodigy of a man has the most incredible voice and it proves once again how lucky we are in Ireland, to be surrounded by unsigned artists like this, arriving in our midst in a constant stream!
Well done Padraig, the band and members of the Dublin gospel choir!
Angela Macari O’Looney
‘Gonna be a change’
Debut Single launch gig,
23rd January, Crawdaddy
Irish singer/songwriter Padraig Rushe is a unique talent, who has spent eight years developing his new album, ‘GreyWorld. ‘Gonna be a change’ is destined to be a huge success and is the first single from the long awaited masterpiece!
Having left the Dublin Gospel Choir in January ’08, to pursue a solo career, he became the first unsigned Irish artist to earn a place on M.T.V.’S ‘Get Seen: The Contenders’ in May ’08.
This young man’s musical pedigree to date is endless. He has worked with a host of big names, from the late James Brown to Liam O’Maonlai of ‘Hothouse Flowers’ and Damien Rice, which isn’t entirely surprising since Padraig possesses a winning personality, a soothing voice and the ability to write music which is so memorable, it embeds itself into your soul!
I hear a similarity in his slower numbers, to the late Luther Van Dross and other renowned soul singers that have carved their names in history!
I attended the launch of the new single Gonna be a change on Friday evening, January 23rd in Crawdaddy.
On arrival, I met the man himself. Having had a preview of his album‘GreyWorld’, I’ve been listening to the wonderful songs performed so beautifully by Padraig and the choir, who helped out in the making of it.
Thus it was a double whammy to be introduced to the leader of the choir Orla, who told me how committed one has to be, to join the outfit. It wasn’t long before I understood why, once some members took to the stage for many of the songs in the night’s programme.
‘Catcher in the Rye’
The atmosphere was cheerful, with a huge crowd gathering when the band took their places onstage. The lads played a big build up intro for the first song, a funky guitar riff lending to the sound.
Next four members of The Dublin Gospel Choir came out and the rattle of a tambourine was added. A big cheer went up and as choppy, charismatic clapping took things up another notch, the star of the show arrived onstage to huge applause.
Full sound, fantastic backing vocals and the bustling beat of the first number Catcher in the Rye gave the scene a sense of excitement.
This song has a sense of urgency about it, with a delicious chorus that builds up from a ‘Hey yeah ’ to become a big refrain of ‘Rhythm come fly to me home baby’. The choir behind create a big crescendo, one guy in particular possessing a big voice. Live, this song is even better than I could have imagined.
Padraig introduced the band and Choir. He remarked that it took eight years to complete this album and he thanked all who helped him in realising his dream.
Bill Withers medley – Use me up/ Granma’s Hands/ No Digiddy (Blackstreet)
This interesting mix involved wonderful keyboards played by Carl Banks, with lots of sweet sound effects and heavenly ‘oohs’ from the choir.
A short solo and some sweet guitar riffs were performed by Tom Brunkard. middle eight involves a gorgeous refrain,’ bring it on, bring it on.’
Then in that exciting style he has of taking a number right up to it’s peak, Padraig led the choir to a big climax of sound, ending with a sudden stop!
Free Now
Padraig paints a scene of a lovely exotic beach, blue sky and sea. This he says was his inspiration for the words of the next song.
In comes the rhythmic guitar intro, sensual and melodic. Bass very audible here thanks to Mr. Chris Kane, from Boston!
Harmony amazing! Tom, the lead guitarist plays rhythm on the acoustic. Hairs stand up on the back of my neck as I listen to the harmony, sung closely behind the crystal clear voice of Padraig!
A rippling piano riff in the middle is perfomed by Carl and then you are taken back to the now familiar and sweet chorus of ‘We are free, free, free, we are free now’!
New Shoes
This is a cheerful number with a bassy intro. Fun lyrics and cheeky, it has a catchy melody. All members of the band and Padraig himself seem to really enjoy doing this song.
Fluent vocals, delightful riffs on keyboards, guitars playing in synch and a perfect combination of everything, make it go down extremely well with the audience too.
Old Beginnings
Michelle, a prominent member of the choir is called up onstage. Padraig explains that this number was the first one he wrote for the album.
It has a solemn verse, gradually lifting as you go into the chorus. Harmony by Michelle is sung reverently and never drowns out the lead vocals. Her voice sounds light and sweet against Padraig’s deeper male voice. Piano is softly played too. The contrast is very appealing!
Purple Rain – Prince Cover
Huge shouts of approval went up from the audience when this song was introduced. It starts with just Padraig's own acoustic guitar as he sings the wonderful ‘Ah’, which is clearly known by all present.
The mood is magical as dramatic piano comes in.
Harmony is close, as this soothing rendition of the classic is performed. They sing the second chorus in a bigger, more vibrant crescendo. This gradually builds up and the way Padraig lilts and bends his voice is so seductive!
A screaming guitar solo, quite complex is done by Tom Brunkard. A Lovely return to the quiet guitar that took you into the song eases you back to earth again. Quite different from the original version, but absolutely powerful!
GreyWorld
The title track from the album is about chasing a dream and fighting your way to reach your goal. Based on the long road he travelled work wise, time wise and the commitment he had to show, Padraig tells in this song, how the impossible can be made possible, if you care enough!
This song stands out as one of his best!
The Choir do a lovely refrain in it and the melody is superb!
Hallelujah – Cover
Done with just an acoustic guitar, this number was performed reverently and you could hear a pin drop, the place went so silent!
The Choir joined in for the chorus and they sounded like angels behind the velvet lead vocals.
The simple guitar notes, the powerful strength of Padraig’s emotional and fluent rendition of this popular number, all make it the best version I’ve ever heard!
Gonna be a changeNew single
The reason we were all there, this wonderful creation of Padraig’s would bring a tear to a stone. Its lyrics are melancholy and it has a very pretty melody line.
Hearing it online and on the c.d. in my car, I had learned the words. But there is nothing to compare with seeing it performed live!
I had a lump in my throat, as I sang along with the chorus I love so much. Like the other people in Crawdaddy, I had been waiting for this moment for a long time. Tambourine gives this song a lovely mood, and the choppy tempo provided by the drummer, who is Padraig’s brother Karl Rushe is delectable!
Broken Man
After a short interval, the show continued with a sad number which would probably be my least favourite of Padraig’s repertoire. It is very moody and soulful, but is performed with emotion. Even the darker songs like this are so well performed, that they merit praise.
Before Padraig returned onstage the band played a good long intro, as at the beginning of the evening. I found this to be a nice touch, like you were getting a taste before the next feast of music.
Bass is perfectly blended with drums and Chris sings the harmony in this one, the wonderful lament pouring out with feeling and little incidental flourishes of lead infused in just the right places, also keep your interest.
What I particularly enjoyed about this gig, was that there were no support acts. This gave the audience a chance to focus entirely on the lengthy but entertaining show.
Trouble
This was one I hadn’t heard before. It had a three four beat, which was a welcome change. Lead riffs were excellent, chorus catchy and people were singing along with it for the chorus.
The melody was sweet with the Bassist doing harmony once again. It’s an easy going song.
Lord My Lover and Me
The backing singers rejoined the assembly onstage and Padraig thanked all the people of the Dublin Gospel choir, the band and the audience for their devotion and loyalty.
A nice riff intro took you into the moody verse of this number. This is all done in a low monotone. Then suddenly things lift and you are taken into a bursting energetic chorus, with a real spiritual feel to it much like many of the late Elvis Presley’s stuff.
I love the dramatic notes and the ‘Let it be let it be’ sung by the choir. There seems to be a huge explosion of sound and rhythm going on. Like the rest of the songs, seeing it performed live had such a different impact to just listening to them at home!
Rocky took a Lover
Catchy guitar riffs, changes of beat and great lyrics make this very enjoyable. The choir did some wonderful harmony too.
I don’t wanna be
This number had a rock sound. Big vibrant intro, keyboards very intricate and the chorus was lively and refreshing!
Peacefully
Padraig explained how he recently became an uncle twice over. He said how this song tells of his long term wish to someday settle down and live out his days peacefully, to a grand old age.
Plucky intro, melody catchy and a laid back beat with a vibrant baseline made this song. So many acts I go to hear live tend to disappoint me after hearing the recorded version. But with young Mr. Rushe and Co. it seemed the opposite applied!
Sleeping Boy
This sad number about the loss of a friend Padraig grew up with, had a big impact on me when I heard it. I could identify with it so much, having recently lost such a friend.
Rippling piano notes, Padraig’s magical voice and the audience hanging on every note were all unforgettable components of one remarkable night!
Fisherman’s Blue - Waterboys cover
Great choice! The intro to this popular number got an enthusiastic response from the crowd. It lifted the mood back up and everything was cheerful once again. The Bassist took a verse and then sung harmony behind Padraig. It was a nice change and worked well.
The lead guitar also did some sweet little riffs.
New House Rising
For me personally, this song is the absolute top of all the numbers on ‘GreyWorld’! I call it ‘Oh Mary don’t you weep’ and I felt like I was waiting all night for it. I wasn’t disappointed!
It was worth the wait and it was a perfect choice to bring the show to a close. Padraig mentioned that in a lot of ways it was an expression of his Anti-war feelings.
He asked the crowd to give a big cheer for Obama, which no doubt he got!
The choppy intro, the fabulously charismatic verse and the amazingly glorious chorus, all go into making this song one that just has to be experienced live to be appreciated!
Hats off to the choir in this one too! Just outstanding!
A lot of clapping and shouting for more brought Padraig and the band back onstage. I wondered how they could better what they had just done. He decided to give the assembly one more performance of the new single ‘Gonna be a Change’. The choir consisted of only four members of the D.G.C. but listening to them here, you’d think it was forty. I sang along with the chorus and found myself fighting emotion once again, as I witnessed this perfect piece of music.
The fabulous middle eight slows down with lots of ‘Ahs’ and a sense of anticipation. Then the beat which is yet again provided by Karl Rushe returns for the faster, livelier last chorus. Padraig reminded everyone how easy it is to download the single using your mobile. But in my opinion, no studio performance could top what I had just experienced. This gorgeous prodigy of a man has the most incredible voice and it proves once again how lucky we are in Ireland, to be surrounded by unsigned artists like this, arriving in our midst in a constant stream!
Well done Padraig, the band and members of the Dublin gospel choir!
Angela Macari O’Looney
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