The Kinetiks
Aye Aye Aye
Angela Macari O’Looney
This band excites and delights with fantastic melody lines, explosive beats and fire packed guitars always at the ready. The Kinetiks seem to go from strength to strength and have come quite a long way, for such a young bunch of lads.
They are a force to be reckoned with and have carved their initials well and truly, in the list of Ireland’s finest bands. Their sweet pop/ Indie/Rock style reaches out to all age groups and anyone with a musical ear.
Released in March ’09, this album is a firm favourite of mine and has six tracks; four brand new numbers and two bonus tracks.
Lead singer Gaz Harding composed all songs and is a suitably arrogant frontman as he belts out each with passion and spark!
He is also an accomplished guitarist. With fluent baselines provided by Jim McGuire, lead riffs and hooks to make your hair stand on end a la Sean Brennan and not forgetting thundering rhythm on drums – Paul Donohue, there just seems to be no stopping this runaway train!
Light bulb
The most popular number on this album, this is catchy and begins with a delicious guitar intro. Gaz wastes no time bursting straight into the chorus. Lots of riffs and hooks seamlessly bind together accompanying Gaz’s vocals, with drums and bass adding to the full, cheerful sound.
There’s a big stop!
Then momentum resumes as you are taken through the verse. Lots of changes of direction with the melody command your attention here. Lyrics are witty as this little masterpiece, with everything gelling together just right, has a no nonsense full stop ending which I like.
Aye Aye Aye
The title track, this has an exotic and mysterious melody. Guitars are sexy in the chorus, with one particular sliding bass note which is sooo dramatic!
There’s a slow down for the middle eight and Gaz’s vocals are given a chance to really shine, despite the fact it’s a short piece.
Beat is choppy and almost flamenco in style, with riffs to mesmerise throughout.
Decisions
The intro is the nicest part of this number by far. The divine riff is continued here and there throughout the song and there’s an echoic thing going on that I adore.
Harding really has a knack of creating short numbers with bite like this one. Drums and percussion are choppy, with changes of pace and distortion charged guitars all over the place.
Jim McGuire is one bassist that never remains in the background and here he provides vital baselines and I don’t think I’ve heard a number with so much energy going on in it from start to finish. All guitars are equally impressive here, whereby they do an in synch riff in the last verse that is dramatic and show stopping!
Did I (or did you)?
‘It happened so long ago’ are the words that begin the story told in the verse, where Gaz sings in falsetto with slow acoustic strumming behind.
Then in true Kinetiks style things change and you are treated to a riff on lead guitar that is magical. Chord combinations memorable, baseline lends depth and hammering guitars for the chorus create such drama!
I personally think the chorus in this song is the nicest and most memorable of any Kinetiks song. When I first heard this album I found myself singing this over and over again. There’s a particularly special guitar riff just before the final chorus. Backing vocals complete the picture with lots of ‘ahs’ and a pullback of instruments for the last couple of lines and just a dramatic drumbeat. Gorgeous!
Bite Bullet
This was the title track of an earlier E.P. and goes straight into vocals, with Gaz’s distinctive voice singing the first line; ‘She says I’ve got a nerve, but loads of style’.
The lyrics of this song are witty, sarcastic and always put a smile on my face. With a thumping beat, a solo to die for with screaming notes and bending riffs that are expertly infused in the right spots, this is one of those numbers where you have to watch your speedometer if you are driving!
Shuffle your feet
If my memory serves me correct, this would be one of this band’s first creations.
It starts with a catchy riff. The chord combos are excellent and the dramatic change for the chorus is the sweetest part of this song for me. It’s young, plucky and there is a sweet key change further on for the middle eight.
There are lots of complex chops and changes throughout, but it works and it is so melodic and catchy it makes the hairs stand on the back of my neck.
This album was recorded at the famous Grouse Lodge Studios and mastered by Fergal Davis at Suite Studios. The Kinetiks’ music has been described as giddy and energetic, possessing a Strokes-esque flavour. They boast performances at Oxygen, Indie Pendance and Le Cheile festivals and have also appeared at both Trinity and U.C.D. balls. Can it get any better than this?
I truly hope that whatever inspires such memorable and enjoyable songs never dries up. In a world where doom and gloom loom wherever we turn, young musicians and songwriters like Gaz Harding and his crew hit the right nerve for me.
Saturday, July 25, 2009
Friday, July 10, 2009
Oxygen battle of the bands final
The J- Walkers,Seven Days, The Resistance, Colin Scallon, Box Social, I-Pheonix
The Dewdrop Inn
Platform 5 Battle of the bands for Oxygen
19/06/09
The Dew Drop Inn, Kill is a really pleasant gig venue with friendly staff. This was my first visit there for the Battle of the bands final, to play at Oxygen; A dream opportunity for any Irish band!
Three judges, six bands and it was looking like it would be a fun night. A sense of excitement was about when I met the guys from the band I was here to see, The J-Walkers. I was on a panel of judges, when this new and gifted band won at a similar contest a few months ago. But in most of the contests where I was just a spectator in the past, I’ve found you may expect the unexpected and with the standard so high, it’s anybody’s race. However, I was delighted to notice a few familiar faces among the other participants, plus a cheerful audience.
The first band was called Seven Days. Ciaran Black, the MC helped build up an atmosphere of celebration as he introduced the show and each act was given a huge reception of approval. He reminded us that each band tonight had won four previous heats to get this far, which is a huge accomplishment.
Seven Days started with a song which had lovely harmony, a funky beat and with a gorgeous and charismatic front man, they looked to be a very polished and well prepared act.
The singer Ian White plays acoustic and the bassist, Darren Sweeney does exceptionally noticeable slap style funky notes. I liked the way that they got the audience involved too.
They did a number called Temptation, with a thumping rhythmic intro and fantastic lead. Slinky and seductive, this song had a nice build up to the chorus. They have a sound similar to The Police and other influences include Foy Vance, Dave Matthews band and James Taylor.
They finished with Harder to Breath.
Keyboards are played by the singer in this moody song. A lovely lead solo held my interest. The guitarist Nicky Brennan plays a semi solid and does it justice.
Before they finished their set, the singer introduced each band member and I liked the way that with each introduction, they each played a little solo. What a nice start to the night!
The Resistance
This act consisted of an acoustic guitar, lead, rhythm, sampling and an Electric Double Bass. Interesting!
Members are Rob McDowell, David and Eanan Patterson, Rob Allen and Diarmuid Breathnach. They combine their many instruments with well performed lyrics and melodies, using catchy harmony throughout.
To have and to hold was the first number which had a nice little riff throughout. The violin is plucked in this and the presence of such an array of strings added to the full, vibrant sound.
These are an original act and continued with The Water. Lots of bass here, a sliding riff on lead and the chorus memorable and sweet. This lively piece comes to a big crescendo and got a great response from the crowd.
In Time was their final song. It has a trickling intro and a quiet verse building up to a choppy chorus. Harmony close, this number ebbs and flows with it slowing down and picking up again. It wasn’t going to be easy to pick a winner if the rest of the bands were this good.
The J- Walkers
From Castledermott Co. Kildare they are a blues/acoustic/jazz act. Front man Steven Cassells – Guitar/Vox, Clifford Deane – Drums, Bernard Kavanagh on Bass and Steven O’Connor on lead guitar took their places onstage.
Lead singer and guitarist Steven Cassells has trodden the boards around Carlow and Kilkenny and in many prominent venues. They are together only a short while. But they have a catchy sound and are a truly likeable bunch of lads. Influences include Damien Dempsey, The Frames, Jack Johnson and many others.
They began their set with Waiting Here.
This has a trickling intro, building up to big resounding chords. The verse is quite laid back. Lots of chops and changes keep your interest. This number is jazzy, with a delicious lead solo too. It also has a nice melody line and sweet chord combinations.
The Courage to Struggle on involved backing vocals sung by Bernard on bass. The lead guitarist Steven O’Connor shines here too. This has a sweet melody and lovely ascending notation in the chorus. You just lose yourself in this band’s music and you can feel how much they enjoy entertaining.
So Damn Easy
This is a song I particularly enjoyed. A cheeky flanger laden intro takes you into the verse. It has a foot stomping beat and Steven Cassells sings the catchy chorus; So I go, so I go go go getting the audience to join in. Choppy, cheerful and simply gorgeous, this was the last of the J-Walkers set.
Box Social were a very young band and seemed to have a rent-a-mob with them. Distortion packed chords and a choppy beat in the first number This is what you wanted made it quite enjoyable. The vocalist Daire has a superb voice and despite the screams from the groupies up front, this song was excellently performed, although I found it a tad repetitive.
Time, song number two from this interesting bunch of guys had an anthemic feel to it. It reminded me of a band I’ve reviewed in the past; ‘Suddyn’, who are now treading the boards over in the U.S.A.
Lovely guitar, Daire performing on synth and the explosive chorus seemed to lift the roof.
Lingerie was jettisoned onto the stage during the final song Mixtape as the young ladies up front were enjoying this act. It was hard not to be impressed by such young lads, with such potential and oozing talent.
Colin Scallon
This singer songwriter was a nice easy-to-listen-to act. His first song was from his new album ‘Songs for a Sinking World’. It’s called Daisy Chains and his bassist was able to frame the number nicely, adding depth along with barely there backing vocals.
This was a refreshing contrast to the earlier acts which were all bands. He did a number which I liked called The last Battle. It had wonderful chord riffs in the intro and although there was only Colin and his bassist, I found his music soothing and his sound full.
He finished up with Build me a woman. This had a strut style tempo and a catchy riff behind the verse, with an air of mystery to it. He played the most amazing solo in this sexy song with a taste of Van Morrison moodiness. His other influences include many of my own favourites such as David Bowie, Elvis Costello and Tom Waits
Colin’s performance was exceptional and his guitar prowess very evident.
I –Pheonix
This band who I’ve reviewed before took to the stage and from the get go were explosive and alive. Taking their influences from Queens of the Stone age, Interpol and Future Kings of Spain, I-Pheonix are exciting and performed Lights which involved magical baselines and thumping rhythm along with lead singer Conor Wilkins’s fabulous guitar riffs. It has a dramatic and memorable chorus. They also did Amnesia and Polaris. Like every other act this night, these guys put every ounce of energy and effort into each number.
After a short interval, Ciaran Black announced the winners of the Battle of the Bands for Oxygen. First prize went to Seven Days and second went to Box Social.
The battle had been fought and won. Any one of the six were worthy of this prize and it must have given judges Charlotte Flood(Phantom fm), Niall Morris(Platform 4) and Paul Downing a real headache trying to select a best.
As I left The Dewdrop Inn, my own voice was worn out from shouting for the J-Walkers. There was a moment of disappointment for certain when the winners were announced and Steven and the lads weren’t among them. But despite this, I was uplifted by the sense of camaraderie among all of the contestants. The solidarity and grace of these fine musicians, all of whom are sure to reach success is heartening indeed.
Angela Macari O’Looney
The Dewdrop Inn
Platform 5 Battle of the bands for Oxygen
19/06/09
The Dew Drop Inn, Kill is a really pleasant gig venue with friendly staff. This was my first visit there for the Battle of the bands final, to play at Oxygen; A dream opportunity for any Irish band!
Three judges, six bands and it was looking like it would be a fun night. A sense of excitement was about when I met the guys from the band I was here to see, The J-Walkers. I was on a panel of judges, when this new and gifted band won at a similar contest a few months ago. But in most of the contests where I was just a spectator in the past, I’ve found you may expect the unexpected and with the standard so high, it’s anybody’s race. However, I was delighted to notice a few familiar faces among the other participants, plus a cheerful audience.
The first band was called Seven Days. Ciaran Black, the MC helped build up an atmosphere of celebration as he introduced the show and each act was given a huge reception of approval. He reminded us that each band tonight had won four previous heats to get this far, which is a huge accomplishment.
Seven Days started with a song which had lovely harmony, a funky beat and with a gorgeous and charismatic front man, they looked to be a very polished and well prepared act.
The singer Ian White plays acoustic and the bassist, Darren Sweeney does exceptionally noticeable slap style funky notes. I liked the way that they got the audience involved too.
They did a number called Temptation, with a thumping rhythmic intro and fantastic lead. Slinky and seductive, this song had a nice build up to the chorus. They have a sound similar to The Police and other influences include Foy Vance, Dave Matthews band and James Taylor.
They finished with Harder to Breath.
Keyboards are played by the singer in this moody song. A lovely lead solo held my interest. The guitarist Nicky Brennan plays a semi solid and does it justice.
Before they finished their set, the singer introduced each band member and I liked the way that with each introduction, they each played a little solo. What a nice start to the night!
The Resistance
This act consisted of an acoustic guitar, lead, rhythm, sampling and an Electric Double Bass. Interesting!
Members are Rob McDowell, David and Eanan Patterson, Rob Allen and Diarmuid Breathnach. They combine their many instruments with well performed lyrics and melodies, using catchy harmony throughout.
To have and to hold was the first number which had a nice little riff throughout. The violin is plucked in this and the presence of such an array of strings added to the full, vibrant sound.
These are an original act and continued with The Water. Lots of bass here, a sliding riff on lead and the chorus memorable and sweet. This lively piece comes to a big crescendo and got a great response from the crowd.
In Time was their final song. It has a trickling intro and a quiet verse building up to a choppy chorus. Harmony close, this number ebbs and flows with it slowing down and picking up again. It wasn’t going to be easy to pick a winner if the rest of the bands were this good.
The J- Walkers
From Castledermott Co. Kildare they are a blues/acoustic/jazz act. Front man Steven Cassells – Guitar/Vox, Clifford Deane – Drums, Bernard Kavanagh on Bass and Steven O’Connor on lead guitar took their places onstage.
Lead singer and guitarist Steven Cassells has trodden the boards around Carlow and Kilkenny and in many prominent venues. They are together only a short while. But they have a catchy sound and are a truly likeable bunch of lads. Influences include Damien Dempsey, The Frames, Jack Johnson and many others.
They began their set with Waiting Here.
This has a trickling intro, building up to big resounding chords. The verse is quite laid back. Lots of chops and changes keep your interest. This number is jazzy, with a delicious lead solo too. It also has a nice melody line and sweet chord combinations.
The Courage to Struggle on involved backing vocals sung by Bernard on bass. The lead guitarist Steven O’Connor shines here too. This has a sweet melody and lovely ascending notation in the chorus. You just lose yourself in this band’s music and you can feel how much they enjoy entertaining.
So Damn Easy
This is a song I particularly enjoyed. A cheeky flanger laden intro takes you into the verse. It has a foot stomping beat and Steven Cassells sings the catchy chorus; So I go, so I go go go getting the audience to join in. Choppy, cheerful and simply gorgeous, this was the last of the J-Walkers set.
Box Social were a very young band and seemed to have a rent-a-mob with them. Distortion packed chords and a choppy beat in the first number This is what you wanted made it quite enjoyable. The vocalist Daire has a superb voice and despite the screams from the groupies up front, this song was excellently performed, although I found it a tad repetitive.
Time, song number two from this interesting bunch of guys had an anthemic feel to it. It reminded me of a band I’ve reviewed in the past; ‘Suddyn’, who are now treading the boards over in the U.S.A.
Lovely guitar, Daire performing on synth and the explosive chorus seemed to lift the roof.
Lingerie was jettisoned onto the stage during the final song Mixtape as the young ladies up front were enjoying this act. It was hard not to be impressed by such young lads, with such potential and oozing talent.
Colin Scallon
This singer songwriter was a nice easy-to-listen-to act. His first song was from his new album ‘Songs for a Sinking World’. It’s called Daisy Chains and his bassist was able to frame the number nicely, adding depth along with barely there backing vocals.
This was a refreshing contrast to the earlier acts which were all bands. He did a number which I liked called The last Battle. It had wonderful chord riffs in the intro and although there was only Colin and his bassist, I found his music soothing and his sound full.
He finished up with Build me a woman. This had a strut style tempo and a catchy riff behind the verse, with an air of mystery to it. He played the most amazing solo in this sexy song with a taste of Van Morrison moodiness. His other influences include many of my own favourites such as David Bowie, Elvis Costello and Tom Waits
Colin’s performance was exceptional and his guitar prowess very evident.
I –Pheonix
This band who I’ve reviewed before took to the stage and from the get go were explosive and alive. Taking their influences from Queens of the Stone age, Interpol and Future Kings of Spain, I-Pheonix are exciting and performed Lights which involved magical baselines and thumping rhythm along with lead singer Conor Wilkins’s fabulous guitar riffs. It has a dramatic and memorable chorus. They also did Amnesia and Polaris. Like every other act this night, these guys put every ounce of energy and effort into each number.
After a short interval, Ciaran Black announced the winners of the Battle of the Bands for Oxygen. First prize went to Seven Days and second went to Box Social.
The battle had been fought and won. Any one of the six were worthy of this prize and it must have given judges Charlotte Flood(Phantom fm), Niall Morris(Platform 4) and Paul Downing a real headache trying to select a best.
As I left The Dewdrop Inn, my own voice was worn out from shouting for the J-Walkers. There was a moment of disappointment for certain when the winners were announced and Steven and the lads weren’t among them. But despite this, I was uplifted by the sense of camaraderie among all of the contestants. The solidarity and grace of these fine musicians, all of whom are sure to reach success is heartening indeed.
Angela Macari O’Looney
Tuesday, July 7, 2009
A Tribute to The King of Pop
My Tribute to
The King of Pop
By Angela Macari O’Looney
For a few hours today the world stood still, to honour the memory of a legend of our time; the late Michael Jackson, R.I.P.
Jackson was a performer whose music seemed to never date. He was a child pop idol when I was just a kid myself. I remember listening to the forty five record of ‘Ben’ and learning it word for word.
When he developed his own sound, emerging from being the front man of his family singing act ‘The Jackson Five’, he took the world by storm yet again. This time it was my niece who was forever showing off her moonwalk. Michael’s charm cast its spell right accross generations and cultures.
Coming from a musical background myself, I always felt an affinity with him, since he was from a large family, with a musician Dad like mine. I always had stars in my eyes and even sang in a sister act for a few years. Although our efforts were a tad more humble and we never hit the big time like the Jacksons, in our own way we achieved an ambition by doing the odd gig and a few variety shows.
Thus, I feel that I grew up alongside the late King of Pop. I saw him twice in concert and will remember both events forever. Awesome!
I was away on holiday when I and my husband saw a newsflash on TV in a bar. We had been watching videos at an American style restaurant only minutes beforehand and I had been enjoying the fabulous ‘All I wanna say’ video. Little did I know I was in for a shock.
To me it was like hearing that a close relative had died. We considered the possibility that perhaps there was some mistake. So back at our apartment we switched on the TV. to discover it was no mistake. The great man was really gone!
Far away from home and on holiday, we mourned a little. But we also got on with the remainder of our break. We got back late on Sunday and although there were other things I should have been doing this evening, I watched the whole lovely memorial service on T.V.
How great to know that so many people high up in showbiz, shared the admiration of MJ’s many fans. However eccentric he may have been, there is no debating his gift for showmanship, song writing and creativity.
I couldn’t be in L.A. even if I had been lucky enough to get a pass, but in my own way I treated this sad day as a time for reflection and appreciation of how precious each moment we have with our loved ones is.
I lit a candle in a church for the repose of his soul and a second for my own sister, who passed away almost two years ago at the same age as Michael. As I lit the second one, another beside it snuffed itself out leaving a taper of smoke. It was like a poignant little omen or something.
When the broadcast from L.A. finished, I picked up my out of tune guitar and strummed a song I often sing. It’s the B side of the single ‘Farewell my summer love’ and it’s called ‘Music and Me’.
I know I’ll always think of Michael Jackson as a kind of old friend and anytime I hear his music or play a song or two on my guitar, will remember him. A beautiful line from the song ‘Music and Me’ sums up the maestro for me; there have been others, but never two lovers like music and me.
R.I.P. Michael.
The King of Pop
By Angela Macari O’Looney
For a few hours today the world stood still, to honour the memory of a legend of our time; the late Michael Jackson, R.I.P.
Jackson was a performer whose music seemed to never date. He was a child pop idol when I was just a kid myself. I remember listening to the forty five record of ‘Ben’ and learning it word for word.
When he developed his own sound, emerging from being the front man of his family singing act ‘The Jackson Five’, he took the world by storm yet again. This time it was my niece who was forever showing off her moonwalk. Michael’s charm cast its spell right accross generations and cultures.
Coming from a musical background myself, I always felt an affinity with him, since he was from a large family, with a musician Dad like mine. I always had stars in my eyes and even sang in a sister act for a few years. Although our efforts were a tad more humble and we never hit the big time like the Jacksons, in our own way we achieved an ambition by doing the odd gig and a few variety shows.
Thus, I feel that I grew up alongside the late King of Pop. I saw him twice in concert and will remember both events forever. Awesome!
I was away on holiday when I and my husband saw a newsflash on TV in a bar. We had been watching videos at an American style restaurant only minutes beforehand and I had been enjoying the fabulous ‘All I wanna say’ video. Little did I know I was in for a shock.
To me it was like hearing that a close relative had died. We considered the possibility that perhaps there was some mistake. So back at our apartment we switched on the TV. to discover it was no mistake. The great man was really gone!
Far away from home and on holiday, we mourned a little. But we also got on with the remainder of our break. We got back late on Sunday and although there were other things I should have been doing this evening, I watched the whole lovely memorial service on T.V.
How great to know that so many people high up in showbiz, shared the admiration of MJ’s many fans. However eccentric he may have been, there is no debating his gift for showmanship, song writing and creativity.
I couldn’t be in L.A. even if I had been lucky enough to get a pass, but in my own way I treated this sad day as a time for reflection and appreciation of how precious each moment we have with our loved ones is.
I lit a candle in a church for the repose of his soul and a second for my own sister, who passed away almost two years ago at the same age as Michael. As I lit the second one, another beside it snuffed itself out leaving a taper of smoke. It was like a poignant little omen or something.
When the broadcast from L.A. finished, I picked up my out of tune guitar and strummed a song I often sing. It’s the B side of the single ‘Farewell my summer love’ and it’s called ‘Music and Me’.
I know I’ll always think of Michael Jackson as a kind of old friend and anytime I hear his music or play a song or two on my guitar, will remember him. A beautiful line from the song ‘Music and Me’ sums up the maestro for me; there have been others, but never two lovers like music and me.
R.I.P. Michael.
Tuesday, June 9, 2009
The Kinetiks
The Kinetics
Academy 2
30/05/09
Angela Macari O’Looney
Explosive and vibrant, this Pop/Indie/Rock band captured my imagination way back in 2007 and I’ve been a big fan of their music since. So when I noticed a gig coming up in one of my regular haunts, I dropped all previous engagements to be there. I’m like a kid at a party when I’m around Gaz Harding and The Kinetics and to add to the evening, two other marvellous bands were performing the first two sets.
The Cades
Band number one of the evening are already very well known in Rock/ Indie/ Punk circles and started back in ‘07, when they thought it was time to reflect in song, their ‘mutual hate for reality and sobriety’, deciding to ‘bite back on the shit pit that is life!’
They have shared stages with names such as Republic of Loose, Rooney and The Enemy and performed in both Oxygen and Hard Working Class Heroes ‘08. Members are Brian Ashe – Vocals, Git Sweeney – Drums, Mark Maguire – Guitar, Aido Murphy – Bass.
Their first song Vacant eyes was very fast and lively. It had a gorgeous lead solo. With an extremely catchy melody, it was reminiscent of The Jam, a band I would have listened to a lot when they were prominent in the late 70s/early 80s. Brian who has grit in his voice, oozes charisma and performed this Punchy number with flair!
The next number Pardon my swagger had a cheerful beat and once again the vocals were good and clear. A little bit of harmony lent atmosphere along with superb chord combinations and trickling riffs infused.
I thought I heard flanger too and Aido’s subdued but essential baseline throughout, comfortably framed the picture.
Kinki Milinki – This had a delightful intro and an adorable melody line. Key changes and cute chord combos made this choppy song stand out from the rest, plus a fab guitar break. Put together a cocktail of The View, The Beatles, The Kinks, The Kooks, Arctic Monkeys and you might have an idea of the level of this band. And this was only the first set of the night!
They continued with a slower number called Just for a Day with melancholic lyrics. This song even though slow had vitality and spark in it.
Calling out her name was also a slower number but it had explosiveness about it just the same. The delicious riff between each verse is everything here plus the melody, which as in all of The Cade’s numbers is sweet and memorable!
Change Your Ways –This I can honestly say was for me the slinkiest, most delicious number. The way it slows down to emphasise ‘Change your ways, don’t let those good times get you down’ is really special.
Another choppy number with a foot stomping beat followed; Filthy Armada! Lots of ‘Wah wahs’ and fancy hi jinx on the guitar gave it spice. There was something jazzier about this song than the rest of the set.
A fast explosive number with dramatic choppy guitar chords, Borderline had a fab chorus which I thoroughly enjoyed. They did two further songs, making this a lengthy but fantastic set to get the night off to a start.
Sweet Jane
Rock/ Indie/ Psychedelic band Sweet Jane have appeared on everyone’s ‘Best of 2008’ and ‘Ones to watch out for’. They started off in 2007 and have toured the U.K. and Ireland extensively with names such as Glasvegas, Black Rebel Motorcycle club and The Kill and even appeared at London’s Metropolitan alongside a favourite band of mine; Fight Like Apes!
Lead guitarist Danda has a suave appearance and a delectable blonde semi solid guitar. Lydia Des Dolles who is the sweet in the mix and the lead singer, also plays guitar and percussion. Ruarie Paxton is the bassist, providing the necessary dirty sleazy baselines and last but not least on stix is Andy, unofficial member!
Debut 5-track demo ‘Blackboots Blackhearts’ was released in ’08 and the band are knee deep in demo recordings for their first album, to be released this year. Their music has attitude and sublime yet thundering tempos, to allure the audience into their spell!
Setlist was Bleed, Where’s your money gone, I’ve been waiting, Close Your Eyes, Heatbreak, Take Me Home, Outro.
Bleed This being the first song it was catchy with a cool riff. The lead guitarist took a verse and some harmony lent atmosphere. Debbie Harryesque moves and an evocative voice gave Lydia immediate power over all males present, but she has much more than just a pretty face!
Where’s Your Money Gone – Ethnic type of intro with bending notes, a big echoic stadium sound and seductiveness in Lydia’s delivery of the chorus. Danda sings the verse here. Very ‘Blondie’!
Close Your eyes – This is a strut style song, with sweet chord combinations throughout. Danda plays a succession of cascading riffs which is really nice. Lydia’s easy going aloof manner, adds to the mysterious, sexy melody lines in each song.
Black Eyes - Vibrating riff intro to this, with echo feedback going on. It has a choppy drum break and although I enjoyed it, I found Lydia’s vocals very muted!
Perhaps that is intended but it’s the one irritating glitch in the overall sound of Sweet Jane as a band.
Heartbreak – A sexy guitar intro takes you into this number which is probably the catchiest of Sweet Jane’s stuff. It’s moody, with backing vocals done by Danda. The melody line is a tad repetitive, but the crowd were lapping it up at Academy 2 and I loved Lydia’s gyrating moves and general cheekiness!
Take me Home has a strange quirky riff intro, which continues throughout the verse. Danda performs this and then Lydia comes in for the chorus.
I like the idea of Ireland’s answer to Blondie and this band are pretty close. Yet they have their own unique style and are sure to continue to be in demand, with such a charming front woman. I’d like however, to see them doing something less moody and more explosive occasionally, to break the ‘sameness’ of the mood!
The Kinetiks
I felt an aura of anticipation as tiny ultraviolet lights illuminated the stage. When the lights went down for the band to come on there was a lovely theatrical glow onstage and the crowd had multiplied despite the hot evening outside!
Gaz at the helm who is also a fine guitarist, Sean Brennan on Lead guitar, Paul Donohue on drums and smoking Jim McGuire on bass, the boys took to the stage to a warm welcome from the small crowd. A hot night in the smaller Academy venue couldn’t keep the true fans away!
They began their set with Thunder or Lightning.This has a dramatic intro, Sean’s fender coming in with distortion to rev things up. Splash style chords create sharp, choppy rhythm. Minor chords and sweet notes expertly played on guitar created a sense of excitement.
All I want is You – Slow, loud and f...ing amazing!
Guitar riff delectable and generally lots of fire injected by all guitars and this exciting song comes to a sharp sudden stop!
Aye Aye Aye was fourth and is the theme song from their recently released E.P. This is a gorgeous number and immediately I felt that this band have taken a giant leap forward in their development since I last saw them live almost two years ago!
Decisions – Cheeky, bassy build-up with yet another catchy riff and machine gun rhythmic chords in true Kinetiks style!
Verse dramatic and as Gaz sings, this the beautiful riff continues behind, with hammering distortion packed chords and rhythmic bass as both Jim and Sean give it their all. Of course where would any of this band’s excellent music be without the talented and charming drummer Paul?!
Bite The Bullet – I was thrilled to hear this number which I know by heart. Lots of the audience sang along, so it’s obviously everyone’s favourite Kinetiks oldie.
Smart ass and loaded with fabulous thumping beats, screaming riffs and hooks, choppy chords and a brilliant key change for the middle eight. Then there’s the dramatic slow down for Say what you mean and you mean what you say. Your face is just like a car crash, I cannot look away.
That sarcasm and totally arrogant attitude is the essential ingredient that makes these lads so irresistible!
The lead solo in this song for me is the best in all of their numbers. It involves sliding riffs and is like poetry in motion. All guitars seem to be in full force here.
She’s a Lady had plucked guitar riffs and a sweet melody and I hope you never change had lovely backing vocals in it sung by Paul (drums) and Jim (bass).
Lightbulb has a lovely lead intro, a really catchy melody. Gaz bursts in with the chorus and everything then comes to a sudden stop!
Choppy verse with fire packed bass and beats, Sean doing lots on lead in the background. This short but sweet number comes to a sharp finish.
Tell her Husband has an exotic tempo, poignant lyrics and wonderful screeching guitar throughout. The place was really hopping now and the entertaining thing about this is how well the melody line and beat suit the lyrics, which are like a scene from a soap opera.
Did I or did you - What I love about this song is how it starts off really slowly, with Gaz singing in falsetto. But all of a sudden the trickling sweetness bursts into a fast, punchy number. The rhythm in this song is everything, with stop/ start chords and a mysterious sounding bass solo, followed by a short lead solo. In the last chorus haunting ‘Ahs’ behind Gaz, helping build things up beautifully. Of their new stuff, this is my favourite because of the melody and how well Gaz sings it!
The last song but not the least was yet another oldie; A smile crack’d your face!
This number was on High Horse Olympics and one I love to play while driving long distances, but it can tempt me to break the speed limit.
Lots of ‘oh oh ohs’ and hammering beats, catchy chord combinations and those stop/ start type goings on throughout add to its charm. This will always be the song that defines this band for me. Easy to sing along to, cheeky with a screaming lead solo and a memorable riff taking it up to the final line Don’t you comment on what I do, cause I say nothing, I say nothing to you!
The Kinetiks have been one very busy band, having performed at Oxygen, Indie- Pendence and La Cheile festivals, along with support slots for Scouting for Girls, The Enemy, Delorentos and The Flaws.
They’ve had regular airplay on Today FM and 2 FM, recorded their newest E.P. ‘Aye, Aye, Aye’ at Grouse Lodge Studios, Suite and Sun Studios in ’08 and have been described by those in the know as ‘Confident, charming, giddy and energetic’!
With this I agree and after the delightful gig at Academy 2, I can well understand their success to date. Well done to all three acts for one truly memorable night.
Academy 2
30/05/09
Angela Macari O’Looney
Explosive and vibrant, this Pop/Indie/Rock band captured my imagination way back in 2007 and I’ve been a big fan of their music since. So when I noticed a gig coming up in one of my regular haunts, I dropped all previous engagements to be there. I’m like a kid at a party when I’m around Gaz Harding and The Kinetics and to add to the evening, two other marvellous bands were performing the first two sets.
The Cades
Band number one of the evening are already very well known in Rock/ Indie/ Punk circles and started back in ‘07, when they thought it was time to reflect in song, their ‘mutual hate for reality and sobriety’, deciding to ‘bite back on the shit pit that is life!’
They have shared stages with names such as Republic of Loose, Rooney and The Enemy and performed in both Oxygen and Hard Working Class Heroes ‘08. Members are Brian Ashe – Vocals, Git Sweeney – Drums, Mark Maguire – Guitar, Aido Murphy – Bass.
Their first song Vacant eyes was very fast and lively. It had a gorgeous lead solo. With an extremely catchy melody, it was reminiscent of The Jam, a band I would have listened to a lot when they were prominent in the late 70s/early 80s. Brian who has grit in his voice, oozes charisma and performed this Punchy number with flair!
The next number Pardon my swagger had a cheerful beat and once again the vocals were good and clear. A little bit of harmony lent atmosphere along with superb chord combinations and trickling riffs infused.
I thought I heard flanger too and Aido’s subdued but essential baseline throughout, comfortably framed the picture.
Kinki Milinki – This had a delightful intro and an adorable melody line. Key changes and cute chord combos made this choppy song stand out from the rest, plus a fab guitar break. Put together a cocktail of The View, The Beatles, The Kinks, The Kooks, Arctic Monkeys and you might have an idea of the level of this band. And this was only the first set of the night!
They continued with a slower number called Just for a Day with melancholic lyrics. This song even though slow had vitality and spark in it.
Calling out her name was also a slower number but it had explosiveness about it just the same. The delicious riff between each verse is everything here plus the melody, which as in all of The Cade’s numbers is sweet and memorable!
Change Your Ways –This I can honestly say was for me the slinkiest, most delicious number. The way it slows down to emphasise ‘Change your ways, don’t let those good times get you down’ is really special.
Another choppy number with a foot stomping beat followed; Filthy Armada! Lots of ‘Wah wahs’ and fancy hi jinx on the guitar gave it spice. There was something jazzier about this song than the rest of the set.
A fast explosive number with dramatic choppy guitar chords, Borderline had a fab chorus which I thoroughly enjoyed. They did two further songs, making this a lengthy but fantastic set to get the night off to a start.
Sweet Jane
Rock/ Indie/ Psychedelic band Sweet Jane have appeared on everyone’s ‘Best of 2008’ and ‘Ones to watch out for’. They started off in 2007 and have toured the U.K. and Ireland extensively with names such as Glasvegas, Black Rebel Motorcycle club and The Kill and even appeared at London’s Metropolitan alongside a favourite band of mine; Fight Like Apes!
Lead guitarist Danda has a suave appearance and a delectable blonde semi solid guitar. Lydia Des Dolles who is the sweet in the mix and the lead singer, also plays guitar and percussion. Ruarie Paxton is the bassist, providing the necessary dirty sleazy baselines and last but not least on stix is Andy, unofficial member!
Debut 5-track demo ‘Blackboots Blackhearts’ was released in ’08 and the band are knee deep in demo recordings for their first album, to be released this year. Their music has attitude and sublime yet thundering tempos, to allure the audience into their spell!
Setlist was Bleed, Where’s your money gone, I’ve been waiting, Close Your Eyes, Heatbreak, Take Me Home, Outro.
Bleed This being the first song it was catchy with a cool riff. The lead guitarist took a verse and some harmony lent atmosphere. Debbie Harryesque moves and an evocative voice gave Lydia immediate power over all males present, but she has much more than just a pretty face!
Where’s Your Money Gone – Ethnic type of intro with bending notes, a big echoic stadium sound and seductiveness in Lydia’s delivery of the chorus. Danda sings the verse here. Very ‘Blondie’!
Close Your eyes – This is a strut style song, with sweet chord combinations throughout. Danda plays a succession of cascading riffs which is really nice. Lydia’s easy going aloof manner, adds to the mysterious, sexy melody lines in each song.
Black Eyes - Vibrating riff intro to this, with echo feedback going on. It has a choppy drum break and although I enjoyed it, I found Lydia’s vocals very muted!
Perhaps that is intended but it’s the one irritating glitch in the overall sound of Sweet Jane as a band.
Heartbreak – A sexy guitar intro takes you into this number which is probably the catchiest of Sweet Jane’s stuff. It’s moody, with backing vocals done by Danda. The melody line is a tad repetitive, but the crowd were lapping it up at Academy 2 and I loved Lydia’s gyrating moves and general cheekiness!
Take me Home has a strange quirky riff intro, which continues throughout the verse. Danda performs this and then Lydia comes in for the chorus.
I like the idea of Ireland’s answer to Blondie and this band are pretty close. Yet they have their own unique style and are sure to continue to be in demand, with such a charming front woman. I’d like however, to see them doing something less moody and more explosive occasionally, to break the ‘sameness’ of the mood!
The Kinetiks
I felt an aura of anticipation as tiny ultraviolet lights illuminated the stage. When the lights went down for the band to come on there was a lovely theatrical glow onstage and the crowd had multiplied despite the hot evening outside!
Gaz at the helm who is also a fine guitarist, Sean Brennan on Lead guitar, Paul Donohue on drums and smoking Jim McGuire on bass, the boys took to the stage to a warm welcome from the small crowd. A hot night in the smaller Academy venue couldn’t keep the true fans away!
They began their set with Thunder or Lightning.This has a dramatic intro, Sean’s fender coming in with distortion to rev things up. Splash style chords create sharp, choppy rhythm. Minor chords and sweet notes expertly played on guitar created a sense of excitement.
All I want is You – Slow, loud and f...ing amazing!
Guitar riff delectable and generally lots of fire injected by all guitars and this exciting song comes to a sharp sudden stop!
Aye Aye Aye was fourth and is the theme song from their recently released E.P. This is a gorgeous number and immediately I felt that this band have taken a giant leap forward in their development since I last saw them live almost two years ago!
Decisions – Cheeky, bassy build-up with yet another catchy riff and machine gun rhythmic chords in true Kinetiks style!
Verse dramatic and as Gaz sings, this the beautiful riff continues behind, with hammering distortion packed chords and rhythmic bass as both Jim and Sean give it their all. Of course where would any of this band’s excellent music be without the talented and charming drummer Paul?!
Bite The Bullet – I was thrilled to hear this number which I know by heart. Lots of the audience sang along, so it’s obviously everyone’s favourite Kinetiks oldie.
Smart ass and loaded with fabulous thumping beats, screaming riffs and hooks, choppy chords and a brilliant key change for the middle eight. Then there’s the dramatic slow down for Say what you mean and you mean what you say. Your face is just like a car crash, I cannot look away.
That sarcasm and totally arrogant attitude is the essential ingredient that makes these lads so irresistible!
The lead solo in this song for me is the best in all of their numbers. It involves sliding riffs and is like poetry in motion. All guitars seem to be in full force here.
She’s a Lady had plucked guitar riffs and a sweet melody and I hope you never change had lovely backing vocals in it sung by Paul (drums) and Jim (bass).
Lightbulb has a lovely lead intro, a really catchy melody. Gaz bursts in with the chorus and everything then comes to a sudden stop!
Choppy verse with fire packed bass and beats, Sean doing lots on lead in the background. This short but sweet number comes to a sharp finish.
Tell her Husband has an exotic tempo, poignant lyrics and wonderful screeching guitar throughout. The place was really hopping now and the entertaining thing about this is how well the melody line and beat suit the lyrics, which are like a scene from a soap opera.
Did I or did you - What I love about this song is how it starts off really slowly, with Gaz singing in falsetto. But all of a sudden the trickling sweetness bursts into a fast, punchy number. The rhythm in this song is everything, with stop/ start chords and a mysterious sounding bass solo, followed by a short lead solo. In the last chorus haunting ‘Ahs’ behind Gaz, helping build things up beautifully. Of their new stuff, this is my favourite because of the melody and how well Gaz sings it!
The last song but not the least was yet another oldie; A smile crack’d your face!
This number was on High Horse Olympics and one I love to play while driving long distances, but it can tempt me to break the speed limit.
Lots of ‘oh oh ohs’ and hammering beats, catchy chord combinations and those stop/ start type goings on throughout add to its charm. This will always be the song that defines this band for me. Easy to sing along to, cheeky with a screaming lead solo and a memorable riff taking it up to the final line Don’t you comment on what I do, cause I say nothing, I say nothing to you!
The Kinetiks have been one very busy band, having performed at Oxygen, Indie- Pendence and La Cheile festivals, along with support slots for Scouting for Girls, The Enemy, Delorentos and The Flaws.
They’ve had regular airplay on Today FM and 2 FM, recorded their newest E.P. ‘Aye, Aye, Aye’ at Grouse Lodge Studios, Suite and Sun Studios in ’08 and have been described by those in the know as ‘Confident, charming, giddy and energetic’!
With this I agree and after the delightful gig at Academy 2, I can well understand their success to date. Well done to all three acts for one truly memorable night.
Wednesday, May 27, 2009
Killer Chloe's Sanderson's demo
Killer Chloe
Sanderson’s Demo
Angela Macari O’Looney
A kaleidoscope of sounds and keyboard hi jinx, matched with youthful Punk vocals, excellent guitars and drums and much experimental confusion, are what will attack your oral senses if you dare to delve into the web of wonder that is Killer Chloe’s music.
Pete’s stroppy delivery of lyrics and his passionate assault on his electronic orchestra, along with intriguing and imaginative melody lines, are the components of this three track demo. Each number is something of a rhapsody whereby bass, synth guitar and rhythm supply the canvass, as each musician matches the vibrant frontman note for note!
This band who were 2008 winners of the Trinity Battle of the Bands, are described on My Space as Post Punk/ Progressive. Members are Pete McNamara Vox/Synth, Feargal Corrigan Synth Guitar, Luke Bass/Vox/Synth and Greg (Biff) Purcell Drums.
A live experience of Killer Chloe is unbelievable. But if it’s a sample of their work you’d like, this short CD will give a taste of their masterful compositions.
Sanderson’s
This is a thumping explosive love song of sorts. I love the melody line. Pete’s execution of the chorus is forceful, with Fearg’s guitar chords and riffs exceptional. I particularly like the trickling solo he performs midway through, with Luke (Bass) doing a rhythmic riff towards the end, which gives way to a catchy piano solo done by Pete and lots of exciting goings on to take you to its conclusion.
Mother Hubbard
Track two is yet another cacophony of complex notes, with obscure lyrics. Discords and a fast tempo create the backdrop to Pete’s rap like vocal style. There is certainly a melody however and really catchy backing vocals. Synth is sweet and there are a lot of interesting twists and turns on this crazy musical journey. There’s a particularly noticeable guitar riff throughout which gels things together beautifully. A rhapsody of dramatic notation and delicious changes of direction all over the place, this is one truly extraordinary piece!
Techi Lush
This particular piece would be very ‘yesteryear’ for me, bringing back memories of such sounds as OMD and Kraftwerk. It involves fast moving electronic notes played in a chain of arpeggios. This accompanies the quite strange lyrics; I kissed the mirror this morning. It opened airways but they get so cold. It’s the only thing I can’t control.
Guitar and synth combine here to create a lovely blend, as they play a riff in synch. This song for me is the finest example of Pete McNamara’s unusual but attractive vocal style, where he raps out the lyrics in a pattern, with the exciting busy notes played on synth, bass and lead.
This band are an acquired taste, with their magnificent array of technology and expert command of same. As a lover of experimental music and anything that stretches the imagination like this, to me it is an art in itself.
I so enjoy watching the devotion of these young guys and genuinely believe that they are destined for great heights. These are only three samples of what they are capable of and I have heard more of their repertoire live, all of which I truly hope will find its way onto a full album eventually. Judging by the size of the audience at the launch, I’m not alone in my faith!
Sanderson’s Demo
Angela Macari O’Looney
A kaleidoscope of sounds and keyboard hi jinx, matched with youthful Punk vocals, excellent guitars and drums and much experimental confusion, are what will attack your oral senses if you dare to delve into the web of wonder that is Killer Chloe’s music.
Pete’s stroppy delivery of lyrics and his passionate assault on his electronic orchestra, along with intriguing and imaginative melody lines, are the components of this three track demo. Each number is something of a rhapsody whereby bass, synth guitar and rhythm supply the canvass, as each musician matches the vibrant frontman note for note!
This band who were 2008 winners of the Trinity Battle of the Bands, are described on My Space as Post Punk/ Progressive. Members are Pete McNamara Vox/Synth, Feargal Corrigan Synth Guitar, Luke Bass/Vox/Synth and Greg (Biff) Purcell Drums.
A live experience of Killer Chloe is unbelievable. But if it’s a sample of their work you’d like, this short CD will give a taste of their masterful compositions.
Sanderson’s
This is a thumping explosive love song of sorts. I love the melody line. Pete’s execution of the chorus is forceful, with Fearg’s guitar chords and riffs exceptional. I particularly like the trickling solo he performs midway through, with Luke (Bass) doing a rhythmic riff towards the end, which gives way to a catchy piano solo done by Pete and lots of exciting goings on to take you to its conclusion.
Mother Hubbard
Track two is yet another cacophony of complex notes, with obscure lyrics. Discords and a fast tempo create the backdrop to Pete’s rap like vocal style. There is certainly a melody however and really catchy backing vocals. Synth is sweet and there are a lot of interesting twists and turns on this crazy musical journey. There’s a particularly noticeable guitar riff throughout which gels things together beautifully. A rhapsody of dramatic notation and delicious changes of direction all over the place, this is one truly extraordinary piece!
Techi Lush
This particular piece would be very ‘yesteryear’ for me, bringing back memories of such sounds as OMD and Kraftwerk. It involves fast moving electronic notes played in a chain of arpeggios. This accompanies the quite strange lyrics; I kissed the mirror this morning. It opened airways but they get so cold. It’s the only thing I can’t control.
Guitar and synth combine here to create a lovely blend, as they play a riff in synch. This song for me is the finest example of Pete McNamara’s unusual but attractive vocal style, where he raps out the lyrics in a pattern, with the exciting busy notes played on synth, bass and lead.
This band are an acquired taste, with their magnificent array of technology and expert command of same. As a lover of experimental music and anything that stretches the imagination like this, to me it is an art in itself.
I so enjoy watching the devotion of these young guys and genuinely believe that they are destined for great heights. These are only three samples of what they are capable of and I have heard more of their repertoire live, all of which I truly hope will find its way onto a full album eventually. Judging by the size of the audience at the launch, I’m not alone in my faith!
Saturday, May 23, 2009
ZinEgo
ZinEgo
Angela Macari O’Looney
This collection of songs is performed by four guys based in Newbridge, Co. Kildare. The CD cover art is particularly colourful, bringing to mind a canvass covered in Oil paint or Gauche applied with passion. You can almost smell the turps. This was designed by Cofdesign in Newbridge. I like it since it reflects the passion and true devotion that seems to have gone into creating its contents!
Paul O’Connor Vox/Guitar, Amar Mahase Bass/ B-Vox, Graham Coffey Drums and Simone Trabison Lead Guitar are the members of ZinEgo, who are an interesting mix of cultures and styles. Simone on Lead guitar hails from Italy. Piaciero Simone!
Taking influences from all of the best rock legends ranging from U2, Thin Lizzy, Queen, Guns N’ Rose, Therapy, Pearl Jam, AC/DC and Led Zeppelin, this band have come up with yet another seductive and charming genre that combines the rough with the smooth!
Brothers in Arms
A Drum intro followed by a distortion packed guitar riff, take you to the slow mournful verse of this number. This sweet riff continues throughout the verse, which involves Paul’s slightly gritty, but tuneful vocals. Simone's lead guitar sings as he performs fantastic solos and Amar’s baseline adds atmosphere.
Love Lies Bleeding
A trickling guitar, cymbal and a melodic verse make up the beginning of this rock Ballad. It becomes more vibrant for the chorus, which has poignant lyrics; Love lies bleeding, jagged edge to my soul. Love lies bleeding everyone will fall. Lost all believing it’s the end of the world Lots of distortion for this part!
Simone once again takes a lead solo that reflects the pain of a bleeding heart, as screaming notes portray tragedy.
Keys (Faith)
This is an acoustic number, where backing vocals add interest. Things build up a little as it develops, with an electric guitar coming in plus a hint of distortion in it, the beat becoming more vital. Lead is injected here and there and the combination created from the entire sound is soothing.
T-Minus
Livelier than the first three tracks, this is seductive with a choppy beat. A busy baseline and a memorable riff create the piece de resistance!
These take you into the verse which is catchy and dramatic.
Simone yet again produces a show stopping solo with fingers flying across the frets of his guitar and Graham does a catchy drum break. The riffs and hooks are just so delicious and are repeated behind Paul’s vocals throughout.
My favourite track on this album is Crossroads!
It has superb guitar, is lively and definitely shows off Paul’s exciting rock voice to great advantage. It begins with bass and percussion, then a sensational guitar riff comes in. There’s a sense of tragedy in the lyrics; she will never know what way her life could have been, if she had taken another road.
There’s a stop start just before the fluently played lead solo, yet another demonstration of the virtuoso quality of the lead guitarist.
Softly played bass notes take this number to its conclusion.
Abyss has a bass intro, which is joined by drums and a splash of lead. The bass riff and beat continue for the verse. Then an explosive distortion laden guitar riff comes in for the chorus. The melody line is a little moody, but it seems to be about the end of a love affair, so lots of minor notes and a sense of finality and emotion in the vocals portray this.
Falling
This is an acoustic number, with a sad melody line in it. It’s catchy however and Paul’s vocals are quite special here, with lots of emotion involved. You definitely feel a sense of falling, as you listen to this song and like all the songs here there’s a mournfulness coming through.
Pulsating melody lines and guitars that weep gently behind expressively sung lyrics!
This would be my description of my experience of ZinEgo. I feel that this album proves that although each of the top bands mentioned in their influences such as Lizzy, AC/DC and Therapy are apparent, they have created something with their own stamp on it, which in many ways surpasses some of the more prominent rock bands about.
Angela Macari O’Looney
This collection of songs is performed by four guys based in Newbridge, Co. Kildare. The CD cover art is particularly colourful, bringing to mind a canvass covered in Oil paint or Gauche applied with passion. You can almost smell the turps. This was designed by Cofdesign in Newbridge. I like it since it reflects the passion and true devotion that seems to have gone into creating its contents!
Paul O’Connor Vox/Guitar, Amar Mahase Bass/ B-Vox, Graham Coffey Drums and Simone Trabison Lead Guitar are the members of ZinEgo, who are an interesting mix of cultures and styles. Simone on Lead guitar hails from Italy. Piaciero Simone!
Taking influences from all of the best rock legends ranging from U2, Thin Lizzy, Queen, Guns N’ Rose, Therapy, Pearl Jam, AC/DC and Led Zeppelin, this band have come up with yet another seductive and charming genre that combines the rough with the smooth!
Brothers in Arms
A Drum intro followed by a distortion packed guitar riff, take you to the slow mournful verse of this number. This sweet riff continues throughout the verse, which involves Paul’s slightly gritty, but tuneful vocals. Simone's lead guitar sings as he performs fantastic solos and Amar’s baseline adds atmosphere.
Love Lies Bleeding
A trickling guitar, cymbal and a melodic verse make up the beginning of this rock Ballad. It becomes more vibrant for the chorus, which has poignant lyrics; Love lies bleeding, jagged edge to my soul. Love lies bleeding everyone will fall. Lost all believing it’s the end of the world Lots of distortion for this part!
Simone once again takes a lead solo that reflects the pain of a bleeding heart, as screaming notes portray tragedy.
Keys (Faith)
This is an acoustic number, where backing vocals add interest. Things build up a little as it develops, with an electric guitar coming in plus a hint of distortion in it, the beat becoming more vital. Lead is injected here and there and the combination created from the entire sound is soothing.
T-Minus
Livelier than the first three tracks, this is seductive with a choppy beat. A busy baseline and a memorable riff create the piece de resistance!
These take you into the verse which is catchy and dramatic.
Simone yet again produces a show stopping solo with fingers flying across the frets of his guitar and Graham does a catchy drum break. The riffs and hooks are just so delicious and are repeated behind Paul’s vocals throughout.
My favourite track on this album is Crossroads!
It has superb guitar, is lively and definitely shows off Paul’s exciting rock voice to great advantage. It begins with bass and percussion, then a sensational guitar riff comes in. There’s a sense of tragedy in the lyrics; she will never know what way her life could have been, if she had taken another road.
There’s a stop start just before the fluently played lead solo, yet another demonstration of the virtuoso quality of the lead guitarist.
Softly played bass notes take this number to its conclusion.
Abyss has a bass intro, which is joined by drums and a splash of lead. The bass riff and beat continue for the verse. Then an explosive distortion laden guitar riff comes in for the chorus. The melody line is a little moody, but it seems to be about the end of a love affair, so lots of minor notes and a sense of finality and emotion in the vocals portray this.
Falling
This is an acoustic number, with a sad melody line in it. It’s catchy however and Paul’s vocals are quite special here, with lots of emotion involved. You definitely feel a sense of falling, as you listen to this song and like all the songs here there’s a mournfulness coming through.
Pulsating melody lines and guitars that weep gently behind expressively sung lyrics!
This would be my description of my experience of ZinEgo. I feel that this album proves that although each of the top bands mentioned in their influences such as Lizzy, AC/DC and Therapy are apparent, they have created something with their own stamp on it, which in many ways surpasses some of the more prominent rock bands about.
Tuesday, May 19, 2009
Mayday at Andrews Lane Theatre
Revolution for Dogs, Hoarsebox, Ham Sandwich
Andrews Lane Theatre
01/05/09
Angela Macari O’Looney
I was invited to this gig by the fabulous and exciting quartet Hoarsebox, whom I’ve only seen once live. With one of the liveliest collection of songs and a joie de vivre that is contagious, they are a band I could never tire of. Hosted by Phantom 105, this gig was guaranteed to be a lot of fun, so my friend and I headed down.
My last visit to this venue was a good few years back and on arrival I noticed a lot of changes had been made to the layout. My guest Dara and I were also looking forward to the other two bands featuring; Revolution for Dogs and Ham Sandwich. With such a brilliant line up it was the gig to be at for May Day!
The place gradually filled up and by the time the first band arrived onstage, there was quite a crowd!
Revolution for Dogs
This band has been compared to The Coral and perform a really enjoyable set, with a classic Rock style. Consisting of three guitars and a rhythm section, they have a full sound with a bashing Rock’n’Roll beat.
Band members include Keith Vocals/Bass, Revel Vocals/ Guitars, Ian Lead guitar and John Drums.
Having a passion for exploring new Sonics, experimental soundscapes and vintage guitars, this bunch of guys add a bit of this and a touch of that as they go along. For example harmonium, Baritone and slide guitars plus drum loops are only some of the added spice that goes into the mix, to create the sum total of explosive, energetic music to tantalise your taste buds!
Starting with a bashing beat, Lady Luck was the first of their set. This is a cool song which changes to a slinky tempo later on.
Next they performed a fast, fire packed number called Let Yourself Go. This has a powerful guitar intro and some sweet backing vocals. There’s a catchy riff and screaming lead throughout. This also changes pace in the chorus, which adds drama but then it picks up speed again. It has a sweet middle eight which is sung, followed by a brilliant solo.
Shadow on the City
AC/DC style, this begins with a line ‘When the sun goes down’ sung loudly!
A seductive sliding riff and a fab memorable chorus follow. I particularly like the key change midway through. Ian does a fantastic lead solo and Revel’s baseline throughout is superb!
Vampyre – This begins with a scary howl, followed by bashing rock chords. Then it goes into the choppy verse with bass adding depth. Harmony is sung closely and bending riffs, along with lots of exciting in synch guitars and ‘oohs’ sung behind the chorus lend atmosphere. As in all numbers Ian does a sweet solo before the last chorus. The riff is sooo creepy and backing vocals create a haunting sound!
Mission to The Sun
This was one of my favourites in the set!
Beginning with weird space age effects, this has a really catchy chorus and dramatic stops and starts throughout. With cheeky riffs and super harmony it has just the right balance for a great song.
The Man From U.N.C.L.E
This is a song with a clap along beat, delicious riffs and hooks and lots of good old fashioned rock ‘n’ roll chord combinations. I loved this one!
Home
This is one song where Keith’s vocals shine. Its distortion packed, has a classic rock intro and a seductive riff, with lots of sweet bass involved. The middle eight has a nice change of key and the refrain Get home, get home is really catchy!
Like the description on their My Space page under ‘Sounds Like’, there seems to be a lot of those universal all time favourite bands coming through in this and all the work they do. There’s a dash of Lennon and McCartney, a twist of Quo and a splash of Rolling Stones along with a plethora of others.
Revolution for Dogs have a knack for catchy melody lines and well written songs. I for one would really like a copy of ‘Dirty Hands’ for my C.D. collection and definitely hope to catch them again soon!
Hoarsebox
Dara and I moved closer to the stage along with what was by now the most enormous crowd I’ve seen at a gig.
To even get a drink involved camping out at the bar for half an hour, proving how popular the three bands are. After lots of bits and pieces were removed and replaced onstage, Johnny Holden, Philip Broadbery, Kieran Walkin and Max Carpio arrived to tumultuous applause. They began with the distinctive chorus of Rosey; A perfect opener!
A big explosive harmony laden Shout it out takes you into this fantastic song. Splashes of guitar and delightful piano fall on your ears in a rainbow of chords, bass and sweet melody and from the get go, Hoarsebox wave their magic wand to intrigue all within their web!
I love the part in this song where they do a cascading type of refrain with ‘ahs’ and this is followed by a sweet lead guitar break a la Phil.
No More tears was second with lots of bebop’s and do dos at the beginning, sung in close harmony. Such a full sound!
Kieran and Max do backing vocals here and there’s a sweet bass break, followed by a play of sound with mikes and Vox. Very experimental but works.
Crazy distortion packed guitar takes this lovely song to its conclusion.
With a magical lead intro, keyboards joining in Seahorse began. This has a stroppy beat, harmonic oohs and here, Phil’s superb vocals are loaded with charisma. They are by far the most unusual band I know, with a kind of ethereal quality to their style. Much of their songs, like this one, have a Sting meets Jamiroquai thing going on, which I adore!
They continued with Do it to the letter, a number I consider my absolute favourite Hoarsebox song.
A sustained keyboard chord intro is followed by a little guitar riff, then explosive do dos take you into a fast verse. In the chorus here there’s an echoed refrain of ‘I’m gonna do it to the letter’. You have this fantastic solo done by Phil and then it quietens down for the last verse, to explode into a big bashing final chorus!
They did a long enough set, including;
The Club has a smart little riff that is appealing, plus the burst of harmony for the chorus which is divine.
Travelled Solo – This involved a strut style beat, a riff played on the frets of the guitar by Phil which is exotic and that beat goes right down to your boots!
A fancy vibe effect comes into this number and everyone seemed to be moving to the beat en masse!
The Witch Hunt – Different and has delicious discords splashed here and there throughout. The guys do sweet ‘Ahs’ behind Phil’s lead vocals.
Fingermouse – They interact with the crowd before the funky intro to this number. This has a catchy chorus with the guys singing it in close harmonic discords. A contradiction in terms but the only description I can think of, for such a fabulous array of melody.
All I need now – This has a do do intro with big splashes of guitar in it. Then the lads sing a big harmonic All I need now.
Distortion packed lead comes in and they do a hand clapping thing later which is choppy, with this beautiful baseline framing it.
H.B.G.B’s – This was the encore which was a great choice!
Complex jazzy guitar riffs and chords, close harmony throughout which is dreamy, a bass solo with splashes of Phil’s keyboard here and there and a chorus that would remind me of a Moe town song; all of these went into the cauldron for this finale from Hoarsebox. They are a band not to be missed if you like a touch of Sting, Jamiroquai, E.L.O. and any class harmony act down through the history of music. I know they put me in the mood for more great music, which of course I was guaranteed from Ham Sandwich, who were coming on next for the main course of the evening!
Ham Sandwich
Headed by the most amazing front woman in Niamh Farrell and the crazy fancy dressed Podge McNamee on lead guitar, this high octane Indie band were the headliners of the Mayday fest at Andrews Lane Theatre.
A hint of The Pixies, Blondie and lots of 80s/90s influences echo through the music of this band, who are promoting their album ‘Carry the Meek’, produced by Karl Odlum. Hailing from Kells in Co. Meath their star is already soaring in the same direction as The Cranberries, The Corrs and all those home-grown bands that have gone global.
With Ollie on drums, Darcy on guitar/piano and Johnny Moore on bass, the sound of this band is one I’m pretty familiar with, having seen them perform on the R.D.S. music show last year. I absolutely adore them!
They started with the familiar intro to White Fox as they took to the stage, with bona fida space cadet McNamee dressed in a cloak and a King’s crown. If there’s ham in the sandwich it has to be him!
Anyway, they started off with this lovely number which is fast moving with a nice blend throughout, including a sweet chord combination, a catchy riff and an appealing refrain of I’m here in your hands. I liked this song. But I was even more intrigued when a big explosion of confetti came thundering down. I love theatrics and this won me over totally!
The next song was Click click boom. This has a bass dominated intro. Then the refrain of Break the chain, break the mould comes in. Niamh’s crystal clear vocals perform this number like a sultry Debbie Harry!
She sings the chorus with McNamee doing backing vocals and it’s almost like a mantra. People sing along with it and they held the entire Theatre in the palm of their hands.
St. Christopher – This song was laid back, with a divine baseline throughout. I thought about the name of this one and realised that the winner of the ‘Choice’ awards Jape has a song about Christopher in his set list too. This saint is getting some exposure through music!
I found Ham Sandwich hard to define or find a comparison with. Perhaps that is the thing that makes them special. They are very much their own genre/sound and whatever they do, this crowd in Andrews Lane couldn’t get enough of them.
For the next song Niamh took out a mini keyboard/ blow instrument. She also cracked a joke about McNamee’s costume having a hole in it at the arse. They went on with Out of the Darkness which is a new song. They sing two separate refrains which is very effective. Niamh does a solo on her melodica thing and with beautiful hooks. With such a lovely song; they were bound to get a positive response from the crowd, which they did.
They did Keep sake with a thumping beat, plucky guitar by McNamee and lovely lyrics; I turned my face to the rain, I still can’t ask you to stay. The chorus is memorable here, melody line to die for!
Broken Glass – Distortion packed intro, choppy beat, punk style with a slinkiness about it. McNamee’s voice is a bit like Radiohead’s lead vocalist. The blend of the male and female voices are the key factor in Ham Sandwich’s sound. They went on to do Never Talk with a bashing chord riff and a sweet chorus of my heart, my hands, my head, my feet. In this song I particularly loved the way the two voices seemed to sing two separate refrains.
Then they did Words which involved a really uplifting melody line!
This was a song I heard at the Music Exhibition last year.
Finally they did a fabulous rendition of the Kate Bush number; Running up the Hill!
The drummer smacked his sticks together, and then played on one single drum for this song. I felt this to be an awe inspiring cover of a classic number. Dara and I were unanimous about the fact that this was a perfect finishing touch. I was reeling with the excitement from a night that must be the best 1st of May party of my life!
All three bands proved the reason why the venue was packed to capacity. Well done to them and Phantom 105!
Andrews Lane Theatre
01/05/09
Angela Macari O’Looney
I was invited to this gig by the fabulous and exciting quartet Hoarsebox, whom I’ve only seen once live. With one of the liveliest collection of songs and a joie de vivre that is contagious, they are a band I could never tire of. Hosted by Phantom 105, this gig was guaranteed to be a lot of fun, so my friend and I headed down.
My last visit to this venue was a good few years back and on arrival I noticed a lot of changes had been made to the layout. My guest Dara and I were also looking forward to the other two bands featuring; Revolution for Dogs and Ham Sandwich. With such a brilliant line up it was the gig to be at for May Day!
The place gradually filled up and by the time the first band arrived onstage, there was quite a crowd!
Revolution for Dogs
This band has been compared to The Coral and perform a really enjoyable set, with a classic Rock style. Consisting of three guitars and a rhythm section, they have a full sound with a bashing Rock’n’Roll beat.
Band members include Keith Vocals/Bass, Revel Vocals/ Guitars, Ian Lead guitar and John Drums.
Having a passion for exploring new Sonics, experimental soundscapes and vintage guitars, this bunch of guys add a bit of this and a touch of that as they go along. For example harmonium, Baritone and slide guitars plus drum loops are only some of the added spice that goes into the mix, to create the sum total of explosive, energetic music to tantalise your taste buds!
Starting with a bashing beat, Lady Luck was the first of their set. This is a cool song which changes to a slinky tempo later on.
Next they performed a fast, fire packed number called Let Yourself Go. This has a powerful guitar intro and some sweet backing vocals. There’s a catchy riff and screaming lead throughout. This also changes pace in the chorus, which adds drama but then it picks up speed again. It has a sweet middle eight which is sung, followed by a brilliant solo.
Shadow on the City
AC/DC style, this begins with a line ‘When the sun goes down’ sung loudly!
A seductive sliding riff and a fab memorable chorus follow. I particularly like the key change midway through. Ian does a fantastic lead solo and Revel’s baseline throughout is superb!
Vampyre – This begins with a scary howl, followed by bashing rock chords. Then it goes into the choppy verse with bass adding depth. Harmony is sung closely and bending riffs, along with lots of exciting in synch guitars and ‘oohs’ sung behind the chorus lend atmosphere. As in all numbers Ian does a sweet solo before the last chorus. The riff is sooo creepy and backing vocals create a haunting sound!
Mission to The Sun
This was one of my favourites in the set!
Beginning with weird space age effects, this has a really catchy chorus and dramatic stops and starts throughout. With cheeky riffs and super harmony it has just the right balance for a great song.
The Man From U.N.C.L.E
This is a song with a clap along beat, delicious riffs and hooks and lots of good old fashioned rock ‘n’ roll chord combinations. I loved this one!
Home
This is one song where Keith’s vocals shine. Its distortion packed, has a classic rock intro and a seductive riff, with lots of sweet bass involved. The middle eight has a nice change of key and the refrain Get home, get home is really catchy!
Like the description on their My Space page under ‘Sounds Like’, there seems to be a lot of those universal all time favourite bands coming through in this and all the work they do. There’s a dash of Lennon and McCartney, a twist of Quo and a splash of Rolling Stones along with a plethora of others.
Revolution for Dogs have a knack for catchy melody lines and well written songs. I for one would really like a copy of ‘Dirty Hands’ for my C.D. collection and definitely hope to catch them again soon!
Hoarsebox
Dara and I moved closer to the stage along with what was by now the most enormous crowd I’ve seen at a gig.
To even get a drink involved camping out at the bar for half an hour, proving how popular the three bands are. After lots of bits and pieces were removed and replaced onstage, Johnny Holden, Philip Broadbery, Kieran Walkin and Max Carpio arrived to tumultuous applause. They began with the distinctive chorus of Rosey; A perfect opener!
A big explosive harmony laden Shout it out takes you into this fantastic song. Splashes of guitar and delightful piano fall on your ears in a rainbow of chords, bass and sweet melody and from the get go, Hoarsebox wave their magic wand to intrigue all within their web!
I love the part in this song where they do a cascading type of refrain with ‘ahs’ and this is followed by a sweet lead guitar break a la Phil.
No More tears was second with lots of bebop’s and do dos at the beginning, sung in close harmony. Such a full sound!
Kieran and Max do backing vocals here and there’s a sweet bass break, followed by a play of sound with mikes and Vox. Very experimental but works.
Crazy distortion packed guitar takes this lovely song to its conclusion.
With a magical lead intro, keyboards joining in Seahorse began. This has a stroppy beat, harmonic oohs and here, Phil’s superb vocals are loaded with charisma. They are by far the most unusual band I know, with a kind of ethereal quality to their style. Much of their songs, like this one, have a Sting meets Jamiroquai thing going on, which I adore!
They continued with Do it to the letter, a number I consider my absolute favourite Hoarsebox song.
A sustained keyboard chord intro is followed by a little guitar riff, then explosive do dos take you into a fast verse. In the chorus here there’s an echoed refrain of ‘I’m gonna do it to the letter’. You have this fantastic solo done by Phil and then it quietens down for the last verse, to explode into a big bashing final chorus!
They did a long enough set, including;
The Club has a smart little riff that is appealing, plus the burst of harmony for the chorus which is divine.
Travelled Solo – This involved a strut style beat, a riff played on the frets of the guitar by Phil which is exotic and that beat goes right down to your boots!
A fancy vibe effect comes into this number and everyone seemed to be moving to the beat en masse!
The Witch Hunt – Different and has delicious discords splashed here and there throughout. The guys do sweet ‘Ahs’ behind Phil’s lead vocals.
Fingermouse – They interact with the crowd before the funky intro to this number. This has a catchy chorus with the guys singing it in close harmonic discords. A contradiction in terms but the only description I can think of, for such a fabulous array of melody.
All I need now – This has a do do intro with big splashes of guitar in it. Then the lads sing a big harmonic All I need now.
Distortion packed lead comes in and they do a hand clapping thing later which is choppy, with this beautiful baseline framing it.
H.B.G.B’s – This was the encore which was a great choice!
Complex jazzy guitar riffs and chords, close harmony throughout which is dreamy, a bass solo with splashes of Phil’s keyboard here and there and a chorus that would remind me of a Moe town song; all of these went into the cauldron for this finale from Hoarsebox. They are a band not to be missed if you like a touch of Sting, Jamiroquai, E.L.O. and any class harmony act down through the history of music. I know they put me in the mood for more great music, which of course I was guaranteed from Ham Sandwich, who were coming on next for the main course of the evening!
Ham Sandwich
Headed by the most amazing front woman in Niamh Farrell and the crazy fancy dressed Podge McNamee on lead guitar, this high octane Indie band were the headliners of the Mayday fest at Andrews Lane Theatre.
A hint of The Pixies, Blondie and lots of 80s/90s influences echo through the music of this band, who are promoting their album ‘Carry the Meek’, produced by Karl Odlum. Hailing from Kells in Co. Meath their star is already soaring in the same direction as The Cranberries, The Corrs and all those home-grown bands that have gone global.
With Ollie on drums, Darcy on guitar/piano and Johnny Moore on bass, the sound of this band is one I’m pretty familiar with, having seen them perform on the R.D.S. music show last year. I absolutely adore them!
They started with the familiar intro to White Fox as they took to the stage, with bona fida space cadet McNamee dressed in a cloak and a King’s crown. If there’s ham in the sandwich it has to be him!
Anyway, they started off with this lovely number which is fast moving with a nice blend throughout, including a sweet chord combination, a catchy riff and an appealing refrain of I’m here in your hands. I liked this song. But I was even more intrigued when a big explosion of confetti came thundering down. I love theatrics and this won me over totally!
The next song was Click click boom. This has a bass dominated intro. Then the refrain of Break the chain, break the mould comes in. Niamh’s crystal clear vocals perform this number like a sultry Debbie Harry!
She sings the chorus with McNamee doing backing vocals and it’s almost like a mantra. People sing along with it and they held the entire Theatre in the palm of their hands.
St. Christopher – This song was laid back, with a divine baseline throughout. I thought about the name of this one and realised that the winner of the ‘Choice’ awards Jape has a song about Christopher in his set list too. This saint is getting some exposure through music!
I found Ham Sandwich hard to define or find a comparison with. Perhaps that is the thing that makes them special. They are very much their own genre/sound and whatever they do, this crowd in Andrews Lane couldn’t get enough of them.
For the next song Niamh took out a mini keyboard/ blow instrument. She also cracked a joke about McNamee’s costume having a hole in it at the arse. They went on with Out of the Darkness which is a new song. They sing two separate refrains which is very effective. Niamh does a solo on her melodica thing and with beautiful hooks. With such a lovely song; they were bound to get a positive response from the crowd, which they did.
They did Keep sake with a thumping beat, plucky guitar by McNamee and lovely lyrics; I turned my face to the rain, I still can’t ask you to stay. The chorus is memorable here, melody line to die for!
Broken Glass – Distortion packed intro, choppy beat, punk style with a slinkiness about it. McNamee’s voice is a bit like Radiohead’s lead vocalist. The blend of the male and female voices are the key factor in Ham Sandwich’s sound. They went on to do Never Talk with a bashing chord riff and a sweet chorus of my heart, my hands, my head, my feet. In this song I particularly loved the way the two voices seemed to sing two separate refrains.
Then they did Words which involved a really uplifting melody line!
This was a song I heard at the Music Exhibition last year.
Finally they did a fabulous rendition of the Kate Bush number; Running up the Hill!
The drummer smacked his sticks together, and then played on one single drum for this song. I felt this to be an awe inspiring cover of a classic number. Dara and I were unanimous about the fact that this was a perfect finishing touch. I was reeling with the excitement from a night that must be the best 1st of May party of my life!
All three bands proved the reason why the venue was packed to capacity. Well done to them and Phantom 105!
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